V-CVbav MS Reg. lat. 1543

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

fragment: 13th century

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Reg. lat. 1543
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 225 x 130 mm
Other Identifiers
  • RISM: Reg
  • olim (Former shelfmark): I-Rvat MS Reg. lat. 1543
Notations
  • cum opposita proprietate ligatures
  • square
External Links
Provenance
  • France
Contents 5 pieces from 1 composers
General Description

12th century glossed version of Lucan's Pharsalia with a 13th century fragment before f. 1. The music is from a motet MS of French type, originally c. 180 x 149 mm. at least. What remainsis the bottom half of a bifolio, which also lacks the right vertical half of the second leaf. It dates from the same time as the 7th and 8th fascicles of Mo, (i.e. the end of the 13th century). All the pieces are known from other sources.

DIAMM, 2017
Binding

9th century red morocco binding, ornamented with gilt tooling

DIAMM, 2017
Notation

longs and breves clearly differentiated, semibreves set syllabically, c.o.p. ligatures

DIAMM, 2017
Ruling

now 6 red five-line staves per page

DIAMM, 2017
Foliation

Ink foliation at t.r.r., 19th century; fragment is numbered I in pencil at t.r.r

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: The corpus is a 12th century parchment manuscript meas. 230 x 132 mm. This source contains 98 folios + 1 blank unnumbered paper flyleaf at each end belonging to the 19th century red morocco binding, which is ornamented with gilt tooling. The ink foliation at t.r.r. also dates from the 19th century. The music is a 13th century fragment numbered I in pencil at t.r.r. It measures 225 x 130 mm. and precedes f. 1. The main contents of the codex are a glossed version of Lucan's Pharsalia. The music is from a motet ms of French type meas. originally c. 180 x 149 mm. at least. The remaining page is the bottom half of a bifolio, which also lacks the right vertical half of the second leaf. It dates from the same time as the 7th and 8th fascicles of Mo, namely from the end of the 13th century, since longs and breves are clearly differentiated, while semibreves are set syllabically and c.o.p. ligatures also appear. There are now 6 red five-line staves per page. All the pieces are known from other sources.

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Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
Ia Cele m'a tolu la vie qui lonc tens / Lonc tans a que ne vi m'amie / Et sperabit - Anonymous
Appears on: Ia
Genres: Motet
Voice: [no designation]
Languages: French
Clef: c2
Voice Text: [Cele m'a tolu la vie qui lonc tans]

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: [Lonc tens a que ne vi m'amie]

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: [Et sperabit]
General Note

Tr begins at "... dolour souffrir", Mot at "... cuer souspir", the music above these words being cut away; only the last 9 notes are preserved of the T

Layout

parts

Iav Laus tibi, salus hominum, splendoris / Laus tibi, virgo virginum, pudoris / Et vide et inclina aurem tuam - Anonymous
Appears on: Iav
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Et vide et inclina aurem tuam

Voice: Triplum
Languages: Latin
Clef: c2
Voice Text: [Laus tibi, salus hominum, splendoris]

Voice: Motetus
Languages: Latin
Clef: c3
Voice Text: [Laus tibi, virgo hominum, pudoris]
General Note

refers forward to Mo; Tr begins at the words "... [mo]rem redemptorem omnium", Mot at "... florem qui celorum"; Ti is complete

Layout

parts

Iav Amours qui va par mesage ne pourroit / Toute seule passerai li bois ramé / Neuma Notum - Anonymous
Appears on: Iav
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: (Neuma) [Notum]

Voice: [no designation]
Languages: French
Clef: f3
Voice Text: [T]oute seule passe[rai li bois ramé]

Voice: [no designation]
Languages: French
Clef: c4
Voice Text: [A]mours qui va [par mesage ne pourroit]
General Note

only first few notes of all three voices preserved

Layout

parts

Ib En mai quand rosier sont flouri / L'autre jour par un matin chevauchoie / Hé, resvelle toi - Anonymous
Appears on: Ib
Genres: Motet
Voice: Motetus
Languages: French
Clef: c3
Voice Text: [L'autre jour par un matin chevauchoie]

Voice: Triplum
Languages: French
Clef: c2
Voice Text: [En mai quant rosier sont flouri]

Voice: Tenor
Languages: French
Clef: c4
Voice Text: [Hé, resvelle toi]
General Note

Tr only, beginning at " ... celui qu j'aim de cuer"

Layout

parts

Ibv Dame belle et avenant et de biau port / Fi, mari, de vostre amour, quar j'ai ami / Nus n'iert ja jolis s'il n'aime - Anonymous
Appears on: Ibv
Genres: Motet
Voice: Tenor
Languages: French
Clef: f3
Voice Text: [Nus n'iert ja jolis s'il n'aime]

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: [Dame bele et avenant et de biau port]

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: [Fi, mari, de vostre amour, quar j'ai ami]
General Note

Tr lost; end of Mot from "... tel com il afiert a mi", the music above these words being cut away; last 15 notes of T without text

Layout

parts

denotes primary source study

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts.  Brooklyn: Institute of Mediaeval Music. Pages: f. 372v (facsimile of Reg 1 after Cl).

Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 372v (facsimile of Reg 1 after Cl).

Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I-II, motet 27 (facsimile and transcription of Reg 1 after Tu).

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 78, 269 and 271 (facsimile and transcription of Reg 1, 4 and 5 after Mo) IV, 265, 290.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 277, II-III, no. 118 (facsimile and transcription of Reg 2 after Hu).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 201 f, 205.

Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: II, 52 and 80 (transcription of Reg 4 and 5).

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. 2 vols. Leipzig: Otto Harrassowitz. Pages: 1,189 (facsimile of Reg 3).

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation.  Halle: Niemayer. Pages: 365, 412, 435f.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II nos. 57 and 93 (facsimile and transcription of Reg 1 and 3 after Ba), III, 90, 106.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description