D-BAs Lit. 115 (Bamberg Codex)

Staatsbibliothek, Bamberg, Germany

theory treatises and polyphony: second half of 13th century

Archive	Staatsbibliothek, Bamberg, Germany (D-BAs)
Shelfmark	Lit. 115 (Bamberg Codex)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	None
Measurements	263 x 186 mm
Other Identifiers	RISM: Ba olim (Former shelfmark): Ed.IV.6
Notations	Long-breve
Relationships	? Amerus (author (of treatise)) ? Alfred (author (of treatise))
External Links	colour high-resolution images 14th-century French music notation tutorials transcribed texts
Provenance	Eastern France (likely), France
Contents	110 pieces from 2 composers

Notation

clearly differentiated longs, breves and semibreves

DIAMM, 2017

Foliation

80 ff

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 1: A parchment manuscript measuring 263 x 186 mm. and cosisting of 80 folios with modern pencil foliation t.r.r. plus two unnumbered paper flyleaves. The binding is of ivory pigskin with tooling on the front and back. The designs in the middle, apparently a golden fleece and imperial decorations, are inlaid with gold and dated 1611. Two metal clasps complete the picture. The manuscript consists of two parts : the first contains 100 motets and 8 pieces in score and runs from fol. 1-64v, while the second is made up of the treatise Practica artis musicae by Alfred or Amerus (fol. 65-80) together with two added motets on fol. 80v. Generally the pages with motets are divided into two columns with Tr on the left, Mot on the right and T at the bottom running right across. In the rare cases where the T has a complete text, the page is divided into three columns corresponding to Tr, Mot and T, reading from left to right. There are usually ten five-line staves to a page, though for the pieces in score notation there are only nine. The two additional pieces on fol. 80-80v have 11 staves to the page. The music may be dated in the second half of the 13th century, but the manuscript's origin is not altogether clear. Certainly the lack of the script "ki" for "qui" etc. (though "kristi" and "karitas" are found) does not suggest a North French origin, though an East French origin seems likely. There is nothing Gothic about text or music in the main part. The coloured initials are in the usual red and blue without much ornament. The notation is more developed than that of fascicles 2-6 of Mo, for longs, breves and semibreves are clearly differentiated, and particularly in the T, the use of ligatures without perfection clarifies the modal choice. The main body of music seems to have been written by a single hand (though the two added motets on fol. 80-80v are in a rougher hand than the rest). The notation is Franconian, but the copyist has one or two traits of his own, such as the avoidance of oblique ligatures. As against the older fascicles of Mo with [breve, semibreve, semibreve]. Ba indicates clearly the position of short and long notes in conjuncturae by [semibreve, semibreve, breve]. The motets are arranged approximately in alphabetical order according to the first words of the Mot parts. The collection consists of 44 Latin motets (excluding the 2 later Latin motets on fol. 80v), 47 French ones and 9 with a mixture of Latin and French texts. One motet, the only four-part work in the manuscript, actually employs two different T simultaneously. All the other pieces are in three parts, including the 8 pieces in score, which consist of a conductus and 7 clausulae. 5 of these are In seculum compositions.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1-2	Ave, virgo regia, mater clementie / Ave, gloriosa mater salvatoris / Domino	-	Anonymous
Ave, virgo regia, mater clementie / Ave, gloriosa mater salvatoris / Domino Anonymous Appears on: 1-2 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, virgo regia, mater clementie Voice: Tenor Languages: Latin Clef: f3 Voice Text: Domino Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave, gloriosa mater salvatoris Layout parts
2	Ave, in styrpe spinosa florens / Ave, gloriosa viventium / Manere	-	Anonymous
Ave, in styrpe spinosa florens / Ave, gloriosa viventium / Manere Anonymous Appears on: 2 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Manere Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Ave, in styrpe spinosa florens Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ave, gloriosa viventium Layout parts
2v–3	Ave, virgo regia Dei plena gratia / Ave, plena gratie, prolis tam egregie / Fiat	-	Anonymous
Ave, virgo regia Dei plena gratia / Ave, plena gratie, prolis tam egregie / Fiat Anonymous Appears on: 2v–3 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, virgo regia dei plena gratia Voice: Tenor Languages: Latin Clef: f3 Voice Text: Fiat Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave, plena gratie, prolis tam egregie Layout parts
3–3v	Caeli domina, quam sanctorum agmina / Ave, virgo virginum, ave / Et super	-	Anonymous
Caeli domina, quam sanctorum agmina / Ave, virgo virginum, ave / Et super Anonymous Appears on: 3–3v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et super Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Celi domina, quam sanctorum agmina Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, virgo virginum, ave Layout parts
3v	Ave, regina caelorum, ave, domina / Alma redemptoris mater que previa / Alma	-	Anonymous
Ave, regina caelorum, ave, domina / Alma redemptoris mater que previa / Alma Anonymous Appears on: 3v Genres: Alma redemptoris mater, BVM, Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, regina celorum, ave, domina Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Alma redemptoris mater que previa Layout parts
4–4v	Agmina militiae caelestis omnia	-	Anonymous
Agmina militiae caelestis omnia Anonymous Appears on: 4–4v Genres: Motet Voice: Motetus Languages: Latin Clef: c3 Voice Text: Agmina militie candentia celi Voice: Tenor Languages: Latin Clef: c4 Voice Text: Agmina Voice: Motetus Languages: Latin Clef: c1 Voice Text: Agmina militie celestis omnia Layout parts
4v–5	Depositum creditum ubi custodias / Ad solitum vomitum ne redeas / Regnat	-	Anonymous
Depositum creditum ubi custodias / Ad solitum vomitum ne redeas / Regnat Anonymous Appears on: 4v–5 Genres: Motet Voice: Triplum Languages: Latin Clef: c3 Voice Text: Depositum creditum ubi custodias Voice: Motetus Languages: Latin Clef: c5 Voice Text: Ad solitum vomitum ne redeas Voice: Tenor Languages: Latin Clef: c5 Voice Text: Regnat Layout parts
5	Styrps regia, virgo Maria, tu tella / Armonizans cantica nostra psallat / Amen	-	Anonymous
Styrps regia, virgo Maria, tu tella / Armonizans cantica nostra psallat / Amen Anonymous Appears on: 5 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Armonizans cantica nostra psallat Voice: Tenor Languages: Latin Clef: f4 Voice Text: Amen Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Styrps regia, virgo Maria, tu tella Layout parts
5v	O Maria, regina gloriae, fons / Audi, pater, salva nos, tu qui es salus / Ya	-	Anonymous
O Maria, regina gloriae, fons / Audi, pater, salva nos, tu qui es salus / Ya Anonymous Appears on: 5v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Audi, pater, salva nos, tu qui es salus Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ya Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O Maria, regina glorie, fons Layout parts
5v–6v	Dame que j'aime et desire de fin coeur / Amours vaint tot fors de felon / Au tans d'este que cil oisel chantent / Et gaudebit	-	Anonymous
Dame que j'aime et desire de fin coeur / Amours vaint tot fors de felon / Au tans d'este que cil oisel chantent / Et gaudebit Anonymous Appears on: 5v–6v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Amours vaint tout fors cuer de felon Voice: [no designation] Languages: French Clef: c3 Voice Text: Au tens d'esté qui ci[l] oisiau chantent Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et gaudebit Layout parts
6v–7	Chançonnete, va t'en tost au rousignol / Ainc voir d'amors ne joï, si l'ai longuement / A la cheminée el froit mois de genvier / Par verité vueil esprover que vin françois	-	Anonymous
Chançonnete, va t'en tost au rousignol / Ainc voir d'amors ne joï, si l'ai longuement / A la cheminée el froit mois de genvier / Par verité vueil esprover que vin françois Anonymous Appears on: 6v–7 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Veritatem Voice: [no designation] Languages: French Clef: c3 Voice Text: Chanconnete, va t'en tost au roussignol Voice: [no designation] Languages: French Clef: c2 Voice Text: A la cheminée el froit mois de janvier Layout parts
7–7v	L'autre jour par un matin de jouste une vallée / Autens pascour tuit li pastour d'une contrée / In saeculum	-	Anonymous
L'autre jour par un matin de jouste une vallée / Autens pascour tuit li pastour d'une contrée / In saeculum Anonymous Appears on: 7–7v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum Voice: [no designation] Languages: French Clef: c3 Voice Text: Autens pascour tuit li pastour d'une contrée Voice: [no designation] Languages: French Clef: c2 Voice Text: L'autre jour par un matin de jouste une vallée Layout parts
7v–8	Partus fuit virginalis nobis necessarius / Beata viscera Marie virginis tam salutifera / Beata viscera	-	Anonymous
Partus fuit virginalis nobis necessarius / Beata viscera Marie virginis tam salutifera / Beata viscera Anonymous Appears on: 7v–8 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Beata [viscera] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Partus fuit virginalis nobis necessarius Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Beata viscera Marie virginis tam salutifera Layout parts
8–8v	Benigna caeli regina, beata / Beata es, Maria, pre ceteris / In veritate	-	Anonymous
Benigna caeli regina, beata / Beata es, Maria, pre ceteris / In veritate Anonymous Appears on: 8–8v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Beata es, Maria, pre ceteris Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Benigna celi regina, beata Voice: Tenor Languages: Latin Clef: f3 Voice Text: In veritate Layout parts
8v–9	A ce c'on dit bien m'acort que nus / Bele sans orguil et jone sans folie / Et confitebor	-	Anonymous
A ce c'on dit bien m'acort que nus / Bele sans orguil et jone sans folie / Et confitebor Anonymous Appears on: 8v–9 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Et] confitebor Voice: [no designation] Languages: French Clef: c1 Voice Text: A ce c'on dit bien m'acort que nus Voice: [no designation] Languages: French Clef: c2 Voice Text: Bele sans orguil et jone sans folie Layout parts
