F-Pnm NAF 6771 (Codex Reina)

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

manuscript of polyphony: 14th - 15th century

Archive	Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark	NAF 6771 (Codex Reina)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	271 x 213 mm
Other Identifiers	RISM: F-Pn6771 RISM: PR, Rei, R CCM: ParisBNN 6771 Other catalogues/source: PR olim (Former shelfmark): F-Pn nouvelles acquisitions françaises 6771
Notations	French mensural Italian Keyboard tablature Italian Trecento black full mensural black void mensural red mensural
Relationships	Bibliothèque Nationale (owner) Bottee de Toulmon, Auguste (1797–1850) (owner) Signor Reina of Milan (owner)
External Links	colour images 14th-century French music notation tutorials Transcribed texts IIIF Manifest
Provenance	France
Contents	222 pieces from 24 composers

General Description

Three repertorial layers-I: ff. 1-46, 47'-52' (Italian Trecento works); II: ff. 46'-47, 53-85' (mostly French works from second half of 14th century + 2 keyboard pieces); III: ff. 89'-119 (French pieces and 1 Italian piece from first half of 15th century). Layers I-II copied by one main scribe (an Italian) and two additional scribes, one Italian, the other probably a Frenchman working in Italy (WilCR, but cf. also FischMP, who distinguishes three main scribes and two additional scribes in these layers, and NádasP, who attributes ff. 35'-37 and keyboard pieces on ff. 85-85' to a separate and distinct scribe not distinguished as such by WilCR and FischMP); Layer III copied at later time on different paper by different scribe, probably a Frenchman working in Italy. Probably copied in Padua (WilCR) or Venice (FischR). Owned in 19th century by a certain Signor Reina of Milan. Purchased by Auguste Bottée de Toulmon (1797-1850), librarian of Paris Conservatory of Music, at sale of Reina's library in 1834; passed to Bibliothèque Nationale after Bottée de Toulmon's death.

DIAMM, 2017

Binding

Modern covers of black leather, with gold title on spine.

DIAMM, 2017

Watermark

Layers I-II: (1) resembles Briquet PI. C, #21; (2) resembles Briquet #11890; (3) bell; (4) resembles Briquet #788, #791, #799. Layer III resembles Briquet #4614.

DIAMM, 2017

Notation

black full Italian Trecento, with some black full/red French mensural and black full/black void mensural. Italian keyboard tablature (no. 184-185)

DIAMM, 2017

Ruling

black or red 6-line staves

DIAMM, 2017

Foliation

1-122

DIAMM, 2017

Foliation

Modern foliation on upper right rectos, 1-131, includes modern flyleaves at end (ff. 120-124 now missing); new ff. 1-84 also have original ink foliation on upper left versos, i-xxviiii + 30-84.

DIAMM, 2017

Decoration

Red inked Gothic initials in Layer III; other pieces mostly without initials or ornamentation.

DIAMM, 2017

Index

Original index of French pieces in Layer II (see below) on new ff. 126'-127; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Original index of other pieces possibly extant at one time, but subsequently lost. Modern index on new ff. 130-131 lists all pieces in order of appearance.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

RISM Description

RISM B/IV 3: 14./15. Jh.; 122 Blätter Papier + 4 moderne Nachstoßblätter, 271 x 213 mm Moderne Foliierung von f. 1-131 (f. 120-124 fehlen, f. 128-131 Nachstoßblätter); originale Foliierung von f. I-XXVIIII und f. 30-84, auf der Verso-Seite). Je Seite 8 Sechsliniensysteme, ab f. 89: 7 Sechsliniensysteme - Notation: Nr. 1-90 und 93-105 schwarze italienische Trecentonotation; Nr. 91, 92 und 106-183 schwarze, zum Teil schwarz-rote, französische Mensuralnotation; Nr. 186-220 schwarze, zum Teil schwarz-weiße (hohle) Mensuralnotation; Nr. 184/185 italienische Tasteninstrumente - Tabulaturnotation - Die Wasserzeichen betreffend siehe K. v. Fischer in MD XI (1957), 39. - Einband: 19. Jh.; schwarzer Ledereinband mit Goldtitel auf dem Rücken.

