I-MOe MS {alpha}.F.9.9

Biblioteca Estense, Modena, Italy

manuscript of polyphony: 1495-6

Archive	Biblioteca Estense, Modena, Italy (I-MOe)
Shelfmark	MS {alpha}.F.9.9
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	112 x 166 mm
Other Identifiers	RISM: I-MOe F.9.9 CCM: ModE F.9.9 olim (Former shelfmark): VII.F.27 Alternative names: Ita. 1221
Copyists	? Johannes, Magister Music
Relationships	Este family (owner) Faa Alumnus Semenarii, Francesco de (mentioned in liminary text)
External Links	images (pdf)
Provenance	Italy
Contents	104 pieces from 5 composers

General Description

Copied by a single scribe, perhaps the 'M. Io.' [= Magister Johannes?] mentioned on new f. 7. Copied in Padua. Later owned by Este family of Ferrara. Este family library transferred to Modena in 1598; joined to Modena university library in 1892.

DIAMM, 2017

Physical Description

Many missing folios

DIAMM, 2023

Binding

Restored original covers of dark brown leather over boards, tooled in gold with ornamental designs.

DIAMM, 2017

Watermark

Only fragments of watermarks visible: (1) eagle? within circle; (2) three-tongued figure within circle surmounted by cross

DIAMM, 2017

Liminary Note

Inscriptions on parchment folios:

"PRO NOST. AMI/COR. Q. SO/LATIO" (f. 1')
Latin and Ialian prose an verse in praise of music (ff. 2'-3)
"PIERIDES. M. IO. AD FRAN. DE. FA. ALUMN. S." (f. 7)
"PATAVII. IIII. NONAS OCTOBRES. / A PRIMA ELEMENTOR. CON/CORDIA OLIMPIADE / M.CCC.XIIII (f. 7')

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Dedication

dedicatory sonnet in Italian on f.7

DIAMM, 2017

Foliation

80 ff

DIAMM, 2017

Foliation

Original ink foliation (upper right rectos) on original paper folios, 4-7; 14-18; 21; 30; 33-38; 43-48; 54-80; 82-89; 91-101 (last three folios unnumbered). Modern foliation, 1-80, on lower left rectos, includes parchment folios

DIAMM, 2017

Decoration

Calligraphic initials in red, green, blue, yellow, and gold; margins decorated with birds, fruits, flowers, insects, faces, figures, etc. First and last parchment folios coloured purple; some musical notation on new f. 8' in gold.

DIAMM, 2017

Index

Original alphabetical index on new ff. 3'-5' lists 100 pieces (omits one Italian piece and three textless works; 22 listed pieces now missing due to lost folios). Modern index on flyleaves at beginning.

DIAMM, 2017

Surface

ix paper + 8 parchment + 72 (of an original 104) paper + i paper

DIAMM, 2017

RISM Description

RISM

XVe s. 80 ff. (+ 9 ff. limin. ajoutés postérieurement, foliotation moderne I-IX). Papier et parchemin (f. 8 purpureus) 111X166 mm. Foliotation ancienne en haut des ff.: 1-101 devenue discontinue après la disparition de nombreux feuillets, et foliotation moderne au bas des ff.: 1-80. Suivant la foliotation moderne, les ff. IX r. et v., 1 et 8 sont blancs. Notation mesurée blanche. 4 portées par p. Aux ff. limin. II à VIIIv, tables récentes du ms. Aux ff. 3v-5v, table ancienne du ms. portant une numérotation des pièces en chiffres romains et comprenant aussi les pièces qui mq. actuellement. Initiales et marges ornées, fleurs et oiseaux en couleurs. Reliure ancienne cuir brun.

La belle décoration et le style de l'écriture du ms. montrent bien qu'il était destiné à un amateur raffiné, ce que viennent corroborer les textes copiés aux premiers ff. révélateurs d'un milieu humaniste et donnant de surcroît quelques éclaircissements concernant la date du ms.: f.lv: «PRO NOST. AMI/COR. Q.SO/LATIO»; f.2: tête de Christ; f.2v: «Quid possit musica» avec longue citation de «S. Isidori Hispalensis Sententiae de musica», suivie au ƒ.3 d'un sonnet «Grande e la forgia e grandi son gli affetti» . . . sous le même titre «Quid possit musica». Après la Table aux ff. 3v-5v, le f.6 porte une citation de Piine (Naturalis Historiae): «Harmoniaca ratio rerum . . .»; f.6v: éloge de la musique d'une écriture recherchée difficile à interpréter; ƒ.7: Sonnet «Perche non fosti a reverir ne lento» sous le titre «PIERIDES.M.IO.AD.FRAN.DE./ FA.ALUMN.S.»; ƒ.7v une inscription très hermétique permet de conclure que le scribe a commencé sa copie le 4 octobre 1495 (n.st. 1496). (cf. Jeppesen LF 11,79). Probablement copié à Padoue, peut-être (pour son usage personnel) par Crispinus de Stappen qui y était organiste depuis 1492 et dont la frottola «Vale vale de Padua» qui termine le ms (n° 82) a pu être composée en 1493, date à laquelle le musicien dut partir pour Rome, abandonnant Padoue où il devait d'ailleurs bientôt revenir pour y rester jusqu'en 1499. D'autre part, le fait qu'on y trouve encore des textes du poète Serafino Aquilano (nos 5 et XI qui mq.) mort en 1500, permet de supposer que la copie était terminée à cette date, la réputation de ce poète mineur ne lui ayant vraisemblablement guère survécu. Sur les 103 compositions primitives, 82 seulement nous sont parvenues (dont 18 incomplètes), qui adoptent le plus souvent la forme du strambotto.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, 77 Italian secular pieces, 1 Latin/Italian secular piece, 3 textless pieces = 82 (18 incomplete)