9–9v	Sea valors vient d'estre amourous / Bien me sui aparceü qe de vivre / Hic factus est	-	Anonymous
Sea valors vient d'estre amourous / Bien me sui aparceü qe de vivre / Hic factus est Anonymous Appears on: 9–9v Genres: Motet Voice: Tenor Languages: Latin Clef: f4 Voice Text: Hic factus est Voice: [no designation] Languages: French Clef: c4 Voice Text: Bien me sui apercheüs que de vivre Voice: [no designation] Languages: French Clef: c4 Voice Text: Se valours vient d'estre amourous Layout parts
9v	Trop souvent me duel et sui en grieté / Brunete, a cui j'ai mon coeur douné / In saeculum	-	Anonymous
Trop souvent me duel et sui en grieté / Brunete, a cui j'ai mon coeur douné / In saeculum Anonymous Appears on: 9v Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Brunete, a cui j'ai mon cuer douné Voice: [no designation] Languages: French Clef: c2 Voice Text: Trop souvent me duel et sui en grieté Voice: Tenor Languages: Latin, French Clef: c3 Voice Text: In seculum Layout parts
9v–v	Au douz tanz que chantent cil oisel / Beaux douces amis, m'avés vous foi portée / Manere	-	Anonymous
Au douz tanz que chantent cil oisel / Beaux douces amis, m'avés vous foi portée / Manere Anonymous Appears on: 9v–v Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Manere Voice: [no designation] Languages: French Clef: c3 Voice Text: Biaus dous amis, m'avés vous foi portée Voice: [no designation] Languages: French Clef: c2 Voice Text: Au dous tens que chantent cil oisel Layout parts
11	Cruci Domini sit cunctis horis laus / Crux, forma penitentie, gratie / Portare	-	Anonymous
Cruci Domini sit cunctis horis laus / Crux, forma penitentie, gratie / Portare Anonymous Appears on: 11 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Crux, forma penitentie, gratie Voice: Tenor Languages: Latin Clef: c3 Voice Text: Portare Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cruci domini sit cunctis horis laus Layout parts
11v	Salve, laborantium protectio, nostra / Caeli luminarium, angelorum domina / Omnes	-	Anonymous
Salve, laborantium protectio, nostra / Caeli luminarium, angelorum domina / Omnes Anonymous Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve, laborantium protectio, nostra Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Celi luminarium, angelorum domina Layout parts
11v–12	Ut caelesti possimus frui dulcedine / Cum sit natus hodie de Virgine / Haec dies	-	Anonymous
Ut caelesti possimus frui dulcedine / Cum sit natus hodie de Virgine / Haec dies Anonymous Appears on: 11v–12 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Hec dies Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ut celesti possimus frui dulcedine Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Cum sit natus hodie de Virgine Layout parts
12–12v	Dieus, ou porrai je trouver merci / Ce sont amouretes qui mi tiennent / Omnes	-	Anonymous
Dieus, ou porrai je trouver merci / Ce sont amouretes qui mi tiennent / Omnes Anonymous Appears on: 12–12v Genres: Motet Voice: Tenor Languages: French Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c3 Voice Text: Dieus, ou porrai je trouver merci Voice: [no designation] Languages: French Clef: c4 Voice Text: Ce sont amouretes qui mi tiennent Layout parts
13	Que bien aimme, il ne doit mie demie la nuit dormir / Cuers qui dort, il n'aime pas, ja n'i dormirai / Omnes	-	Anonymous
Que bien aimme, il ne doit mie demie la nuit dormir / Cuers qui dort, il n'aime pas, ja n'i dormirai / Omnes Anonymous Appears on: 13 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Que bien aimme, il ne doit mie demie la nuit dormir Voice: Tenor Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c2 Voice Text: Cuers qui dort, il n'aime pas, ja n'i dormirai Layout parts
13–14	Entre Adam et Haniqal / Chiés bien cheant / Aptatur	-	Halle, Adam de la (ca. 1245–ca. 1306)
Entre Adam et Haniqal / Chiés bien cheant / Aptatur Halle, Adam de la (ca. 1245–ca. 1306) Appears on: 13–14 Genres: Motet Voice: Tenor Languages: Latin Clef: c5 Voice Text: Aptatur Voice: [no designation] Languages: French Clef: c3 Voice Text: Entre Adam et Henequel, Hancart et Gautelot Voice: [no designation] Languages: French Clef: c4 Voice Text: Chief bien seant, ondés et fremians Layout parts
14	Gaude super omnia, mater ecclesia / Descendi in ortum meum / Alma	-	Anonymous
Gaude super omnia, mater ecclesia / Descendi in ortum meum / Alma Anonymous Appears on: 14 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Alma Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Descendi in ortum meum Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Gaude super omnia, mater ecclesia Layout parts
14v	El mois de mai que chante la malvi / De se debent bigami non de papa / Kyrie	-	Anonymous
El mois de mai que chante la malvi / De se debent bigami non de papa / Kyrie Anonymous Appears on: 14v Genres: Kyrie eleison, Motet Voice: [no designation] Languages: Latin, Greek Clef: c4 Voice Text: De se debent bigami non de papa Voice: [no designation] Languages: Latin, Greek Clef: c3 Voice Text: El mois de mai que chante la malvi Voice: Tenor Languages: Latin, Greek Clef: f3 Voice Text: Kyrie Layout parts
15	Je ne quier mais a ma vie soulete / Dieus, trop mal me pert que j'aie amé quand par mi / Misit	-	Anonymous
Je ne quier mais a ma vie soulete / Dieus, trop mal me pert que j'aie amé quand par mi / Misit Anonymous Appears on: 15 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Je ne quier mais a ma vie soulete Voice: [no designation] Languages: French Clef: f3 Voice Text: Misit Voice: [no designation] Languages: French Clef: c3 Voice Text: Dieus, trop mal me pert que j'aie amé quant par mi Layout parts
15–15v	Dieus, je fui ja pres de joïr: or n'i voi / Dieus, je n'i puis la nuit dormir / Alleluia Et vide et inclina aurem tuam	-	Anonymous
Dieus, je fui ja pres de joïr: or n'i voi / Dieus, je n'i puis la nuit dormir / Alleluia Et vide et inclina aurem tuam Anonymous Appears on: 15–15v Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: (Alleluya) [Et vide et inclina aurem tuam] Voice: [no designation] Languages: French Clef: c2 Voice Text: Dieus, je fui ja pres de joïr: or n'i voi Voice: [no designation] Languages: French Clef: c3 Voice Text: Dieus, je n'i puis la nuit dormir Layout parts
15v–16	Ex semine rosa prodit spine / Ex semine Abrahe, divino / Ex semine	-	Anonymous
Ex semine rosa prodit spine / Ex semine Abrahe, divino / Ex semine Anonymous Appears on: 15v–16 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ex semine rosa prodit spine Voice: Tenor Languages: Latin Clef: c2 Voice Text: Ex semine Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Ex semine Abrahe, divino Layout parts
16	Psallat chorus in novo carmine / Eximie pater egregie, rector / Aptatur	-	Anonymous
Psallat chorus in novo carmine / Eximie pater egregie, rector / Aptatur Anonymous Appears on: 16 Voice: Tenor Languages: Latin Clef: c3 Voice Text: Aptatur Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Psallat chorus in novo carmine Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Eximie pater et regie, rector Layout parts
16v	Dominator Domine, qui de virgine / Ecce ministerium profert alvus virginis / Domino	-	Anonymous
Dominator Domine, qui de virgine / Ecce ministerium profert alvus virginis / Domino Anonymous Appears on: 16v Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Domino Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Dominator domine, qui de virgine Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ecce ministerium profert alvus virginis Layout parts
16v–17v	Or voi je bien que il mi convent descovrir / Eximium decus virginum reorumque / Virgo	-	Anonymous
Or voi je bien que il mi convent descovrir / Eximium decus virginum reorumque / Virgo Anonymous Appears on: 16v–17v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Virgo Voice: [no designation] Languages: French Clef: c2 Voice Text: Or voi je bien que il mi convient descouvrir Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Eximium decus virginum reorumque Layout parts
18–18v	Salve, virgo virginum / Est-il dont ainsi / Aptatur	-	Anonymous
Salve, virgo virginum / Est-il dont ainsi / Aptatur Anonymous Appears on: 18–18v Genres: Motet Voice: Tenor Languages: Latin, French Clef: c5 Voice Text: Aptatur Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Salve, virgo virginum, salve, lumen Voice: [no designation] Languages: Latin, French Clef: c4 Voice Text: Est il donc einsi que la bele Layout parts
18v–19	Hé, Marotele, alons au bois juer / En la praerie Robins et s'amie / Aptatur	-	Anonymous
Hé, Marotele, alons au bois juer / En la praerie Robins et s'amie / Aptatur Anonymous Appears on: 18v–19 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: En la praerie Robins et s'amie Voice: [no designation] Languages: French Clef: c2 Voice Text: Hé, Marotele, alon[s] au bois juer Voice: Tenor Languages: Latin Clef: f3 Voice Text: Aptatur Layout parts
19–19v	Je ne puis, amie, ces mals endurer / Flor de lis, rose espanie, taillie / Proh dolor	-	Anonymous
Je ne puis, amie, ces mals endurer / Flor de lis, rose espanie, taillie / Proh dolor Anonymous Appears on: 19–19v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Proh dolor Voice: Motetus Languages: French Clef: c3 Voice Text: Flor de lis, rose espanie, taillie Voice: Triplum Languages: French Clef: [c2/c1] Voice Text: Je ne puis, amie, ces mals endurer Layout parts
19v–20	Povre secours ai encore recovré / Gaude, chorus omnium fidelium / Angelus	-	Anonymous
Povre secours ai encore recovré / Gaude, chorus omnium fidelium / Angelus Anonymous Appears on: 19v–20 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaude, chorus omnium fidelium Voice: [no designation] Languages: French Clef: c3 Voice Text: Povre secours ai (o) [e]ncore recovré Voice: Tenor Languages: Latin Clef: f3 Voice Text: Angelus Layout parts
20v	Homo, luge, fuge, fuge mortalia / Homo miserabilis, tu nunquam / Brumans est mors	-	Anonymous
Homo, luge, fuge, fuge mortalia / Homo miserabilis, tu nunquam / Brumans est mors Anonymous Appears on: 20v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Homo miserabilis, tu nunquam Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Homo, luge, fuge, fuge mortalia Voice: Tenor Languages: Latin Clef: c4 Voice Text: Brumans est mors Layout parts
21–21v	LDe vois tres serie, de douchour garnie / Hé, bone amourete, plus que riens doucete / Aptatur	-	Anonymous
