I-TRbc MS 1374 [87] (Trent 87)

Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy

manuscript of polyphony: 1430-40

Archive	Museo Provinciale d'Arte, Castello del Buonconsiglio, Trent (Trento), Italy (I-TRbc)
Shelfmark	MS 1374 [87] (Trent 87)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	310 x 210 mm
Other Identifiers	RISM: I-TRbc 87 CCM: TrentC 87 olim (Former shelfmark): Trent 87
Notations	black void mensural coloration in black full coloration in red
Copyists	? Battre, H. (fl. c1430-40) Text and Music Lupi (scribe), Johannes Text and Music
External Links	images
Provenance	Basel/Strasbourg, Switzerland? Ciney, Namur (province), Belgium? Venezia (Venice), Italy?
Contents	226 pieces from 29 composers

General Description

Composite of at least three originally separate manuscripts or portions of manuscripts: Part I = ff. 1-166 and 197-200 (once joined with new ff. 146-241 of TrentC 92); Part II = ff. 167-196 and 201-218 (once joined with new ff. 242-264 of TrentC 92); Part III = ff. 219-265. Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Main scribe of Part I identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also copied ZwettlB s.s. and most of Part II of TrentC 92. Four additional scribes in Part I, one of whose hands also appears in Part II of TrentC 92; inscription 'Puntschucherh' on f. 161 is scribal explicit, not name of scribe (FlotzB). Ff. 167'-174 in Part II copied by a single scribe, whose hand is apparently unique to this section (HammMS). Part III possibly copied by H. Battre. Parts I-II possibly copied in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT). Part III copied in Ciney, Namur province (WhiBS). Parts I-II once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 92; about 1440, gatherings other than those incorporated into TrentC 92 were reordered and combined to form present Parts I-II by Johannes Lupi (see above), who may also have been responsible for joining present Part III to Parts I-II. Sometime after manuscript reached Trent, Pullois Mass (ff. 167'-174) probably added on staves originally left blank (all other folios in Part II have blank staves only). Manuscript transferred to Vienna in 1891, but returned to Trent following World War I.-

DIAMM, 2017

Binding

Original covers of tooled leather over wooden boards

DIAMM, 2017

Watermark

Part I: (1) resembles Briquet #11702 (two additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (2) resembles Briquet #11882 (three additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (3) three-peaked mountain in circle (not in Briquet; same mark also appears in Part II of TrentC 92); (4) generally resembles Briquet #7890; (5) resembles PiccardO XI, 99; (6) generally resembles Briquet #6387 (WrighCT). Watermark in Part II: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part III of TrentC 92). Watermarks in Part III: (1) Briquet #389; (2) Briquet #5955 (WhiBS).

DIAMM, 2017

Notation

black void mensural with black full coloration (red coloration on f. 239v only)

DIAMM, 2017

Ruling

red staves on ff. 155-166

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Foliation

265 ff

DIAMM, 2017

Foliation

Modern foliation, 1-265

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM 5

Ces 7 manuscrits, dont les 6 premiers ont été révélés par Haberl en 1885 (cf. Bibliographie), tandis que le 7e ne fut découvert qu'en 1920 (R. von Ficker, in DTÖ 61 (XXXI) VIff) consituent une véritable famille indissoluble en ce qu'ils présentent tant de caractères communs qu'il semble logique d'en donner d'abord une description d'ensemble pour préciser ensuite les particularités de chacun d'eux en même temps que le dépouillement de leur contenu.

Ils fournissent un énorme répertoire en grande partie religieux, sans pour cela que la musique profane soit complètement négligée, qui va de Loqueville à Isaac et Compère, couvrant 25OOff. avec 1870 pièces environ, qui peuvent se dater entre 1420 et 1480. En 1921, R. Wolkan (cf. Bibliographie) avait émis l'opinion que ces mss. copiés à Vienne sous l'impulsion de Johann Hinderbach (né en 1418), secrétaire à la chancellerie impériale, auraient suivi celui-ci à Trente où, en 1455, il avait été nommé prévôt à la cathédrale puis porté à l'évêché en 1465. E. Wellesz va plus loin en les déclarant copiés, à Vienne d'abord puis à Trente, sur ordre de Hinderbach pour sa bibliothèque personnelle qui devait ensuite être donnée au chapitre de la cathédrale (Grove's Dictionary, 5th ed,. 1954). Cependant, comme on ne trouve dans ces mss. aucune pièce de circonstance de la vie de l'empereur Friedrich III, alors que les allusions à des personnages tridentins, même peu célèbres, y sont évidentes et que l'un des copistes Johannes Wiser occupa diverses charges à Trente de 1459 à 1490, il est logique de penser qu'ils ont plutôt été copiés, sinon tous à Trente même, du moins dans l'Italie du nord (cf. Bibliographie, Lunelli). Il est possible aussi qu'ils aient été acquis (en tout cas les plus anciens) par l'évêque de Trente Alexander Masowien, alors en relation avec Amédée VIII de Savoie pour la chapelle duquel ils auraient été copiés (cf. WardTS, p. 144). — On peut diviser ces 7 mss. en deux groupes: d'une part 87 et 92 qui sont les plus anciens, d'autre part 88, 89, 90, 91 et 93 qui sont légèrement postérieurs, 91 étant le plus récent. Le même papier et le même scribe, qui inscrit son nom Puntschucherh au bas du f. 161 du ms 87 (mais s'agit-il d'un nom? Cf. Flotzinger, Bibliographie TRbc 87) se retrouvent pour la première partie du ms. 87 (f. 1—218) et la deuxième partie du ms. 92 (f. 144—239), la relation entre les deux mss. étant de plus soulignée par le fait qu'un Kyrie de Binchois au f. 56v du ms. 87 (n° 34) est accompagné d'une mention renvoyant pour Y Et in terra suivant au premier f. du ms. 92 (n° 2). Ces deux mss. ont certainement été copiés avant 1450 dans l'Italie du Nord, tandis que l'on peut fixer approximativement la date de compilation des cinq autres entre 1445 et 1480, le scribe Johannes Wiser en ayant copié la plus grande partie à Trente même.

Ms. 87

XVe s. 265ff. Papier, 310X210 mm. Foliotation ancienne en eh. arabes en haut à droite des ff. et une foliotation supplémentaire au bas à droite des ff. marquant le début de quelques-uns des cahiers. Les ff. 24r et v, 30, 37, 43v à 45, 48v à 50v, 59v à 60v, 73, 79, 85, 86v, 87, 96v, 106, 123r et v, 131v à 132v, 167, 174v à 196v, 201 à 218v, 246v, 247 sont blancs. Au f. 97, Agnus dei, lv. seul' sur 2 lignes rayées ensuite par le scribe. Notation mesurée blanche (notes rouges au f. 239v). 9 et 10 portées par p.

Ce ms. est constitué de la réunion de plusieurs cahiers copiés séparément et destinés à l'origine à rester indépendants, mais qui furent plus tard rassemblés et reliés pour former le volume actuel. La copie est pour la plus grande partie l'oeuvre d'un seul scribe (probablement Johannes Lupi), aidé parfois de quelques émules dont l'écriture est très voisine de la sienne. Seuls le 15e cahier (f. 167 à 174) et la «section Battre» (f. 219 à 265v) sont très nettement de mains différentes. Les motets de Dufay, Vassilissa ergo (n° 37) pour le départ de Cleophe Malatesta de Rimini en août 1420 et Ecclesie militantis (n° 53) pour l'élection du pape Eugène IV en mars 1431, peuvent servir d'indication pour une datation approximative du ms.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

TRENT. Museo Provinciale d'Arte, Castello del Buon Consiglio. MS 87

2 Masses, 2 Gloria-Credo pairs, 18 Kyries, 15 Glorias, 13 Credos, 8 Sanctus, 7 Agnus, 10 Mass Proper sections, 12 Magnificats, 10 office hymns, 1 processional hymn, 39 motets, 3 Benedicamus dominos, 30 French secular pieces, 1 Latin secular piece, 1 Italian secular piece, 1 German secular piece, 9 textless pieces = 182+5 duplicates = 187

Battre-9 + 12?, Benet-2 + 1?, (Benet/Dunstable)-1, Binchois-18 + 1?, Bloym-1, Bourgois-2, Brassart-9 + 1?, Braxatoris-1, Brugis -1, (Ciconia)-1 + 1?, Dufay-32 + 1?, Dufay/(Limburgia)-1, Dunstable-5, (Forest)-1, Grossin-2, Grossin/(Binchois)-1, J. Legrant-1, R. Liebert-1, Ludovico da Rimini-2 + 1?, N. Merques [C. de MerquesJ-1, Poignare [Pugnare]-1, Power [Leonellus]-3, (Pullois)-1, Roullet-7, Spierinck-1, Tyling-1 + 1?, Velut-1, Verben-1, Zachara da Teramo-1, anon-54

265 paper folios, 310 x 210. Composite of at least three originally separate manuscripts or portions of manuscripts: Part I = ff. 1-166 and 197-200 (once joined with new ff. 146-241 of TrentC 92); Part II = ff. 167-196 and 201-218 (once joined with new ff. 242-264 of TrentC 92); Part III = ff. 219-265. Some fascicles in each part may have been separately produced and independently used before being bound together, but all fascicles within each part generally interrelated by repertory, paper, and scribes. Modern foliation, 1-265. Blank staves only on ff. 24-24', 30, 37, 43'-45, 48'-50', 59'-60', 73, 79, 85, 86'-87, 96', 106, 121, 123-123', 131'-132', 167, 174'-196', 201-218', 246'-247. Original covers of tooled leather over wooden boards. No index.

White mensural notation with black coloration (red coloration on f. 239' only); red staves on ff. 155-166. Main scribe of Part I identified by WrighT as Johannes Lupi, a musician and priest active in and around Trent between 1447 and his death in 1467; Lupi also copied ZwettlB s.s. and most of Part II of TrentC 92. Four additional scribes in Part I, one of whose hands also appears in Part II of TrentC 92; inscription "Puntschucherh" on f. 161 is scribal explicit, not name of scribe (FlotzB). Ff. 167'-174 in Part II copied by a single scribe, whose hand is apparently unique to this section (HammMS). Part III possibly copied by H. Battre. Inked calligraphic initials.

Watermarks in Part I: (1) resembles Briquet #11702 (two additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (2) resembles Briquet #11882 (three additional variants not in Briquet; same mark also appears in Part II of TrentC 92); (3) three-peaked mountain in circle (not in Briquet; same mark also appears in Part II of TrentC 92); (4) generally resembles Briquet #7890; (5) resembles PiccardO XI, 99; (6) generally resembles Briquet #6387 (WrighCT). Watermark in Part II: three-peaked mountain surmounted by cross (not in Briquet; same mark also appears in Part III of TrentC 92). Watermarks in Part III: (1) Briquet #389; (2) Briquet #5955 (WhiBS).

Ca. 1430-40, with one addition ca. 1465. Parts I-II possibly copied in Venice or vicinity (DTO), or perhaps in Basel-Strasbourg region (WrighCT). Part III copied in Ciney, Namur province (WhiBS). Parts I-II once formed portions of two separate manuscripts. Some gatherings from both former manuscripts now part of TrentC 92; about 1440, gatherings other than those incorporated into TrentC 92 were reordered and combined to form present Parts I-II by Johannes Lupi (see above), who may also have been responsible for joining present Part III to Parts I-II. Sometime after manuscript reached Trent, Pullois Mass (ff. 167'-174) probably added on staves originally left blank (all other folios in Part II have blank staves only). Manuscript transferred to Vienna in 1891, but returned to Trent following World War I.

Italian, French and English composers represented by Mass propoer sections, magnificats, office hymns, motets and other sacred and secular French, Latin, Italian and German pieces. A composite of at least three originally separate MSS or portions of MSS.

