GB-Lbl Add. MS 36881

British Library, London, England

chant book with polyphonic sections: 12th or early 13th centuries

Archive British Library, London, England (GB-Lbl)
Shelfmark Add. MS 36881
Surface Parchment
Numbering System None
Measurements 160 x 105 mm
Other Identifiers
  • RISM: StM-D
Notations
  • Aquitanian diastematic neumes
Relationships
External Links
Provenance
  • Southern France, France
Contents 29 pieces from 1 composers
General Description

A Troper of South French origin.

DIAMM, 2017
Notation

Aquitanian point

DIAMM, 2017
Foliation

27 ff

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A 12th or early 13th century parchment Troper of South French origin meas. 160 x 105 mm. and containing 27 folios, which consist of 3 quaternios and an incomplete ternio (i.e. the last 3 folios were cut out, leaving stubs). The ternio is smaller than the rest, meas. 132 x 102 mm., and uses a rudimentary square notation. It is, moreover, in a different hand and employs blue as well as red initials; it is probably slightly later than the corpus, for it has 7 red four-line staves per page, but only contains monodies. The corpus (f. 1-24v) is clearly in Aquitanian point notation (oblongs, often joined in ligature) on dry-point staves, usually of four lines but varying, with g, c or f letters as clefs. The initials are all red and a red line divides the two parts in polyphony. There are rudimentary bar-lines, as in other mss of this period, and 8 or 9 staves per page. Monody alternates with polyphony, and in the corpus groups I and III are polyphonic (f. 1-14 and 17-23), groups II and IV mainly monodic (f. 14-16v and 23-24v), though no. 20 turns out to be in two parts in spite of its monodic appearance. There is a gap before f. 17, and evidently odd pages or perhaps a complete fascicle are missing. The binding is a piece of parchment 170 x 130 mm. which contains 15th century letters of the alphabet inside the back cover. There is no old foliation, but a modern red ink pagination at t.r.r. and t.l.v. has been crossed out and replaced by a modern pencil foliation at t.r.r. The ms was purchased by the British Museum on January 12, 1904 from P. Birb. It is generally considered by scholars that StM-D is not from St. Martial itself, but the polyphonic repertoire is largely concordant with StM-A, B and C.

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Répertoire International des Sources Musicales

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Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2v Per laetatis pastum - Anonymous
Appears on: 1–2v
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Per laetatis pastum

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Per laetatis pastum
Layout

score

2v–3 Omnis curet homo promere cantica - Anonymous
Appears on: 2v–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Omnis curet homo promere cantica

Voice: Tenor
Languages: Latin
Clef: f4
Voice Text: Omnis curet homo promere cantica
Layout

score

3–3v Noster cetus psallat laetus - Anonymous
Appears on: 3–3v
Genres: Motet
Voice: [no designation]
Languages: Latin, French
Clef: c4
Voice Text: Noster cetus psallat laetus

Voice: Tenor
Languages: Latin
Clef: f4
Voice Text: Noster cetus psallat laetus
Layout

score

4–5v Per partum virginis - Anonymous
Appears on: 4–5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Per partum virginis

Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Per partum virginis
Layout

score

5v–7v Veri solis radius et sol pleni - Anonymous
Appears on: 5v–7v
Genres: Motet
Voice: [no designation]
Languages: French
Clef: c4
Voice Text: Veri solis radius et sol pleni

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Veri solis radius et sol pleni
Layout

score

7v–8 O primus homo coruit - Anonymous
Appears on: 7v–8
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: O primus homo coruit

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: O primus homo coruit
Layout

score

8–8v Divinum stillant desuper - Anonymous
Appears on: 8–8v
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Divinum stillant desuper

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Divinum stillant desuper
Layout

score

8v–9v Lux refulget de supernis edita - Anonymous
Appears on: 8v–9v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Lux refulget de supernis edita

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Lux refulget de supernis edita
Layout

score

9v–10 Vellus rore caelesti maduit - Anonymous
Appears on: 9v–10
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Vellus rore caelesti maduit

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Vellus rore caelesti maduit
Layout

score

10–10v Gaudia debita temporis - Anonymous
Appears on: 10–10v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Gaudia debita temporis

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Gaudia debita temporis
Layout

score

10v–11 Per[/Rex] omnia tenens imperio - Anonymous
Appears on: 10v–11
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Per omnia tenens imperio