Reina ist der Name des ersten bekannten, in Mailand lebenden Besitzers der Handschrift von dem sie 1834 an Botté de Toulemont und von diesem an die Bibliothek Nationale Paris weitergegangen ist. Die Niederschrift dieser für die italienische und französische Musik des 14./15. Jh. zentralen Quelle erfolgte um 1400, beziehungsweise um 1430/40 in Nord-Ost-Italien, im Raume von Padua-Venedig. Die handschrift gliedert sich in 9 Faszikeln und einige eingeschobene Blätter (f. 85-88, 109/110). Anhand des Repertoires und der 4 (Wilkins) oder 6 Hände (v. Fischer) läßt sie sich in vier Hauptgruppen aufteilen: I. 1.-4. Faszikel (f. 1-48v) und 5. Faszikel (1. Teil, f. 49-52v): italienische Trecentowerke, redigiert um 1400. - II. 5. Faszikel (2. Teil, f. 53-62v) und einige in Teil I nachgetragene Werke: französische und 1 flämisches Werk, eingetragen um 1410. - III. 6. und 7. Faszikel (f. 63-85v): französische Stücke, sowie 3 italienische, davon 2 in Tabulatur, redigiert um 1400 (nach Wilkins von derselben Hand wie Teil I geschrieben). - IV. 8. und 9. Faszikel (f. 89v-119): französische Werke und 1 italienisches Stück der Dufay-Zeit, redigiert zwischen 1430 und 1440. Auf f. 126v/127r: Originalindex von derselben Hand wie Teil IV. - Während der italienische Teil zahlreiche Konkordanzen mit den zentralen Trecentoquellen, vor allem aber auch mit den Paduaner-Fragmenten (I-Pu) und mit Cod. Lucca (I-Las184) aufweist, zeigen die französischen Werke der Teile II und III Verbindungen vor allem mit Cod. Chantilly (F-CH), Modena (I-MOe5.24) und Straßburg (F-Sm222). Teil IV weist mehrere Konkordanzen zu Handschrift GB-Ob213 auf. - Leer sind die folgende Blätter: 41v-42v, 86r-88v, 119v und 125r-126v.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

PARIS. Bibliothèque Nationale, Département des Manuscrits. Nouvelles Acquisitions Françaises. MS 6771 ("Reina Codex")

1 French sacred piece, 111 French secular pieces, 103 Italian secular pieces,

2 Dutch secular pieces, 2 pieces in keyboard score* =219 + 1 duplicate

tenor = 220

*Copied on ff. 85-85'. First piece is arrangement of Landini's "Questa fanciulla"; second is arrangement of anonymous virelai "Je voys le bons tens venir," whose vocal model appears onf. 67.

(Alain)-1, (Antonello da Caserta)-2, Arrigo [Henrici]-1, (Bartolino da Padua)-25 + 2?, Bartolomeo da Bologna [d. B. de Bononia]-1, J. Bianchy-2, Binchois-3, (Borlet-anon)-1, Dufay-9, (Egidius) -1, (Filippo da Caserta)-1, (Filippo da Caserta/Galiot)-1, Fontaine-1, (Franciscus)-2, (Giovanni de Florentia)-3, (Goscalch)-1, (Grimace)-1, Grenon-3, (Jacopo da Bologna)-20 + 2?, (Johannes Baçus Correçarius de Bononia)-1, (Landini)-20 + 2?, (J. Legrant)-1, (Machaut)-8, (Molins)-1, Paolo da Firenze? [Dompni pauli]-1, Petrus de Vigiliis-anon-1, (Pykini)-1, (Selesses)-2, anon-98

i + 122 + iv paper folios, 271 x 213. Modern foliation on upper right rectos, 1-131, includes modern flyleaves at end (ff. 120-124 now missing); new ff. 1-84 also have original ink foliation on upper left versos, i-xxviiii + 30-84. New ff. 41'-42', 86-89, 119', 125-126, 127'-129', and 131' are blank, or have blank staves only. Modern covers of black leather, with gold title on spine. Original index of French pieces in Layer II (see below) on new ff. 126'-127; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Original index of other pieces possibly extant at one time, but subsequently lost. Modern index on new ff. 130-131 lists all pieces in order of appearance.

Black mensural notation on black or red 6-line staves, with red or black void coloration. Three repertorial layers-I: ff. 1-46, 47'-52' (Italian Trecento works); II: ff. 46'-47, 53-85' (mostly French works from second half of 14th century + 2 keyboard pieces); III: ff. 89'-119 (French pieces and 1 Italian piece from first half of 15th century). Layers I-II copied by one main scribe (an Italian) and two additional scribes, one Italian, the other probably a Frenchman working in Italy (WilCR, but cf. also FischMP, who distinguishes three main scribes and two additional scribes in these layers, and NádasP, who attributes ff. 35'-37 and keyboard pieces on ff. 85-85' to a separate and distinct scribe not distinguished as such by WilCR and FischMP); Layer III copied at later time on different paper by different scribe, probably a Frenchman working in Italy. Red inked Gothic initials in Layer III; other pieces mostly without initials or ornamentation. Watermarks in Layers I-II: (1) resembles Briquet PI. C, #21; (2) resembles Briquet #11890; (3) bell; (4) resembles Briquet #788, #791, #799. Watermark in Layer III resembles Briquet #4614.