Vol 4

Date: Ca. 1430-45, with additions to ca. 1465.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2	Missa Sancti Jacobi: Kyrie	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Kyrie Du Fay, Guillaume (1397–1474) Appears on: 1–2 Genres: Kyrie eleison, Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Missa Sancti Jacobi. Gloria] Et in terra Concordances Publ. cf. AOs n» 60 Missing Kyrie I; Christe sections in reverse order cf Q15
1–2	Missa Sancti Jacobi: Gloria	-	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Gloria Du Fay, Guillaume (1397–1474) Appears on: 1–2 Genres: Gloria (et in terra pax), Mass Ordinary
2v–3	Et in terra pax [Gloria]	[GROSSEM]	Grossin, Estienne
Et in terra pax [Gloria] Grossin, Estienne Appears on: 2v–3 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [GROSSEM] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ.cf. AOs n» 67
3v–4	Missa Alma Redemptoris Mater: Et in terra pax [Gloria]	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Et in terra pax [Gloria] Power, Leonel (–1445) Appears on: 3v–4 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: [Missa Alma redemptoris mater. Gloria] Et in terra General Note T: Alma redemptoris mater]Publ. cf. AOs n° 162
4v–6	Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo]	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] Power, Leonel (–1445) Appears on: 4v–6 Genres: Alma redemptoris mater, BVM, Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: [Missa Alma redemptoris mater. Credo] Patrem General Note T: Alma [redemptoris mater]Publ.cf.AOs n°163
6–7	Missa Alma Redemptoris Mater: Sanctus	[L. POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Sanctus Power, Leonel (–1445) Appears on: 6–7 Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [L. POWER] Voice: [no designation] Languages: Latin Voice Text: [Missa Alma redemptoris mater] Sanctus General Note T: Aima redemptoris mater Publ. cf. AOs n° 164
7v–8v	Missa Alma Redemptoris Mater: Agnus Dei	[L.POWER]	Power, Leonel (–1445)
Missa Alma Redemptoris Mater: Agnus Dei Power, Leonel (–1445) Appears on: 7v–8v Genres: Agnus Dei, Alma redemptoris mater, BVM, Mass Ordinary Source Attribution: [L.POWER] Voice: [no designation] Languages: Latin Voice Text: [Missa Alma redemptoris mater] Agnus dei General Note [2e Agnus à 2vx]T: Aima redemptoris mater Publ. cf. AOs n" 165
8v–10	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 8v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note T: Patrem eyo porto Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
10v–12	Et in terra pax [Gloria] (iv/5)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 10v–12 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 79
12v–15	Patrem omnipotentem [Credo] (iv/5)	DUFAY	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] (iv/5) Du Fay, Guillaume (1397–1474) Appears on: 12v–15 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. AOs n° 84
15v–16	Et in terra pax [Gloria] (iv/21)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Et in terra pax [Gloria] (iv/21) Du Fay, Guillaume (1397–1474) Appears on: 15v–16 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 157 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
16	Rex gloriose martyrum	JO. ROULLET	Roullet, Johannes
Rex gloriose martyrum Roullet, Johannes Appears on: 16 Genres: Motet Source Attribution: JO. ROULLET Voice: [no designation] Languages: Latin Voice Text: Rex gloriose martirum General Note Tenor faulx bourdon
17–18v	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: 17–18v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
18v–20	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 18v–20 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus dei
20v–21	Sanctus	BLOYM	Blome
Sanctus Blome Appears on: 20v–21 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: BLOYM Voice: [no designation] Languages: Latin Voice Text: Sanctus
21v–22v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 21v–22v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Aliud [Agnus dei] Qui tollis
23–23v	Agnus Dei	[ANGLICUS = J. DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Agnus Dei Dunstaple, John (ca. 1390–1453) Appears on: 23–23v Genres: Agnus Dei, Mass Ordinary Source Attribution: [ANGLICUS = J. DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Aliud[Agnus dei] Qui tollis Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
25	Kyrie eleison	JO. BRAXATORIS	Braxatoris, W
Kyrie eleison Braxatoris, W Appears on: 25 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. BRAXATORIS Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I (op. dub.).
25v–27	Et in terra pax [Gloria] [Kaye 3a]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 3a] Binchois, Gilles (ca. 1400–1460) Appears on: 25v–27 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria. Et in terra pax] Hominibus General Note Publ. cf. AOs n° 42
27v–29	Patrem omnipotentem [Credo] [Kaye 3b]	BINCHOIS	Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460)
Patrem omnipotentem [Credo] [Kaye 3b] Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460) Appears on: 27v–29 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Credo. Patrem omnipotentem] Factorem celi General Note Publ. cf. AOs n° 125
30v–31	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 30v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem
31v–33	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 31v–33 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note T: Jacet granum.
33v–34	Sanctus [Kaye 8]	[G. BINCHOIS]*	Binchois, Gilles (ca. 1400–1460)
Sanctus [Kaye 8] Binchois, Gilles (ca. 1400–1460) Appears on: 33v–34 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [G. BINCHOIS]* Voice: [no designation] Languages: Latin Voice Text: Sanctus Concordances *GB-Ob 60 Item Bibliography Kovarik, Edward. 1973. Mid-fifteenth-century polyphonic elaborations of the plainchant Ordinarium missae. Harvard University, Ph.D. Dissertation.
34	Eslongiés suy de vous belle mastresse	-	Anonymous
Eslongiés suy de vous belle mastresse Anonymous Appears on: 34 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Eslongiés suy de vous belle mastresse Item Bibliography Bukofzer, Manfred F. 1948. Two mensuration canons. Musica Disciplina, 165ff. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
34v–36	Salve regina - 1a pars (of 8): Salve regina mater misericordiae	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 1a pars (of 8): Salve regina mater misericordiae Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: BVM, Motet, Salve Regina Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: lue Voice: [no designation] Languages: Latin Voice Text: Salue regina Voice: [no designation] Languages: Latin Voice Text: SAlue regina General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 2a pars (of 8): Et Jesum benedictum fructum	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 2a pars (of 8): Et Jesum benedictum fructum Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: Motet Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: Et ihesum benedictum fructum Voice: [no designation] Languages: Latin Voice Text: Et ihesum Voice: [no designation] Languages: Latin Voice Text: Et ihesum benedictum General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 4a pars (of 8): O clemens	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 4a pars (of 8): O clemens Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: O clemens Voice: [no designation] Languages: Latin Voice Text: O clemens Voice: [no designation] Languages: Latin Voice Text: O clemens General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 3a pars (of 8): Virgo mater ecclesiae	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 3a pars (of 8): Virgo mater ecclesiae Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: BVM, Marian antiphon, Motet Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: virgo mater ecclesie Voice: [no designation] Languages: Latin Voice Text: virgo mater ecclesie General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 5a pars (of 8): Virgo clemens virgo pia	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 5a pars (of 8): Virgo clemens virgo pia Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: BVM, Marian antiphon, Motet, Salve Regina Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: virgo clemens virgo pia Voice: [no designation] Languages: Latin Voice Text: Virgo clemens & virgo pia General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 6a pars (of 8): O pia	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 6a pars (of 8): O pia Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: O pia Voice: [no designation] Languages: Latin Voice Text: O pia Voice: [no designation] Languages: Latin Voice Text: O pia General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 7a pars (of 8): Funde preces tuo nato	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 7a pars (of 8): Funde preces tuo nato Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: Motet Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: Funde preces tuo nato Voice: [no designation] Languages: Latin Voice Text: Funde preces tuo nato General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
34v–36	Salve regina - 8a pars (of 8): O dulcis Maria	DUNSTABLE	Dunstaple, John (ca. 1390–1453)
Salve regina - 8a pars (of 8): O dulcis Maria Dunstaple, John (ca. 1390–1453) Appears on: 34v–36 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: DUNSTABLE Voice: [no designation] Languages: Latin Voice Text: O dulcis maria Voice: [no designation] Languages: Latin Voice Text: O dulcis maria Voice: [no designation] Languages: Latin Voice Text: O dulcis General Note Tr: Virgo mater ecclesie Publ. cf. MOe X.1.11 n° 83
36v	Pascale. Kyrie pascale	SPIERINCK	Spierinck
Pascale. Kyrie pascale Spierinck Appears on: 36v Genres: Kyrie eleison, Mass Ordinary Source Attribution: SPIERINCK Voice: [no designation] Languages: Latin, Greek Voice Text: Pascale. Kyrie pascale
37v–39	Patrem omnipotentem [Credo]	LEONELLUS	Power, Leonel (–1445)
Patrem omnipotentem [Credo] Power, Leonel (–1445) Appears on: 37v–39 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: LEONELLUS Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII(op. dub.). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
39v–43	Et in terra pax [Gloria]	BURGOIS	Bourgois
Et in terra pax [Gloria] Bourgois Appears on: 39v–43 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: BURGOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note [Tr: Spiritus et alme] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
45v–48	Magnificat quarti toni: Anima mea [K.619]	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Magnificat quarti toni: Anima mea [K.619] Binchois, Gilles (ca. 1400–1460) Appears on: 45v–48 Genres: BVM, Canticle, Magnificat Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Quarti toni. [Magnificat] Anima mea Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
51	Ave Maria gratia plena / Ave Maria gratia plena	JOHANNES BRASSART	Brassart, Johannes (ca. 1400–1455)
Ave Maria gratia plena / Ave Maria gratia plena Brassart, Johannes (ca. 1400–1455) Appears on: 51 Genres: Ave Maria, Motet Source Attribution: JOHANNES BRASSART Voice: [no designation] Languages: Latin Voice Text: Aue maria gracia plena dominus tecum Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Aue maria gracia plena Voice: [no designation] Languages: Latin Voice Text: Aue maria gracia plena General Note Publ. cf. Bc 15 n° 229 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
51v–52	Et in terra pax [Gloria]	PUGNARE	Poignare, Barthelemy
Et in terra pax [Gloria] Poignare, Barthelemy Appears on: 51v–52 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: PUGNARE Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note T: Ave regina celorum
52v–53	Et in terra pax [Gloria] [BH1]	[J. CICONIA]	Ciconia, Johannes (ca. 1370–1412)
Et in terra pax [Gloria] [BH1] Ciconia, Johannes (ca. 1370–1412) Appears on: 52v–53 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J. CICONIA] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. Bc 15 n° 71 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
53v–55	Patrem omnipotentem [Credo] [BH2]	[J. CICONIA]	Ciconia, Johannes (ca. 1370–1412)
Patrem omnipotentem [Credo] [BH2] Ciconia, Johannes (ca. 1370–1412) Appears on: 53v–55 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J. CICONIA] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. Bc 15 n" 73 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
55v–56	Summe summi tu patris	EGIDIUS VELUT	Velut, Gilet
Summe summi tu patris Velut, Gilet Appears on: 55v–56 Genres: Motet Source Attribution: EGIDIUS VELUT Voice: [no designation] Languages: Latin Voice Text: Summe summi Voice: [no designation] Languages: Latin Voice Text: Svmme summi tu pater vnice Voice: [no designation] Languages: Latin Voice Text: Svmme summi tu pater unice Voice: [no designation] Languages: Latin Voice Text: Svmme summi tu mater filii General Note 2e Sup.: Summa summi tu mater Filii … Publ. cf. Bc 15 n° 260 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
56v	Kyrie 'angelorum'	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 56v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Angelorum] General Note «Illud Kyrie compertinet ad Et in terra»[suivi du thème du n" 1366]Publ. cf. AOs n° 27
57	Benedicamus Domino (I)	DUFAY	Du Fay, Guillaume (1397–1474)
Benedicamus Domino (I) Du Fay, Guillaume (1397–1474) Appears on: 57 Genres: Benedicamus Domino, Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Voice: [no designation] Languages: Latin Voice Text: Benedicamus Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino General Note Publ. cf. Bc 15 n° 89 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
57	Missa Sancti Jacobi: Communio - Vos qui secuti estis me	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Communio - Vos qui secuti estis me Du Fay, Guillaume (1397–1474) Appears on: 57 Genres: Communion, Proper Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Qui secuti Voice: [no designation] Languages: Latin Voice Text: Vos Qui secuti estis me General Note (Post Communio]Publ. cf. Bc 15 n° 119 17 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
57v–58	Vasilissa ergo gaude	DUFAY	Du Fay, Guillaume (1397–1474)
Vasilissa ergo gaude Du Fay, Guillaume (1397–1474) Appears on: 57v–58 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: VAssilissa ergo gaude Voice: [no designation] Languages: Latin Voice Text: VAssilissa ergo gaude Voice: [no designation] Languages: Latin Voice Text: Concipiuit rex decorem tuum General Note T: Concupivit rex decorem tuum.Publ. cf. Bc 15 n° 244
58v	Kyrie feriale	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie feriale Binchois, Gilles (ca. 1400–1460) Appears on: 58v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Feriale. Kyrie Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
59	Mon bien m'amour	-	Anonymous
Mon bien m'amour Anonymous Appears on: 59 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Mon bien m'amour
61–63	Isti sunt duae olivae	G. DUFAY	Du Fay, Guillaume (1397–1474)
Isti sunt duae olivae Du Fay, Guillaume (1397–1474) Appears on: 61–63 Genres: Sequence Source Attribution: G. DUFAY Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Hy iecerunt fundamentum Voice: [no designation] Languages: Latin Voice Text: Jsti sunt duo oliue General Note [In festo sanctorum apostolorum Pétri et Pauli] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
63v–65	Epiphaniam Domino canamus gloriosam	G.DUFAY	Du Fay, Guillaume (1397–1474)
Epiphaniam Domino canamus gloriosam Du Fay, Guillaume (1397–1474) Appears on: 63v–65 Genres: Sequence Source Attribution: G.DUFAY Voice: [no designation] Languages: Latin Voice Text: Epiphaniam domino Voice: [no designation] Languages: Latin Voice Text: Qua prolem dej General Note In epiphania domini. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
65v–67v	Rex omnipotens die hodierna	G. DU FAY	Du Fay, Guillaume (1397–1474)
Rex omnipotens die hodierna Du Fay, Guillaume (1397–1474) Appears on: 65v–67v Genres: Sequence Source Attribution: G. DU FAY Voice: [no designation] Languages: Latin Voice Text: REx omnipotens Voice: [no designation] Languages: Latin Voice Text: Mundo triumphalj General Note In ascensione domini Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
67v–69v	Laus tibi Christe	JOHANES ROULLET	Roullet, Johannes
Laus tibi Christe Roullet, Johannes Appears on: 67v–69v Genres: Sequence Source Attribution: JOHANES ROULLET Voice: [no designation] Languages: Latin Voice Text: Laus tibji criste Voice: [no designation] Languages: Latin Voice Text: Laus tibji criste qui es creator Voice: [no designation] Languages: Latin Voice Text: Celj terre maris General Note De sancta Maria Magdalena.
70–71v	Sacerdotem Christi	ROULLET	Roullet, Johannes
Sacerdotem Christi Roullet, Johannes Appears on: 70–71v Genres: Motet Source Attribution: ROULLET Voice: [no designation] Languages: Latin Voice Text: SAcerdotem cristi Martinum Voice: [no designation] Languages: Latin Voice Text: Atque illius nomen General Note De sancto Martino.
71v–72	Omnes sancti seraphim	JOHANES ROULLET	Roullet, Johannes
Omnes sancti seraphim Roullet, Johannes Appears on: 71v–72 Genres: Motet Source Attribution: JOHANES ROULLET Voice: [no designation] Languages: Latin Voice Text: Principatus potestates virtutes Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Omnes sancti seraphin General Note In festo omnium sanctorum.
72v	O beata beatorum martyrum	ROULLET	Roullet, Johannes
O beata beatorum martyrum Roullet, Johannes Appears on: 72v Genres: Motet Source Attribution: ROULLET Voice: [no designation] Languages: Latin Voice Text: O beata beatorum martirum sollempnia Voice: [no designation] Languages: Latin Voice Text: O beata faulx bourdon General Note Tenor faulx bourdon
73v–75	Lamberte vir inclite	-	Brassart, Johannes (ca. 1400–1455)
Lamberte vir inclite Brassart, Johannes (ca. 1400–1455) Appears on: 73v–75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lamberte vir inclite Voice: [no designation] Languages: Latin Voice Text: Jnetate Voice: [no designation] Languages: Latin Voice Text: Jnetate Voice: [no designation] Languages: Latin Voice Text: Lamberte vir inclite General Note T et Ct: In etate. Publ. cf. AOs n° 186
75v–77	Christi nutu sublimato (2p. Precemur christi adlethan)	[J. BRASSART]	Brassart, Johannes (ca. 1400–1455)
Christi nutu sublimato (2p. Precemur christi adlethan) Brassart, Johannes (ca. 1400–1455) Appears on: 75v–77 Genres: Motet Source Attribution: [J. BRASSART] Voice: [no designation] Languages: Latin Voice: [no designation] Languages: Latin Voice Text: Christi nutu sublimato Voice: [no designation] Languages: Latin Voice Text: Adultrina Voice: [no designation] Languages: Latin Voice Text: Adultrina General Note Publ. cf. AOs n" 185