LDe vois tres serie, de douchour garnie / Hé, bone amourete, plus que riens doucete / Aptatur Anonymous Appears on: 21–21v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: (L)[D]e vois tres serie, de douchour garnie Voice: [no designation] Languages: Latin, French Clef: f3 Voice Text: Aptatur Voice: [no designation] Languages: French Clef: c3 Voice Text: Hé, bone amourete, plus que riens doucete Layout parts
22	Dame de valour et de bonté / Hé, diex, quand je remir son cors le gay / Amoris	-	Anonymous
Dame de valour et de bonté / Hé, diex, quand je remir son cors le gay / Amoris Anonymous Appears on: 22 Genres: Motet Voice: [no designation] Languages: French Clef: c4 Voice Text: (D)[H]é, [dieus] (hé), quant je remir son cors le gai Voice: Tenor Languages: Latin Clef: c4 Voice Text: Amoris Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame de valour et de bonté Layout parts
22v	L'autre jour par un matinet m'en alait / Hier matinet trouvait sans son bergeret / Omnes Ite missa est	-	Anonymous
L'autre jour par un matinet m'en alait / Hier matinet trouvait sans son bergeret / Omnes Ite missa est Anonymous Appears on: 22v Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Hier matinet trouvai sans son bergeret Voice: Tenor Languages: Latin Clef: c5 Voice Text: (Omnes) [Ite missa est] Voice: [no designation] Languages: French Clef: c2 Voice Text: L'autre jour par un matinet m'en alai Layout parts
23	Par un matinet l'autrier oï chanter / Hé, bergier! si grant envie j'ai de toi / Eius	-	Anonymous
Par un matinet l'autrier oï chanter / Hé, bergier! si grant envie j'ai de toi / Eius Anonymous Appears on: 23 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Par un matinet l'autrier oï chanter Voice: [no designation] Languages: French Clef: c4 Voice Text: Hé, bergier, si grant envie j'ai de toi Voice: Tenor Languages: Latin Clef: f3 Voice Text: Eius Layout parts
23–23v	Bele Aëlis / Herou, herou / Flos filius eius	-	Anonymous
Bele Aëlis / Herou, herou / Flos filius eius Anonymous Appears on: 23–23v Genres: Motet Voice: [no designation] Languages: Latin, French Clef: c3 Voice Text: Bele (ea) [Aë]lis par matin se leva Voice: [no designation] Languages: Latin, French Clef: c4 Voice Text: Haro, haro, je la voi la, la riens Voice: Tenor Languages: Latin Clef: f4 Voice Text: Flos filius [eius] Layout parts
24	Amoureusement mi tient li maus / Hé, Amours, mourrai je pour caeli / Omnes	-	Anonymous
Amoureusement mi tient li maus / Hé, Amours, mourrai je pour caeli / Omnes Anonymous Appears on: 24 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c3 Voice Text: Amourousement mi tient li maus Voice: [no designation] Languages: French Clef: c3 Voice Text: Hé, Amours, mourrai je pour celi Layout parts
24v–25	Chorus innocentium sub Herodis / In Bethlehem Herodes iratus	-	Anonymous
Chorus innocentium sub Herodis / In Bethlehem Herodes iratus Anonymous Appears on: 24v–25 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In Bethleem Herodes iratus Voice: Tenor Languages: Latin Clef: c4 Voice Text: In Bethleem Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Chorus innocentium sub Herodis Layout parts
25–26v	In salvatoris nomine / In veritate comperi, quod sceleri / Veritatem	-	Anonymous
In salvatoris nomine / In veritate comperi, quod sceleri / Veritatem Anonymous Appears on: 25–26v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: In veritate comperi, quod sceleri Voice: [no designation] Languages: Latin Clef: c2 Voice Text: In salvatoris nomine Voice: Tenor Languages: Latin Clef: f3 Voice Text: In veritate Layout parts
26v–27	Rex tremende, nos deffende, nobis tende / In perhenni saeculorum mane	-	Anonymous
Rex tremende, nos deffende, nobis tende / In perhenni saeculorum mane Anonymous Appears on: 26v–27 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In perhenni seculorum mane ... Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Rex tremende, nos deffende, nobis tende Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In perhenni Layout parts
27–28v	Mout me fu gries li departir de m'amiete / In omni fratre tuo non habeas / In saeculum	-	Anonymous
Mout me fu gries li departir de m'amiete / In omni fratre tuo non habeas / In saeculum Anonymous Appears on: 27–28v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: In omni fratre tuo non habeas Voice: Tenor Languages: Latin Clef: c3 Voice Text: In seculum Voice: [no designation] Languages: French Clef: c1 Voice Text: Mout me fu gries li departir de m'amiete, la bele Layout parts
29–29v	Joie et soulas ne mi vaut puisqu'a la bele / Jonete sui, brune, cleire et plaisans / Eius	-	Anonymous
Joie et soulas ne mi vaut puisqu'a la bele / Jonete sui, brune, cleire et plaisans / Eius Anonymous Appears on: 29–29v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Jonete sui, brune, cleire et plaisans Voice: [no designation] Languages: French Clef: c3 Voice Text: Joie et soulas ne mi vaut puisqu'a la bele Voice: Tenor Languages: Latin Clef: f3 Voice Text: Eius Layout parts
29v–30	Quant voi la flourete naître en la prée / Je sui joliete, doucete et plaisans / Aptatur	-	Anonymous
Quant voi la flourete naître en la prée / Je sui joliete, doucete et plaisans / Aptatur Anonymous Appears on: 29v–30 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant voi la flourete naistre en la prée Voice: Tenor Languages: Latin, French Clef: f3 Voice Text: (O)[A]ptatur Voice: [no designation] Languages: French Clef: c3 Voice Text: Je sui joliete, doucete et plaisans Layout parts
30v	Je cuidoie avoir amours sans jamais penser / Je chantasse par revel pour caeli / Et ne nos	-	Anonymous
Je cuidoie avoir amours sans jamais penser / Je chantasse par revel pour caeli / Et ne nos Anonymous Appears on: 30v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Je chantasse par revel pour celi Voice: [no designation] Languages: Latin, French Clef: c4 Voice Text: Et ne nos Voice: [no designation] Languages: French Clef: c2 Voice Text: Je cuidoie avoir amours sans jamais penser Layout parts
31	Ne sai tant Amours servir qu'el mi vuille / Ja de bone amour mes coeurs ne se departira / Portare	-	Anonymous
Ne sai tant Amours servir qu'el mi vuille / Ja de bone amour mes coeurs ne se departira / Portare Anonymous Appears on: 31 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Portare Voice: [no designation] Languages: French Clef: c2 Voice Text: Ne sai tant Amours servir qu'el mi vuille Voice: [no designation] Languages: French Clef: c1 Voice Text: Ja de bone amour mes cuers ne se departira Layout parts
31v–32	Entre Copin et Borgoi / Je me quidoie / Belle Izabelos	-	Anonymous
Entre Copin et Borgoi / Je me quidoie / Belle Izabelos Anonymous Appears on: 31v–32 Genres: Motet Voice: Tenor Languages: French Clef: c4 Voice Text: Bele Ysabelos m'a mort, bele Ysabelot Voice: [no designation] Languages: French Clef: c3 Voice Text: Je me cuidoie tenir desoremais de chantar Voice: [no designation] Languages: French Clef: c2 Voice Text: Entre Copin et Bourjois, Hanicot et Charlot Layout parts
32–32v	Au coeur ai un mal / Je ne m'en repentirai / Jolietement me tient	-	Anonymous
Au coeur ai un mal / Je ne m'en repentirai / Jolietement me tient Anonymous Appears on: 32–32v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Au cuer ai un mal qui mi destraint griement Voice: Tenor Languages: French Clef: c4 Voice Text: Jolietement mi tient li mal d'amer, jolietement Voice: [no designation] Languages: French Clef: c3 Voice Text: Ja ne m'en departirai d'amer Layout parts
32v–34	Qui amours veut / Li douls penseirs / Cis a cui je sui ameit	-	Anonymous
Qui amours veut / Li douls penseirs / Cis a cui je sui ameit Anonymous Appears on: 32v–34 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Li dous penser qui mi vient de celi Voice: [no designation] Languages: French Clef: c3 Voice Text: Qui amours vuelt maintenir et servir Voice: Tenor Languages: French Clef: c4 Voice Text: Cis a cui je sui amie est preux et gais Layout parts
34v	La bele estoile de mer cui amer / La belle en cui je me fi merci cri / Johanne	-	Anonymous
La bele estoile de mer cui amer / La belle en cui je me fi merci cri / Johanne Anonymous Appears on: 34v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Johanne Voice: [no designation] Languages: French Clef: c2 Voice Text: La bele estoile de mer cui amer Voice: [no designation] Languages: French Clef: c3 Voice Text: La bele en cui je me fi merci cri Layout parts
34v–35	Par un matinet l'autrier m'aloie / Les un bosquet vi Robinet / Portare	-	Anonymous
Par un matinet l'autrier m'aloie / Les un bosquet vi Robinet / Portare Anonymous Appears on: 34v–35 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Portare Voice: [no designation] Languages: French Clef: c2 Voice Text: Par un matinet l'autrier m'aloie Voice: [no designation] Languages: French Clef: c2 Voice Text: Les un bosquet vi Robinet Layout parts
35v–36	Cele m'a tolu la vie qui lonc tens / Lonc tans a que ne vi m'amie / Et sperabit	-	Anonymous
Cele m'a tolu la vie qui lonc tens / Lonc tans a que ne vi m'amie / Et sperabit Anonymous Appears on: 35v–36 Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Cele m'a tolu la vie qui lonc tens Voice: [no designation] Languages: French Clef: c2 Voice Text: Lonc tans a que ne vi m'amie Voice: Tenor Languages: Latin Clef: c3 Voice Text: Et sperabit Layout parts
36–v	Virginis preconia cum melodia / Mellis steilla, maris stella, rosa / Domino	-	Anonymous
Virginis preconia cum melodia / Mellis steilla, maris stella, rosa / Domino Anonymous Appears on: 36–v Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Domino Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Virginis preconia cum melodia Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mellis st(e)[i]lla, maris stella, rosa Layout parts
36v–37	Amor vincens omnia potentia / Marie preconio devotio / Aptatur	-	Anonymous
Amor vincens omnia potentia / Marie preconio devotio / Aptatur Anonymous Appears on: 36v–37 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Marie preconio devotio Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Amor vincit omnia potentia Voice: Tenor Languages: Latin Clef: f3 Voice Text: Aptatur Layout parts
37	Prima cedit femina serpentis / Mulierum hodie major natur	-	Anonymous
Prima cedit femina serpentis / Mulierum hodie major natur Anonymous Appears on: 37 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Prima cedit femina serpentis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Mulierum hodie maior natur Voice: Tenor Languages: Latin Clef: c4 Voice Text: Mulierum Layout parts
37v–38	Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu	-	Anonymous
Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu Anonymous Appears on: 37v–38 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Mors [morsu] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mors, que stimulo nos urges emulo Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mors morsu nata venenato, mors Layout parts
38–v	Encontre le tens de pascour que tous amants / Mens fidem seminat, fides spem germinat / In odorem	-	Anonymous
Encontre le tens de pascour que tous amants / Mens fidem seminat, fides spem germinat / In odorem Anonymous Appears on: 38–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mens fidem seminat, fides spem germinat Voice: Tenor Languages: Latin Clef: c5 Voice Text: In odorem Voice: [no designation] Languages: French Clef: c4 Voice Text: Encontre le tens de pascour que tuit amant Layout parts
39v–v	Hé, dieus, de si haut si bas sui souples / Mal batu longuement ploure / Cumque	-	Anonymous
Hé, dieus, de si haut si bas sui souples / Mal batu longuement ploure / Cumque Anonymous Appears on: 39v–v Genres: Motet Voice: Tenor Languages: French Clef: c4 Voice Text: Cumque Voice: [no designation] Languages: French Clef: c3 Voice Text: Hé, dieus, de si haut si bas sui souples Voice: [no designation] Languages: French Clef: c3 Voice Text: Mal batu longuement ploure Layout parts
40v–41	Li doz maus m'ocit que j'ai, ja sans li / Trop ai lonc tens en folie sejorné / Ma loiautes m'a nuisi vers amours / In saeculum	-	Anonymous
Li doz maus m'ocit que j'ai, ja sans li / Trop ai lonc tens en folie sejorné / Ma loiautes m'a nuisi vers amours / In saeculum Anonymous Appears on: 40v–41 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: In seculum Voice: [no designation] Languages: French Clef: c3 Voice Text: Li dous maus m'ocit que j'ai, ja sans lie Voice: [no designation] Languages: French Clef: c3 Voice Text: Ma loiautés m'a nuisi vers Amours par Layout parts
41–v	Mout est fous qui s'entremet de fame / Mourrai je en atendant, Amours / Omnes	-	Anonymous
Mout est fous qui s'entremet de fame / Mourrai je en atendant, Amours / Omnes Anonymous Appears on: 41–v Genres: Motet Voice: Tenor Languages: French Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c2 Voice Text: Mout est fous qui s'entremet de fame Voice: [no designation] Languages: French Clef: c3 Voice Text: (P)[M]ourrai je en atendant, Amours Layout parts
41v–42	Non pepercit Deus filio proprio / Non pepercit Deus nato proprio / Mors	-	Anonymous
Non pepercit Deus filio proprio / Non pepercit Deus nato proprio / Mors Anonymous Appears on: 41v–42 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Mors Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Non pepercit deus filio proprio Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Non pepercit deus nato proprio Layout parts
42v–3v	Quant florist la violete, la rose et la flor / Non orphanum te deseram sed efferam / Et gaudebit	-	Anonymous
Quant florist la violete, la rose et la flor / Non orphanum te deseram sed efferam / Et gaudebit Anonymous Appears on: 42v–3v Genres: Motet Voice: Tenor Languages: Latin, French Clef: c4 Voice Text: Et gaudebit Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant flourist la violete, la rose et la flour Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Non orphanum te deseram sed efferam Layout parts
43v–44	Pour caeli que j'ains et pris sui en grief tourment / Nicholaus igitur plenus gratia / Portare	-	Anonymous
Pour caeli que j'ains et pris sui en grief tourment / Nicholaus igitur plenus gratia / Portare Anonymous Appears on: 43v–44 Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Pour celi que j'ains et pris sui en grief tourment Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Nicholaus igitur plenus gratia Voice: Tenor Languages: Latin Clef: c3 Voice Text: Portare Layout parts
44–5	Quant vient en mai qu'erbe va verdoiant / Ne sai que je die, tant voi vilanie / Amoris Johanne	-	Anonymous
Quant vient en mai qu'erbe va verdoiant / Ne sai que je die, tant voi vilanie / Amoris Johanne Anonymous Appears on: 44–5 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant vient en mai qu'erbe va verdoiant Voice: [no designation] Languages: French Clef: c4 Voice Text: Ne sai que je die, tant voi vilanie Voice: Tenor Languages: Latin, French Clef: c5 Voice Text: (Amoris) [Johanne] Layout parts
45–v	Que ferai, biau sire dieus? si mi ont navré / Ne puet faillir a honour fins coeurs / Descendentibus	-	Anonymous
Que ferai, biau sire dieus? si mi ont navré / Ne puet faillir a honour fins coeurs / Descendentibus Anonymous Appears on: 45–v Genres: Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Que ferai, biau sire dieus? si mi ont navré Voice: Tenor Languages: French Clef: c4 Voice Text: Descendentibus Voice: [no designation] Languages: French Clef: c2 Voice Text: Ne puet faillir a honour fins cuers Layout parts
45v–46	Nus ne mi pourroit conforter ne donner / Nonne sui, nonne, laissiés m'aler / Aptatur	-	Anonymous
Nus ne mi pourroit conforter ne donner / Nonne sui, nonne, laissiés m'aler / Aptatur Anonymous Appears on: 45v–46 Genres: Motet Voice: [no designation] Languages: French Clef: c4 Voice Text: Nonne sui, nonne, laissiés m'aler Voice: [no designation] Languages: French Clef: c3 Voice Text: Nus ne mi pourroit conforter ne donner Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Aptatur Layout parts
46–v	Cil s'entrement de folie qui contre amours / Nus hons ne pourroit savoir que c'est / Victime	-	Anonymous
Cil s'entrement de folie qui contre amours / Nus hons ne pourroit savoir que c'est / Victime Anonymous Appears on: 46–v Genres: Chanson, Motet Voice: [no designation] Languages: French Clef: c4 Voice Text: Cil s'entrement de folie qui contre amours Voice: [no designation] Languages: French Clef: c4 Voice Text: Nus hons ne pourroit savoir que c'est Voice: Tenor Languages: Latin Clef: f3 Voice Text: Victime Layout parts
46v–47	Navrés sui au coeur si tres doucement / Navrés sui pres dou coeur sans plaie / Veritatem	-	Anonymous
Navrés sui au coeur si tres doucement / Navrés sui pres dou coeur sans plaie / Veritatem Anonymous Appears on: 46v–47 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Veritatem Voice: [no designation] Languages: French Clef: c4 Voice Text: Navrés sui pres dou cuer sans plaie Voice: [no designation] Languages: French Clef: c3 Voice Text: Navrés sui au cuer si tres doucement Layout parts
47–v	Hypocrite pseudopontifices ecclesiae / O quam sancta, quam benigna fulget mater / Et gaudebit	-	Anonymous
Hypocrite pseudopontifices ecclesiae / O quam sancta, quam benigna fulget mater / Et gaudebit Anonymous Appears on: 47–v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Et gaudebit Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ypocrite pseudopontifices ecclesie Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O quam sancta, quam benigna fu[l]get mater Layout parts
48v–49	O Maria, virgo davitica / O Maria, maris stella plena gratie / Veritatem	-	Anonymous
O Maria, virgo davitica / O Maria, maris stella plena gratie / Veritatem Anonymous Appears on: 48v–49 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Misit dominus Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O Maria, virgo davitica Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O Maria, maris stella plena gratie Layout parts
49v	Tu decus et decoris et solamen / O Maria, beata genitrix / Nostrum	-	Anonymous
Tu decus et decoris et solamen / O Maria, beata genitrix / Nostrum Anonymous Appears on: 49v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Nostrum Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O Maria, beata genitrix Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tu decus es decoris et solamen Layout parts
49v–v	Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	-	Anonymous
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati Anonymous Appears on: 49v–v Genres: Motet Voice: Tenor Languages: Latin Clef: c5 Voice Text: Mane prima [sabbati] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Conditio nature defuit in filio Voice: [no designation] Languages: Latin Clef: c5 Voice Text: O natio nephandi generis Layout parts
50v–51	D'amer ne me fain je pas, et pour ce / Onques d'amer ne fui las, n'encor / Aperis	-	Anonymous
D'amer ne me fain je pas, et pour ce / Onques d'amer ne fui las, n'encor / Aperis Anonymous Appears on: 50v–51 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Aperis Voice: [no designation] Languages: French Clef: c3 Voice Text: D'amer ne me fain je pas, et pour ce Voice: [no designation] Languages: French Clef: [c2] Voice Text: Onques d'amer ne fui las, n'encor Layout parts
51–v	De facili contempnit omnia / Propositum quidem negotii est / Egregie	-	Anonymous
De facili contempnit omnia / Propositum quidem negotii est / Egregie Anonymous Appears on: 51–v Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Egregie Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Propositum quidem negotii est Voice: [no designation] Languages: Latin Clef: c2 Voice Text: De facili contempnit omnia Layout parts
52	En non dieu, que que nus die, quand voi / Quant voi la rose espanie, l'erbe vert / Nobis	-	Anonymous
En non dieu, que que nus die, quand voi / Quant voi la rose espanie, l'erbe vert / Nobis Anonymous Appears on: 52 Genres: Motet Voice: [no designation] Languages: French Clef: c4 Voice Text: Quant voi la rose espanie, l'erbe vert Voice: Tenor Languages: Latin Clef: f3 Voice Text: Nobis Voice: [no designation] Languages: French Clef: c3 Voice Text: En non dieu, que que nus die, quant voi Layout parts
52v	Mout me fu gries li departirs de m'amiete / Robins m'aimme, Robins m'a / Portare	-	Anonymous
Mout me fu gries li departirs de m'amiete / Robins m'aimme, Robins m'a / Portare Anonymous Appears on: 52v Genres: Motet Voice: [no designation] Languages: French Clef: c1 Voice Text: Mout me fu gries li departirs de m'amiete Voice: Tenor Languages: Latin Clef: c3 Voice Text: Portare Voice: [no designation] Languages: French Clef: c3 Voice Text: Robins m'aimme, Robins m'a Layout parts
53	Il n'a en toi sens ne valours, Robins / Robins, li malvais ouvriers, a escondit / Omnes	-	Anonymous
Il n'a en toi sens ne valours, Robins / Robins, li malvais ouvriers, a escondit / Omnes Anonymous Appears on: 53 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Il n'a en toi sens ne valours, Robins Voice: [no designation] Languages: French Clef: c3 Voice Text: Robins, li malvais ouvriers, a escondit Voice: Tenor Languages: Latin Clef: f3 Voice Text: Omnes Layout parts
53–v	Douce dame par amours, virge mere / Salve, virgo virginum Dei / Cumque	-	Anonymous
