I-VEc MS DCCLV

Biblioteca Capitolare di Verona, Verona, Italy

compilation of two originally separate polyphony manuscripts: c. 1475-80

Archive Biblioteca Capitolare di Verona, Verona, Italy (I-VEc)
Shelfmark MS DCCLV
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 337 x 241 mm
Other Identifiers
  • RISM: I-VEcap 755
  • CCM: VerBC 755
External Links
Provenance
  • Italy
Contents 27 pieces from 6 composers
General Description

Composite of two originally separate manuscripts later bound together: Part I = new ff. 1-110; Part II = new ff. 111-130. Part I copied in Naples (RothS); Part II copied in Verona.

DIAMM, 2017
Binding

Original covers of brown leather over boards; clasps missing

DIAMM, 2017
Watermark

Watermarks in Part I (none in Briquet): (1) three-peaked mountain; (2) crown; (3) hourglass surmounted by cross. Watermark in Part II: goose (not in Briquet).

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Ca. 1475-80 (RothS).

DIAMM, 2017
Ruling

Staff height 14 in Part I, 18 in Part II.

DIAMM, 2017
Foliation

130 ff

DIAMM, 2017
Foliation

Original ink foliation mostly obliterated by later trimming; new pencil foliation, 1-130.

DIAMM, 2017
Decoration

A few inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVe/XVIe s. 130ff. Papier, 338 x 240 mm. Foliotation ancienne, quelquefois lacunaire et remplacée par une foliotation moderne. Les ff. 1, 8v, 9, 53v, 54, 66v à 70, 95v à 101, 109v à 110v sont blancs. Notation mesurée blanche. 10 portées par p. Reliure ancienne très fatiguée, cuir estampé.

Ce ms., probablement destiné (comme les mss. 758, 759, 760), à la Scuola degli Accoliti, fondée en 1440 par les autorités religieuses et civiles de Vérone, est un de ceux qui révèlent l'influence des compositeurs franco-flamands des cours de Naples et de Milan sur le répertoire liturgique de la cathédrale. Un des filigranes (oie, aux ff. 111 à 130) que l'on retrouve dans trois autres mss. de la Capitolare (757, 758, 759) caractérise des papiers répandus dans une région très limitée du nord de l'Italie et tout particulièrement à Vérone et Vicence, ce qui tendrait à démontrer l'origine véronaise de tous ces mss.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Masses, 1 Kyrie-Gloria pair (incomplete), 1 Kyrie (incomplete), 1 Mass Proper section, 3 motets = 17

(Caron)-1, (Congeri)-1, (Martini)-1, Tinctoris-1, (Weerbecke)-1, anon-12

i + 130 + i paper folios, 337 x 241. Composite of two originally separate manuscripts later bound together: Part I = new ff. 1-110; Part II = new ff. 111-130. Original ink foliation mostly obliterated by later trimming; new pencil foliation, 1-130. New ff. 8'-9, 53'-54, 66'-70, 95'-101, 109'-110' have blank staves only; f. 1 blank. Original covers of brown leather over boards; clasps missing. No index. Each manuscript copied by a different scribe. Staff height 14 in Part I, 18 in Part II. A few inked calligraphic initials. Watermarks in Part I (none in Briquet): (1) three-peaked mountain; (2) crown; (3) hourglass surmounted by cross. Watermark in Part II: goose (not in Briquet).

Ca. 1475-80 (RothS). Part I copied in Naples (RothS); Part II copied in Verona.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–8 Missa [Ver755-1] - Anonymous

Missa [Ver755-1]

Anonymous
Appears on: 1v–8
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie . . .
General Note

Sans Agnus.

9v–17 Missa [P. CONGIET]
Appears on: 9v–17
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [P. CONGIET]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Kyrie
17v–26 Missa sine nomine TINTORIS
Appears on: 17v–26
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: TINTORIS
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa sine nomine] Kyrie
General Note

Paroles incompl.«Ferdinande sacer inter divos referendecantico Tintoris suscipe parva tui.»