77v–78v	Te dignitas / O Martine - 1a pars (of 2): Te dignitas praesularis / O Martine	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Te dignitas / O Martine - 1a pars (of 2): Te dignitas praesularis / O Martine Brassart, Johannes (ca. 1400–1455) Appears on: 77v–78v Genres: Motet Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: TE dignitas presularis Voice: [no designation] Languages: Latin Voice Text: o Martine Voice: [no designation] Languages: Latin Voice Text: TE dignitas presularis Voice: [no designation] Languages: Latin Voice Text: TE dignitas presularis General Note Publ.cf.15n° 267
77v–78v	Te dignitas / O Martine - 2a pars (of 2): Exaudire nos	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Te dignitas / O Martine - 2a pars (of 2): Exaudire nos Brassart, Johannes (ca. 1400–1455) Appears on: 77v–78v Genres: Motet Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: EExaudire nos Voice: [no designation] Languages: Latin Voice Text: Exaudire nos Voice: [no designation] Languages: Latin Voice Text: Exaudire nos General Note Publ.cf.15n° 267
79v–81	Fortis cum quaevis actio	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Fortis cum quaevis actio Brassart, Johannes (ca. 1400–1455) Appears on: 79v–81 Genres: Motet Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: FOrtis cum queuis accio Voice: [no designation] Languages: Latin Voice Text: COntratenor nos decet...Contratenor Regine Voice: [no designation] Languages: Latin Voice Text: regine Voice: [no designation] Languages: Latin Voice Text: Fortis cum queuis accio Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
81v–82v	Magnificat octavi toni: Et exultavit [K.379]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.379] Anonymous Appears on: 81v–82v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat]8i toni.Et exultavit General Note Versets pairs Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London.
82v–84v	Magnificat: Et exultavit [K.220]	-	Anonymous
Magnificat: Et exultavit [K.220] Anonymous Appears on: 82v–84v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus General Note Versets pairs
85v–86	Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt Du Fay, Guillaume (1397–1474) Appears on: 85v–86 Genres: Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Ecclesiae militantis/Sanctorum arbitrio/Bella canunt General Note this opening contains: end of Cantus I and Tenor I & II (85v) and the beginning of Cantus II (86r). Ff. 95v-96 (q.v.) contain the opening of Cantus I (95v), and the end of Cantus II & the Ct (96r). This exposes an error of binding in the ms: the piece is copied on the 2 external bifolia of a sexternion, the second of which was folded backwards in error. So the correct sequence is 95v/86r, 85v/96r -- though the piece still cannot then be performed from the copy as both openings need to be visible at once. General Note Mot.: Sanctorum arbitrio Ct: Bella canunt gentes . T I: Ecce nomen domini.T II: Gabriel Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
87v	Puisque ne sic pour me vois mis en oubli.	-	Anonymous
Puisque ne sic pour me vois mis en oubli. Anonymous Appears on: 87v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Puisque ne [sic pour me] vois mis en oubli. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
87v–88	Motre m'en voy sic pour Mourir me voy il est pic de ma vie	LIBERT	Libert, Reginaldus (?) Libert, Gualterius (?)
Motre m'en voy sic pour Mourir me voy il est pic de ma vie Libert, Reginaldus (?) Libert, Gualterius (?) Appears on: 87v–88 Genres: Chanson Source Attribution: LIBERT Voice: [no designation] Languages: French Voice Text: Motre m'en voy [sic pour Mourir me voy] il est [pic de ma vie] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, III. Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
88	L'amy de ma dame est venu	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
L'amy de ma dame est venu Binchois, Gilles (ca. 1400–1460) Appears on: 88 Genres: Chanson Source Attribution: BINCHOIS Voice: [no designation] Languages: French Voice Text: L'amy de ma dame est venis Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
88V–89	Kyrie duobus prius concinentibus	-	Anonymous
Kyrie duobus prius concinentibus Anonymous Appears on: 88V–89 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie duobus prius concinentibus
89v–90	Kyrie eleison	-	Anonymous
Kyrie eleison Anonymous Appears on: 89v–90 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
90v	Ce ne fut pas sans un grant desplaisir	-	Anonymous
Ce ne fut pas sans un grant desplaisir Anonymous Appears on: 90v Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ce ne fut pas sans ung grant desplaisir Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
91	Les mesdisans ont fait rapport	JO LEGRANT	Legrant, Johannes
Les mesdisans ont fait rapport Legrant, Johannes Appears on: 91 Genres: Chanson Source Attribution: JO LEGRANT Voice: [no designation] Languages: French Voice Text: Les mesdisans ont fait rapport Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 11, II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
91v	Se j'eusse un seul peu d'esperanche	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Se j'eusse un seul peu d'esperanche Binchois, Gilles (ca. 1400–1460) Appears on: 91v Genres: Chanson Source Attribution: BINCHOIS Voice: [no designation] Languages: French Voice Text: Se j'eusse un seul peu d'esperanche Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
91v	Fuga. Casse moi je vois devant	-	Anonymous
Fuga. Casse moi je vois devant Anonymous Appears on: 91v Genres: Chanson, Fuga, Organ piece Voice: [no designation] Languages: French Voice Text: Fuga. Casse moy je vois devant.. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
92	La doulce saison de may	-	Anonymous
La doulce saison de may Anonymous Appears on: 92 Genres: Chanson Voice: [no designation] Languages: French Voice Text: La douLce saison de may Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII).
92	Benedicamus Domino	JO. ROLLET	Roullet, Johannes
Benedicamus Domino Roullet, Johannes Appears on: 92 Genres: Benedicamus Domino, Motet Source Attribution: JO. ROLLET Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
92v	Adieu mon amoureuse joye	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Adieu mon amoureuse joye Binchois, Gilles (ca. 1400–1460) Appears on: 92v Genres: Chanson Source Attribution: BINCHOIS Voice: [no designation] Languages: French Voice Text: Adieu mon amoureuse joye Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII);.
92v–93	Ay my lasse lasse dolant	-	Anonymous
Ay my lasse lasse dolant Anonymous Appears on: 92v–93 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Ay my lasse lasse dolant General Note T: Jamais n'aray ne bon jour Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
93v	De apostolis. Jesu redemptor Kyrie	G. DUFAY	Du Fay, Guillaume (1397–1474)
De apostolis. Jesu redemptor Kyrie Du Fay, Guillaume (1397–1474) Appears on: 93v Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: De apostolis. [Jesu redemptor] Kyrie General Note Tenor Kyrie fauLx bourdon Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
94	Kyrie De martyribus / In diebus Dominicis / Orbis factor	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie De martyribus / In diebus Dominicis / Orbis factor Du Fay, Guillaume (1397–1474) Appears on: 94 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: De martiribus. Kyrie General Note [ou In diebus dominicis ou Orbis factor]Publ. cf. AOs n° 29
94v–95	Kyrie in summis festivitatibus. Fons bonitatis Kyrie	G. DUFAY	Du Fay, Guillaume (1397–1474)
Kyrie in summis festivitatibus. Fons bonitatis Kyrie Du Fay, Guillaume (1397–1474) Appears on: 94v–95 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie in summis festivitatibus. [Fons bonitatis] Kyrie General Note Sup. II: Kyrie magne Deus eleyson.f. 95v-96 [no 70] cf. n" 53 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, IV.
95v–96	Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	-	Du Fay, Guillaume (1397–1474)
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt Du Fay, Guillaume (1397–1474) Appears on: 95v–96 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecclesiae militantis/Sanctorum arbitrio/Bella canunt General Note this opening contains: opening of Cantus I (95v), end of Cantus II & the Ct (96r). Ff. 85v-86 (q.v.) contain the end of Cantus I and Tenor I & II; and the beginning of Cantus II. This exposes an error of binding in the ms: the piece is copied on the 2 external bifolia of a sexternion, the second of which was folded backwards in error. So the correct sequence is 95v/86r, 85v/96r -- though the piece still cannot then be performed from the copy as both openings need to be visible at once.
97v–98v	Ei occurramus	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Ei occurramus Brassart, Johannes (ca. 1400–1455) Appears on: 97v–98v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: JO. BRASSART Voice: [no designation] Languages: Italian Voice Text: Bella canunt gentes querimur pater optime tempus Voice: [no designation] Languages: Latin Voice Text: Gabriel Voice: [no designation] Languages: Latin Voice Text: Ecclesi militans Voice: [no designation] Languages: Latin Voice Text: Ecce nomen dominj Voice: [no designation] Languages: Latin Voice Text: SAnctorum arbitrio Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
99	Spiritus confinio	JO. ROLLET	Roullet, Johannes
Spiritus confinio Roullet, Johannes Appears on: 99 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. ROLLET Voice: [no designation] Languages: Latin Voice Text: Spiritus confinio General Note Tenor Kyrie faulx bourdon
97v–98v	Sanctus Genitor summi fìlii	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Sanctus Genitor summi fìlii Brassart, Johannes (ca. 1400–1455) Appears on: 97v–98v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: Sanctus Genitor summi fìlii Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
99	Spiritus confinio	JO. ROLLET	Roullet, Johannes
Spiritus confinio Roullet, Johannes Appears on: 99 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. ROLLET Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Tenor Kyrie faulx bourdon
99v–100	Et in terra pax [Gloria]	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Et in terra pax [Gloria] Brassart, Johannes (ca. 1400–1455) Appears on: 99v–100 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
100v–101v	Patrem omnipotentem [Credo]	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Patrem omnipotentem [Credo] Brassart, Johannes (ca. 1400–1455) Appears on: 100v–101v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, I.
101v–102	Jesu redemptor Kyrie	G. DUFAY	Du Fay, Guillaume (1397–1474)
Jesu redemptor Kyrie Du Fay, Guillaume (1397–1474) Appears on: 101v–102 Genres: Kyrie eleison, Mass Ordinary Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin, Greek Voice Text: [Jesu redemptor] Kyrie General Note Faulx bourdon de apostolis Publ. cf. TR 87 n° 67T: Kyrie faux bourdon
102v–103	Kyrie 'apostolorum' / 'de martyribus'	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'apostolorum' / 'de martyribus' Binchois, Gilles (ca. 1400–1460) Appears on: 102v–103 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Apostolorum. Kyrie General Note [ou De martyribus]Publ. cf. AOs n° 22
103v–104v	Sanctus	[J. BENNETou J. DUNSTABLE ou L. POWER]	Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)
Sanctus Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?) Appears on: 103v–104v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [J. BENNETou J. DUNSTABLE ou L. POWER] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n° 145
105–105v	Sanctus	-	Power, Leonel (–1445)
Sanctus Power, Leonel (–1445) Appears on: 105–105v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus
106v–107	Agnus Dei	[J. BENNET ou L. POWER]	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)
Agnus Dei Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?) Appears on: 106v–107 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J. BENNET ou L. POWER] Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. AOs a" 154
108–108v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 108–108v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Aliud Agnus. Agnus dei
109	Trebulus per diminutionem. Qui latuit invirgine	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Trebulus per diminutionem. Qui latuit invirgine Du Fay, Guillaume (1397–1474) Appears on: 109 Genres: Motet Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: Latin Voice Text: Trebulus per diminutionem. [Qui latuit invirgine] General Note Ct: Du pist mein Hort. Concordances D-brd-Mbs 3232 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, I (op. dub.
109v–110v	Magnificat octavi toni: Et exultavit spiritus meus [K.385]	-	Anonymous
Magnificat octavi toni: Et exultavit spiritus meus [K.385] Anonymous Appears on: 109v–110v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat anima mea dominum] Et exultavit General Note Versets pairs
110v–111	Magnificat Sexti Toni: Et exultavit [K.301]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.301] Anonymous Appears on: 110v–111 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 6i toni. Et exultavit General Note Tenor faulx bourdon.Versets pairs.
111v–112	Magnificat Quinti Toni: Et exultavit [K.274]	-	Anonymous
Magnificat Quinti Toni: Et exultavit [K.274] Anonymous Appears on: 111v–112 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 6ti [toni] Et exultavit General Note Tenor faulx bourdon.Versets pairs.
112v–113	Magnificat quarti toni: Et exultavit [K.240]	-	Anonymous
Magnificat quarti toni: Et exultavit [K.240] Anonymous Appears on: 112v–113 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Tenor faulx bourdon.Versets pairs.
113v–115	O proles Hispaniae - 1a pars (of 2): O proles Hispaniae	G. DUFFAY	Du Fay, Guillaume (1397–1474)
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae Du Fay, Guillaume (1397–1474) Appears on: 113v–115 Genres: Motet Source Attribution: G. DUFFAY Voice: [no designation] Languages: Latin Voice Text: O proles ÿspanie Voice: [no designation] Languages: Latin Voice Text: O Sidus ÿspanie Voice: [no designation] Languages: Latin Voice Text: O proles ÿspanie Voice: [no designation] Languages: Latin Voice Text: O proles General Note Publ. cf. MOe X.1.11 n° 64Ct I: O sidus yspanie
113v–115	O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis / Secundus...Amen	G. DUFFAY	Du Fay, Guillaume (1397–1474)
O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis / Secundus...Amen Du Fay, Guillaume (1397–1474) Appears on: 113v–115 Genres: Motet Source Attribution: G. DUFFAY Voice: [no designation] Languages: Latin Voice Text: O Cristi patrocinium Voice: [no designation] Languages: Latin Voice Text: Secundus...Amen Voice: [no designation] Languages: Latin Voice Text: Doctor ueritatis General Note Publ. cf. MOe X.1.11 n° 64Ct I: O sidus yspanie
115v–117	Si quaeris miracula - 1a pars (of 5): Si quaeris miracula	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula - 1a pars (of 5): Si quaeris miracula Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Motet, Responsory Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: SJ Queris miracula Voice: [no designation] Languages: Latin Voice Text: Queris miracula Voice: [no designation] Languages: none Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V.
115v–117	Si quaeris miracula - 2a pars (of 5): Cedunt mare vincula...Membra	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula - 2a pars (of 5): Cedunt mare vincula...Membra Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Motet, Responsory Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Cedunt mare Voice: [no designation] Languages: Latin Voice Text: Cedunt mare vincula Voice: [no designation] Languages: Latin Voice Text: Cedunt mare...Membra
115v–117	Si quaeris miracula - 3a pars (of 5): Duo Pereunt pericula	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula - 3a pars (of 5): Duo Pereunt pericula Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Motet, Responsory Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Pereunt pericula Voice: [no designation] Languages: Latin Voice Text: duo Pereunt pericula
115v–117	Si quaeris miracula - 4a pars (of 5): Gloria patri et filio Et spiritui sancto	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula - 4a pars (of 5): Gloria patri et filio Et spiritui sancto Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Doxology, Motet, Responsory Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice: [no designation] Languages: Latin Voice Text: Gloria patri et filio Et spiritui sancto
115v–117	Si quaeris miracula - 5a pars (of 5): Membra resque perd[itas]	DUFAY	Du Fay, Guillaume (1397–1474)
Si quaeris miracula - 5a pars (of 5): Membra resque perd[itas] Du Fay, Guillaume (1397–1474) Appears on: 115v–117 Genres: Motet, Responsory Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Membra Voice: [no designation] Languages: Latin Voice Text: Membra resque perd[itas] Voice: [no designation] Languages: Latin Voice Text: Membra
117v–118	Trebulus per diminutionem.	-	Anonymous
Trebulus per diminutionem. Anonymous Appears on: 117v–118 Genres: Motet, textless Voice: [no designation] Languages: Latin Voice Text: Trebulus per diminutionem. A. [sans autre texte]
118	untexted	-	-
untexted - Appears on: 118 Genres: textless Voice: [no designation] Languages: none Voice Text: without text Item Bibliography Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 211-5.
118v	Quant je remire.	BURGOIS	Bourgois
Quant je remire. Bourgois Appears on: 118v Genres: Chanson Source Attribution: BURGOIS Voice: [no designation] Languages: French Voice Text: Quant je remire. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
119	untexted	-	-
untexted - Appears on: 119 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
119	untexted	-	-
untexted - Appears on: 119 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
119v–120	Donnés I'assault	DUFAY	Du Fay, Guillaume (1397–1474)
Donnés I'assault Du Fay, Guillaume (1397–1474) Appears on: 119v–120 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Donnés I'assault Item Bibliography Perkins, Leeman L. 1977. The Mellon Chansonnier. New Haven. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
120v	untexted	-	-
untexted - Appears on: 120v Genres: textless Voice: [no designation] Languages: none Voice Text: without text
121v–122v	Gaude virgo - 1a pars (of 7): Gaude virgo quae de caelis	-	Anonymous
Gaude virgo - 1a pars (of 7): Gaude virgo quae de caelis Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude virgo que decelis Voice: [no designation] Languages: Latin Voice Text: gaude Virgo Voice: [no designation] Languages: Latin Voice Text: Gaude virgo General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 2a pars (of 7): Gaude mater incarnati	-	Anonymous
Gaude virgo - 2a pars (of 7): Gaude mater incarnati Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude mater incarnatj Voice: [no designation] Languages: Latin Voice Text: Gaude mater incarnatj General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 3a pars (of 7): Gaude quia vitam dedit	-	Anonymous