Ana [Franciscus Venetus]-2, G. Brocco [Io. Ant. broc.]-3, (Cara)-1, F.-1, Stappen [Crispinus]-2, anon-73

ix paper + 8 parchment + 72 (of an original 104) paper + i paper folios, 112 x 166. Original ink foliation (upper right rectos) on original paper folios, 4-7; 14-18; 21; 30; 33-38; 43-48; 54-80; 82-89; 91-101 (last three folios unnumbered). Modern foliation, 1-80, on lower left rectos, includes parchment folios. Restored original covers of dark brown leather over boards, tooled in gold with ornamental designs. Original alphabetical index on new ff. 3'-5' lists 100 pieces (omits one Italian piece and three textless works; 22 listed pieces now missing due to lost folios). Modern index on flyleaves at beginning. Copied by a single scribe, perhaps the "M. Io." [= Magister Johannes?] mentioned on new f. 7. Calligraphic initials in red, green, blue, yellow, and gold; margins decorated with birds, fruits, flowers, insects, faces, figures, etc. First and last parchment folios colored purple; some musical notation on new f. 8' in gold. Only fragments of watermarks visible: (1) eagle? within circle; (2) three-tongued figure within circle surmounted by cross. Inscriptions on parchment folios: (1) "PRO. NOST. AMI/COR. Q. SO/LATIO" [new f. 1']; (2) Latin and Italian prose and verse in praise of music [new ff. 2'-3]; (3) "PIERIDES. M. IO. [= Magister Johannes?] AD. FRAN. DE. FA. ALUMN. S. [= Francesco de Faa Alumnus Semenarii?]," followed by dedicatory sonnet in Italian [new f. 7]; (4) "PATAVII. IIII. NONAS OCTOBRES. / A PRIMA ELEMENTOR. CON/CORDIA OLIMPIADE / M.CCC.XIIII" [new f. 7'].