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Per omnia tenens imperio
Layout

score

11–11v Dulci Signum melodia - Anonymous
Appears on: 11–11v
Voice: Tenor
Languages: Latin
Clef: f2
Voice Text: Dulci Signum melodia

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Dulci Signum melodia
Layout

score

11v–12 Oi, dex! Quam brevis est vita - Anonymous
Appears on: 11v–12
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Oi, dex! Quam brevis est vita

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Oi, dex! Quam brevis est vita
Layout

score

12 Congaudet hodie celestes curia - Anonymous
Appears on: 12
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Congaudet hodie celestes curia

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Congaudet hodie celestes curia
Layout

score

12 Patris ingeniti filius venit ... Domino - Anonymous
Appears on: 12
Genres: Benedicamus Domino
Voice: [no designation]
Languages: Latin
Voice Text: Patris ingeniti filius venit ... Domino

Voice: Tenor
Languages: Latin
Voice Text: Patris ingeniti filius venit ... Domino
Layout

score

12v–13 Cantu miro summa laude - Anonymous
Appears on: 12v–13
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cantu miro summa laude

Voice: Tenor
Languages: Latin
Voice Text: Cantu miro summa laude
Layout

score

13v Primi mundi seducta sobole - Anonymous
Appears on: 13v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Primi mundi seducta sobole

Voice: Tenor
Languages: Latin
Voice Text: Primi mundi seducta sobole
Layout

score

13v Catholicorum concio summo cum gaudio - Anonymous
Appears on: 13v
Genres: Motet
Voice: Tenor
Languages: Latin
Voice Text: Catholicorum concio summo cum gaudio

Voice: [no designation]
Languages: Latin
Voice Text: Catholicorum concio summo cum gaudio
Layout

score

13v–14 Gregis pastor Titirus asinorum - Anonymous
Appears on: 13v–14
Voice: [no designation]
Languages: Latin
Voice Text: Gregis pastor Titirus asinorum

Voice: Tenor
Languages: Latin
Voice Text: Gregis pastor Titirus asinorum
Layout

score

15–16v Clangat hodie vox nostra - Anonymous
Appears on: 15–16v
Genres: Motet
Voice: Tenor
Languages: Latin
Voice Text: Clangat hodie vox nostra

Voice: [no designation]
Languages: Latin
Voice Text: Clangat hodie vox nostra
General Note

in separate voice parts

Layout

parts

17–17v [Decorata tribus miraculis] … populis dies ista … [expl.] hominem subintravit - Anonymous
Appears on: 17–17v
Voice: Tenor
Languages: Latin
Voice Text: [Decorata tribus miraculis] … populis dies ista … [expl.] hominem subintravit

Voice: [no designation]
Languages: Latin
Voice Text: [Decorata tribus miraculis] … populis dies ista … [expl.] hominem subintravit
General Note

end of 1st to end of 2nd double versicle

Layout

score

17v–18v Oriente oriens stella nova - Anonymous
Appears on: 17v–18v
Genres: Motet
Voice: Tenor
Languages: Latin
Voice Text: Oriente oriens stella nova

Voice: [no designation]
Languages: Latin
Voice Text: Oriente oriens stella nova
Layout

score

18v–19v Delictis hominis subintrat - Anonymous
Appears on: 18v–19v
Voice: [no designation]
Languages: Latin
Voice Text: Delictis hominis subintrat

Voice: Tenor
Languages: Latin
Voice Text: Delictis hominis subintrat
Layout

score

19v–20v De monte lapis scinditur - Anonymous
Appears on: 19v–20v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: De monte lapis scinditur

Voice: Tenor
Languages: Latin
Voice Text: De monte lapis scinditur
Layout

score

20v–21 Chorus noster recolat - Anonymous
Appears on: 20v–21
Voice: Tenor
Languages: Latin
Voice Text: Chorus noster recolat

Voice: [no designation]
Languages: Latin
Voice Text: Chorus noster recolat
Layout

score

21–21v Quam felix cubiculum - Anonymous
Appears on: 21–21v
Voice: [no designation]
Languages: Latin
Voice Text: Quam felix cubiculum