Gaude virgo - 3a pars (of 7): Gaude quia vitam dedit Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude quia vitam dedit Voice: [no designation] Languages: Latin Voice Text: Guade quia vitam Voice: [no designation] Languages: Latin Voice Text: Gaude quia vitam dedit General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 4a pars (of 7): Gaude quia tuus natus	-	Anonymous
Gaude virgo - 4a pars (of 7): Gaude quia tuus natus Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Gaude quia tuus natus Voice: [no designation] Languages: Latin Voice Text: Gaude quia tuus natus General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 5a pars (of 7): Gaude virgo Dei mater	-	Anonymous
Gaude virgo - 5a pars (of 7): Gaude virgo Dei mater Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Gaude virgo dej mater Voice: [no designation] Languages: Latin Voice Text: Gaude virgo dej mater General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 6a pars (of 7): Haec cura tibi memoramus	-	Anonymous
Gaude virgo - 6a pars (of 7): Haec cura tibi memoramus Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: hec cura tibj memoramus Voice: [no designation] Languages: Latin Voice Text: hec cura General Note T: Gaude virgo que de celis
121v–122v	Gaude virgo - 7a pars (of 7): In caelesti curia	-	Anonymous
Gaude virgo - 7a pars (of 7): In caelesti curia Anonymous Appears on: 121v–122v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jn celesti curia Voice: [no designation] Languages: Latin Voice Text: Jn celestj curia Voice: [no designation] Languages: Latin Voice Text: Jn celestj General Note T: Gaude virgo que de celis
124	Asperges me Domine (I)	[BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Asperges me Domine (I) Binchois, Gilles (ca. 1400–1460) Appears on: 124 Genres: Asperges me, Motet Source Attribution: [BINCHOIS] Voice: [no designation] Languages: Latin Voice Text: Asperges me Et super niuem dealbabor General Note [2a p. de l'antienne suivante]
125v	Veni dilecte mi	G. DUFAY [ou J. DE LYMBURGIA]	Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?)
Veni dilecte mi Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?) Appears on: 125v Genres: Motet Source Attribution: G. DUFAY [ou J. DE LYMBURGIA] Voice: [no designation] Languages: Latin Voice Text: Veni dilecte mi Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Veni dilecte mi apprehendam General Note Publ. cf. AOs n° 153
126	Kyrie eleison	DUNSTABL	Dunstaple, John (ca. 1390–1453)
Kyrie eleison Dunstaple, John (ca. 1390–1453) Appears on: 126 Genres: Kyrie eleison, Mass Ordinary Source Attribution: DUNSTABL Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Item Bibliography Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: VIII. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
126v–127	Ave regina caelorum	[J. FOREST]	Forest
Ave regina caelorum Forest Appears on: 126v–127 Genres: BVM, Motet Source Attribution: [J. FOREST] Voice: [no designation] Languages: Latin Voice Text: Aue regina celorum Voice: [no designation] Languages: none Voice: [no designation] Languages: none
127v–128	Kyrie 'de beata Maria' / 'de dominica'	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie 'de beata Maria' / 'de dominica' Binchois, Gilles (ca. 1400–1460) Appears on: 127v–128 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: De domina. Kyrie General Note [Kyrie I et Christe seul'] Publ. cf. AOs n° 54
128	Kyrie feriale	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie feriale Binchois, Gilles (ca. 1400–1460) Appears on: 128 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Greek Voice Text: [Feriale] K(yrie] General Note Publ. cf. TR 87 n° 38
128v–129	Sancta Maria succurre miseris	[J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Sancta Maria succurre miseris Dunstaple, John (ca. 1390–1453) Appears on: 128v–129 Genres: Motet Source Attribution: [J.DUNSTABLE] Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Sancta maria Voice: [no designation] Languages: Latin Voice Text: Sancta maria succurre miseris General Note Here anonymous; Publ. cf. AOs n" 148
129v	Kyrie breve 'in simplici die'	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Kyrie breve 'in simplici die' Binchois, Gilles (ca. 1400–1460) Appears on: 129v Genres: Kyrie eleison, Mass Ordinary Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie General Note Publ. cf. AOs n° 56 [not clear which DIAMM composition no. this is]
130–131	Kyrie Deus creator omnium	JOHANES BENET	Benet, John (–ca. 1458)
Kyrie Deus creator omnium Benet, John (–ca. 1458) Appears on: 130–131 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOHANES BENET Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie] Deus creator omnium Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.
133	En piesse sic pour: onques je n'eusse pensé	-	Anonymous
En piesse sic pour: onques je n'eusse pensé Anonymous Appears on: 133 Genres: Chanson Voice: [no designation] Languages: French Voice Text: En piesse [sic pour: onques] je n'eusse pensé Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI) Corrigenda.
133v	Vous soiés la tres bien venue	C. DE MERQUES	Merques, Nicolas (?)
Vous soiés la tres bien venue Merques, Nicolas (?) Appears on: 133v Genres: Chanson Source Attribution: C. DE MERQUES Voice: [no designation] Languages: French Voice Text: Vo[u]s soyés la tres bien venue General Note Publ. cf. Bu 2216 n° 87
133v–134	Protegat nos divina majestas	-	Anonymous
Protegat nos divina majestas Anonymous Appears on: 133v–134 Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: PRotegat nos diuina maiestas Voice: [no designation] Languages: none
134	Faites vinguet sic pour: muguet vrais amorans.	-	Anonymous
Faites vinguet sic pour: muguet vrais amorans. Anonymous Appears on: 134 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Faites vinguet [sic pour: muguet] vrays amorans. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
134v	Puisque celle qui me tient en prison.	G. DUFAY	Du Fay, Guillaume (1397–1474)
Puisque celle qui me tient en prison. Du Fay, Guillaume (1397–1474) Appears on: 134v Genres: Chanson, Rondeau Source Attribution: G. DUFAY Voice: [no designation] Languages: French Voice Text: Puisque celle qui me tient en prison. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI).
134v–134	Se mesdisans devoyent crever d'ire	-	Anonymous
Se mesdisans devoyent crever d'ire Anonymous Appears on: 134v–134 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Se mesdisans devoyent crever d'ire. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
135	Se la belle n'a le voloir	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Se la belle n'a le voloir Binchois, Gilles (ca. 1400–1460) Appears on: 135 Genres: Chanson Source Attribution: BINCHOIS Voice: [no designation] Languages: French Voice Text: Se la belle n'a le voloít. Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 22. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (Fil.
135v	Mon bien m'amour	G. DUFAY	Du Fay, Guillaume (1397–1474)
Mon bien m'amour Du Fay, Guillaume (1397–1474) Appears on: 135v Genres: Chanson, Rondeau Source Attribution: G. DUFAY Voice: [no designation] Languages: French Voice Text: Mon bien m'amour Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
135v–136	Je me recommande humblement	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Je me recommande humblement Binchois, Gilles (ca. 1400–1460) Appears on: 135v–136 Genres: Chanson Source Attribution: BINCHOIS Voice: [no designation] Languages: French Voice Text: Je me recommande humblement Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler. Pages: II. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
136	Je ne suy plus ceux que soloye	DUFAY	Du Fay, Guillaume (1397–1474)
Je ne suy plus ceux que soloye Du Fay, Guillaume (1397–1474) Appears on: 136 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Je ne suy plus ceux que soloye Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 15/15 (VII).
136v	Belle que vous ay je mesfait	DUFAY	Du Fay, Guillaume (1397–1474)
Belle que vous ay je mesfait Du Fay, Guillaume (1397–1474) Appears on: 136v Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Belle que vous ay je mesfait Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
136v–137	Je n'ai doubte fors que des envieux	DUFAY	Du Fay, Guillaume (1397–1474)
Je n'ai doubte fors que des envieux Du Fay, Guillaume (1397–1474) Appears on: 136v–137 Genres: Chanson, Rondeau Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Je n'ay doubte fors que des envieux Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, XI.
137v	Le jour se doit - 1a pars (of 2): Le jour se doit ossy fait la saison	[G. DUFAY]*	Du Fay, Guillaume (1397–1474)
Le jour se doit - 1a pars (of 2): Le jour se doit ossy fait la saison Du Fay, Guillaume (1397–1474) Appears on: 137v Genres: Chanson Source Attribution: [G. DUFAY]* Voice: [no designation] Languages: French Voice Text: Le jour se doit ossy fait la saison. Et le.
137v	Le jour se doit - 2a pars (of 2): Pour reciter	-	Du Fay, Guillaume (1397–1474)
Le jour se doit - 2a pars (of 2): Pour reciter Du Fay, Guillaume (1397–1474) Appears on: 137v Genres: Chanson Voice: [no designation] Languages: French Voice Text: [2a p.]: Pour reciter] Concordances GB-Ob 213 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Pages: (Le jours'endort). Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
138–139	Sanctus	JO. DUMSTABL	Dunstaple, John (ca. 1390–1453)
Sanctus Dunstaple, John (ca. 1390–1453) Appears on: 138–139 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: JO. DUMSTABL Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Publ. cf. AOs n° 98
139v–140	Agnus Dei	ANGLICUS [= J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453)
Agnus Dei Dunstaple, John (ca. 1390–1453) Appears on: 139v–140 Genres: Agnus Dei, Mass Ordinary Source Attribution: ANGLICUS [= J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Agnus dei General Note Publ. cf. TR 87 n° 16
140	J'aime bien celui qui s'en va	-	Fontaine, Pierre
J'aime bien celui qui s'en va Fontaine, Pierre Appears on: 140 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Je me. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
140v–141	Gloria laus et honor - 1a pars (of 2): Gloria laus et honor	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Gloria laus et honor - 1a pars (of 2): Gloria laus et honor Binchois, Gilles (ca. 1400–1460) Appears on: 140v–141 Genres: Hymn Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Gloria laus Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor Voice: [no designation] Languages: Latin Voice Text: gloria laus
140v–141	Gloria laus et honor - 2a pars (of 2): Israel es tu rex	-	Binchois, Gilles (ca. 1400–1460)
Gloria laus et honor - 2a pars (of 2): Israel es tu rex Binchois, Gilles (ca. 1400–1460) Appears on: 140v–141 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Israel es tu rex Voice: [no designation] Languages: Latin Voice Text: Jsrahel es tu rex Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
141v–142v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 141v–142v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note [Jacet granum]
143	untexted	-	-
untexted - Appears on: 143 Genres: textless Voice: [no designation] Languages: none Voice Text: without text
143v–144	O flos fragrans	BRASSART	Brassart, Johannes (ca. 1400–1455)
O flos fragrans Brassart, Johannes (ca. 1400–1455) Appears on: 143v–144 Genres: Motet Source Attribution: BRASSART Voice: [no designation] Languages: Latin Voice Text: O flos flagrans iam vernalis Voice: [no designation] Languages: Latin Voice Text: O flos Voice: [no designation] Languages: none Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II (avec facs.)cf. Bc 15 n° 264.
144v–145	Sancta Maria - 1a pars (of 2): Sancta Maria non est tibi similis	-	Anonymous
Sancta Maria - 1a pars (of 2): Sancta Maria non est tibi similis Anonymous Appears on: 144v–145 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sancta Maria non est tibi similis Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Sancta maria
144v–145	Sancta Maria - 2a pars (of 2): Ora pro nobis Sancta Dei genitrix	-	Anonymous
Sancta Maria - 2a pars (of 2): Ora pro nobis Sancta Dei genitrix Anonymous Appears on: 144v–145 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ora pro nobis Sancta dej genitrix Voice: [no designation] Languages: Latin Voice Text: Ora pro nobis Voice: [no designation] Languages: Latin Voice Text: Ora pro nobis
145v–146	Beata mater - 1a pars (of 3): Beata mater et innupta	BINCHOIS [ou J.DUNSTABLE]	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Beata mater - 1a pars (of 3): Beata mater et innupta Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 145v–146 Genres: Motet Source Attribution: BINCHOIS [ou J.DUNSTABLE] Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: BEata mater et innvpta virgo Voice: [no designation] Languages: none General Note Publ. cf. AOs n° 196
145v–146	Beata mater - 2a pars (of 3): Gloriosa regina mundi	BINCHOIS [ou J.DUNSTABLE]	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)
Beata mater - 2a pars (of 3): Gloriosa regina mundi Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?) Appears on: 145v–146 Genres: Motet Source Attribution: BINCHOIS [ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Gloriosa regina mundi Voice: [no designation] Languages: Latin Voice Text: Gloriosa Voice: [no designation] Languages: Latin Voice Text: gloriosa duo sit General Note Publ. cf. AOs n° 196
145v–146	Beata mater - 3a pars (of 3): Intercede pro nobis	BINCHOIS [ou J.DUNSTABLE]	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)
Beata mater - 3a pars (of 3): Intercede pro nobis Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?) Appears on: 145v–146 Genres: Motet Source Attribution: BINCHOIS [ou J.DUNSTABLE] Voice: [no designation] Languages: Latin Voice Text: Jntercede pro nobis ad dominum Voice: [no designation] Languages: Latin Voice Text: Jntercede Voice: [no designation] Languages: Latin Voice Text: Jntercede General Note Publ. cf. AOs n° 196
146	Inter natos mulierum (I)	BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Inter natos mulierum (I) Binchois, Gilles (ca. 1400–1460) Appears on: 146 Genres: Motet Source Attribution: BINCHOIS Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum Voice: [no designation] Languages: Latin Voice Text: Mulierum non surrexit Voice: [no designation] Languages: Latin Voice Text: Mulierum non surrexit General Note (version 1) Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London. Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation.
146v–148	Kyrie Deus creator omnium	-	Anonymous
Kyrie Deus creator omnium Anonymous Appears on: 146v–148 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: [Kyrie] Deus creator omnium General Note T: Alma redemptoris.
148v–149v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 148v–149v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note T: Alma redemptoris.
150–151v	Et in terra pax [Gloria] [Kaye 17]	G. BINCHOIS	Binchois, Gilles (ca. 1400–1460)
Et in terra pax [Gloria] [Kaye 17] Binchois, Gilles (ca. 1400–1460) Appears on: 150–151v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: G. BINCHOIS Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Publ. cf. AOs n° 45
151v–153v	Missa Sancti Jacobi: Credo	DUFAY	Du Fay, Guillaume (1397–1474)
Missa Sancti Jacobi: Credo Du Fay, Guillaume (1397–1474) Appears on: 151v–153v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: [Missa Sancti jacobi. Credo] Patron General Note Publ. cf. AOs n° 88. End of T/Ct missing
153v–154	Qui velu a de sa grace planne.	DUFAY	Du Fay, Guillaume (1397–1474)
Qui velu a de sa grace planne. Du Fay, Guillaume (1397–1474) Appears on: 153v–154 Genres: Chanson Source Attribution: DUFAY Voice: [no designation] Languages: French Voice Text: Qui velu a de sa grace planne. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, VI. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
154v	Ave Regina caelorum (1)	G. DUFAY	Du Fay, Guillaume (1397–1474)
Ave Regina caelorum (1) Du Fay, Guillaume (1397–1474) Appears on: 154v Genres: BVM, Motet Source Attribution: G. DUFAY Voice: [no designation] Languages: Latin Voice Text: Aue regina Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum Voice: [no designation] Languages: none General Note Publ. cf. Bc 15 n° 225 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
155–156	Patrem omnipotentem [Credo]	GROSSIN	Grossin, Estienne
Patrem omnipotentem [Credo] Grossin, Estienne Appears on: 155–156 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: GROSSIN Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note Publ. cf. AOs n° 83
156v–157	Las aymy quand je pense bien per my	-	Anonymous
Las aymy quand je pense bien per my Anonymous Appears on: 156v–157 Genres: Chanson Voice: [no designation] Languages: French Voice Text: Las aymy quand je pense bien per my Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22 (XI).
157	Unum pulcrum	LUDVUCUS DE ARIMINO	Arimino, Ludvicus de (fl. c1435)
Unum pulcrum Arimino, Ludvicus de (fl. c1435) Appears on: 157 Genres: Motet Source Attribution: LUDVUCUS DE ARIMINO Voice: [no designation] Languages: Latin Voice Text: Unum pulcrum. Item Bibliography Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: (Nimis palcrum).
157v–158	Anima mea liquefacta est	DUFAY	Du Fay, Guillaume (1397–1474)
Anima mea liquefacta est Du Fay, Guillaume (1397–1474) Appears on: 157v–158 Genres: Motet Source Attribution: DUFAY Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est Voice: [no designation] Languages: Latin Voice: [no designation] Languages: Latin General Note Publ. cf. Bc 15 n° 235 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
158v–160	Elisabeth Zachariae magnum virum genuit	-	Du Fay, Guillaume (1397–1474) (?)
Elisabeth Zachariae magnum virum genuit Du Fay, Guillaume (1397–1474) (?) Appears on: 158v–160 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Elizabet zacharie magnum virum genuit Voice: [no designation] Languages: Latin Voice Text: Residuum contratenoris &c. Voice: [no designation] Languages: Latin Voice Text: Elizabeth...Residuum Voice: [no designation] Languages: Latin Voice Text: [E]lizabet zacharie magnum virum genuit General Note Not in Besseler or Planchart's Du Fay editions. HammCD proposed Du Fay as the author; AllsenFL suggested either Dufay or a close imitator.. Similar to Du Fay's style but (PlanchartD concludes) clumsy in places and lacking Du Fay's melodic invention: he proposes Benoit Sirede as the composer. Item Bibliography Planchart, Alejandro Enrique. 2018. Guillaume Du Fay. Cambridge: CUP. Pages: 386-388. Allsen, Jon Michael (editor). 1997. Four Late Isorhythmic Motets. Antico Edition. Newton Abbot. Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 70-73. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76:16-18.
160v–161	Salve cara deo	LUDBICUS DE ARIMINO	Arimino, Ludvicus de (fl. c1435)
Salve cara deo Arimino, Ludvicus de (fl. c1435) Appears on: 160v–161 Genres: Motet Source Attribution: LUDBICUS DE ARIMINO Voice: [no designation] Languages: Latin Voice Text: Jnvenies circa Anima mea Voice: [no designation] Languages: Latin Voice Text: Salue cara deo &c. Voice: [no designation] Languages: Latin Voice Text: huius Voice: [no designation] Languages: Latin Voice Text: Salve cara deo Item Bibliography Disertori, Benvenuto. 1942. L'Epistola all'Italia del Petrarca musicata nei Codici Tridentini. Rivista Musicale Italiana, 65-78. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