Douce dame par amours, virge mere / Salve, virgo virginum Dei / Cumque Anonymous Appears on: 53–v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Cumque Voice: [no designation] Languages: French Clef: c3 Voice Text: Douce dame par amours, virge mere Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve, virgo virginum dei Layout parts
53v–54	Ave, lux luminum, ave, splendor / Salve, virgo, rubens rosa, sola / Neuma	-	Anonymous
Ave, lux luminum, ave, splendor / Salve, virgo, rubens rosa, sola / Neuma Anonymous Appears on: 53v–54 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Neuma Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salve, virgo, rubens rosa, sola Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ave, lux luminum, ave, splendor Layout parts
54	O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie	-	Anonymous
O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie Anonymous Appears on: 54 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Salve, mater salutifera, claritatis Voice: [no designation] Languages: Latin, Greek Clef: c4 Voice Text: Kyrie Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O miranda dei caritas, per peccatum Layout parts
54v–55	Ave, plena gratie, fundamentum / Salve, virgo regia, flos virginum / Aptatur	-	Anonymous
Ave, plena gratie, fundamentum / Salve, virgo regia, flos virginum / Aptatur Anonymous Appears on: 54v–55 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Aptatur Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, plena gratie, fundamentum Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Salve, virgo regia, flos virginum Layout parts
55	Salve, virgo Katherina, regis filia / Sicut solis radium quoddam corpus / Haec dies	-	Anonymous
Salve, virgo Katherina, regis filia / Sicut solis radium quoddam corpus / Haec dies Anonymous Appears on: 55 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Salve, virgo Katherina, regis filia Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Sicut solis radium quoddam corpus Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Hec dies Layout parts
55v	Tanquam suscipit vellus pluviam / Quant n'est la flor en la prée, que l'erbete / Tanquam agnus ductus ad victimam crucem	-	Anonymous
Tanquam suscipit vellus pluviam / Quant n'est la flor en la prée, que l'erbete / Tanquam agnus ductus ad victimam crucem Anonymous Appears on: 55v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Tanquam Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Tanquam agnus ductus ad victimam crucem Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Tanquam suscipit vellus pluviam Layout parts
56	Se j'ai servi longuement Amours / Trop longuement m'a failli ma dame / Pro patribus	-	Anonymous
Se j'ai servi longuement Amours / Trop longuement m'a failli ma dame / Pro patribus Anonymous Appears on: 56 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Trop longuement m'a failli ma dame Voice: Tenor Languages: Latin Clef: c3 Voice Text: Pro patribus Voice: [no designation] Languages: French Clef: c2 Voice Text: Se j'ai servi longuement Amours Layout parts
56v–57	Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes	-	Anonymous
Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes Anonymous Appears on: 56v–57 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Je m'en vois, ma douce amie, si vous Voice: Tenor Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c3 Voice Text: Tels a mout le cuer hardi en cuidier Layout parts
57	Tant mi plaist a vous penser, fins coeurs / Tout li coeurs me rit de joie de vostre beauté / Omnes	-	Anonymous
Tant mi plaist a vous penser, fins coeurs / Tout li coeurs me rit de joie de vostre beauté / Omnes Anonymous Appears on: 57 Genres: Motet Voice: Tenor Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: French Clef: c3 Voice Text: Tout li cuers me rit de joie de vostre biauté Voice: [no designation] Languages: French Clef: c3 Voice Text: Tant mi plaist a vous penser, fins cuers Layout parts
57v–58	Je ne chant pas par renvoiserie, ne par jolieté / Talens m'est pris de chanter pour caeli / Aptatur / Omnes	-	Anonymous
Je ne chant pas par renvoiserie, ne par jolieté / Talens m'est pris de chanter pour caeli / Aptatur / Omnes Anonymous Appears on: 57v–58 Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: Je ne chant pas par renvoiserie, ne par jolieté Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Omnes Voice: [no designation] Languages: Latin, French Clef: f3 Voice Text: (O)[A]ptatur Voice: [no designation] Languages: French Clef: c3 Voice Text: Talens m'est pris de chanter pour celi Layout parts
58–v	Amours qui va par mesage ne pourroit / Toute seule passerai li bois ramé / Neuma Notum	-	Anonymous
Amours qui va par mesage ne pourroit / Toute seule passerai li bois ramé / Neuma Notum Anonymous Appears on: 58–v Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Notum Voice: [no designation] Languages: French Clef: f3 Voice Text: Toute soule passerai li bois ramé Voice: [no designation] Languages: French Clef: c4 Voice Text: Amours qui vient par mesage ne pourroit Layout parts
58v–9v	Virgo Maria, mater speciosa / Virgo gloriosa, forma virginalis / Laetabitur	-	Anonymous
Virgo Maria, mater speciosa / Virgo gloriosa, forma virginalis / Laetabitur Anonymous Appears on: 58v–9v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Letabitur Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Virgo Maria, mater speciosa Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Virgo gloriosa, forma virginalis Layout parts
59v–60	Res nova mirabilis - 1a pars (of 2): Res nova mirabilis, virgo semper / Virgo, decus castitatis, virgo / Alleluia	-	Anonymous
Res nova mirabilis - 1a pars (of 2): Res nova mirabilis, virgo semper / Virgo, decus castitatis, virgo / Alleluia Anonymous Appears on: 59v–60 Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: Alleluya Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Virgo, decus castitatis, virgo Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Res nova mirabilis, virgo semper Layout parts
60–60v	O mitissima virgo Maria / Virgo virginum, lumen luminum / Haec dies	-	Anonymous
O mitissima virgo Maria / Virgo virginum, lumen luminum / Haec dies Anonymous Appears on: 60–60v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: O mitissima virgo Maria Voice: Tenor Languages: Latin Clef: c4 Voice Text: Hec dies Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Virgo virginum, lumen luminum Layout parts
60v–61	Castrum pudicitie, numinis triclinium / Virgo viget melius dum peperit / Flos filius eius	-	Anonymous
Castrum pudicitie, numinis triclinium / Virgo viget melius dum peperit / Flos filius eius Anonymous Appears on: 60v–61 Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Virgo viget melius dum peperit Voice: Tenor Languages: Latin Clef: f4 Voice Text: Flos filius [eius] Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Castrum pudicitie, numinis triclinium Layout parts
61	Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum	-	Anonymous
Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum Anonymous Appears on: 61 Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Salve, virgo nobilis Maria Voice: Tenor Languages: Latin Clef: c4 Voice Text: (Et veritate) [Verbum] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Verbum caro factum est Layout parts
61–61v	Veni, virgo beatissima, veni / Veni, sancte spiritus, veni, lux / Neuma	-	Anonymous
Veni, virgo beatissima, veni / Veni, sancte spiritus, veni, lux / Neuma Anonymous Appears on: 61–61v Genres: Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Veni, sancte spiritus, veni, lux Voice: Tenor Languages: Latin Clef: f3 Voice Text: (P)Neuma Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Veni, virgo beatissima, veni Layout parts
61v–62	O quam necessarium vestrum est officium / Venditores labiorum fleant advocati / Domino	-	Anonymous
O quam necessarium vestrum est officium / Venditores labiorum fleant advocati / Domino Anonymous Appears on: 61v–62 Genres: Motet Voice: Motetus Languages: Latin Clef: c3 Voice Text: Venditores labiorum fleant advocati Voice: Tenor Languages: Latin Clef: f3 Voice Text: Domino Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O quam necessarium vestrum est officium Layout parts
62v	Deus in adjutorium meum intende	-	Anonymous
Deus in adjutorium meum intende Anonymous Appears on: 62v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Deus, in adiutorium intende Voice: [no designation] Languages: none Clef: c3 Layout score
62v–63	Neuma	-	Anonymous
Neuma Anonymous Appears on: 62v–63 Genres: Motet Voice: [no designation] Languages: Latin Clef: f4 Voice Text: [N]euma Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c4 Layout score
63	Virgo	-	Anonymous
Virgo Anonymous Appears on: 63 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [V]irgo Voice: [no designation] Languages: none Clef: c3 Layout score
63v	In saeculum longum	-	Anonymous
In saeculum longum Anonymous Appears on: 63v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum longum Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum longum Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum longum Layout parts
63v–64	In saeculum viellatoris	-	Anonymous
In saeculum viellatoris Anonymous Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: In seculum viellatoris Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Layout score
64	In saeculum breve	-	Anonymous
In saeculum breve Anonymous Appears on: 64 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum breve Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum breve Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum breve Layout parts
64–64v	In saeculum d'Amiens longum	-	Anonymous
In saeculum d'Amiens longum Anonymous Appears on: 64–64v Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum d'Amiens longum Voice: [no designation] Languages: none Clef: c1 Layout score
64v	In saeculum à 3	-	Anonymous
In saeculum à 3 Anonymous Appears on: 64v Genres: Motet Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: In seculum Layout score
80	Agmina militiae caelestis omnia / Agmina	-	Anonymous
Agmina militiae caelestis omnia / Agmina Anonymous Appears on: 80 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Alma redemptoris mater omnium Voice: Tenor Languages: none Clef: c3 Layout parts
80v	Dulcis Jesu memoria dat vera	-	Anonymous
Dulcis Jesu memoria dat vera Anonymous Appears on: 80v Genres: Motet Voice: Tenor Languages: none Clef: f2c4 Voice: [no designation] Languages: Latin Clef: f2c4 Voice Text: Dulcis Ihesu memoria dat vera Layout parts

