I-VEc MS DCCLXI

Biblioteca Capitolare di Verona, Verona, Italy

manuscript of polyphony: first quarter 16th century

Archive	Biblioteca Capitolare di Verona, Verona, Italy (I-VEc)
Shelfmark	MS DCCLXI
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	568 x 426-30 mm
Other Identifiers	RISM: I-VEcap 761 CCM: VerBC 761
Notations	black void mensural
Relationships	Brenzoni family, Verona (patron) Maffei family (patron)
External Links	Programme Ricercar editions of anonymous masses
Provenance	Italy
Contents	22 pieces from 14 composers

General Description

Copied by a single scribe, who also wrote ff. 63'-64 and ff. 65'-66 of VerBC 759 (Call). Probably copied in Verona (KanTV), but close repertorial associations with several Roman sources (PrestV, ReynoldsM).

DIAMM, 2017

Binding

Original covers of brown leather over wooden boards, blind tooled with diamond-shaped ornamental designs; metal bosses and corners; leather ties now missing

DIAMM, 2017

Watermark

(1) fleur-de-lis in circle; (2) resembles Zonghi #1207-8.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 26.

DIAMM, 2017

Foliation

224 ff

DIAMM, 2017

Foliation

Original ink foliation, 1-226 (some original numbers obliterated by trimming replaced with new pencil foliation).

DIAMM, 2017

Decoration

Painted initials, miniatures, and borders in gold, blue, orange, and black on ff. 1'-2; remaining folios have inked calligraphic initials. Coats of arms of Maffei and Brenzoni families on f. 2 (KanTV).

DIAMM, 2017

Index

Original index on f. 225' lists pieces in order of appearance

DIAMM, 2017

Surface

2 parchment + 224 paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 225ff. Papier (Parchemin aux 2 premiers ff.), 570 x 422 mm. Foliotation moderne avec quelques vestiges de foliotation ancienne généralement rognée par le relieur. Le f. 1 est blanc. Notation mesurée blanche. 10 portées par p. Miniatures aux ff. lv et 2. Capitales ornées de figures et sujets en couleurs. Au f. 225v, table contemporaine du ms.: «Omnes Misse per ordinem sicut sunt in libro scripte.» Reliure ancienne cuir brun, coins et bouillon central cuivre.

Ce luxueux ms. est un autre témoin de la place prépondérante que tenaient les compositeurs franco-flamands dans le répertoire liturgique de la cathédrale de Vérone. Les armes de deux célèbres familles véronaises au f. 2, celles des Maffei et des Brenzoni, laissent supposer que le ms. a été copié dans la région.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Masses, 4 Credos, 1 Te Deum = 22

(Basiron)-1, (Binchois)-1, (Brumel)-3, (Busnois)-1, (N. Clibano)-1, (Faugues)-1, (Josquin)-1, (Josquin/Martini)-1, (Martini)-2, (Obrecht)-1, (Orto)-1, (Prioris)-1, (Weerbecke)-1, anon-6

2 parchment + 224 paper folios, 568 x 426-30. Original ink foliation, 1-226 (some original numbers obliterated by trimming replaced with new pencil foliation). Original covers of brown leather over wooden boards, blind tooled with diamond-shaped ornamental designs; metal bosses and corners; leather ties now missing. Original index on f. 225' lists pieces in order of appearance. Copied by a single scribe, who also wrote ff. 63'-64 and ff. 65'-66 of VerBC 759 (Call). Staff height 26. Painted initials, miniatures, and borders in gold, blue, orange, and black on ff. 1'-2; remaining folios have inked calligraphic initials. Coats of arms of Maffei and Brenzoni families on f. 2 (KanTV). Watermarks: (1) fleur-de-lis in circle; (2) resembles Zonghi #1207-8.