Item Bibliography

Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona.  Verona. Pages: facs.(17v-18).

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.

26v–36 Missa [Ver755-2] - Anonymous

Missa [Ver755-2]

Anonymous
Appears on: 26v–36
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Kyrie
36v–43 Missa Sanguis sanctorum: Kyrie [CARON]
Appears on: 36v–43
Genres: Mass Ordinary
Source Attribution: [CARON]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sanguis sanctorum].Kyrie
General Note

Publ. cf. Rvat 51 n° 9T: Sanguis sanctorum Kyrie

36v–43 Missa Sanguis sanctorum: Gloria -
Appears on: 36v–43
Genres: Gloria (et in terra pax), Mass Ordinary
36v–43 Missa Sanguis sanctorum: Credo -
Appears on: 36v–43
Genres: Credo (patrem omnipotentem), Mass Ordinary
36v–43 Missa Sanguis sanctorum: Sanctus -
Appears on: 36v–43
Genres: Mass Ordinary, Sanctus [& Benedictus]
36v–43 Missa Sanguis sanctorum: Agnus Dei -
Appears on: 36v–43
Genres: Agnus Dei, Mass Ordinary
43v [untexted] - -
Appears on: 43v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: without text
General Note

1 ligne de musique.

44–53 Missa D'un aultre amer: Kyrie Anonymous
Appears on: 44–53
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa D'ung aultre amer] Kyrie
General Note

mq. inc. du Sup. et du TT du Gloria: D'ung aultre amer

44–53 Missa D'un aultre amer: Gloria Et in terra - Anonymous
Appears on: 44–53
Genres: Gloria (et in terra pax), Mass Ordinary
44–53 Missa D'un aultre amer: Credo Patrem omnipotentem - Anonymous
Appears on: 44–53
Genres: Credo (patrem omnipotentem), Mass Ordinary
44–53 Missa D'un aultre amer: Sanctus - Anonymous
Appears on: 44–53
Genres: Mass Ordinary, Sanctus [& Benedictus]
44–53 Missa D'un aultre amer: Agnus Dei - Anonymous
Appears on: 44–53
Genres: Agnus Dei, Mass Ordinary
54v–63 Missa Rex dabit mercedem Et in terra - Anonymous
Appears on: 54v–63
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Rex dabit mercedem] Et in terra
General Note

Sans Kyrie. T: Rex dabit mercedem Gracias agimus tibi

63v–66 Missa O Venus bant: Kyrie [GASPAR VAN WEERBECKE]
Appears on: 63v–66
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [GASPAR VAN WEERBECKE]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa O Venus bant. Kyrie et 1a p. du Gloria] Kyrie
General Note

Publ. cf. MOe M.1.13 n" 17

63v–66 Missa O Venus bant: Gloria -
Appears on: 63v–66
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

incomplete: opening only

70–85 Missa Tart ara - Anonymous

Missa Tart ara

Anonymous
Appears on: 70–85
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Tart ara] Kyrie
General Note

T:Tart ara Kyrie

85v–95 Missa Orsus orsus [J. MARTINI]
Appears on: 85v–95
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. MARTINI]
Voice: [no designation]
Languages: Latin
Voice Text: Incomprehensibilia firma tua sunt
General Note

T: Kyrie Orsus orsus par desus leyson . . .

101v–104 Incomprehensibilia firma tua sunt - Anonymous
Appears on: 101v–104
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Incomprehensibilia firma tua sunt
104v–106 Gaude virgo decus morum - Anonymous
Appears on: 104v–106
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo decus morum
General Note

T: Crescit in dupLo. N'arayejamais mieuLx que j'ay.