161v–162	Gentile alma benigna	-	Anonymous
Gentile alma benigna Anonymous Appears on: 161v–162 Genres: Italian secular Voice: [no designation] Languages: Italian Voice Text: Gentile alma benigna Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 22, (XI).
162	Statuit ei Dominus	-	Anonymous
Statuit ei Dominus Anonymous Appears on: 162 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Domi Voice: [no designation] Languages: Latin Voice Text: Statuit ei Dominus Voice: [no designation] Languages: Latin Voice Text: Dominus
162v–164	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 162v–164 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: (XXXI) sous 1e nom de Georgius a Brugis.
164	Iste confessor Domini / Iste confessor Domini / Iste confessor Domini	-	Anonymous
Iste confessor Domini / Iste confessor Domini / Iste confessor Domini Anonymous Appears on: 164 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Jste confessor Voice: [no designation] Languages: Latin Voice Text: Jste confessor Voice: [no designation] Languages: Latin Voice Text: Jste confessor
164v–165, 156	Patrem omnipotentem [Credo], du vilage (Dominicale)	ZACH. DE TERAMO	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Patrem omnipotentem [Credo], du vilage (Dominicale) Zacara da Teramo, Antonio (ca. 1350–ca. 1413) Appears on: 164v–165, 156 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: ZACH. DE TERAMO Voice: [no designation] Languages: Latin Voice Text: Dominicale. [Credo] Patrem [de vilage] General Note Publ. cf. Bc 15 n° 84 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
165v–166	O domina gloriosa	JO. VERBEN	Verben, Johannes
O domina gloriosa Verben, Johannes Appears on: 165v–166 Genres: Motet Source Attribution: JO. VERBEN Voice: [no designation] Languages: Latin Voice Text: O domina gloriosa Voice: [no designation] Languages: none Voice: [no designation] Languages: none Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: DTÖ 76 (XL).
166v	Festum nunc celebre	[G. DUFAY ?]*	Du Fay, Guillaume (1397–1474) (?)
Festum nunc celebre Du Fay, Guillaume (1397–1474) (?) Appears on: 166v Genres: Hymn Source Attribution: [G. DUFAY ?]* Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: festum nunc celebre Voice: [no designation] Languages: none Concordances D-brd-Mbs 3232 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 1, V (op. dub.).
166v	Liesse m'a mandé salut	GROSSIN [ou G. BINCHOIS*]	Grossin, Estienne (?) Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)
Liesse m'a mandé salut Grossin, Estienne (?) Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?) Appears on: 166v Genres: Chanson Source Attribution: GROSSIN [ou G. BINCHOIS] Voice:* [no designation] Languages: French Voice Text: [LJYesse m'a mandé. General Note Publ. cf. Bu 2216 n° 19/17 Concordances *GB-Ob 213
167v–168	Missa Sine nomine: Kyrie eleison	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Kyrie eleison Pullois, Johannes Appears on: 167v–168 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J.PYLLOIS] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
168v–170	Missa Sine nomine: Et in terra pax [Gloria]	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Et in terra pax [Gloria] Pullois, Johannes Appears on: 168v–170 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [J.PYLLOIS] Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra Item Bibliography Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. The Oxford Anthology of Music: Medieval Music. London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
170v–172	Missa Sine nomine: Patrem omnipotentem [Credo]	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Patrem omnipotentem [Credo] Pullois, Johannes Appears on: 170v–172 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [J.PYLLOIS] Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note transposed (in F not D) Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
172v–173	Missa Sine nomine: Sanctus	-	Pullois, Johannes
Missa Sine nomine: Sanctus Pullois, Johannes Appears on: 172v–173 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41 (attrib. à J. Pyllois).
173v–174	Missa Sine nomine: Agnus Dei	[J.PYLLOIS]	Pullois, Johannes
Missa Sine nomine: Agnus Dei Pullois, Johannes Appears on: 173v–174 Genres: Agnus Dei, Mass Ordinary Source Attribution: [J.PYLLOIS] Voice: [no designation] Languages: Latin Voice Text: Agnus Dei Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 41.
197–198	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	JO BRASSART	Brassart, Johannes (ca. 1400–1455)
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Brassart, Johannes (ca. 1400–1455) Appears on: 197–198 Genres: Motet, Regina caeli laetare Source Attribution: JO BRASSART Voice: [no designation] Languages: Latin Voice Text: Regina celj Voice: [no designation] Languages: Latin Voice Text: Letare Alleluia Voice: [no designation] Languages: Latin
197–198	Regina caeli - 2a pars (of 2): Resurrexit	-	Brassart, Johannes (ca. 1400–1455)
Regina caeli - 2a pars (of 2): Resurrexit Brassart, Johannes (ca. 1400–1455) Appears on: 197–198 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Resurrexit Voice: [no designation] Languages: Latin Voice Text: Resurrexti sicut dixit Alleluia Item Bibliography Brassart, Johannes. 1960. Sechs Motetten, Hrsg. von Keith E. Mixter. Graz. Musik alter Meister. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.
198v–199	untexted	TYLING ?	Tyling (fl. c1450-75) (?)
untexted Tyling (fl. c1450-75) (?) Appears on: 198v–199 Genres: textless Source Attribution: TYLING ? Voice: [no designation] Languages: none Voice Text: without text General Note T sur le thème du T Andernaken
199v–200	untexted Tenor	-	-
untexted Tenor - Appears on: 199v–200 Genres: textless Voice: [no designation] Languages: none Voice Text: T. without text
200v	Sacris solemniis	JO. BRASSART	Brassart, Johannes (ca. 1400–1455)
Sacris solemniis Brassart, Johannes (ca. 1400–1455) Appears on: 200v Genres: Motet Source Attribution: JO. BRASSART Voice: [no designation] Languages: Latin Voice Text: Sacris solemniis Voice: [no designation] Languages: Latin Voice Text: Sacri solemnijs Item Bibliography Brassart, Johannes. 1960. Sechs Motetten, Hrsg. von Keith E. Mixter. Graz. Musik alter Meister. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 35, II.
219	In natali Domini Vs. Virgo mater peperit	-	Anonymous
In natali Domini Vs. Virgo mater peperit Anonymous Appears on: 219 Genres: Lauda Voice: [no designation] Languages: Latin Voice Text: JN natale domini Voice: [no designation] Languages: Latin Voice Text: JN natale dominj Voice: [no designation] Languages: Latin Voice Text: JN natale dominj General Note Publ. cf. Bc 15 n° 180 Item Bibliography Bent, Margaret. 2009. Bologna Q15. The Making and Remaking of a Musical Manuscript, Introductory Study and Facsimile Edition. 2 vols. Lucca: Lim Editrice.
219v–220	Conditor alme siderum	-	Anonymous
Conditor alme siderum Anonymous Appears on: 219v–220 Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Conditor alme syderum Voice: [no designation] Languages: Latin Voice Text: Conditor Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Conditor alme syderum Voice: [no designation] Languages: none General Note [2 versions en prenant le Ct du 1er motet à3vx. n" 158 comme Sup. du 2e, à 3vx., n°158bis]A la 3e vx. [Ct]: Accipe contratenor precedentem super tenorem sequentem in dyapason et habebis motetum.A la 5e vx. [Ct]: Contra super tenorem jam stantem.
220	Conditor alme siderum	-	Anonymous
Conditor alme siderum Anonymous Appears on: 220 Genres: Hymn Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Conditor Alme syderum Voice: [no designation] Languages: none
220v–221	Conditor alme siderum	H. BATTRE	Battre, H. (fl. c1430-40)
Conditor alme siderum Battre, H. (fl. c1430-40) Appears on: 220v–221 Genres: Hymn, Veni creator spiritus Source Attribution: H. BATTRE Voice: [no designation] Languages: Latin Voice Text: Conditor alme siderum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 53 (XXVII).
221–221v	Magnificat primi toni: Et exultavit [K.128]	-	Anonymous
Magnificat primi toni: Et exultavit [K.128] Anonymous Appears on: 221–221v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit General Note Versets pairs.
222	Stirps regia vita - 1a pars (of 2): Stirps regia vita	H. BATTRE	Battre, H. (fl. c1430-40)
Stirps regia vita - 1a pars (of 2): Stirps regia vita Battre, H. (fl. c1430-40) Appears on: 222 Genres: Motet Source Attribution: H. BATTRE Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Stirps regia Voice: [no designation] Languages: none Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
222	Stirps regia vita - 2a pars (of 2): Dans prece pia	H. BATTRE	Battre, H. (fl. c1430-40)
Stirps regia vita - 2a pars (of 2): Dans prece pia Battre, H. (fl. c1430-40) Appears on: 222 Genres: Motet Source Attribution: H. BATTRE Voice: [no designation] Languages: French Voice Text: Dans prece pia
222v	Benedicamus Domino	-	Battre, H. (fl. c1430-40) (?)
Benedicamus Domino Battre, H. (fl. c1430-40) (?) Appears on: 222v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Alleluya Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Alleluya Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino Alleluya
223–224v	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 223–224v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra
225–225v	Magnificat Secundi Toni: Et exultavit [K.192]	-	Anonymous
Magnificat Secundi Toni: Et exultavit [K.192] Anonymous Appears on: 225–225v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Secundi toni. Et exultavit General Note Versets pairs.
225v–226v	Magnificat Quarti Toni: Et exultavit [K.241]	-	Anonymous
Magnificat Quarti Toni: Et exultavit [K.241] Anonymous Appears on: 225v–226v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quarti toni. Et exultavit General Note Versets pairs.
226v–228	Magnificat Sexti Toni: Et exultavit [K.302]	-	Anonymous
Magnificat Sexti Toni: Et exultavit [K.302] Anonymous Appears on: 226v–228 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti toni.Et exultavit General Note Versets pairs.
228–228v	Magnificat octavi toni: Et exultavit [K.380]	-	Anonymous
Magnificat octavi toni: Et exultavit [K.380] Anonymous Appears on: 228–228v Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi toni. Et exultavit General Note Versets pairs.
229–230	Kyrie 'angelorum'	[BINCHOIS]	Binchois, Gilles (ca. 1400–1460)
Kyrie 'angelorum' Binchois, Gilles (ca. 1400–1460) Appears on: 229–230 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [BINCHOIS] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Angelorum] General Note Publ. cf. AOs n° 27
230v–231	O sacrum convivium in quo Christus sumitur	-	Battre, H. (fl. c1430-40)
O sacrum convivium in quo Christus sumitur Battre, H. (fl. c1430-40) Appears on: 230v–231 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O sacrum conviuium Voice: [no designation] Languages: none Voice: [no designation] Languages: none
231v–232	Inter amenitatis tripudia / Revertenti	-	Anonymous
Inter amenitatis tripudia / Revertenti Anonymous Appears on: 231v–232 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O livor anxie Voice: [no designation] Languages: Latin Voice Text: Jter amenitatis General Note Ct: O livor anxie … Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
232v–235	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 232v–235 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
235v–238	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 235v–238 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
238v–240	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 238v–240 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Faux bourdon. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
240v	Quem proclamat ecclesia	-	Battre, H. (fl. c1430-40) (?)
Quem proclamat ecclesia Battre, H. (fl. c1430-40) (?) Appears on: 240v Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: quem proclamat ecclesia Voice: [no designation] Languages: Latin Voice Text: quem proclamat ecclesia General Note [Kyrie I et Christe seul1] Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
241	Quem proclamat ecclesia	-	Anonymous
Quem proclamat ecclesia Anonymous Appears on: 241 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quem proclamat ecclesia
241v–242	O quam glorifica	-	Anonymous
O quam glorifica Anonymous Appears on: 241v–242 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam glorifica
242	Iste confessor	-	Anonymous
Iste confessor Anonymous Appears on: 242 Genres: Motet Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Iste confessor Voice: [no designation] Languages: none
243–244	Sanctus.	-	Anonymous
Sanctus. Anonymous Appears on: 243–244 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: San[ctus].
244v–245	Agnus Dei	H. BATTRE	Battre, H. (fl. c1430-40)
Agnus Dei Battre, H. (fl. c1430-40) Appears on: 244v–245 Genres: Agnus Dei, Mass Ordinary Source Attribution: H. BATTRE Voice: [no designation] Languages: Latin Voice Text: Agnus Dei Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
245v	Patrem omnipotentem [Credo]	-	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 245v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Credo] Patrem General Note incompl.
247v–249	Et in terra pax [Gloria]	H.BATTRE	Battre, H. (fl. c1430-40)
Et in terra pax [Gloria] Battre, H. (fl. c1430-40) Appears on: 247v–249 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra General Note Tr: Altissime au 1er Jesu Christe Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 61 (XXXI).
249v–251	Patrem omnipotentem [Credo]	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Patrem omnipotentem [Credo] Du Fay, Guillaume (1397–1474) Appears on: 249v–251 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [G. DUFAY] Voice: [no designation] Languages: Italian Voice Text: Chomos condrosi General Note Publ. cf. AOs n° 33
251v–252	Chomos Condrosi	H. BATTRE	Battre, H. (fl. c1430-40)
Chomos Condrosi Battre, H. (fl. c1430-40) Appears on: 251v–252 Genres: Canonic Source Attribution: H. BATTRE Voice: [no designation] Languages: Italian Voice Text: Chomos Condrosi General Note Motetus iste de se facit tenorem fugando tria têmpora et accipiendo in diseugmenon. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38. Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
252v–253	Incipit in saeculo	-	Anonymous
Incipit in saeculo Anonymous Appears on: 252v–253 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: INcipit in seculo Voice: [no designation] Languages: none Item Bibliography Tischler, Hans. 1971. A Three-Part Rondellus in Trent MS 87. Journal of the American Musicological Society, 449-57.
253v–156	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 253v–156 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: [Gloria]. Et in terra General Note Faulx bourdon.
256v–158	Gaudens exulta tu Ceunacum	-	Anonymous
Gaudens exulta tu Ceunacum Anonymous Appears on: 256v–158 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gaudens exulta tu Ceunacum
258v–159v	Gaudens exulta tu Ceunacum - 1a pars (of 2): Gaudens exulta tu Ceunacum	H.BATTRE	Battre, H. (fl. c1430-40)
Gaudens exulta tu Ceunacum - 1a pars (of 2): Gaudens exulta tu Ceunacum Battre, H. (fl. c1430-40) Appears on: 258v–159v Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: GAudens exulta tu ceunacum Voice: [no designation] Languages: Latin Voice Text: Gaudens exulta tu ceunacum Voice: [no designation] Languages: Latin Voice Text: Gaudens exsulta tu Ceunacum Voice: [no designation] Languages: Latin Voice Text: Gaudens exsulta tu Ceunacum Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
258v–159v	Gaudens exulta tu Ceunacum - 2a pars (of 2):	H.BATTRE	Battre, H. (fl. c1430-40)
Gaudens exulta tu Ceunacum - 2a pars (of 2): Battre, H. (fl. c1430-40) Appears on: 258v–159v Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: Dum Juuenes morti Voice: [no designation] Languages: Latin Voice Text: Dum Juuenes morti Voice: [no designation] Languages: Latin Voice Text: Dum Juuenes
260–261	Dulcissime frater	H.BATTRE	Battre, H. (fl. c1430-40)
Dulcissime frater Battre, H. (fl. c1430-40) Appears on: 260–261 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: Dulcissime frater. Voice: [no designation] Languages: Latin Voice Text: Dulcissime frater Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
261v–262	De qua natus est Jesus	H.BATTRE	Battre, H. (fl. c1430-40)
De qua natus est Jesus Battre, H. (fl. c1430-40) Appears on: 261v–262 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: De qua natus est Jhesus Voice: [no designation] Languages: none Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
262v–264	Gaude virgo - 1a pars (of 5): Gaude virgo mater Christi	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo - 1a pars (of 5): Gaude virgo mater Christi Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: none Voice: [no designation] Languages: none Voice: [no designation] Languages: Latin Voice Text: GAude virgo mater cristi Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 76 (XL).
262v–264	Gaude virgo - 2a pars (of 5):	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo - 2a pars (of 5): Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: Gaude virgo mater Christi, 2a pars Voice: [no designation] Languages: Latin Voice: [no designation] Languages: Latin
262v–264	Gaude virgo - 3a pars (of 5): Gaude quia tui natiti / Gaude Christo ascendente...motu fertur proprio / Quem dolebas mortem pati	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo - 3a pars (of 5): Gaude quia tui natiti / Gaude Christo ascendente...motu fertur proprio / Quem dolebas mortem pati Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: Gaude quia tui nati Voice: [no designation] Languages: Latin Voice Text: gaude...Gaude cristo ascendente...motu fertur proprio Voice: [no designation] Languages: Latin Voice Text: GAude quia tuj natiti Voice: [no designation] Languages: Latin Voice Text: Quem dolebas mortem pati
262v–264	Gaude virgo - 4a pars (of 5): Ubi fructus ventris tui	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo - 4a pars (of 5): Ubi fructus ventris tui Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: Vbi frucuts ventris tui Voice: [no designation] Languages: Latin Voice Text: Vbi frucuts ventris tui Voice: [no designation] Languages: Latin Voice Text: Vbi frucuts ventris tui
262v–264	Gaude virgo - 5a pars (of 5): Per te nobis detur frui	H.BATTRE	Battre, H. (fl. c1430-40)
Gaude virgo - 5a pars (of 5): Per te nobis detur frui Battre, H. (fl. c1430-40) Appears on: 262v–264 Genres: Motet Source Attribution: H.BATTRE Voice: [no designation] Languages: Latin Voice Text: Per te Voice: [no designation] Languages: Latin Voice Text: Per te nobis detur frui Voice: [no designation] Languages: none
265	Tantam gratiam laeti	-	Anonymous
Tantam gratiam laeti Anonymous Appears on: 265 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tantam gratiam laeti