First quarter of 16th century. Probably copied in Verona (KanTV), but close repertorial associations with several Roman sources (PrestV, ReynoldsM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–7	Missa de Beata Virgine	-	Anonymous
Missa de Beata Virgine Anonymous Appears on: 1v–7 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa De beata virgine)kyrie General Note Kyrie et Gloria seulFacs. f. lv: La musica a Verona
7v–27	Missa Mi Mi = Salve diva parens	[J. OBRECHT]*	Obrecht, Jacobus (ca. 1457–1505)
Missa Mi Mi = Salve diva parens Obrecht, Jacobus (ca. 1457–1505) Appears on: 7v–27 Genres: Mass Ordinary Source Attribution: [J. OBRECHT]* Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Mimi alias Salve diva parens)Kyrie Concordances *RISM 0 7 SartoriB n° 6 General Note T: Kyrie Salve diva parensPubl. cf. Rvat 51 n° 24. Lacks Qui cum patre.
27v–42	Missa Bon temps reviendra tu jamais	[A. BRUMEL]*	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 27v–42 Genres: Mass Ordinary Source Attribution: [A. BRUMEL]* Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Bon temps reviendra tu jamais)Kyrie General Note T:Bon temps reviendra tu jamays Kyrie Publ. cf. Rvat SM26 n° 4 Concordances *15392
42v–53	Missa Da pacem Domine	-	Anonymous
Missa Da pacem Domine Anonymous Appears on: 42v–53 Genres: Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Da pacem domine)Kyrie General Note Sans Credo. T:Da pacem domine in diebus nostris Kyrie
53v–62	Missa Ma bouche rit et mon cœur pleure	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Ma bouche rit et mon cœur pleure Martini, Johannes (ca. 1430–1497) Appears on: 53v–62 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Liturgical work, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de ma bouche rit et mon cœur ploure)Kyrie General Note T:Ma bouche rit et mon cœur ploureKyrie Publ. cf. Md 2268 n" 7
62v–73	Missa L'ami baudichon 5.1	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Missa L'ami baudichon 5.1 Despres, Josquin (ca. 1450–1521) Appears on: 62v–73 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN DES PRÉS Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de L'ami baudechon madame) Kyrie General Note T: L'ami baudechon madamme Kyrie … Publ. cf. Rvat 23 n° 6
73v–89	Missa Dominicalis	[M.DE ORTO]*	Orto, Marbrianus de
Missa Dominicalis Orto, Marbrianus de Appears on: 73v–89 Genres: Mass Ordinary Source Attribution: [M.DE ORTO]* Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa dominicalis) Kyrie Concordances * SartoriB n" 20; RISM O 137
89v–101	Missa Orsus orsus	[J. MARTINI]	Martini, Johannes (ca. 1430–1497)
Missa Orsus orsus Martini, Johannes (ca. 1430–1497) Appears on: 89v–101 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J. MARTINI] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Orsus orsus) Kyrie General Note T: Orsus, orsus, Kyrie
101v–112	Missa L'homme armé	[A. BUSNOIS]	Busnoys, Antoine (ca. 1430–1492)
Missa L'homme armé Busnoys, Antoine (ca. 1430–1492) Appears on: 101v–112 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [A. BUSNOIS] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de L'omme armé) Kyrie General Note T: homme lomme armé Kyrie … Publ. cf. MOas 221 n° 1
112v–123	Missa L'homme armé	[FAUGUES]	Faugues, Guillaume
Missa L'homme armé Faugues, Guillaume Appears on: 112v–123 Genres: Mass Ordinary Source Attribution: [FAUGUES] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de l'omme armé) Kyrie General Note T: Lomme armé Kyrie . . .Publ. cf. MOe M.1.13 n» 15. Item Bibliography Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: 7 (facs).
123v–132	Missa Regina caeli laetare	[P. BASIRON]	Basiron, Philippe (ca. 1449–1491)
Missa Regina caeli laetare Basiron, Philippe (ca. 1449–1491) Appears on: 123v–132 Genres: Mass Ordinary Source Attribution: [P. BASIRON] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Regina celi letare alleluya) Kyrie General Note T: Regina celi letare alleluya Kyrie
132v–146	Missa Alma redemptoris mater	-	Anonymous
Missa Alma redemptoris mater Anonymous Appears on: 132v–146 Genres: Alma redemptoris mater, BVM Voice: [no designation] Languages: Latin Voice Text: (Missa de Alma redemptoris mater) General Note T: Alma redemptoris mater que pervia Kyrie . . .
146v–163	Missa de Angelis	[J.PRIORIS]	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa de Angelis Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 146v–163 Genres: Mass Ordinary Source Attribution: [J.PRIORIS] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Angelica vel de Angelis)Kyrie General Note Publ. cf. CMac M (D) n° 11
163v–179	Missa L'homme armé	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 163v–179 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de l'omme armé)Kyrie General Note T: Lomme lomme arme Kyrie Publ. cf. Md 2268 n° 38
179v–193	Missa Victime paschali laudes	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Victime paschali laudes Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 179v–193 Genres: Mass Ordinary Source Attribution: [A. BRUMEL] Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Victime paschali) Kyrie General Note T: Victime paschali laudes . . .Publ. cf. Rvat 41 n° 9
193v–202	Missa Ma bouche rit		Anonymous
Missa Ma bouche rit Anonymous Appears on: 193v–202 Genres: Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Ma bouche rit) Kyrie General Note T: Ma bouche rit et mon cœur ploure Kyrie . .
202v–208	Missa Feria 4.1	[J. MARTINI ou JOSQUIN*]	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)
Missa Feria 4.1 Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 202v–208 Genres: Agnus Dei, Kyrie eleison, Liturgical work, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. MARTINI ou JOSQUIN] Voice:* [no designation] Languages: Latin, Greek Voice Text: (Missa de Feria) Kyrie General Note Sans Gloria ni Credo. Concordances *SartoriB n° 23; 15051
208v–213	Patrem omnipotentem [Credo]	[B. VAQUERAS]	Vacqueras, Bertrandus (ca. 1450–1507)
Patrem omnipotentem [Credo] Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 208v–213 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [B. VAQUERAS] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Rvat 51 n° 23
213v–217	Patrem omnipotentem [Credo]	[B. VAQUERAS] ?	Vacqueras, Bertrandus (ca. 1450–1507)
Patrem omnipotentem [Credo] Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 213v–217 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [B. VAQUERAS] ? Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Rvat 51 n° 21
217v–220	Patrem omnipotentem [Credo]	[GASPAR]*	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Patrem omnipotentem [Credo] Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 217v–220 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [GASPAR]* Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Concordances *1505' [dans la marge du Sup.]
220v–222	Credo / Patrem de village	[NICASIUS DE CLIBANO]*	Clibano, Jacobus de
Credo / Patrem de village Clibano, Jacobus de Appears on: 220v–222 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [NICASIUS DE CLIBANO]* Voice: [no designation] Languages: Latin Voice Text: [Credo. Patrem vilayge]* Patrem Concordances *1505'
222v–225	Te Deum laudamus	[G.BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Te Deum laudamus Binchois, Gilles (ca. 1400–1460) Appears on: 222v–225 Genres: Liturgical work, Te Deum Source Attribution: [G.BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te dominum confitemur General Note Contra a faulx bourdon. Publ. cf. Md 2269 n° 82