Layers I-II: ca. 1400-10 or slightly earlier; Layer III: ca. 1430-40. Probably copied in Padua (WilCR) or Venice (FischR). Owned in 19th century by a certain Signor Reina of Milan. Purchased by Auguste Bottée de Toulmon (1797-1850), librarian of Paris Conservatory of Music, at sale of Reina's library in 1834; passed to Bibliothèque Nationale after Bottée de Toulmon's death.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
01	Lo lume vostro dolçe mie signore	-	Bologna, Jacopo da
Lo lume vostro dolçe mie signore Bologna, Jacopo da Appears on: 01 Genres: Italian secular Voice: Tenor Languages: Italian Clef: c4 Voice Text: Lo lume vostro dolce 'l mio signore ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Lo lume vostro dolce 'l mio signore ... Layout parts
01v–02	Sotto l'imperio del posente prince	-	Anonymous
Sotto l'imperio del posente prince Anonymous Appears on: 01v–02 Genres: Italian secular Voice: Contratenor Languages: Italian Clef: c2 Voice Text: Sotto l'imperio del posente prince ... Voice: Tenor Languages: Italian Clef: c3 Voice Text: Sotto l'imperio del posente prince ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Sotto l'imperio del posente prince ... Layout parts
02v–03	Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno	-	Bologna, Jacopo da
Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno Bologna, Jacopo da Appears on: 02v–03 Genres: Madrigal (Italian) Voice: Tenor Languages: Latin Clef: f3c5 Voice Text: Ucel de insegna de iustitia ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Aquil' altera ferma en su la veta ... Voice: Contratenor Languages: Italian Clef: c2 Voice Text: Creatura gentil animal digno ... Layout parts
03	Deh no me fare languire oh mio segnore amore	-	Anonymous
Deh no me fare languire oh mio segnore amore Anonymous Appears on: 03 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: De[h] no me fare languire o[h] mio segnore amore ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: De[h] no me fare languire o[h] mio segnore amore ... Layout parts
03v	Non al suo amante piu Diana piacque	-	Anonymous
Non al suo amante piu Diana piacque Anonymous Appears on: 03v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Non al so amante ... Voice: Tenor Languages: Italian Clef: c3 Voice Text: Non al so amante ... Layout parts
04	Un bel sparver gentil di penna bianca	-	Anonymous
Un bel sparver gentil di penna bianca Anonymous Appears on: 04 Genres: Italian secular Voice: Tenor Languages: Italian Clef: c4 Voice Text: Un bel sparver çentil de penna biancha ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Un bel sparver çentil de penna biancha ... Layout parts
04v	Tanto che siat' aquistati nel giusto	-	Anonymous
Tanto che siat' aquistati nel giusto Anonymous Appears on: 04v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Tanto che sit' aquistati nel iusto ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Tanto che sit' aquistati nel iusto ... Layout parts
05	Nel bel giardino che l'Adice cinge	-	Bologna, Jacopo da
Nel bel giardino che l'Adice cinge Bologna, Jacopo da Appears on: 05 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Nel bel çardino che l'Atice cinge ... Voice: Tenor Languages: Italian Clef: c4 Voice Text: Nel bel çardino che l'Atice cinge ... Layout parts
05v	O cieco mondo di lusinghe pieno	-	Bologna, Jacopo da
O cieco mondo di lusinghe pieno Bologna, Jacopo da Appears on: 05v Genres: Motet Voice: [no designation] Languages: Italian Clef: c3 Voice Text: O[h] ciecho mondo de lusenge pieno ... Voice: Tenor Languages: Italian Clef: c4 Voice Text: O[h] ciecho mondo de lusenge pieno ... Layout parts
06	Prima virtute e costringer la lingua	-	Anonymous
Prima virtute e costringer la lingua Anonymous Appears on: 06 Genres: Italian secular Voice: Tenor Languages: Italian Clef: c4 Voice Text: Prima virtut' è costringer la lingua ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Prima virtut' è costringer la lingua ... Layout parts
06v	O in Italia felice Liguria	-	Anonymous
O in Italia felice Liguria Anonymous Appears on: 06v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: O[h] in Italia felice Liguria ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: O[h] in Italia felice Liguria ... Layout parts
07	Ogelletto silvagio / Si è piena la terra	-	Bologna, Jacopo da
Ogelletto silvagio / Si è piena la terra Bologna, Jacopo da Appears on: 07 Genres: Caccia, Madrigal (trecento) Voice: Tenor Languages: Italian Clef: f3 Voice Text: Oselleto salvaço per stasone ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Oselleto salvaço per stasone ...