Composer	Compositions
Anonymous	A ce c'on dit bien m'acort que nus / Bele sans orguil et jone sans folie / Et confitebor – 8v–9 Agmina militiae caelestis omnia – 4–4v Agmina militiae caelestis omnia / Agmina – 80 Amor vincens omnia potentia / Marie preconio devotio / Aptatur – 36v–37 Amoureusement mi tient li maus / Hé, Amours, mourrai je pour caeli / Omnes – 24 Amours qui va par mesage ne pourroit / Toute seule passerai li bois ramé / Neuma Notum – 58–v Au coeur ai un mal / Je ne m'en repentirai / Jolietement me tient – 32–32v Au douz tanz que chantent cil oisel / Beaux douces amis, m'avés vous foi portée / Manere – 9v–v Ave, in styrpe spinosa florens / Ave, gloriosa viventium / Manere – 2 Ave, lux luminum, ave, splendor / Salve, virgo, rubens rosa, sola / Neuma – 53v–54 Ave, plena gratie, fundamentum / Salve, virgo regia, flos virginum / Aptatur – 54v–55 Ave, regina caelorum, ave, domina / Alma redemptoris mater que previa / Alma – 3v Ave, virgo regia Dei plena gratia / Ave, plena gratie, prolis tam egregie / Fiat – 2v–3 Ave, virgo regia, mater clementie / Ave, gloriosa mater salvatoris / Domino – 1-2 Bele Aëlis / Herou, herou / Flos filius eius – 23–23v Benigna caeli regina, beata / Beata es, Maria, pre ceteris / In veritate – 8–8v Caeli domina, quam sanctorum agmina / Ave, virgo virginum, ave / Et super – 3–3v Castrum pudicitie, numinis triclinium / Virgo viget melius dum peperit / Flos filius eius – 60v–61 Cele m'a tolu la vie qui lonc tens / Lonc tans a que ne vi m'amie / Et sperabit – 35v–36 Chançonnete, va t'en tost au rousignol / Ainc voir d'amors ne joï, si l'ai longuement / A la cheminée el froit mois de genvier / Par verité vueil esprover que vin françois – 6v–7 Chorus innocentium sub Herodis / In Bethlehem Herodes iratus – 24v–25 Cil s'entrement de folie qui contre amours / Nus hons ne pourroit savoir que c'est / Victime – 46–v Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati – 49v–v Cruci Domini sit cunctis horis laus / Crux, forma penitentie, gratie / Portare – 11 D'amer ne me fain je pas, et pour ce / Onques d'amer ne fui las, n'encor / Aperis – 50v–51 Dame de valour et de bonté / Hé, diex, quand je remir son cors le gay / Amoris – 22 Dame que j'aime et desire de fin coeur / Amours vaint tot fors de felon / Au tans d'este que cil oisel chantent / Et gaudebit – 5v–6v De facili contempnit omnia / Propositum quidem negotii est / Egregie – 51–v Depositum creditum ubi custodias / Ad solitum vomitum ne redeas / Regnat – 4v–5 Deus in adjutorium meum intende – 62v Dieus, je fui ja pres de joïr: or n'i voi / Dieus, je n'i puis la nuit dormir / Alleluia Et vide et inclina aurem tuam – 15–15v Dieus, ou porrai je trouver merci / Ce sont amouretes qui mi tiennent / Omnes – 12–12v Dominator Domine, qui de virgine / Ecce ministerium profert alvus virginis / Domino – 16v Douce dame par amours, virge mere / Salve, virgo virginum Dei / Cumque – 53–v Dulcis Jesu memoria dat vera – 80v El mois de mai que chante la malvi / De se debent bigami non de papa / Kyrie – 14v En non dieu, que que nus die, quand voi / Quant voi la rose espanie, l'erbe vert / Nobis – 52 Encontre le tens de pascour que tous amants / Mens fidem seminat, fides spem germinat / In odorem – 38–v Entre Copin et Borgoi / Je me quidoie / Belle Izabelos – 31v–32 Ex semine rosa prodit spine / Ex semine Abrahe, divino / Ex semine – 15v–16 Gaude super omnia, mater ecclesia / Descendi in ortum meum / Alma – 14 Homo, luge, fuge, fuge mortalia / Homo miserabilis, tu nunquam / Brumans est mors – 20v Hypocrite pseudopontifices ecclesiae / O quam sancta, quam benigna fulget mater / Et gaudebit – 47–v Hé, Marotele, alons au bois juer / En la praerie Robins et s'amie / Aptatur – 18v–19 Hé, dieus, de si haut si bas sui souples / Mal batu longuement ploure / Cumque – 39v–v Il n'a en toi sens ne valours, Robins / Robins, li malvais ouvriers, a escondit / Omnes – 53 In saeculum breve – 64 In saeculum d'Amiens longum – 64–64v In saeculum longum – 63v In saeculum viellatoris – 63v–64 In saeculum à 3 – 64v In salvatoris nomine / In veritate comperi, quod sceleri / Veritatem – 25–26v Je cuidoie avoir amours sans jamais penser / Je chantasse par revel pour caeli / Et ne nos – 30v Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes – 56v–57 Je ne chant pas par renvoiserie, ne par jolieté / Talens m'est pris de chanter pour caeli / Aptatur / Omnes – 57v–58 Je ne puis, amie, ces mals endurer / Flor de lis, rose espanie, taillie / Proh dolor – 19–19v Je ne quier mais a ma vie soulete / Dieus, trop mal me pert que j'aie amé quand par mi / Misit – 15 Joie et soulas ne mi vaut puisqu'a la bele / Jonete sui, brune, cleire et plaisans / Eius – 29–29v L'autre jour par un matin de jouste une vallée / Autens pascour tuit li pastour d'une contrée / In saeculum – 7–7v L'autre jour par un matinet m'en alait / Hier matinet trouvait sans son bergeret / Omnes Ite missa est – 22v LDe vois tres serie, de douchour garnie / Hé, bone amourete, plus que riens doucete / Aptatur – 21–21v La bele estoile de mer cui amer / La belle en cui je me fi merci cri / Johanne – 34v Li doz maus m'ocit que j'ai, ja sans li / Trop ai lonc tens en folie sejorné / Ma loiautes m'a nuisi vers amours / In saeculum – 40v–41 Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu – 37v–38 Mout est fous qui s'entremet de fame / Mourrai je en atendant, Amours / Omnes – 41–v Mout me fu gries li departir de m'amiete / In omni fratre tuo non habeas / In saeculum – 27–28v Mout me fu gries li departirs de m'amiete / Robins m'aimme, Robins m'a / Portare – 52v Navrés sui au coeur si tres doucement / Navrés sui pres dou coeur sans plaie / Veritatem – 46v–47 Ne sai tant Amours servir qu'el mi vuille / Ja de bone amour mes coeurs ne se departira / Portare – 31 Neuma – 62v–63 Non pepercit Deus filio proprio / Non pepercit Deus nato proprio / Mors – 41v–42 Nus ne mi pourroit conforter ne donner / Nonne sui, nonne, laissiés m'aler / Aptatur – 45v–46 O Maria, regina gloriae, fons / Audi, pater, salva nos, tu qui es salus / Ya – 5v O Maria, virgo davitica / O Maria, maris stella plena gratie / Veritatem – 48v–49 O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie – 54 O mitissima virgo Maria / Virgo virginum, lumen luminum / Haec dies – 60–60v O quam necessarium vestrum est officium / Venditores labiorum fleant advocati / Domino – 61v–62 Or voi je bien que il mi convent descovrir / Eximium decus virginum reorumque / Virgo – 16v–17v Par un matinet l'autrier m'aloie / Les un bosquet vi Robinet / Portare – 34v–35 Par un matinet l'autrier oï chanter / Hé, bergier! si grant envie j'ai de toi / Eius – 23 Partus fuit virginalis nobis necessarius / Beata viscera Marie virginis tam salutifera / Beata viscera – 7v–8 Pour caeli que j'ains et pris sui en grief tourment / Nicholaus igitur plenus gratia / Portare – 43v–44 Povre secours ai encore recovré / Gaude, chorus omnium fidelium / Angelus – 19v–20 Prima cedit femina serpentis / Mulierum hodie major natur – 37 Psallat chorus in novo carmine / Eximie pater egregie, rector / Aptatur – 16 Quant florist la violete, la rose et la flor / Non orphanum te deseram sed efferam / Et gaudebit – 42v–3v Quant vient en mai qu'erbe va verdoiant / Ne sai que je die, tant voi vilanie / Amoris Johanne – 44–5 Quant voi la flourete naître en la prée / Je sui joliete, doucete et plaisans / Aptatur – 29v–30 Que bien aimme, il ne doit mie demie la nuit dormir / Cuers qui dort, il n'aime pas, ja n'i dormirai / Omnes – 13 Que ferai, biau sire dieus? si mi ont navré / Ne puet faillir a honour fins coeurs / Descendentibus – 45–v Qui amours veut / Li douls penseirs / Cis a cui je sui ameit – 32v–34 Res nova mirabilis - 1a pars (of 2): Res nova mirabilis, virgo semper / Virgo, decus castitatis, virgo / Alleluia – 59v–60 Rex tremende, nos deffende, nobis tende / In perhenni saeculorum mane – 26v–27 Salve, laborantium protectio, nostra / Caeli luminarium, angelorum domina / Omnes – 11v Salve, virgo Katherina, regis filia / Sicut solis radium quoddam corpus / Haec dies – 55 Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum – 61 Salve, virgo virginum / Est-il dont ainsi / Aptatur – 18–18v Se j'ai servi longuement Amours / Trop longuement m'a failli ma dame / Pro patribus – 56 Sea valors vient d'estre amourous / Bien me sui aparceü qe de vivre / Hic factus est – 9–9v Styrps regia, virgo Maria, tu tella / Armonizans cantica nostra psallat / Amen – 5 Tanquam suscipit vellus pluviam / Quant n'est la flor en la prée, que l'erbete / Tanquam agnus ductus ad victimam crucem – 55v Tant mi plaist a vous penser, fins coeurs / Tout li coeurs me rit de joie de vostre beauté / Omnes – 57 Trop souvent me duel et sui en grieté / Brunete, a cui j'ai mon coeur douné / In saeculum – 9v Tu decus et decoris et solamen / O Maria, beata genitrix / Nostrum – 49v Ut caelesti possimus frui dulcedine / Cum sit natus hodie de Virgine / Haec dies – 11v–12 Veni, virgo beatissima, veni / Veni, sancte spiritus, veni, lux / Neuma – 61–61v Virginis preconia cum melodia / Mellis steilla, maris stella, rosa / Domino – 36–v Virgo – 63 Virgo Maria, mater speciosa / Virgo gloriosa, forma virginalis / Laetabitur – 58v–9v
Halle, Adam de la (ca. 1245–ca. 1306)	Entre Adam et Haniqal / Chiés bien cheant / Aptatur – 13–14