Composer	Compositions
Anonymous	Agnus Dei – 21v–22v Agnus Dei – 108–108v Agnus Dei – 18v–20 Ay my lasse lasse dolant – 92v–93 Ce ne fut pas sans un grant desplaisir – 90v Conditor alme siderum – 220 Conditor alme siderum – 219v–220 En piesse sic pour: onques je n'eusse pensé – 133 Eslongiés suy de vous belle mastresse – 34 Et in terra pax [Gloria] – 141v–142v Et in terra pax [Gloria] – 238v–240 Et in terra pax [Gloria] – 223–224v Et in terra pax [Gloria] – 148v–149v Et in terra pax [Gloria] – 253v–156 Et in terra pax [Gloria] – 31v–33 Faites vinguet sic pour: muguet vrais amorans. – 134 Fuga. Casse moi je vois devant – 91v Gaude virgo - 1a pars (of 7): Gaude virgo quae de caelis – 121v–122v Gaude virgo - 2a pars (of 7): Gaude mater incarnati – 121v–122v Gaude virgo - 3a pars (of 7): Gaude quia vitam dedit – 121v–122v Gaude virgo - 4a pars (of 7): Gaude quia tuus natus – 121v–122v Gaude virgo - 5a pars (of 7): Gaude virgo Dei mater – 121v–122v Gaude virgo - 6a pars (of 7): Haec cura tibi memoramus – 121v–122v Gaude virgo - 7a pars (of 7): In caelesti curia – 121v–122v Gaudens exulta tu Ceunacum – 256v–158 Gentile alma benigna – 161v–162 In natali Domini Vs. Virgo mater peperit – 219 Incipit in saeculo – 252v–253 Inter amenitatis tripudia / Revertenti – 231v–232 Iste confessor – 242 Iste confessor Domini / Iste confessor Domini / Iste confessor Domini – 164 Kyrie Deus creator omnium – 146v–148 Kyrie duobus prius concinentibus – 88V–89 Kyrie eleison – 89v–90 La doulce saison de may – 92 Las aymy quand je pense bien per my – 156v–157 Magnificat Quarti Toni: Et exultavit [K.241] – 225v–226v Magnificat Quinti Toni: Et exultavit [K.274] – 111v–112 Magnificat Secundi Toni: Et exultavit [K.192] – 225–225v Magnificat Sexti Toni: Et exultavit [K.301] – 110v–111 Magnificat Sexti Toni: Et exultavit [K.302] – 226v–228 Magnificat octavi toni: Et exultavit [K.379] – 81v–82v Magnificat octavi toni: Et exultavit [K.380] – 228–228v Magnificat octavi toni: Et exultavit spiritus meus [K.385] – 109v–110v Magnificat primi toni: Et exultavit [K.128] – 221–221v Magnificat quarti toni: Et exultavit [K.240] – 112v–113 Magnificat: Et exultavit [K.220] – 82v–84v Mon bien m'amour – 59 O quam glorifica – 241v–242 Patrem omnipotentem [Credo] – 30v–31 Patrem omnipotentem [Credo] – 232v–235 Patrem omnipotentem [Credo] – 235v–238 Patrem omnipotentem [Credo] – 8v–10 Patrem omnipotentem [Credo] – 162v–164 Patrem omnipotentem [Credo] – 245v Protegat nos divina majestas – 133v–134 Puisque ne sic pour me vois mis en oubli. – 87v Quem proclamat ecclesia – 241 Sancta Maria - 1a pars (of 2): Sancta Maria non est tibi similis – 144v–145 Sancta Maria - 2a pars (of 2): Ora pro nobis Sancta Dei genitrix – 144v–145 Sanctus – 17–18v Sanctus. – 243–244 Se mesdisans devoyent crever d'ire – 134v–134 Statuit ei Dominus – 162 Tantam gratiam laeti – 265 Trebulus per diminutionem. – 117v–118 untexted – 120v untexted – 119 untexted – 143 untexted – 119 untexted – 118 untexted Tenor – 199v–200
Arimino, Ludvicus de (fl. c1435)	Salve cara deo – 160v–161 Unum pulcrum – 157
Battre, H. (fl. c1430-40)	Agnus Dei – 244v–245 (?) Benedicamus Domino – 222v Chomos Condrosi – 251v–252 Conditor alme siderum – 220v–221 De qua natus est Jesus – 261v–262 Dulcissime frater – 260–261 Et in terra pax [Gloria] – 247v–249 Gaude virgo - 1a pars (of 5): Gaude virgo mater Christi – 262v–264 Gaude virgo - 2a pars (of 5): – 262v–264 Gaude virgo - 3a pars (of 5): Gaude quia tui natiti / Gaude Christo ascendente...motu fertur proprio / Quem dolebas mortem pati – 262v–264 Gaude virgo - 4a pars (of 5): Ubi fructus ventris tui – 262v–264 Gaude virgo - 5a pars (of 5): Per te nobis detur frui – 262v–264 Gaudens exulta tu Ceunacum - 1a pars (of 2): Gaudens exulta tu Ceunacum – 258v–159v Gaudens exulta tu Ceunacum - 2a pars (of 2): – 258v–159v O sacrum convivium in quo Christus sumitur – 230v–231 (?) Quem proclamat ecclesia – 240v Stirps regia vita - 1a pars (of 2): Stirps regia vita – 222 Stirps regia vita - 2a pars (of 2): Dans prece pia – 222
Benet, John (–ca. 1458)	(?) Agnus Dei – 106v–107 Kyrie Deus creator omnium – 130–131 (?) Sanctus – 103v–104v
Binchois, Gilles (ca. 1400–1460)	Adieu mon amoureuse joye – 92v Asperges me Domine (I) – 124 (?) Beata mater - 1a pars (of 3): Beata mater et innupta – 145v–146 (?) Beata mater - 2a pars (of 3): Gloriosa regina mundi – 145v–146 (?) Beata mater - 3a pars (of 3): Intercede pro nobis – 145v–146 Et in terra pax [Gloria] [Kaye 17] – 150–151v Et in terra pax [Gloria] [Kaye 3a] – 25v–27 Gloria laus et honor - 1a pars (of 2): Gloria laus et honor – 140v–141 Gloria laus et honor - 2a pars (of 2): Israel es tu rex – 140v–141 Inter natos mulierum (I) – 146 Je me recommande humblement – 135v–136 Kyrie 'angelorum' – 229–230 Kyrie 'angelorum' – 56v Kyrie 'apostolorum' / 'de martyribus' – 102v–103 Kyrie 'de beata Maria' / 'de dominica' – 127v–128 Kyrie breve 'in simplici die' – 129v Kyrie feriale – 58v Kyrie feriale – 128 L'amy de ma dame est venu – 88 (?) Liesse m'a mandé salut – 166v Magnificat quarti toni: Anima mea [K.619] – 45v–48 Patrem omnipotentem [Credo] [Kaye 3b] – 27v–29 Patrem omnipotentem [Credo] [Kaye 3b] – 27v–29 Sanctus [Kaye 8] – 33v–34 Se j'eusse un seul peu d'esperanche – 91v Se la belle n'a le voloir – 135
Blome	Sanctus – 20v–21
Bourgois	Et in terra pax [Gloria] – 39v–43 Quant je remire. – 118v
Brassart, Johannes (ca. 1400–1455)	Ave Maria gratia plena / Ave Maria gratia plena – 51 Christi nutu sublimato (2p. Precemur christi adlethan) – 75v–77 Ei occurramus – 97v–98v Et in terra pax [Gloria] – 99v–100 Fortis cum quaevis actio – 79v–81 Lamberte vir inclite – 73v–75 O flos fragrans – 143v–144 Patrem omnipotentem [Credo] – 100v–101v Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 197–198 Regina caeli - 2a pars (of 2): Resurrexit – 197–198 Sacris solemniis – 200v Sanctus Genitor summi fìlii – 97v–98v Te dignitas / O Martine - 1a pars (of 2): Te dignitas praesularis / O Martine – 77v–78v Te dignitas / O Martine - 2a pars (of 2): Exaudire nos – 77v–78v
Braxatoris, W	Kyrie eleison – 25
Ciconia, Johannes (ca. 1370–1412)	Et in terra pax [Gloria] [BH1] – 52v–53 Patrem omnipotentem [Credo] [BH2] – 53v–55
Du Fay, Guillaume (1397–1474)	Anima mea liquefacta est – 157v–158 Ave Regina caelorum (1) – 154v Belle que vous ay je mesfait – 136v Benedicamus Domino (I) – 57 De apostolis. Jesu redemptor Kyrie – 93v Donnés I'assault – 119v–120 Ecclesiae militantis / Sanctorum arbitrio / Bella canunt – 85v–86 Ecclesiae militantis / Sanctorum arbitrio / Bella canunt – 95v–96 (?) Elisabeth Zachariae magnum virum genuit – 158v–160 Epiphaniam Domino canamus gloriosam – 63v–65 Et in terra pax [Gloria] (iv/21) – 15v–16 Et in terra pax [Gloria] (iv/5) – 10v–12 (?) Festum nunc celebre – 166v Isti sunt duae olivae – 61–63 Je n'ai doubte fors que des envieux – 136v–137 Je ne suy plus ceux que soloye – 136 Jesu redemptor Kyrie – 101v–102 Kyrie De martyribus / In diebus Dominicis / Orbis factor – 94 Kyrie in summis festivitatibus. Fons bonitatis Kyrie – 94v–95 Le jour se doit - 1a pars (of 2): Le jour se doit ossy fait la saison – 137v Le jour se doit - 2a pars (of 2): Pour reciter – 137v (?) Liesse m'a mandé salut – 166v Missa Sancti Jacobi: Communio - Vos qui secuti estis me – 57 Missa Sancti Jacobi: Credo – 151v–153v Missa Sancti Jacobi: Gloria – 1–2 Missa Sancti Jacobi: Kyrie – 1–2 Mon bien m'amour – 135v O proles Hispaniae - 1a pars (of 2): O proles Hispaniae – 113v–115 O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis / Secundus...Amen – 113v–115 Patrem omnipotentem [Credo] – 249v–251 Patrem omnipotentem [Credo] (iv/5) – 12v–15 Puisque celle qui me tient en prison. – 134v Qui velu a de sa grace planne. – 153v–154 Rex omnipotens die hodierna – 65v–67v Si quaeris miracula - 1a pars (of 5): Si quaeris miracula – 115v–117 Si quaeris miracula - 2a pars (of 5): Cedunt mare vincula...Membra – 115v–117 Si quaeris miracula - 3a pars (of 5): Duo Pereunt pericula – 115v–117 Si quaeris miracula - 4a pars (of 5): Gloria patri et filio Et spiritui sancto – 115v–117 Si quaeris miracula - 5a pars (of 5): Membra resque perd[itas] – 115v–117 Trebulus per diminutionem. Qui latuit invirgine – 109 Vasilissa ergo gaude – 57v–58 (?) Veni dilecte mi – 125v
Dunstaple, John (ca. 1390–1453)	Agnus Dei – 23–23v Agnus Dei – 139v–140 (?) Beata mater - 1a pars (of 3): Beata mater et innupta – 145v–146 (?) Beata mater - 2a pars (of 3): Gloriosa regina mundi – 145v–146 (?) Beata mater - 3a pars (of 3): Intercede pro nobis – 145v–146 Kyrie eleison – 126 Salve regina - 1a pars (of 8): Salve regina mater misericordiae – 34v–36 Salve regina - 2a pars (of 8): Et Jesum benedictum fructum – 34v–36 Salve regina - 3a pars (of 8): Virgo mater ecclesiae – 34v–36 Salve regina - 4a pars (of 8): O clemens – 34v–36 Salve regina - 5a pars (of 8): Virgo clemens virgo pia – 34v–36 Salve regina - 6a pars (of 8): O pia – 34v–36 Salve regina - 7a pars (of 8): Funde preces tuo nato – 34v–36 Salve regina - 8a pars (of 8): O dulcis Maria – 34v–36 Sancta Maria succurre miseris – 128v–129 (?) Sanctus – 103v–104v Sanctus – 138–139
Fontaine, Pierre	J'aime bien celui qui s'en va – 140
Forest	Ave regina caelorum – 126v–127
Grossin, Estienne	Et in terra pax [Gloria] – 2v–3 (?) Liesse m'a mandé salut – 166v Patrem omnipotentem [Credo] – 155–156
Legrant, Johannes	Les mesdisans ont fait rapport – 91
Libert, Gualterius	(?) Motre m'en voy sic pour Mourir me voy il est pic de ma vie – 87v–88
Libert, Reginaldus	(?) Motre m'en voy sic pour Mourir me voy il est pic de ma vie – 87v–88
Lymburgia, Johannes de	Veni dilecte mi – 125v
Merques, Nicolas	(?) Vous soiés la tres bien venue – 133v
Poignare, Barthelemy	Et in terra pax [Gloria] – 51v–52
Power, Leonel (–1445)	(?) Agnus Dei – 106v–107 Missa Alma Redemptoris Mater: Agnus Dei – 7v–8v Missa Alma Redemptoris Mater: Et in terra pax [Gloria] – 3v–4 Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo] – 4v–6 Missa Alma Redemptoris Mater: Sanctus – 6–7 Patrem omnipotentem [Credo] – 37v–39 Sanctus – 105–105v (?) Sanctus – 103v–104v
Pullois, Johannes	Missa Sine nomine: Agnus Dei – 173v–174 Missa Sine nomine: Et in terra pax [Gloria] – 168v–170 Missa Sine nomine: Kyrie eleison – 167v–168 Missa Sine nomine: Patrem omnipotentem [Credo] – 170v–172 Missa Sine nomine: Sanctus – 172v–173
Roullet, Johannes	Benedicamus Domino – 92 Laus tibi Christe – 67v–69v O beata beatorum martyrum – 72v Omnes sancti seraphim – 71v–72 Rex gloriose martyrum – 16 Sacerdotem Christi – 70–71v Spiritus confinio – 99 Spiritus confinio – 99
Spierinck	Pascale. Kyrie pascale – 36v
Tyling (fl. c1450-75)	(?) untexted – 198v–199
Velut, Gilet	Summe summi tu patris – 55v–56
Verben, Johannes	O domina gloriosa – 165v–166
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	Patrem omnipotentem [Credo], du vilage (Dominicale) – 164v–165, 156