1495-6 (JepFR). Copied in Padua. Later owned by Este family of Ferrara. Este family library transferred to Modena in 1598; joined to Modena university library in 1892.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
8v	Piango al mio tormento el tempo perso	-	Anonymous
Piango al mio tormento el tempo perso Anonymous Appears on: 8v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Piango al mio tormento el tempo perso General Note Sup. et T seul1
8v	Piangi cor mio	-	Anonymous
Piangi cor mio Anonymous Appears on: 8v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Piangi cor mio) General Note mq.
8v	Quem queritis	-	Anonymous
Quem queritis Anonymous Appears on: 8v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: (Quem queritis) General Note mq.
9	Miserere mei.	-	Anonymous
Miserere mei. Anonymous Appears on: 9 Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Voice Text: Miserere mei. General Note A et B seul' ++
9v–10	Sel lume al focho che so fiamma extende	-	Anonymous
Sel lume al focho che so fiamma extende Anonymous Appears on: 9v–10 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sel lume al focho che so fiamma extende
10v–11	Se in te fosse pietà como e belleça	-	Anonymous
Se in te fosse pietà como e belleça Anonymous Appears on: 10v–11 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se in te fosse pietà como e belleça
11v–12	S'el çapator il giorno se afatica	-	Anonymous
S'el çapator il giorno se afatica Anonymous Appears on: 11v–12 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: S'el çapator il giorno se afatica Concordances GallicoUL Item Bibliography Gallico, Claudio. 1961. Un libro di poesie per musica dell'epoca di Isabella d'Esté. Bollettino storico mantovano. Mantova.
12v	Amor i' vo fugendo notte e dia	-	Anonymous
Amor i' vo fugendo notte e dia Anonymous Appears on: 12v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor i vo fugendo notte e dia General Note Sup. et Tseul
12v	Sciolto m'ha amor	-	Anonymous
Sciolto m'ha amor Anonymous Appears on: 12v Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: (Sciolto m'ha amor) General Note mq.
12v	Requiescat in pace	-	Anonymous
Requiescat in pace Anonymous Appears on: 12v Genres: Motet, Requiem Voice: [no designation] Languages: Latin Voice Text: (Requiescat in pace) General Note mq
12v	Morte che fai	-	Anonymous
Morte che fai Anonymous Appears on: 12v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Morte che fai General Note mq.
12v	Cridati tutti amanti	-	Anonymous
Cridati tutti amanti Anonymous Appears on: 12v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Cridati tutti amanti) General Note mq
12v	Misericordia	-	Anonymous
Misericordia Anonymous Appears on: 12v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: (Misericordia)
13	Restati cor mio.	-	Anonymous
Restati cor mio. Anonymous Appears on: 13 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Restati cor mio. General Note . A et B seul'++Publ. cf. Mt 55 n" 25
13v–14	La luce de questi occhi tristi mancha	FRANCISCUS VENETUS	Ana, Francesco D' (ca. 1460–ca. 1503)
La luce de questi occhi tristi mancha Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 13v–14 Genres: Italian secular Source Attribution: FRANCISCUS VENETUS Voice: [no designation] Languages: Italian Voice Text: La luce de questi occhi tristi mancha . Item Bibliography Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig.
14v–15	Un giorno mia fortuna cesserai	-	Anonymous
Un giorno mia fortuna cesserai Anonymous Appears on: 14v–15 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Un giorno mia fortuna cesserai General Note Publ. cf. Mt 55 n- 26
15v–16	Vado cercando e non posso trovare	-	Anonymous
Vado cercando e non posso trovare Anonymous Appears on: 15v–16 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Vado cercando e non posso trovare
16v–17	Amor vuole che io ti serva et ama	-	Anonymous
Amor vuole che io ti serva et ama Anonymous Appears on: 16v–17 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor vole che io ti serva et ama General Note [= Ben che sia tempo] Concordances F-Pn 676
17v	Circumdederunt me	-	Anonymous
Circumdederunt me Anonymous Appears on: 17v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me General Note Sup. et T seul' ++(XX)(Orsù pur me conviene) mq.
18	Si come la fenice	-	Anonymous
Si come la fenice Anonymous Appears on: 18 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Si come la fenice. General Note A et B seul
18v	Sagio indarno	-	Anonymous
Sagio indarno Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sagio indarno General Note Sup. et T seul'
18v	Non sia chi se fidi	-	Anonymous
Non sia chi se fidi Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Non sia chi se fidi)
18v	mq. à la Table	-	Anonymous
mq. à la Table Anonymous Appears on: 18v Genres: Secular Voice: [no designation] Languages: insufficient Voice Text: mq. à la Table
18v	Se gli ochi son contenti	-	Anonymous
Se gli ochi son contenti Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Se gli ochi son contenti)
18v	Se gli ochi son contenti	-	Anonymous
Se gli ochi son contenti Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Se gli ochi son contenti)
18v	L'acqua che corre	-	Anonymous
L'acqua che corre Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (L'acqua che corre)
18v	Fantinelle	-	Anonymous
Fantinelle Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: none Voice Text: (Fantinelle)
18v	O dolce patria mia	-	Anonymous
O dolce patria mia Anonymous Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (O dolze patria mia)
19	Sette son le spose	-	Anonymous
Sette son le spose Anonymous Appears on: 19 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Sette son le spose) General Note A et B seul
19v	Cridan vostri occhi al cor mio fora fora	-	Anonymous
Cridan vostri occhi al cor mio fora fora Anonymous Appears on: 19v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Cridan vostri occhi al cor mio fora fora General Note Sup. et T seul' +
20	Da quello mal ponito.	-	Anonymous
Da quello mal ponito. Anonymous Appears on: 20 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Da quello mal ponito. General Note . A et B seul' ++
20v–21	Non gusta il corpo si picol dolore	-	Anonymous
Non gusta il corpo si picol dolore Anonymous Appears on: 20v–21 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non gusta il corpo si picol dolore
21v–22	Circumdederunt me	[F.V.* = FRANCESCO D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Circumdederunt me Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 21v–22 Genres: Introit, Proper Source Attribution: [F.V.* = FRANCESCO D'ANA] Voice: [no designation] Languages: Latin Voice Text: Circumdederunt me General Note Publ. cf. Mt 55 n" 10 Concordances *15055
22v–23	Como ti pol uscire della mente	-	Anonymous
Como ti pol uscire della mente Anonymous Appears on: 22v–23 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Como ti pol uscire della mente
23v–24	Luce degli ochi mei fiama del core	-	Anonymous
Luce degli ochi mei fiama del core Anonymous Appears on: 23v–24 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Luce degli ochi mei fiama del core
24v–25	Sine nomine	-	Anonymous
Sine nomine Anonymous Appears on: 24v–25 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Sine nomine. Item Bibliography Kämper, Dietrich. 1978. Instrumentale Stilelemente bei Alexander Agricola. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-13.
25v	Mi parto de sta terra che tu dici	-	Anonymous
Mi parto de sta terra che tu dici Anonymous Appears on: 25v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Mi parto de sta terra che tu dici General Note Sup. et T seul'
25v	Mi parto de sta terra che tu dici	-	Anonymous
Mi parto de sta terra che tu dici Anonymous Appears on: 25v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Chi te potria indolcire)
25v	Mi parto de sta terra che tu dici	-	Anonymous
Mi parto de sta terra che tu dici Anonymous Appears on: 25v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Tanti son gli dol)
25v	Mi parto de sta terra che tu dici	-	Anonymous
Mi parto de sta terra che tu dici Anonymous Appears on: 25v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Quando la morte)
26	Io moro di morir	-	Anonymous
Io moro di morir Anonymous Appears on: 26 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Io moro di morir. General Note A et B seul'
26v–27	Nemica mi lamento e doglio assai	-	Anonymous
Nemica mi lamento e doglio assai Anonymous Appears on: 26v–27 Genres: Italian secular Voice: [no designation] Languages: Latin, Hebrew Voice Text: Nemica mi lamento e doglio assai