106v–109 Salve maris stella TINTORIS ?
Appears on: 106v–109
Genres: Motet
Source Attribution: TINTORIS ?
Voice: [no designation]
Languages: Latin
Voice Text: Salve maris stella
111–119 Missa [Ver755-3] - Anonymous

Missa [Ver755-3]

Anonymous
Appears on: 111–119
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Kyrie
119v–128 Missa [Ver755-4] - Anonymous

Missa [Ver755-4]

Anonymous
Appears on: 119v–128
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
128v–129 Salve sancta parens - Anonymous
Appears on: 128v–129
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salve sancta parens
129–130v Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 129–130v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …

Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie …
General Note

Incompl.: 2vx. supérieures seul1 pour le dernier Kyrie

Composition Composers (? Uncertain) Folios / Pages
[untexted] - 43v
Gaude virgo decus morum Anonymous 104v–106
Incomprehensibilia firma tua sunt Anonymous 101v–104
Kyrie eleison Anonymous 129–130v
Missa 9v–17
Missa [Ver755-1] Anonymous 1v–8
Missa [Ver755-2] Anonymous 26v–36
Missa [Ver755-3] Anonymous 111–119
Missa [Ver755-4] Anonymous 119v–128
Missa D'un aultre amer: Agnus Dei Anonymous 44–53
Missa D'un aultre amer: Credo Patrem omnipotentem Anonymous 44–53
Missa D'un aultre amer: Gloria Et in terra Anonymous 44–53
Missa D'un aultre amer: Kyrie Anonymous 44–53
Missa D'un aultre amer: Sanctus Anonymous 44–53
Missa O Venus bant: Gloria 63v–66
Missa O Venus bant: Kyrie 63v–66
Missa Orsus orsus 85v–95
Missa Rex dabit mercedem Et in terra Anonymous 54v–63
Missa Sanguis sanctorum: Agnus Dei 36v–43
Missa Sanguis sanctorum: Credo 36v–43
Missa Sanguis sanctorum: Gloria 36v–43
Missa Sanguis sanctorum: Kyrie 36v–43
Missa Sanguis sanctorum: Sanctus 36v–43
Missa sine nomine 17v–26
Missa Tart ara Anonymous 70–85
Salve maris stella 106v–109
Salve sancta parens Anonymous 128v–129

denotes primary source study

Dean, Jeffrey J. 2004. Verona 755 and the Incomprehensibilia Composer. Manoscritti di polifonia nel Quattrocento europeo: Atti del Convegno internazionale di Studi, 93-108. Trento: Soprintendenza per i Beni Librari e Archivistici.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 470-523. Pages: 477, 512, 518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xi, 103-8. Notes: contents list (partial); transcription (partial).

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 68, 71, 209-11, 259-61, 350, 387, 390, 392-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Blackburn, Bonnie J. 1981. A Lost Guide to Tinctoris's Teachings Recovered. Early Music History, 29-116. Pages: 36, 40. Notes: contents list (partial); concordances (partial).

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 257-304. Pages: 297. Notes: contents list (partial); concordances (partial).

Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona.  Verona. Pages: 87f.

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x-xi, 1-32. Notes: contents list (partial); transcription (partial).

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson.  Brooklyn: Institute of Mediaeval Music. Pages: II, following i, ii, vi-ix. Notes: contents list (partial); concordances (partial); facsimile (partial).

Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 155-73. Pages: 158-9. Notes: mention of MS.

Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation.

Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents. edited by Johannes Tinctoris,  A.I.M. Notes: physical description (partial); contents list (partial); transcription (partial).

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: M. Staehelin, 144.

Johnson, Alvin Harold. 1953. The Masses of Cipriano de Rore. Journal of the American Musicological Society, 227-39. Pages: 234-5. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 95-176. Pages: 98-108. Notes: physical description; contents list.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XIII col. 1511-1512.

Turrini, Giuseppe. 1935-6; Reprinted: Bologna, 1983. Catalogo delle opere musicali: Città di Verona, Biblioteca della Soc. Accademia Filarmonica di Verona.  Parma.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description