Composition	Composers (? Uncertain)	Folios / Pages
Adieu mon amoureuse joye	Binchois, Gilles (ca. 1400–1460)	92v
Agnus Dei	Anonymous	18v–20
Agnus Dei	Anonymous	21v–22v
Agnus Dei	Dunstaple, John (ca. 1390–1453)	23–23v
Agnus Dei	Power, Leonel (–1445) (?) Benet, John (–ca. 1458) (?)	106v–107
Agnus Dei	Anonymous	108–108v
Agnus Dei	Dunstaple, John (ca. 1390–1453)	139v–140
Agnus Dei	Battre, H. (fl. c1430-40)	244v–245
Anima mea liquefacta est	Du Fay, Guillaume (1397–1474)	157v–158
Asperges me Domine (I)	Binchois, Gilles (ca. 1400–1460)	124
Ave Maria gratia plena / Ave Maria gratia plena	Brassart, Johannes (ca. 1400–1455)	51
Ave regina caelorum	Forest	126v–127
Ave Regina caelorum (1)	Du Fay, Guillaume (1397–1474)	154v
Ay my lasse lasse dolant	Anonymous	92v–93
Beata mater - 1a pars (of 3): Beata mater et innupta	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)	145v–146
Beata mater - 2a pars (of 3): Gloriosa regina mundi	Dunstaple, John (ca. 1390–1453) (?) Binchois, Gilles (ca. 1400–1460) (?)	145v–146
Beata mater - 3a pars (of 3): Intercede pro nobis	Binchois, Gilles (ca. 1400–1460) (?) Dunstaple, John (ca. 1390–1453) (?)	145v–146
Belle que vous ay je mesfait	Du Fay, Guillaume (1397–1474)	136v
Benedicamus Domino	Roullet, Johannes	92
Benedicamus Domino	Battre, H. (fl. c1430-40) (?)	222v
Benedicamus Domino (I)	Du Fay, Guillaume (1397–1474)	57
Ce ne fut pas sans un grant desplaisir	Anonymous	90v
Chomos Condrosi	Battre, H. (fl. c1430-40)	251v–252
Christi nutu sublimato (2p. Precemur christi adlethan)	Brassart, Johannes (ca. 1400–1455)	75v–77
Conditor alme siderum	Anonymous	219v–220
Conditor alme siderum	Anonymous	220
Conditor alme siderum	Battre, H. (fl. c1430-40)	220v–221
De apostolis. Jesu redemptor Kyrie	Du Fay, Guillaume (1397–1474)	93v
De qua natus est Jesus	Battre, H. (fl. c1430-40)	261v–262
Donnés I'assault	Du Fay, Guillaume (1397–1474)	119v–120
Dulcissime frater	Battre, H. (fl. c1430-40)	260–261
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	Du Fay, Guillaume (1397–1474)	85v–86
Ecclesiae militantis / Sanctorum arbitrio / Bella canunt	Du Fay, Guillaume (1397–1474)	95v–96
Ei occurramus	Brassart, Johannes (ca. 1400–1455)	97v–98v
Elisabeth Zachariae magnum virum genuit	Du Fay, Guillaume (1397–1474) (?)	158v–160
En piesse sic pour: onques je n'eusse pensé	Anonymous	133
Epiphaniam Domino canamus gloriosam	Du Fay, Guillaume (1397–1474)	63v–65
Eslongiés suy de vous belle mastresse	Anonymous	34
Et in terra pax [Gloria]	Grossin, Estienne	2v–3
Et in terra pax [Gloria]	Anonymous	31v–33
Et in terra pax [Gloria]	Bourgois	39v–43
Et in terra pax [Gloria]	Poignare, Barthelemy	51v–52
Et in terra pax [Gloria]	Brassart, Johannes (ca. 1400–1455)	99v–100
Et in terra pax [Gloria]	Anonymous	141v–142v
Et in terra pax [Gloria]	Anonymous	148v–149v
Et in terra pax [Gloria]	Anonymous	223–224v
Et in terra pax [Gloria]	Anonymous	238v–240
Et in terra pax [Gloria]	Battre, H. (fl. c1430-40)	247v–249
Et in terra pax [Gloria]	Anonymous	253v–156
Et in terra pax [Gloria] (iv/21)	Du Fay, Guillaume (1397–1474)	15v–16
Et in terra pax [Gloria] (iv/5)	Du Fay, Guillaume (1397–1474)	10v–12
Et in terra pax [Gloria] [BH1]	Ciconia, Johannes (ca. 1370–1412)	52v–53
Et in terra pax [Gloria] [Kaye 17]	Binchois, Gilles (ca. 1400–1460)	150–151v
Et in terra pax [Gloria] [Kaye 3a]	Binchois, Gilles (ca. 1400–1460)	25v–27
Faites vinguet sic pour: muguet vrais amorans.	Anonymous	134
Festum nunc celebre	Du Fay, Guillaume (1397–1474) (?)	166v
Fortis cum quaevis actio	Brassart, Johannes (ca. 1400–1455)	79v–81
Fuga. Casse moi je vois devant	Anonymous	91v
Gaude virgo - 1a pars (of 5): Gaude virgo mater Christi	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo - 1a pars (of 7): Gaude virgo quae de caelis	Anonymous	121v–122v
Gaude virgo - 2a pars (of 5):	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo - 2a pars (of 7): Gaude mater incarnati	Anonymous	121v–122v
Gaude virgo - 3a pars (of 5): Gaude quia tui natiti / Gaude Christo ascendente...motu fertur proprio / Quem dolebas mortem pati	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo - 3a pars (of 7): Gaude quia vitam dedit	Anonymous	121v–122v
Gaude virgo - 4a pars (of 5): Ubi fructus ventris tui	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo - 4a pars (of 7): Gaude quia tuus natus	Anonymous	121v–122v
Gaude virgo - 5a pars (of 5): Per te nobis detur frui	Battre, H. (fl. c1430-40)	262v–264
Gaude virgo - 5a pars (of 7): Gaude virgo Dei mater	Anonymous	121v–122v
Gaude virgo - 6a pars (of 7): Haec cura tibi memoramus	Anonymous	121v–122v
Gaude virgo - 7a pars (of 7): In caelesti curia	Anonymous	121v–122v
Gaudens exulta tu Ceunacum	Anonymous	256v–158
Gaudens exulta tu Ceunacum - 1a pars (of 2): Gaudens exulta tu Ceunacum	Battre, H. (fl. c1430-40)	258v–159v
Gaudens exulta tu Ceunacum - 2a pars (of 2):	Battre, H. (fl. c1430-40)	258v–159v
Gentile alma benigna	Anonymous	161v–162
Gloria laus et honor - 1a pars (of 2): Gloria laus et honor	Binchois, Gilles (ca. 1400–1460)	140v–141
Gloria laus et honor - 2a pars (of 2): Israel es tu rex	Binchois, Gilles (ca. 1400–1460)	140v–141
In natali Domini Vs. Virgo mater peperit	Anonymous	219
Incipit in saeculo	Anonymous	252v–253
Inter amenitatis tripudia / Revertenti	Anonymous	231v–232
Inter natos mulierum (I)	Binchois, Gilles (ca. 1400–1460)	146
Iste confessor	Anonymous	242
Iste confessor Domini / Iste confessor Domini / Iste confessor Domini	Anonymous	164
Isti sunt duae olivae	Du Fay, Guillaume (1397–1474)	61–63
J'aime bien celui qui s'en va	Fontaine, Pierre	140
Je me recommande humblement	Binchois, Gilles (ca. 1400–1460)	135v–136
Je n'ai doubte fors que des envieux	Du Fay, Guillaume (1397–1474)	136v–137
Je ne suy plus ceux que soloye	Du Fay, Guillaume (1397–1474)	136
Jesu redemptor Kyrie	Du Fay, Guillaume (1397–1474)	101v–102
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	56v
Kyrie 'angelorum'	Binchois, Gilles (ca. 1400–1460)	229–230
Kyrie 'apostolorum' / 'de martyribus'	Binchois, Gilles (ca. 1400–1460)	102v–103
Kyrie 'de beata Maria' / 'de dominica'	Binchois, Gilles (ca. 1400–1460)	127v–128
Kyrie breve 'in simplici die'	Binchois, Gilles (ca. 1400–1460)	129v
Kyrie De martyribus / In diebus Dominicis / Orbis factor	Du Fay, Guillaume (1397–1474)	94
Kyrie Deus creator omnium	Benet, John (–ca. 1458)	130–131
Kyrie Deus creator omnium	Anonymous	146v–148
Kyrie duobus prius concinentibus	Anonymous	88V–89
Kyrie eleison	Braxatoris, W	25
Kyrie eleison	Anonymous	89v–90
Kyrie eleison	Dunstaple, John (ca. 1390–1453)	126
Kyrie feriale	Binchois, Gilles (ca. 1400–1460)	58v
Kyrie feriale	Binchois, Gilles (ca. 1400–1460)	128
Kyrie in summis festivitatibus. Fons bonitatis Kyrie	Du Fay, Guillaume (1397–1474)	94v–95
L'amy de ma dame est venu	Binchois, Gilles (ca. 1400–1460)	88
La doulce saison de may	Anonymous	92
Lamberte vir inclite	Brassart, Johannes (ca. 1400–1455)	73v–75
Las aymy quand je pense bien per my	Anonymous	156v–157
Laus tibi Christe	Roullet, Johannes	67v–69v
Le jour se doit - 1a pars (of 2): Le jour se doit ossy fait la saison	Du Fay, Guillaume (1397–1474)	137v
Le jour se doit - 2a pars (of 2): Pour reciter	Du Fay, Guillaume (1397–1474)	137v
Les mesdisans ont fait rapport	Legrant, Johannes	91
Liesse m'a mandé salut	Grossin, Estienne (?) Binchois, Gilles (ca. 1400–1460) (?) Du Fay, Guillaume (1397–1474) (?)	166v
Magnificat octavi toni: Et exultavit [K.379]	Anonymous	81v–82v
Magnificat octavi toni: Et exultavit [K.380]	Anonymous	228–228v
Magnificat octavi toni: Et exultavit spiritus meus [K.385]	Anonymous	109v–110v
Magnificat primi toni: Et exultavit [K.128]	Anonymous	221–221v
Magnificat quarti toni: Anima mea [K.619]	Binchois, Gilles (ca. 1400–1460)	45v–48
Magnificat quarti toni: Et exultavit [K.240]	Anonymous	112v–113
Magnificat Quarti Toni: Et exultavit [K.241]	Anonymous	225v–226v
Magnificat Quinti Toni: Et exultavit [K.274]	Anonymous	111v–112
Magnificat Secundi Toni: Et exultavit [K.192]	Anonymous	225–225v
Magnificat Sexti Toni: Et exultavit [K.301]	Anonymous	110v–111
Magnificat Sexti Toni: Et exultavit [K.302]	Anonymous	226v–228
Magnificat: Et exultavit [K.220]	Anonymous	82v–84v
Missa Alma Redemptoris Mater: Agnus Dei	Power, Leonel (–1445)	7v–8v
Missa Alma Redemptoris Mater: Et in terra pax [Gloria]	Power, Leonel (–1445)	3v–4
Missa Alma Redemptoris Mater: Patrem omnipotentem [Credo]	Power, Leonel (–1445)	4v–6
Missa Alma Redemptoris Mater: Sanctus	Power, Leonel (–1445)	6–7
Missa Sancti Jacobi: Communio - Vos qui secuti estis me	Du Fay, Guillaume (1397–1474)	57
Missa Sancti Jacobi: Credo	Du Fay, Guillaume (1397–1474)	151v–153v
Missa Sancti Jacobi: Gloria	Du Fay, Guillaume (1397–1474)	1–2
Missa Sancti Jacobi: Kyrie	Du Fay, Guillaume (1397–1474)	1–2
Missa Sine nomine: Agnus Dei	Pullois, Johannes	173v–174
Missa Sine nomine: Et in terra pax [Gloria]	Pullois, Johannes	168v–170
Missa Sine nomine: Kyrie eleison	Pullois, Johannes	167v–168
Missa Sine nomine: Patrem omnipotentem [Credo]	Pullois, Johannes	170v–172
Missa Sine nomine: Sanctus	Pullois, Johannes	172v–173
Mon bien m'amour	Anonymous	59
Mon bien m'amour	Du Fay, Guillaume (1397–1474)	135v
Motre m'en voy sic pour Mourir me voy il est pic de ma vie	Libert, Reginaldus (?) Libert, Gualterius (?)	87v–88
O beata beatorum martyrum	Roullet, Johannes	72v
O domina gloriosa	Verben, Johannes	165v–166
O flos fragrans	Brassart, Johannes (ca. 1400–1455)	143v–144
O proles Hispaniae - 1a pars (of 2): O proles Hispaniae	Du Fay, Guillaume (1397–1474)	113v–115
O proles Hispaniae - 2a pars (of 2): O Christi patrocinium / Doctor veritatis / Secundus...Amen	Du Fay, Guillaume (1397–1474)	113v–115
O quam glorifica	Anonymous	241v–242
O sacrum convivium in quo Christus sumitur	Battre, H. (fl. c1430-40)	230v–231
Omnes sancti seraphim	Roullet, Johannes	71v–72
Pascale. Kyrie pascale	Spierinck	36v
Patrem omnipotentem [Credo]	Anonymous	8v–10
Patrem omnipotentem [Credo]	Anonymous	30v–31
Patrem omnipotentem [Credo]	Power, Leonel (–1445)	37v–39
Patrem omnipotentem [Credo]	Brassart, Johannes (ca. 1400–1455)	100v–101v
Patrem omnipotentem [Credo]	Grossin, Estienne	155–156
Patrem omnipotentem [Credo]	Anonymous	162v–164
Patrem omnipotentem [Credo]	Anonymous	232v–235
Patrem omnipotentem [Credo]	Anonymous	235v–238
Patrem omnipotentem [Credo]	Anonymous	245v
Patrem omnipotentem [Credo]	Du Fay, Guillaume (1397–1474)	249v–251
Patrem omnipotentem [Credo] (iv/5)	Du Fay, Guillaume (1397–1474)	12v–15
Patrem omnipotentem [Credo] [BH2]	Ciconia, Johannes (ca. 1370–1412)	53v–55
Patrem omnipotentem [Credo] [Kaye 3b]	Binchois, Gilles (ca. 1400–1460) Binchois, Gilles (ca. 1400–1460)	27v–29
Patrem omnipotentem [Credo], du vilage (Dominicale)	Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	164v–165, 156
Protegat nos divina majestas	Anonymous	133v–134
Puisque celle qui me tient en prison.	Du Fay, Guillaume (1397–1474)	134v
Puisque ne sic pour me vois mis en oubli.	Anonymous	87v
Quant je remire.	Bourgois	118v
Quem proclamat ecclesia	Battre, H. (fl. c1430-40) (?)	240v
Quem proclamat ecclesia	Anonymous	241
Qui velu a de sa grace planne.	Du Fay, Guillaume (1397–1474)	153v–154
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Brassart, Johannes (ca. 1400–1455)	197–198
Regina caeli - 2a pars (of 2): Resurrexit	Brassart, Johannes (ca. 1400–1455)	197–198
Rex gloriose martyrum	Roullet, Johannes	16
Rex omnipotens die hodierna	Du Fay, Guillaume (1397–1474)	65v–67v
Sacerdotem Christi	Roullet, Johannes	70–71v
Sacris solemniis	Brassart, Johannes (ca. 1400–1455)	200v
Salve cara deo	Arimino, Ludvicus de (fl. c1435)	160v–161
Salve regina - 1a pars (of 8): Salve regina mater misericordiae	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 2a pars (of 8): Et Jesum benedictum fructum	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 3a pars (of 8): Virgo mater ecclesiae	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 4a pars (of 8): O clemens	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 5a pars (of 8): Virgo clemens virgo pia	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 6a pars (of 8): O pia	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 7a pars (of 8): Funde preces tuo nato	Dunstaple, John (ca. 1390–1453)	34v–36
Salve regina - 8a pars (of 8): O dulcis Maria	Dunstaple, John (ca. 1390–1453)	34v–36
Sancta Maria - 1a pars (of 2): Sancta Maria non est tibi similis	Anonymous	144v–145
Sancta Maria - 2a pars (of 2): Ora pro nobis Sancta Dei genitrix	Anonymous	144v–145
Sancta Maria succurre miseris	Dunstaple, John (ca. 1390–1453)	128v–129
Sanctus	Anonymous	17–18v
Sanctus	Blome	20v–21
Sanctus	Benet, John (–ca. 1458) (?) Dunstaple, John (ca. 1390–1453) (?) Power, Leonel (–1445) (?)	103v–104v
Sanctus	Power, Leonel (–1445)	105–105v
Sanctus	Dunstaple, John (ca. 1390–1453)	138–139
Sanctus [Kaye 8]	Binchois, Gilles (ca. 1400–1460)	33v–34
Sanctus Genitor summi fìlii	Brassart, Johannes (ca. 1400–1455)	97v–98v
Sanctus.	Anonymous	243–244
Se j'eusse un seul peu d'esperanche	Binchois, Gilles (ca. 1400–1460)	91v
Se la belle n'a le voloir	Binchois, Gilles (ca. 1400–1460)	135
Se mesdisans devoyent crever d'ire	Anonymous	134v–134
Si quaeris miracula - 1a pars (of 5): Si quaeris miracula	Du Fay, Guillaume (1397–1474)	115v–117
Si quaeris miracula - 2a pars (of 5): Cedunt mare vincula...Membra	Du Fay, Guillaume (1397–1474)	115v–117
Si quaeris miracula - 3a pars (of 5): Duo Pereunt pericula	Du Fay, Guillaume (1397–1474)	115v–117
Si quaeris miracula - 4a pars (of 5): Gloria patri et filio Et spiritui sancto	Du Fay, Guillaume (1397–1474)	115v–117
Si quaeris miracula - 5a pars (of 5): Membra resque perd[itas]	Du Fay, Guillaume (1397–1474)	115v–117
Spiritus confinio	Roullet, Johannes	99
Spiritus confinio	Roullet, Johannes	99
Statuit ei Dominus	Anonymous	162
Stirps regia vita - 1a pars (of 2): Stirps regia vita	Battre, H. (fl. c1430-40)	222
Stirps regia vita - 2a pars (of 2): Dans prece pia	Battre, H. (fl. c1430-40)	222
Summe summi tu patris	Velut, Gilet	55v–56
Tantam gratiam laeti	Anonymous	265
Te dignitas / O Martine - 1a pars (of 2): Te dignitas praesularis / O Martine	Brassart, Johannes (ca. 1400–1455)	77v–78v
Te dignitas / O Martine - 2a pars (of 2): Exaudire nos	Brassart, Johannes (ca. 1400–1455)	77v–78v
Trebulus per diminutionem.	Anonymous	117v–118
Trebulus per diminutionem. Qui latuit invirgine	Du Fay, Guillaume (1397–1474)	109
untexted	-	118
untexted	-	119
untexted	-	119
untexted	-	120v
untexted	-	143
untexted	Tyling (fl. c1450-75) (?)	198v–199
untexted Tenor	-	199v–200
Unum pulcrum	Arimino, Ludvicus de (fl. c1435)	157
Vasilissa ergo gaude	Du Fay, Guillaume (1397–1474)	57v–58
Veni dilecte mi	Lymburgia, Johannes de Du Fay, Guillaume (1397–1474) (?)	125v
Vous soiés la tres bien venue	Merques, Nicolas (?)	133v