27v–28	Se tu sapesti el duol che Vahna acquista	-	Anonymous
Se tu sapesti el duol che Vahna acquista Anonymous Appears on: 27v–28 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se tu sapesti el duol che Vahna acquista
28v–29	Poi che la lingua mia tacendo dice	-	Anonymous
Poi che la lingua mia tacendo dice Anonymous Appears on: 28v–29 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Poi che la lingua mia tacendo dice
29v–30	Dime quando tu voi crudel a torto	-	Anonymous
Dime quando tu voi crudel a torto Anonymous Appears on: 29v–30 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dime quanto tu voi crudel a torto
30v–31	Signor Cupido dio de tutti amanti	-	Anonymous
Signor Cupido dio de tutti amanti Anonymous Appears on: 30v–31 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Signor Cupido dio de tutti amanti
31v	La nave sfortunata mia s'appella	-	Anonymous
La nave sfortunata mia s'appella Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La nave sfortunata mia s'appella General Note Sup. et T seul'
31v	Tirana mia	-	Anonymous
Tirana mia Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Tirana mia)
31v	Moro per lo tuo amore	-	Anonymous
Moro per lo tuo amore Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Moro per lo tuo amore)
31v	Amor m'ha fatto	-	Anonymous
Amor m'ha fatto Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Amor m'ha fatto
31v	Amor poi che m'hai	-	Anonymous
Amor poi che m'hai Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: (Amor poi che m'hai)
32	Son l'arboro	-	Anonymous
Son l'arboro Anonymous Appears on: 32 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Son l'arboro. General Note A et B seul
32v–33	Arboro son che li mei rami persi	-	Anonymous
Arboro son che li mei rami persi Anonymous Appears on: 32v–33 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Arboro son che li mei rami persi Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II (facs.). Gallico, Claudio. 1963. Poesie musicali di Isabella d'Esté. Collectanea historiae musicae III, Historiae Musicae Cultores. 109ff. Firence.
33v–34	Dime a che ponto fortuna m'ha condutto	-	Anonymous
Dime a che ponto fortuna m'ha condutto Anonymous Appears on: 33v–34 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dime a che ponto fortuna m'ha condutto
34v–35	La vechiareìla peregrina e stancha	-	Anonymous
La vechiareìla peregrina e stancha Anonymous Appears on: 34v–35 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: La vechiareìla peregrina e stancha Item Bibliography Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte. Köln. Pages: (2"). Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig.
35v–36	A ti fortuna crudel perche suggetto	-	Anonymous
A ti fortuna crudel perche suggetto Anonymous Appears on: 35v–36 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: A ti fortuna crudel perche suggetto
36v–37	Tanto son gli occhi mei de pianto pieni	-	Anonymous
Tanto son gli occhi mei de pianto pieni Anonymous Appears on: 36v–37 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Tanto son gli occhi mei de pianto pieni
37v–38	Io t'amo e voglio male grandementi	-	Anonymous
Io t'amo e voglio male grandementi Anonymous Appears on: 37v–38 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Io t'amo e voglio male grandementi
38v–39	lo pur spero e cossi in speranca moro	-	Anonymous
lo pur spero e cossi in speranca moro Anonymous Appears on: 38v–39 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: lo pur spero e cossi in speranca moro . . . Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II.
39v–40	Alta regina a te piangendo vegno	-	Anonymous
Alta regina a te piangendo vegno Anonymous Appears on: 39v–40 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: Alta regina a te piangendo vegno Item Bibliography Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75.
40v–41	Ciudi questi occhi morte e non star più	-	Anonymous
Ciudi questi occhi morte e non star più Anonymous Appears on: 40v–41 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Ciudi questi occhi morte e non star più
41v–42	Che giova de gitar mei preghi al vento	-	Anonymous
Che giova de gitar mei preghi al vento Anonymous Appears on: 41v–42 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che giova de gitar mei preghi al vento
42v–43	Se per fedel servir morte patisco	-	Anonymous
Se per fedel servir morte patisco Anonymous Appears on: 42v–43 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se per fedel servir morte patisco
43v–44	Io ardo in focho che non brusa legni	-	Anonymous
Io ardo in focho che non brusa legni Anonymous Appears on: 43v–44 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Io ardo in focho che non brusa legni General Note Publ. cf. FOL n° 3
44v–45	Mai più sera lo core mio contento	JO. BROCUS	Brocco, Giovanni
Mai più sera lo core mio contento Brocco, Giovanni Appears on: 44v–45 Genres: Italian secular Source Attribution: JO. BROCUS Voice: [no designation] Languages: Italian Voice Text: Mai più sera lo core mio contento
45v–46	Se a mi che t'amo tanto doni morte	-	Anonymous
Se a mi che t'amo tanto doni morte Anonymous Appears on: 45v–46 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se a mi che t'amo tanto doni morte
46v–47	Parto col corpo mio dolente e lasso	-	Anonymous
Parto col corpo mio dolente e lasso Anonymous Appears on: 46v–47 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Parto col corpo mio dolente e lasso
47v–48	L'ocello mi chiamo che perde zornata	-	Anonymous
L'ocello mi chiamo che perde zornata Anonymous Appears on: 47v–48 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: L'ocello mi chiamo che perde zornata General Note Publ. cf. Fn 27 n° 62
48v–49	Che cossa poria far che tu m'amassi	-	Anonymous
Che cossa poria far che tu m'amassi Anonymous Appears on: 48v–49 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Che cossa poria far che tu m'amassi . . ,
49v–50	Signor lo Capitanio castigate	-	Anonymous
Signor lo Capitanio castigate Anonymous Appears on: 49v–50 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Signor lo Capitanio castigate
50v–51	Non trovo parangone al mio dolore	-	Anonymous
Non trovo parangone al mio dolore Anonymous Appears on: 50v–51 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Non trovo parangone al mio dolore . . .
51v–52	Fin che vivo et poi la morte	-	Anonymous
Fin che vivo et poi la morte Anonymous Appears on: 51v–52 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fin chio vivo e poi la morte General Note [a note nere] Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Pages: (à 3vx.).
52v–53	Fora fora fora ingrata	-	Anonymous
Fora fora fora ingrata Anonymous Appears on: 52v–53 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fora fora fora ingrata Item Bibliography Cattin, Giulio. 1977. Musiche per le Laude di Castellano Castellani. Rivista Italiana di Musicologia, 183-230. Pages: (avec aussi le texte de 1a lauda de Castellani: Deh contempla anima ingrata).
53v–54	Cui dice che non t'amo se scentesse	-	Anonymous
Cui dice che non t'amo se scentesse Anonymous Appears on: 53v–54 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Cui dice che non t'amo se scentesse
54v–55	Tu me fai tanta mala compagnia	-	Anonymous
Tu me fai tanta mala compagnia Anonymous Appears on: 54v–55 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Tu me fai tanta mala compagnia
55v–56	Lo azo tanto pianto che hora mai	-	Anonymous
Lo azo tanto pianto che hora mai Anonymous Appears on: 55v–56 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: lo azo tanto pianto che hora mai
56v–57	Fosse lo cor mio un giorno contento	-	Anonymous
Fosse lo cor mio un giorno contento Anonymous Appears on: 56v–57 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Fosse lo cor mio un giorno contento
57v–58	Armati cor mio levati e dali	F. [D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Armati cor mio levati e dali Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 57v–58 Genres: Italian secular Source Attribution: F. [D'ANA] Voice: [no designation] Languages: Italian Voice Text: Armati cor mio levati e dali
58v	Guardate o contristati da fortuna	-	Anonymous
Guardate o contristati da fortuna Anonymous Appears on: 58v Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Guardate o contristati da fortuna General Note Sup. et T seul'
59	Do poi la morte	-	Anonymous
Do poi la morte Anonymous Appears on: 59 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Do poi la morte General Note A et B seul'