Composer	Compositions
Anonymous	Missa Alma redemptoris mater – 132v–146 Missa Da pacem Domine – 42v–53 Missa Ma bouche rit – 193v–202 Missa de Beata Virgine – 1v–7
Basiron, Philippe (ca. 1449–1491)	Missa Regina caeli laetare – 123v–132
Binchois, Gilles (ca. 1400–1460)	Te Deum laudamus – 222v–225
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Bon temps reviendra tu jamais – 27v–42 Missa L'homme armé – 163v–179 Missa Victime paschali laudes – 179v–193
Busnoys, Antoine (ca. 1430–1492)	Missa L'homme armé – 101v–112
Clibano, Jacobus de	Credo / Patrem de village – 220v–222
Despres, Josquin (ca. 1450–1521)	(?) Missa Feria 4.1 – 202v–208 Missa L'ami baudichon 5.1 – 62v–73
Faugues, Guillaume	Missa L'homme armé – 112v–123
Martini, Johannes (ca. 1430–1497)	(?) Missa Feria 4.1 – 202v–208 Missa Ma bouche rit et mon cœur pleure – 53v–62 Missa Orsus orsus – 89v–101
Obrecht, Jacobus (ca. 1457–1505)	Missa Mi Mi = Salve diva parens – 7v–27
Orto, Marbrianus de	Missa Dominicalis – 73v–89
Prioris, Johannes (Denis, Dionisius) (–1515)	Missa de Angelis – 146v–163
Vacqueras, Bertrandus (ca. 1450–1507)	Patrem omnipotentem [Credo] – 213v–217 Patrem omnipotentem [Credo] – 208v–213
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Patrem omnipotentem [Credo] – 217v–220