Set: Trent Codices

Type: Linked by Origin or Contents

No images available

I-TRbc MS 1374 [87] (Trent 87)

No images available

I-TRbc MS 1375 [88] (Trent 88)

No images available

I-TRbc MS 1376 [89] (Trent 89)

No images available

I-TRbc MS 1377 [90] (Trent 90)

No images available

I-TRbc MS 1378 [91] (Trent 91)

No images available

I-TRbc MS 1379 [92] (Trent 92)

‡ denotes primary source study

Bent, Margaret. 2004. Divisi and a versi in early fifteenth-century mass movements. Antonio Zacara da Teramo e il suo tempo, edited by Margaret Bent, 95-137. Lucca: LIM.

Bent, Margaret. 1996. The early use of the sign Ø. Early Music, 199-225.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Fallows, David. 1986. Songs in the Trent Codices: An Optimistic Handlist. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 170-9. Trent. Notes: contents list (partial); concordances (partial); facsimile (partial).

Ward, Tom Robert. 1986. The Office Hymns of the Trent Manuscripts. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 112-29. Trent. Pages: 113ff, 119, 122. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Wright, Peter. 1986. The Related Parts of Trent, Museo Provinciale d'Arte, Mss. 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study. University of Nottingham, Ph.D. dissertation. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Bent, Margaret. 1981. Some Criteria for Establishing Relationships Between Sources of Late-Medieval Polyphony. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, edited by Margaret Bent, 295-317. Cambridge: Cambridge University Press. Pages: 303.

Curtis, Gareth R K. 1981. Jean Pullois and the Cyclic Mass-Or a Case of Mistaken Identity? Music and Letters, 41-59. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 222-3.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II, 179-80, 396-7. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).

Cobin, Marian W. 1978. The Aosta Manuscript: A Central Source of Early Fifteenth-Century Sacred Polyphony. New York University, Unpublished Ph.D. dissertation. Pages: I, 103ff, 152-70,336-54, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Cox, Bobby Wayne. 1977. The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15. North Texas State University, Ph.D. dissertation. Pages: 1,32,157-61,191-4,243-8,254-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Spilsted, Gary. 1976. Toward the Genesis of the Trent Codices: New Directions and New Findings. Studies in Music from the University of Western Ontario, 55-70. Notes: physical description; mention of MS; discussion.

Dangel-Hofmann, Frohmut. 1975. Der Mehrstimmige Introitus in Quellen des 15. Jahrhunderts. Würzburger Musikhistorische Beitrage. Tutzing. Pages: 138,221, passim. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial); mention of MS; discussion.

Flotzinger, Rudolf. 1975. Buntschucherh-Explicit. Festschrift Walter Senn zum 70. Geburtstag, 89-92. Munich and Salzburg. Notes: physical description; mention of MS; discussion.

White, Richard James. 1975. The Battre Section of Trent Codex 87. Indiana University, Unpublished Ph.D. dissertation. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Etheridge, Jerry Haller. 1972. The Works of Johannes de Lymburgia. Indiana University, Ph.D. diss. Pages: VI, ii; II, xxxiv. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Tischler, Hans. 1971. A Three-Part Rondellus in Trent MS 87. Journal of the American Musicological Society, 449-57. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Bent, Margaret, Ian D Bent, and Brian Trowell (editors). 1970. John Dunstable complete works. Musica Britannica. London. Pages: VIII [rev. ed.], 1,31-3,140-2, 183ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

[No Author] 1969-70. Codices Musicales Tridentini. Rome. Pages: DpLpCpFpDis.

Feininger, Laurence K. 1969. II Codice 87 del Castello del Buonconsiglio di Trento. Quadrivium, 49-80. Notes: contents list; incipits.

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 33-42,288fr, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft. Berlin. Pages: I, 30ff, passim. Notes: contents list (partial); mention of MS; discussion.

Riemann, Hugo, Wilibald Gurlitt, and Hans Heinrich Eggebrecht (editors). 1967. Musik Lexikon: Zwölfte völlig neubearbeitete. 3 vols. Mainz. Pages: Sachteil 12. Aufl. Quellen, 772.

Göllner, Theodor. 1967. Notationsfragmente aus einer Organistenwerkstatt des 15. Jahrhunderts. Archiv für Musikwissenschaft, 170-7. Pages: 172, Abb. 2a. Notes: contents list (partial); concordances (partial); facsimile (partial).

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xiv-xv, 1-8,13-23. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Loyan, Richard K (editor). 1967. Canons in the Trent Codices. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I,94-107, passim; II,13,62-4,70-6. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 170. Notes: contents list (partial); concordances (partial); incipits (partial).

Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xii-xiii,xviii,xxv,xxviii,31-5,56-66; II,xiii-xxi,5-7,39-43. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Parris, Arthur. 1965. The sacred works of Gilles Binchois. Bryn Mawr College, Ph.D. Dissertation. Pages: I,ii,81-6,94; II,89ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton. Pages: 4-5,26-7,49-55,66-73,79-86,92-5, 101,117-9,165-78. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Planchart, Alejandro Enrique (editor). 1964. Missae Caput. Collegium Musicum. New Haven. Pages: 158ff (TRbc 88, 89, 90 et 93).

Damilano, Don Piero. 1963. Fonti musicali della lauda polifonica intorno alla metà del sec. XV. Collectanea Historiae Musicae III, Pages: 63.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84. Pages: 166,168-74,183. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Kulleseid, Eleanor Ransom. 1962. The Sacred Music of Gilles Binchois. Columbia University, Unpublished Master's thesis. Pages: 118ff, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Trowell, Brian. 1961. Anonymous English Pieces in Trent 87. Music and Letters, 96-7. Pages: [disputes some conclusions of HamG]. Notes: physical description; mention of MS; discussion.

Ficker, Rudolf von. 1960. The transition on the Continent. New Oxford History of Music, 150ff. Pages: 150f.

Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 211-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bukofzer, Manfred F. 1958. Changing Aspects of Medieval and Renaissance Music. The Musical Quarterly, 1-18. Pages: passim.

Gottlieb, Louis Edward. 1958. The cyclic masses of Trent Codex 89. University of California, Los Angeles, Ph.D. Dissertation. Pages: I,192-202. Notes: physical description; mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: II,20,62ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Federhofer, Hellmut (editor). 1954-. Musik Alter Meister. Graz. Pages: XIII,viii,x,4-10. Notes: contents list (partial); transcription (partial); texts (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, 150-1, 219. Notes: physical description; mention of MS; discussion.

Disertori, Benvenuto. 1954. La frottola nella storia della musica. Monumenta N.I., Cremona, Instituta et monumenta, Serie I. 9ff. Pages: xv-xvi. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Besseler, Heinrich. 1950; Reprinted: 1974. Bourdon und Fauxbourdon, Studien zum Ursprung der niederländischen Musik. Leipzig.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I,707; II,1337; VI.1022; XIII,666-73. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I-II, IV-VI, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); transcription; exts of pieces (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 38.

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel.

Lunelli, Renato. 1927. La patria dei codici musicali tridentini. Note D'Archivio per la Storia Musicale, 116-28. Notes: physical description; mention of MS; discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: 239f.

Ficker, Rudolf von. 1924. Die frühen Messenkompositionen der Trienter Codices. Studien zur Musikwissenschaft, 3ff.

Wolkan, Rudolf. 1921. Die Heimat der Trienter Musikhandschriften. Studien zur Musikwissenschaft, 5-8. Notes: physical description; mention of MS; discussion.

Adler, Guido. 1909. Über Textlegung in den 'Trienter Codices'. Riemann-Festschrift. Gesammelte Studien Hugo Riemann zum sechzigsten Geburtstage, 51ff. Leipzig. Pages: 51ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 14/15 (VII), p. XIIIff; 38 (XIX), p. VIIff.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: I, 87ff.

Haberl, Franz Xavier. 1885. Wilhelm du Fay, Monographische Studie über dessen Leben und Werke. Vierteljahrsschrift für Musikwissenschaft, 397-530. Pages: 484-6. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

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Clemens Goldberg

Saturday, 27 May, 2023

Corrected title of Binchois' "L'amy de ma dame est venu"

Peter Urquhart

Thursday, 26 November, 2020

Distinguished the scribe of Trent 87 from the later composer.

Karen Cook

Monday, 12 March, 2018

Fixed broken image links.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description