59v–60	De vien amica mia più non tardare	-	Anonymous
De vien amica mia più non tardare Anonymous Appears on: 59v–60 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: De vien amica mia più non tardare
60v–61	Dolce mia cara e singular signora	-	Anonymous
Dolce mia cara e singular signora Anonymous Appears on: 60v–61 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Dolce mia cara e singular signora
61v–62	Sperava già chel mio fidel servire	-	Anonymous
Sperava già chel mio fidel servire Anonymous Appears on: 61v–62 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sperava già chel mio fidel servire
62v–63	Sara la fine mia questa fiata	-	Anonymous
Sara la fine mia questa fiata Anonymous Appears on: 62v–63 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sara la fine mia questa fiata
63v–64	Tu non diresti tanto di amarme	-	Anonymous
Tu non diresti tanto di amarme Anonymous Appears on: 63v–64 Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Tu non diresti tanto di amarme
64v–65	Aime che fai perche me uccidi a torto	-	Anonymous
Aime che fai perche me uccidi a torto Anonymous Appears on: 64v–65 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Aime che fai perche me uccidi a torto
65v–66	Ave verum corpus natum de Maria virgine	CRISPINUS [= CRISPIN VAN STAPPEN]	Stappen, Crispin van der
Ave verum corpus natum de Maria virgine Stappen, Crispin van der Appears on: 65v–66 Genres: Motet Source Attribution: CRISPINUS [= CRISPIN VAN STAPPEN] Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus
66v	Summa virtù divina potentia	-	Anonymous
Summa virtù divina potentia Anonymous Appears on: 66v Genres: Italian secular Voice: [no designation] Languages: Latin Voice Text: Summa virtù divina potentia General Note Sup. et T seul
67	Muta pensiero	-	Anonymous
Muta pensiero Anonymous Appears on: 67 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Muta pensiero. General Note A et B seul'+ +
67v–68	Aime ch'io moro per te donna crudele	[M. CARA]	Cara, Marchetto
Aime ch'io moro per te donna crudele Cara, Marchetto Appears on: 67v–68 Genres: Italian secular Source Attribution: [M. CARA] Voice: [no designation] Languages: Italian Voice Text: Aime ch'io moro per te donna crudele
68v–69	in focho in focho la mia vita passa	-	Anonymous
in focho in focho la mia vita passa Anonymous Appears on: 68v–69 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: in focho in focho la mia vita passa .
69v–70	untexted	-	-
untexted Appears on: 69v–70 Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
70v–71	untexted	Jo. Brocus	Brocco, Giovanni
untexted Brocco, Giovanni Appears on: 70v–71 Genres: textless Source Attribution: Jo. Brocus Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: none
71v–72	Se me abandoni fa che tu me rendi	Jo. Ant[oni]us Brocus	Brocco, Giovanni
Se me abandoni fa che tu me rendi Brocco, Giovanni Appears on: 71v–72 Genres: Italian secular Source Attribution: Jo. Ant[oni]us Brocus Voice: [no designation] Languages: Italian Voice Text: Se me abandoni fa che tu me rendi . . . Voice: [no designation] Languages: Italian Voice Text: Se me abandoni fa che tu me rendi . . . Voice: [no designation] Languages: Italian Voice Text: Se me abandoni fa che tu me rendi . . . Voice: [no designation] Languages: Italian Voice Text: Se me abandoni fa che tu me rendi . . . General Note (LXXXXVI)
72v–73	Lo capo de la pena mia mortale	-	Anonymous
Lo capo de la pena mia mortale Anonymous Appears on: 72v–73 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Lo capo de la pena mia mortale . . . Voice: [no designation] Languages: Italian Voice Text: Lo capo de la pena mia mortale . . . Voice: [no designation] Languages: Italian Voice Text: Lo capo de la pena mia mortale . . . Voice: [no designation] Languages: Italian Voice Text: Lo capo de la pena mia mortale . . .
73v–74	Mille prove aggio fatto per levarme	-	Anonymous
Mille prove aggio fatto per levarme Anonymous Appears on: 73v–74 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Mille prove aggio fatto per levarme ... Voice: [no designation] Languages: Italian Voice Text: Mille prove aggio fatto per levarme ... Voice: [no designation] Languages: Italian Voice Text: Mille prove aggio fatto per levarme ... Voice: [no designation] Languages: Italian Voice Text: Mille prove aggio fatto per levarme ...
74v–75	Vedendo gli ochi mei la, sepultura	-	Anonymous
Vedendo gli ochi mei la, sepultura Anonymous Appears on: 74v–75 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Vedendo gli ochi mei la, sepultura … Voice: [no designation] Languages: Italian Voice Text: Vedendo gli ochi mei la, sepultura … Voice: [no designation] Languages: Italian Voice Text: Vedendo gli ochi mei la, sepultura … Voice: [no designation] Languages: Italian Voice Text: Vedendo gli ochi mei la, sepultura … General Note [= Vederà l'occhi mei la sepultura] Item Bibliography Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation.
75v–76	Laudato idio che usi de le tue trame	-	Anonymous
Laudato idio che usi de le tue trame Anonymous Appears on: 75v–76 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Laudato idio che usi de le tue trame . . . Voice: [no designation] Languages: Italian Voice Text: Laudato idio che usi de le tue trame . . . Voice: [no designation] Languages: Italian Voice Text: Laudato idio che usi de le tue trame . . . Voice: [no designation] Languages: Italian Voice Text: Laudato idio che usi de le tue trame . . .
76v–77	Se la fortuna non mi muta corso	-	Anonymous
Se la fortuna non mi muta corso Anonymous Appears on: 76v–77 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Se la fortuna non mi muta corso . . . Voice: [no designation] Languages: Italian Voice Text: Se la fortuna non mi muta corso . . . Voice: [no designation] Languages: Italian Voice Text: Se la fortuna non mi muta corso . . . Voice: [no designation] Languages: Italian Voice Text: Se la fortuna non mi muta corso . . .
77v–78	Sperancia ognhor mi muta e mi mantene	-	Anonymous
Sperancia ognhor mi muta e mi mantene Anonymous Appears on: 77v–78 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Sperancia ognhor mi muta e mi mantene … Voice: [no designation] Languages: Italian Voice Text: Sperancia ognhor mi muta e mi mantene … Voice: [no designation] Languages: Italian Voice Text: Sperancia ognhor mi muta e mi mantene … Voice: [no designation] Languages: Italian Voice Text: Sperancia ognhor mi muta e mi mantene …
78v–79	Per debile el cor mio hormai si rende	-	Anonymous
Per debile el cor mio hormai si rende Anonymous Appears on: 78v–79 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Per debile el cor mio hormai si rende . . . Voice: [no designation] Languages: Italian Voice Text: Per debile el cor mio hormai si rende . . . Voice: [no designation] Languages: Italian Voice Text: Per debile el cor mio hormai si rende . . . Voice: [no designation] Languages: Italian Voice Text: Per debile el cor mio hormai si rende . . .
79v–80	Credeva per amor esser amado	-	Anonymous
Credeva per amor esser amado Anonymous Appears on: 79v–80 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Credeva per amor esser amado … Voice: [no designation] Languages: Italian Voice Text: Credeva per amor esser amado … Voice: [no designation] Languages: Italian Voice Text: Credeva per amor esser amado … Voice: [no designation] Languages: Italian Voice Text: Credeva per amor esser amado …
80v	Vale vale de Padua a santo choro	CRISPINUS [= CRISPIN VAN STAPPEN]	Stappen, Crispin van der
Vale vale de Padua a santo choro Stappen, Crispin van der Appears on: 80v Genres: Italian secular Source Attribution: CRISPINUS [= CRISPIN VAN STAPPEN] Voice: [no designation] Languages: none Voice: [no designation] Languages: Italian Voice Text: Vale vale de Padua a santo choro . . . Voice: [no designation] Languages: Italian Voice Text: Vale vale de Padua a santo choro . . . Voice: [no designation] Languages: Italian Voice Text: Vale vale de Padua a santo choro . . . Item Bibliography Schinelli, Achille. 1955. Collana di composizioni polifoniche vocali sacre e profane. 3 vols. Milano. Pages: II (avec facs.). Wolf, Johannes. 1931); American reprint: 'Music of earlier times. Vocal and instrumental examples; 13th century to Bach'. (New York, 1946. Sing-und Spielmusik aus älterer Zeit. Leipzig. Pages: , n° 21).
[-]	Ave verum corpus natum de Maria virgine	-	Stappen, Crispin van der
Ave verum corpus natum de Maria virgine Stappen, Crispin van der Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus

Composer	Compositions
Ana, Francesco D' (ca. 1460–ca. 1503)	Armati cor mio levati e dali – 57v–58 Circumdederunt me – 21v–22 La luce de questi occhi tristi mancha – 13v–14
Anonymous	A ti fortuna crudel perche suggetto – 35v–36 Aime che fai perche me uccidi a torto – 64v–65 Alta regina a te piangendo vegno – 39v–40 Amor i' vo fugendo notte e dia – 12v Amor m'ha fatto – 31v Amor poi che m'hai – 31v Amor vuole che io ti serva et ama – 16v–17 Arboro son che li mei rami persi – 32v–33 Che cossa poria far che tu m'amassi – 48v–49 Che giova de gitar mei preghi al vento – 41v–42 Circumdederunt me – 17v Ciudi questi occhi morte e non star più – 40v–41 Como ti pol uscire della mente – 22v–23 Credeva per amor esser amado – 79v–80 Cridan vostri occhi al cor mio fora fora – 19v Cridati tutti amanti – 12v Cui dice che non t'amo se scentesse – 53v–54 Da quello mal ponito. – 20 De vien amica mia più non tardare – 59v–60 Dime a che ponto fortuna m'ha condutto – 33v–34 Dime quando tu voi crudel a torto – 29v–30 Do poi la morte – 59 Dolce mia cara e singular signora – 60v–61 Fantinelle – 18v Fin che vivo et poi la morte – 51v–52 Fora fora fora ingrata – 52v–53 Fosse lo cor mio un giorno contento – 56v–57 Guardate o contristati da fortuna – 58v Io ardo in focho che non brusa legni – 43v–44 Io moro di morir – 26 Io t'amo e voglio male grandementi – 37v–38 L'acqua che corre – 18v L'ocello mi chiamo che perde zornata – 47v–48 La nave sfortunata mia s'appella – 31v La vechiareìla peregrina e stancha – 34v–35 Laudato idio che usi de le tue trame – 75v–76 Lo azo tanto pianto che hora mai – 55v–56 Lo capo de la pena mia mortale – 72v–73 Luce degli ochi mei fiama del core – 23v–24 Mi parto de sta terra che tu dici – 25v Mi parto de sta terra che tu dici – 25v Mi parto de sta terra che tu dici – 25v Mi parto de sta terra che tu dici – 25v Mille prove aggio fatto per levarme – 73v–74 Miserere mei. – 9 Misericordia – 12v Moro per lo tuo amore – 31v Morte che fai – 12v Muta pensiero – 67 Nemica mi lamento e doglio assai – 26v–27 Non gusta il corpo si picol dolore – 20v–21 Non sia chi se fidi – 18v Non trovo parangone al mio dolore – 50v–51 O dolce patria mia – 18v Parto col corpo mio dolente e lasso – 46v–47 Per debile el cor mio hormai si rende – 78v–79 Piangi cor mio – 8v Piango al mio tormento el tempo perso – 8v Poi che la lingua mia tacendo dice – 28v–29 Quem queritis – 8v Requiescat in pace – 12v Restati cor mio. – 13 S'el çapator il giorno se afatica – 11v–12 Sagio indarno – 18v Sara la fine mia questa fiata – 62v–63 Sciolto m'ha amor – 12v Se a mi che t'amo tanto doni morte – 45v–46 Se gli ochi son contenti – 18v Se gli ochi son contenti – 18v Se in te fosse pietà como e belleça – 10v–11 Se la fortuna non mi muta corso – 76v–77 Se per fedel servir morte patisco – 42v–43 Se tu sapesti el duol che Vahna acquista – 27v–28 Sel lume al focho che so fiamma extende – 9v–10 Sette son le spose – 19 Si come la fenice – 18 Signor Cupido dio de tutti amanti – 30v–31 Signor lo Capitanio castigate – 49v–50 Sine nomine – 24v–25 Son l'arboro – 32 Sperancia ognhor mi muta e mi mantene – 77v–78 Sperava già chel mio fidel servire – 61v–62 Summa virtù divina potentia – 66v Tanto son gli occhi mei de pianto pieni – 36v–37 Tirana mia – 31v Tu me fai tanta mala compagnia – 54v–55 Tu non diresti tanto di amarme – 63v–64 Un giorno mia fortuna cesserai – 14v–15 Vado cercando e non posso trovare – 15v–16 Vedendo gli ochi mei la, sepultura – 74v–75 in focho in focho la mia vita passa – 68v–69 lo pur spero e cossi in speranca moro – 38v–39 mq. à la Table – 18v [No description] – 69v–70
Brocco, Giovanni	Mai più sera lo core mio contento – 44v–45 Se me abandoni fa che tu me rendi – 71v–72 untexted – 70v–71
Cara, Marchetto	Aime ch'io moro per te donna crudele – 67v–68
Stappen, Crispin van der	Ave verum corpus natum de Maria virgine – 65v–66 Ave verum corpus natum de Maria virgine – [-] Vale vale de Padua a santo choro – 80v