Voice: Tenor
Languages: Latin
Voice Text: Quam felix cubiculum
Layout

score

21v–22 Res iocosa quod hec rosa - Anonymous
Appears on: 21v–22
Voice: [no designation]
Languages: Latin
Voice Text: Res iocosa quod hec rosa

Voice: Tenor
Languages: Latin
Voice Text: Res iocosa quod hec rosa
Layout

score

22–22v Ora pro nobis, beate Nicolae - Anonymous
Appears on: 22–22v
Voice: [no designation]
Languages: Latin
Voice Text: Ora pro nobis, beate Nicolae

Voice: Tenor
Languages: Latin
Voice Text: Ora pro nobis, beate Nicolae
Layout

score

22v–23 Ad honorem sempiterni regis - Anonymous
Appears on: 22v–23
Voice: [no designation]
Languages: Latin
Voice Text: Ad honorem sempiterni regis

Voice: Tenor
Languages: Latin
Voice Text: Ad honorem sempiterni regis
Layout

score

Composition Composers (? Uncertain) Folios / Pages
[Decorata tribus miraculis] … populis dies ista … [expl.] hominem subintravit Anonymous 17–17v
Ad honorem sempiterni regis Anonymous 22v–23
Cantu miro summa laude Anonymous 12v–13
Catholicorum concio summo cum gaudio Anonymous 13v
Chorus noster recolat Anonymous 20v–21
Clangat hodie vox nostra Anonymous 15–16v
Congaudet hodie celestes curia Anonymous 12
De monte lapis scinditur Anonymous 19v–20v
Delictis hominis subintrat Anonymous 18v–19v
Divinum stillant desuper Anonymous 8–8v
Dulci Signum melodia Anonymous 11–11v
Gaudia debita temporis Anonymous 10–10v
Gregis pastor Titirus asinorum Anonymous 13v–14
Lux refulget de supernis edita Anonymous 8v–9v
Noster cetus psallat laetus Anonymous 3–3v
O primus homo coruit Anonymous 7v–8
Oi, dex! Quam brevis est vita Anonymous 11v–12
Omnis curet homo promere cantica Anonymous 2v–3
Ora pro nobis, beate Nicolae Anonymous 22–22v
Oriente oriens stella nova Anonymous 17v–18v
Patris ingeniti filius venit ... Domino Anonymous 12
Per laetatis pastum Anonymous 1–2v
Per partum virginis Anonymous 4–5v
Per[/Rex] omnia tenens imperio Anonymous 10v–11
Primi mundi seducta sobole Anonymous 13v
Quam felix cubiculum Anonymous 21–21v
Res iocosa quod hec rosa Anonymous 21v–22
Vellus rore caelesti maduit Anonymous 9v–10
Veri solis radius et sol pleni Anonymous 5v–7v

Images © The British Library

denotes primary source study

Marshall, J M. 1962. Hidden Polyphony in a Manuscript from St. Martial de Limoges. Journal of the American Musicological Society, 131ff. Pages: 142f (transcription of StM-D 3 and 17).

Parrish, Carl. 1957. The Notation of Medieval Music. Pages: pl. XXII (facsimile of StM-D, f. 2-2v).

Hughes, Dom Anselm. 1954-60. New Oxford History of Music. Pages: 296ff.

Stäblein, Bruno. 1949-79. Saint-Martial. Die Musik in Geschichte und Gegenwart, 1st Edition, . Pages: 1265 (transcription of StM-D 28); 1263ff.

Schneider, Màrius. 1935. Geschichte der Mehrstimmigkeit. 2 vols. Pages: nos. 117, 119, 120, 121, 122, 123, 124 + 125 (transcriptions of StM-D 3, 1, 2, 8, 9, 5 and 16); 84ff.

Spanke, Hans. 1930-1931. St. Martial-Studien. Zeitschrift für französische Sprache und Literatur, 282ff,385ff. Pages: 315ff, 399.

Spanke, Hans. 1928-1932. Die Londoner St. Martial-Conductushandschrift', and Anglès, H: 'La música del Ms. de Londres, British Museum, Add. 36881. Butlletí de la Biblioteca de Catalunya, 280ff. Pages: 301 (facs. of StM-JDf.llv-12); 305ff, 307f, 308f, 309, 310, 311, 311, 312, 314 (transcriptions of StM-D 1, 2, 13-19 and 27); 289ff (complete texts).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description