Composer

Compositions

Anonymous

Halle, Adam de la (ca. 1245–ca. 1306)

Entre Adam et Haniqal / Chiés bien cheant / Aptatur – 13–14

Composition	Composers (? Uncertain)	Folios / Pages
A ce c'on dit bien m'acort que nus / Bele sans orguil et jone sans folie / Et confitebor	Anonymous	8v–9
Agmina militiae caelestis omnia	Anonymous	4–4v
Agmina militiae caelestis omnia / Agmina	Anonymous	80
Amor vincens omnia potentia / Marie preconio devotio / Aptatur	Anonymous	36v–37
Amoureusement mi tient li maus / Hé, Amours, mourrai je pour caeli / Omnes	Anonymous	24
Amours qui va par mesage ne pourroit / Toute seule passerai li bois ramé / Neuma Notum	Anonymous	58–v
Au coeur ai un mal / Je ne m'en repentirai / Jolietement me tient	Anonymous	32–32v
Au douz tanz que chantent cil oisel / Beaux douces amis, m'avés vous foi portée / Manere	Anonymous	9v–v
Ave, in styrpe spinosa florens / Ave, gloriosa viventium / Manere	Anonymous	2
Ave, lux luminum, ave, splendor / Salve, virgo, rubens rosa, sola / Neuma	Anonymous	53v–54
Ave, plena gratie, fundamentum / Salve, virgo regia, flos virginum / Aptatur	Anonymous	54v–55
Ave, regina caelorum, ave, domina / Alma redemptoris mater que previa / Alma	Anonymous	3v
Ave, virgo regia Dei plena gratia / Ave, plena gratie, prolis tam egregie / Fiat	Anonymous	2v–3
Ave, virgo regia, mater clementie / Ave, gloriosa mater salvatoris / Domino	Anonymous	1-2
Bele Aëlis / Herou, herou / Flos filius eius	Anonymous	23–23v
Benigna caeli regina, beata / Beata es, Maria, pre ceteris / In veritate	Anonymous	8–8v
Caeli domina, quam sanctorum agmina / Ave, virgo virginum, ave / Et super	Anonymous	3–3v
Castrum pudicitie, numinis triclinium / Virgo viget melius dum peperit / Flos filius eius	Anonymous	60v–61
Cele m'a tolu la vie qui lonc tens / Lonc tans a que ne vi m'amie / Et sperabit	Anonymous	35v–36
Chançonnete, va t'en tost au rousignol / Ainc voir d'amors ne joï, si l'ai longuement / A la cheminée el froit mois de genvier / Par verité vueil esprover que vin françois	Anonymous	6v–7
Chorus innocentium sub Herodis / In Bethlehem Herodes iratus	Anonymous	24v–25
Cil s'entrement de folie qui contre amours / Nus hons ne pourroit savoir que c'est / Victime	Anonymous	46–v
Conditio nature defuit in filio / O natio nephandi generis / Mane prima sabbati	Anonymous	49v–v
Cruci Domini sit cunctis horis laus / Crux, forma penitentie, gratie / Portare	Anonymous	11
D'amer ne me fain je pas, et pour ce / Onques d'amer ne fui las, n'encor / Aperis	Anonymous	50v–51
Dame de valour et de bonté / Hé, diex, quand je remir son cors le gay / Amoris	Anonymous	22
Dame que j'aime et desire de fin coeur / Amours vaint tot fors de felon / Au tans d'este que cil oisel chantent / Et gaudebit	Anonymous	5v–6v
De facili contempnit omnia / Propositum quidem negotii est / Egregie	Anonymous	51–v
Depositum creditum ubi custodias / Ad solitum vomitum ne redeas / Regnat	Anonymous	4v–5
Deus in adjutorium meum intende	Anonymous	62v
Dieus, je fui ja pres de joïr: or n'i voi / Dieus, je n'i puis la nuit dormir / Alleluia Et vide et inclina aurem tuam	Anonymous	15–15v
Dieus, ou porrai je trouver merci / Ce sont amouretes qui mi tiennent / Omnes	Anonymous	12–12v
Dominator Domine, qui de virgine / Ecce ministerium profert alvus virginis / Domino	Anonymous	16v
Douce dame par amours, virge mere / Salve, virgo virginum Dei / Cumque	Anonymous	53–v
Dulcis Jesu memoria dat vera	Anonymous	80v
El mois de mai que chante la malvi / De se debent bigami non de papa / Kyrie	Anonymous	14v
En non dieu, que que nus die, quand voi / Quant voi la rose espanie, l'erbe vert / Nobis	Anonymous	52
Encontre le tens de pascour que tous amants / Mens fidem seminat, fides spem germinat / In odorem	Anonymous	38–v
Entre Adam et Haniqal / Chiés bien cheant / Aptatur	Halle, Adam de la (ca. 1245–ca. 1306)	13–14
Entre Copin et Borgoi / Je me quidoie / Belle Izabelos	Anonymous	31v–32
Ex semine rosa prodit spine / Ex semine Abrahe, divino / Ex semine	Anonymous	15v–16
Gaude super omnia, mater ecclesia / Descendi in ortum meum / Alma	Anonymous	14
Homo, luge, fuge, fuge mortalia / Homo miserabilis, tu nunquam / Brumans est mors	Anonymous	20v
Hypocrite pseudopontifices ecclesiae / O quam sancta, quam benigna fulget mater / Et gaudebit	Anonymous	47–v
Hé, dieus, de si haut si bas sui souples / Mal batu longuement ploure / Cumque	Anonymous	39v–v
Hé, Marotele, alons au bois juer / En la praerie Robins et s'amie / Aptatur	Anonymous	18v–19
Il n'a en toi sens ne valours, Robins / Robins, li malvais ouvriers, a escondit / Omnes	Anonymous	53
In saeculum breve	Anonymous	64
In saeculum d'Amiens longum	Anonymous	64–64v
In saeculum longum	Anonymous	63v
In saeculum viellatoris	Anonymous	63v–64
In saeculum à 3	Anonymous	64v
In salvatoris nomine / In veritate comperi, quod sceleri / Veritatem	Anonymous	25–26v
Je cuidoie avoir amours sans jamais penser / Je chantasse par revel pour caeli / Et ne nos	Anonymous	30v
Je m'en vois, ma douce amie, si vous / Tieus a mout le cuer hardi en cuidier / Omnes	Anonymous	56v–57
Je ne chant pas par renvoiserie, ne par jolieté / Talens m'est pris de chanter pour caeli / Aptatur / Omnes	Anonymous	57v–58
Je ne puis, amie, ces mals endurer / Flor de lis, rose espanie, taillie / Proh dolor	Anonymous	19–19v
Je ne quier mais a ma vie soulete / Dieus, trop mal me pert que j'aie amé quand par mi / Misit	Anonymous	15
Joie et soulas ne mi vaut puisqu'a la bele / Jonete sui, brune, cleire et plaisans / Eius	Anonymous	29–29v
L'autre jour par un matin de jouste une vallée / Autens pascour tuit li pastour d'une contrée / In saeculum	Anonymous	7–7v
L'autre jour par un matinet m'en alait / Hier matinet trouvait sans son bergeret / Omnes Ite missa est	Anonymous	22v
La bele estoile de mer cui amer / La belle en cui je me fi merci cri / Johanne	Anonymous	34v
LDe vois tres serie, de douchour garnie / Hé, bone amourete, plus que riens doucete / Aptatur	Anonymous	21–21v
Li doz maus m'ocit que j'ai, ja sans li / Trop ai lonc tens en folie sejorné / Ma loiautes m'a nuisi vers amours / In saeculum	Anonymous	40v–41
Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu	Anonymous	37v–38
Mout est fous qui s'entremet de fame / Mourrai je en atendant, Amours / Omnes	Anonymous	41–v
Mout me fu gries li departir de m'amiete / In omni fratre tuo non habeas / In saeculum	Anonymous	27–28v
Mout me fu gries li departirs de m'amiete / Robins m'aimme, Robins m'a / Portare	Anonymous	52v