Composition	Composers (? Uncertain)	Folios / Pages
A ti fortuna crudel perche suggetto	Anonymous	35v–36
Aime ch'io moro per te donna crudele	Cara, Marchetto	67v–68
Aime che fai perche me uccidi a torto	Anonymous	64v–65
Alta regina a te piangendo vegno	Anonymous	39v–40
Amor i' vo fugendo notte e dia	Anonymous	12v
Amor m'ha fatto	Anonymous	31v
Amor poi che m'hai	Anonymous	31v
Amor vuole che io ti serva et ama	Anonymous	16v–17
Arboro son che li mei rami persi	Anonymous	32v–33
Armati cor mio levati e dali	Ana, Francesco D' (ca. 1460–ca. 1503)	57v–58
Ave verum corpus natum de Maria virgine	Stappen, Crispin van der	65v–66
Ave verum corpus natum de Maria virgine	Stappen, Crispin van der	[-]
Che cossa poria far che tu m'amassi	Anonymous	48v–49
Che giova de gitar mei preghi al vento	Anonymous	41v–42
Circumdederunt me	Anonymous	17v
Circumdederunt me	Ana, Francesco D' (ca. 1460–ca. 1503)	21v–22
Ciudi questi occhi morte e non star più	Anonymous	40v–41
Como ti pol uscire della mente	Anonymous	22v–23
Credeva per amor esser amado	Anonymous	79v–80
Cridan vostri occhi al cor mio fora fora	Anonymous	19v
Cridati tutti amanti	Anonymous	12v
Cui dice che non t'amo se scentesse	Anonymous	53v–54
Da quello mal ponito.	Anonymous	20
De vien amica mia più non tardare	Anonymous	59v–60
Dime a che ponto fortuna m'ha condutto	Anonymous	33v–34
Dime quando tu voi crudel a torto	Anonymous	29v–30
Do poi la morte	Anonymous	59
Dolce mia cara e singular signora	Anonymous	60v–61
Fantinelle	Anonymous	18v
Fin che vivo et poi la morte	Anonymous	51v–52
Fora fora fora ingrata	Anonymous	52v–53
Fosse lo cor mio un giorno contento	Anonymous	56v–57
Guardate o contristati da fortuna	Anonymous	58v
in focho in focho la mia vita passa	Anonymous	68v–69
Io ardo in focho che non brusa legni	Anonymous	43v–44
Io moro di morir	Anonymous	26
Io t'amo e voglio male grandementi	Anonymous	37v–38
L'acqua che corre	Anonymous	18v
L'ocello mi chiamo che perde zornata	Anonymous	47v–48
La luce de questi occhi tristi mancha	Ana, Francesco D' (ca. 1460–ca. 1503)	13v–14
La nave sfortunata mia s'appella	Anonymous	31v
La vechiareìla peregrina e stancha	Anonymous	34v–35
Laudato idio che usi de le tue trame	Anonymous	75v–76
Lo azo tanto pianto che hora mai	Anonymous	55v–56
Lo capo de la pena mia mortale	Anonymous	72v–73
lo pur spero e cossi in speranca moro	Anonymous	38v–39
Luce degli ochi mei fiama del core	Anonymous	23v–24
Mai più sera lo core mio contento	Brocco, Giovanni	44v–45
Mi parto de sta terra che tu dici	Anonymous	25v
Mi parto de sta terra che tu dici	Anonymous	25v
Mi parto de sta terra che tu dici	Anonymous	25v
Mi parto de sta terra che tu dici	Anonymous	25v
Mille prove aggio fatto per levarme	Anonymous	73v–74
Miserere mei.	Anonymous	9
Misericordia	Anonymous	12v
Moro per lo tuo amore	Anonymous	31v
Morte che fai	Anonymous	12v
mq. à la Table	Anonymous	18v
Muta pensiero	Anonymous	67
Nemica mi lamento e doglio assai	Anonymous	26v–27
Non gusta il corpo si picol dolore	Anonymous	20v–21
Non sia chi se fidi	Anonymous	18v
Non trovo parangone al mio dolore	Anonymous	50v–51
O dolce patria mia	Anonymous	18v
Parto col corpo mio dolente e lasso	Anonymous	46v–47
Per debile el cor mio hormai si rende	Anonymous	78v–79
Piangi cor mio	Anonymous	8v
Piango al mio tormento el tempo perso	Anonymous	8v
Poi che la lingua mia tacendo dice	Anonymous	28v–29
Quem queritis	Anonymous	8v
Requiescat in pace	Anonymous	12v
Restati cor mio.	Anonymous	13
S'el çapator il giorno se afatica	Anonymous	11v–12
Sagio indarno	Anonymous	18v
Sara la fine mia questa fiata	Anonymous	62v–63
Sciolto m'ha amor	Anonymous	12v
Se a mi che t'amo tanto doni morte	Anonymous	45v–46
Se gli ochi son contenti	Anonymous	18v
Se gli ochi son contenti	Anonymous	18v
Se in te fosse pietà como e belleça	Anonymous	10v–11
Se la fortuna non mi muta corso	Anonymous	76v–77
Se me abandoni fa che tu me rendi	Brocco, Giovanni	71v–72
Se per fedel servir morte patisco	Anonymous	42v–43
Se tu sapesti el duol che Vahna acquista	Anonymous	27v–28
Sel lume al focho che so fiamma extende	Anonymous	9v–10
Sette son le spose	Anonymous	19
Si come la fenice	Anonymous	18
Signor Cupido dio de tutti amanti	Anonymous	30v–31
Signor lo Capitanio castigate	Anonymous	49v–50
Sine nomine	Anonymous	24v–25
Son l'arboro	Anonymous	32
Sperancia ognhor mi muta e mi mantene	Anonymous	77v–78
Sperava già chel mio fidel servire	Anonymous	61v–62
Summa virtù divina potentia	Anonymous	66v
Tanto son gli occhi mei de pianto pieni	Anonymous	36v–37
Tirana mia	Anonymous	31v
Tu me fai tanta mala compagnia	Anonymous	54v–55
Tu non diresti tanto di amarme	Anonymous	63v–64
Un giorno mia fortuna cesserai	Anonymous	14v–15
untexted	Brocco, Giovanni	70v–71
Vado cercando e non posso trovare	Anonymous	15v–16
Vale vale de Padua a santo choro	Stappen, Crispin van der	80v
Vedendo gli ochi mei la, sepultura	Anonymous	74v–75