Composition	Composers (? Uncertain)	Folios / Pages
Credo / Patrem de village	Clibano, Jacobus de	220v–222
Missa Alma redemptoris mater	Anonymous	132v–146
Missa Bon temps reviendra tu jamais	Brumel, Antoine (ca. 1460–ca. 1513)	27v–42
Missa Da pacem Domine	Anonymous	42v–53
Missa de Angelis	Prioris, Johannes (Denis, Dionisius) (–1515)	146v–163
Missa de Beata Virgine	Anonymous	1v–7
Missa Dominicalis	Orto, Marbrianus de	73v–89
Missa Feria 4.1	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)	202v–208
Missa L'ami baudichon 5.1	Despres, Josquin (ca. 1450–1521)	62v–73
Missa L'homme armé	Busnoys, Antoine (ca. 1430–1492)	101v–112
Missa L'homme armé	Faugues, Guillaume	112v–123
Missa L'homme armé	Brumel, Antoine (ca. 1460–ca. 1513)	163v–179
Missa Ma bouche rit	Anonymous	193v–202
Missa Ma bouche rit et mon cœur pleure	Martini, Johannes (ca. 1430–1497)	53v–62
Missa Mi Mi = Salve diva parens	Obrecht, Jacobus (ca. 1457–1505)	7v–27
Missa Orsus orsus	Martini, Johannes (ca. 1430–1497)	89v–101
Missa Regina caeli laetare	Basiron, Philippe (ca. 1449–1491)	123v–132
Missa Victime paschali laudes	Brumel, Antoine (ca. 1460–ca. 1513)	179v–193
Patrem omnipotentem [Credo]	Vacqueras, Bertrandus (ca. 1450–1507)	208v–213
Patrem omnipotentem [Credo]	Vacqueras, Bertrandus (ca. 1450–1507)	213v–217
Patrem omnipotentem [Credo]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	217v–220
Te Deum laudamus	Binchois, Gilles (ca. 1400–1460)	222v–225

‡ denotes primary source study

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 470-523. Pages: 477,506-7,518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xi, 147-63. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Reynolds, Christopher Alan. 1982. The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century. Princeton University, Unpublished Ph.D. dissertation. Pages: 154, 236, 259. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 209-11, 258,350,373,376, 391,393,398-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 257-304. Pages: 303. Notes: contents list (partial); concordances (partial).

Strohm, Reinhard. 1979. Die Missa super 'Nos amis' von Johannes Tinctoris. Die Musikforschung, 34-51. Pages: 50-l. Notes: contents list (partial).

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,6,16-7,50ff; II,xiv. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona. Verona. Pages: 87 (avec facs. du f. lv).

Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 155-73. Pages: 159. Notes: physical description (partial).

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Pages: 20,31. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Miller, Ronald Lee. 1974. The Musical Works of Marbriano de Orto: Transcription and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I,16-8,92ff; II, 235-92. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation. Pages: 82-3. Notes: physical description; mention of MS; discussion.

Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 135,367-8 passim. Notes: physical description; contents list; concordances; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 172. Notes: contents list (partial); concordances (partial); incipits (partial).

Schuetze, George C, Jr. 1960. An Introduction to Faugues. Musicological Studies. Brooklyn. Notes: transcription (partial); mention of MS; discussion.

Schuetze, George C, Jr. 1960. The Works of Guillaume Faugues. New York University, Unpublished Ph.D. dissertation. Pages: 14-5, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Schuetze, George C, Jr (editor). 1960. Faugues. No. I of Collected Works. The Collected Works of Faugues. Brooklyn. Pages: 85-116. Notes: contents list (partial); transcription (partial).

Schuetze, George C, Jr (editor). 1959. Opera Omnia Faugues. Publications of Mediaeval Musical Manuscripts. Brooklyn. Pages: vi,xi-xii,68-78. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Schuetze, George C, Jr (editor). 1959. Opera omnia Faugues, Facsimile of the compositions of Faugues from the mss. Trent 88, Trent 91, Cappella Sistina 14, Cappella Sistina 51, Verona 761, Modena a M. 1. 13. Publications of Mediaeval Musical Manuscripts [Veröffentlichungen mittelalterlicher Musikhandschriften]. Pages: G. C. Schueltze, in PMMM 7, p. VI.

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 5, xxvii-xxix. Notes: physical description; contents list; concordances (partial).

Biggie, Lloyd Jr. 1953. The Masses of Antoine Brumel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 210, 291-2. Notes: contents list (partial); concordances (partial); facsimile (partial).

Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 95-176. Pages: 5, 11, 12, 14. 99,105-6,108. Notes: physical description; contents list.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 165-81. Pages: 179.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: IX,vi-xi. Notes: physical description; contents list; concordances (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: A. Smijers, in JosquinMI II, IX, p. VI.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-VEc MS DCCLXI

Biblioteca Capitolare di Verona, Verona, Italy

manuscript of polyphony: first quarter 16th century

General Description

Binding

Watermark

Notation

Ruling

Foliation

Foliation

Decoration

Index

Surface

RISM Description

Census Catalogue of Music Description

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Concordances

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Concordances

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Item Bibliography

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017