Navrés sui au coeur si tres doucement / Navrés sui pres dou coeur sans plaie / Veritatem	Anonymous	46v–47
Ne sai tant Amours servir qu'el mi vuille / Ja de bone amour mes coeurs ne se departira / Portare	Anonymous	31
Neuma	Anonymous	62v–63
Non pepercit Deus filio proprio / Non pepercit Deus nato proprio / Mors	Anonymous	41v–42
Nus ne mi pourroit conforter ne donner / Nonne sui, nonne, laissiés m'aler / Aptatur	Anonymous	45v–46
O Maria, regina gloriae, fons / Audi, pater, salva nos, tu qui es salus / Ya	Anonymous	5v
O Maria, virgo davitica / O Maria, maris stella plena gratie / Veritatem	Anonymous	48v–49
O miranda Dei - 1a pars (of 2): O miranda Dei caritas, per peccatum / Salve, mater salutifera, claritatis / Kyrie	Anonymous	54
O mitissima virgo Maria / Virgo virginum, lumen luminum / Haec dies	Anonymous	60–60v
O quam necessarium vestrum est officium / Venditores labiorum fleant advocati / Domino	Anonymous	61v–62
Or voi je bien que il mi convent descovrir / Eximium decus virginum reorumque / Virgo	Anonymous	16v–17v
Par un matinet l'autrier m'aloie / Les un bosquet vi Robinet / Portare	Anonymous	34v–35
Par un matinet l'autrier oï chanter / Hé, bergier! si grant envie j'ai de toi / Eius	Anonymous	23
Partus fuit virginalis nobis necessarius / Beata viscera Marie virginis tam salutifera / Beata viscera	Anonymous	7v–8
Pour caeli que j'ains et pris sui en grief tourment / Nicholaus igitur plenus gratia / Portare	Anonymous	43v–44
Povre secours ai encore recovré / Gaude, chorus omnium fidelium / Angelus	Anonymous	19v–20
Prima cedit femina serpentis / Mulierum hodie major natur	Anonymous	37
Psallat chorus in novo carmine / Eximie pater egregie, rector / Aptatur	Anonymous	16
Quant florist la violete, la rose et la flor / Non orphanum te deseram sed efferam / Et gaudebit	Anonymous	42v–3v
Quant vient en mai qu'erbe va verdoiant / Ne sai que je die, tant voi vilanie / Amoris Johanne	Anonymous	44–5
Quant voi la flourete naître en la prée / Je sui joliete, doucete et plaisans / Aptatur	Anonymous	29v–30
Que bien aimme, il ne doit mie demie la nuit dormir / Cuers qui dort, il n'aime pas, ja n'i dormirai / Omnes	Anonymous	13
Que ferai, biau sire dieus? si mi ont navré / Ne puet faillir a honour fins coeurs / Descendentibus	Anonymous	45–v
Qui amours veut / Li douls penseirs / Cis a cui je sui ameit	Anonymous	32v–34
Res nova mirabilis - 1a pars (of 2): Res nova mirabilis, virgo semper / Virgo, decus castitatis, virgo / Alleluia	Anonymous	59v–60
Rex tremende, nos deffende, nobis tende / In perhenni saeculorum mane	Anonymous	26v–27
Salve, laborantium protectio, nostra / Caeli luminarium, angelorum domina / Omnes	Anonymous	11v
Salve, virgo Katherina, regis filia / Sicut solis radium quoddam corpus / Haec dies	Anonymous	55
Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum	Anonymous	61
Salve, virgo virginum / Est-il dont ainsi / Aptatur	Anonymous	18–18v
Se j'ai servi longuement Amours / Trop longuement m'a failli ma dame / Pro patribus	Anonymous	56
Sea valors vient d'estre amourous / Bien me sui aparceü qe de vivre / Hic factus est	Anonymous	9–9v
Styrps regia, virgo Maria, tu tella / Armonizans cantica nostra psallat / Amen	Anonymous	5
Tanquam suscipit vellus pluviam / Quant n'est la flor en la prée, que l'erbete / Tanquam agnus ductus ad victimam crucem	Anonymous	55v
Tant mi plaist a vous penser, fins coeurs / Tout li coeurs me rit de joie de vostre beauté / Omnes	Anonymous	57
Trop souvent me duel et sui en grieté / Brunete, a cui j'ai mon coeur douné / In saeculum	Anonymous	9v
Tu decus et decoris et solamen / O Maria, beata genitrix / Nostrum	Anonymous	49v
Ut caelesti possimus frui dulcedine / Cum sit natus hodie de Virgine / Haec dies	Anonymous	11v–12
Veni, virgo beatissima, veni / Veni, sancte spiritus, veni, lux / Neuma	Anonymous	61–61v
Virginis preconia cum melodia / Mellis steilla, maris stella, rosa / Domino	Anonymous	36–v
Virgo	Anonymous	63
Virgo Maria, mater speciosa / Virgo gloriosa, forma virginalis / Laetabitur	Anonymous	58v–9v

‡ denotes primary source study

Norwood, Patricia. 1990. Evidence concerning the provenance of the Bamberg codex. Journal of Musicology, 491-504.

Norwood, Patricia. 1979. A Study of the Provenance and French Motets in Bamberg, Staatsbibliothek, Lit. 115. University of Texas at Austin, Ph. D.

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts. Brooklyn: Institute of Mediaeval Music.

Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: facsimile and transcription of Ba works in Cl).

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXV etc.

Gennrich, Friedrich. 1958. Die Wimpfener Fragmente der Hessischen Landesbibliothek, Darmstadt. Pages: 11ff.

Parrish, Carl. 1957. The Notation of Medieval Music. Pages: 86, 99ff, 109, 114ff, 130.

Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: (facsimile and transcription of Ba works in Tu).

Birkner, G. 1953. Zur Motette "Brumans est mors". Archiv für Musikwissenschaft, 71ff.

Besseler, Heinrich. 1949-79. Ars Antiqua. Die Musik in Geschichte und Gegenwart, 1st Edition, col.679-697. Pages: 679ff.

Husmann, Heinrich. 1949-79. Bamberger Handschrift. Die Musik in Geschichte und Gegenwart, 1st Edition, col.1201-1206. Pages: 1201ff.

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 202, 302ff;.

Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: 313, 317f, 324f.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III (facsimile and transcription of Ba works in Mo); IV.

Handschin, Jacques. 1934. Erfordensia. Acta Musicologica, 97ff. Pages: 103ff.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III (facsimile and transcription of Ba works in Hu); I, 225ff etc.

Handschin, Jacques. 1931. Die Rolle der Nationen in der mittelalter-lichen Musikgeschichte. Schweizerisches Jahrbuch für Musikwissenschaft, 1ff. Pages: 21ff.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. Pages: II, 141 ff.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 198f, 220.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II (facsimile and transcription of Ba); III.

Summing, A. 1906. Die allfranzösischen Motette der Bamberger Handschrift . Pages: (includes a complete critical edition of the French texts in Ba).

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Monday, 23 January, 2017

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