‡ denotes primary source study

Zanovello, Giovanni. 2016. 'You Will Take This Sacred Book’: The Musical Strambotto as a Humanistic Gift. Journal of the Royal Musical Association, 1-26.

La Face Bianconi, Giuseppina. 1990. Gli strambotti nel codice estense a.F.9.9. Studi e testi per la storia della musica, 408pp.

‡ D'Accone, Frank A (editor). 1987. Modena, Biblioteca Estense e Universitaria, MS alpha F.9.9. Renaissance Music in Facsimile. New York. Notes: contents list; concordances; physical description; facsimile; texts; discussion.

Atlas, Allan W. 1983. The Foligno Fragment: Another Source from FifteenthCentury Naples. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: Facsimile reproduction, with introduction by Frank A. D'Accone, in preparation for series Renaissance Music in Facsimile (Garland Publishing Co.). Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 164.

Atlas, Allan W. 1977. On the Neapolitan Provenance of the Manuscript Perugia, Biblioteca Comunale Augusta, 431 (G 20). Musica Disciplina, 45ff. Pages: 48-9, 96-9. Notes: mention of MS; contents list (partial); concordances (partial).

Cattin, Giulio. 1977. Musiche per le Laude di Castellano Castellani. Rivista Italiana di Musicologia, 183-230. Pages: 215, 228-9. Notes: contents list (partial); transcription (partial).

Litterick, Louise. 1976. The Manuscript Royal 20. A. XVI of the British Library. New York University, Unpublished Ph.D. dissertation. Pages: 118. Notes: mention of MS; contents list (partial).

Kämper, Dietrich. 1970. Studien zur Instrumentalen Ensemblemusik des 16. Jahrhunderts in Italien. Analecta Musicologica, . Pages: 15, 57-61 Notenanhang, 1-2. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: I, 74-6; II, 138-40. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, xxxi, 76-82, 166-71, 316-9, passim; III,163ff. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.

Gallico, Claudio. 1963. Poesie musicali di Isabella d'Esté. Collectanea historiae musicae III, Historiae Musicae Cultores. 109ff. Firence.

Cattin, Giulio. 1958. Contributi alla storia della lauda spirituale: Sulla evoluzione musicale e letteraria della lauda nei secoli XIV e XV. Quadrivium, 45-75. Pages: 69, 74. Notes: transcription (partial); mention of MS; discussion.

Fava, Domenico, and Mario Salmi. 1950-73. Manoscritti Miniati della Biblioteca Estense di Modena. Florence. Pages: II, 51, Tav. XXIII/2. Notes: physical description; contents list; incipits of contents (partial); facsimile (partial).

Lodi, Pio. 1917. Catalogo delle Opere Musicali teoriche e pratiche ... Città di Modena R. Biblioteca Estense. Bollettino dell'Associazione dei Musicologi Italiani. Parma. Pages: 533-4. Notes: physical description; contents list.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 454. Notes: physical description (partial).

[No Author] 1868. Poesie musicali dei secoli XIV, XV e XVI tratte da vari codici per cura di Antonio Cappelli, con un saggio della musica dei tre secoli. Scelta di curiosità letterarie inedite o rare dal secolo XIII al XVII. Pages: 10ff et 55ff.

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Giovanni Zanovello

Friday, 24 March, 2023

Added articles by La Face Bianconi & Zanovello, and D'Accone's facsimile edition, to bibliography

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-MOe MS {alpha}.F.9.9

Biblioteca Estense, Modena, Italy

manuscript of polyphony: 1495-6

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Census Catalogue of Music Description

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