07v	O dolce apresso un bel perlaro fiume	-	Anonymous
O dolce apresso un bel perlaro fiume Anonymous Appears on: 07v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: O[h] dolce apres' un bel parlaro fiume ... Voice: Tenor Languages: Italian Clef: f3 Voice Text: O[h] dolce apres' un bel parlaro fiume ... Layout parts
08	Io mi son un che per le frasch'andando	-	Bologna, Jacopo da
Io mi son un che per le frasch'andando Bologna, Jacopo da Appears on: 08 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Io me sun un che per le frasce andando ... Voice: Tenor Languages: Italian Clef: f3 Voice Text: Io me sun un che per le frasce andando ... Layout parts
08v–09	Ogelletto silvagio / Si è piena la terra	-	Bologna, Jacopo da
Ogelletto silvagio / Si è piena la terra Bologna, Jacopo da Appears on: 08v–09 Genres: Caccia, Madrigal (trecento) Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Oselleto salvaço per stasone ... Voice: Tenor Languages: Italian Clef: c4 Voice Text: Oselleto salvaço per stasone ...
09	Posando sopra un'aqua in sonio vidi	-	Anonymous
Posando sopra un'aqua in sonio vidi Anonymous Appears on: 09 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Posando sopra un'aqua in sonio vidi ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Posando sopra un'aqua in sonio vidi ... Layout parts
09v–10	Nel prato pien'de fiorj de piu collori	-	Anonymous
Nel prato pien'de fiorj de piu collori Anonymous Appears on: 09v–10 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Nel prato pien'de fiorj de piu collorj ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Nel prato pien'de fiorj de piu collorj ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Nel prato pien'de fiorj de piu collorj ... Layout parts
09v	Poiché da te mi convien partir via	-	Landini, Francesco (ca. 1325–1397)
Poiché da te mi convien partir via Landini, Francesco (ca. 1325–1397) Appears on: 09v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Poyché da ti me convien partir via ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Poyché da ti me convien partir via ... Layout parts
10v	Di novo è guinto un chavalier errante	-	Bologna, Jacopo da
Di novo è guinto un chavalier errante Bologna, Jacopo da Appears on: 10v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Di novo è giunto un cavalier erante ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Di novo è giunto un cavalier erante ... Layout parts
11	Gridavan tuti viva Sachomano	-	Anonymous
Gridavan tuti viva Sachomano Anonymous Appears on: 11 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Gridavan tuti viva Sachomano ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Gridavan tuti viva Sachomano ... Layout parts
11v	Fenice fu et vissi pur' e morbida	-	Bologna, Jacopo da
Fenice fu et vissi pur' e morbida Bologna, Jacopo da Appears on: 11v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Fenice fu e vissi pura e morbida ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Fenice fu e vissi pura e morbida ...
11v–12	I' senti' gia come l'arco d'amore	-	Bologna, Jacopo da
I' senti' gia come l'arco d'amore Bologna, Jacopo da Appears on: 11v–12 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: I' senti çå come l'archo d'amore ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: I' senti çå come l'archo d'amore ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: I' senti çå come l'archo d'amore ... Layout parts
12v	Agnel son bianco e vo belando	-	Landini, Francesco (ca. 1325–1397)
Agnel son bianco e vo belando Landini, Francesco (ca. 1325–1397) Appears on: 12v Genres: Motet Voice: Tenor Languages: Italian Clef: f2 Voice Text: Angel son biancho e vo belando ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Angel son biancho e vo belando ... Layout parts
13	Imperiale sedendo fra piu stelle	-	Padua, Bartolinus de (fl. 1365-1405)
Imperiale sedendo fra piu stelle Padua, Bartolinus de (fl. 1365-1405) Appears on: 13 Genres: Italian secular Voice: [no designation] Languages: none Voice: [no designation] Languages: Italian Voice Text: Inperialle sedendo fra più stelle ... Layout parts General Note Tenor only; see also f. 22v-23
12v–13	S'en vous por moi pitié ne crins	-	Anonymous
S'en vous por moi pitié ne crins Anonymous Appears on: 12v–13 Genres: Italian secular Voice: Tenor Languages: none Clef: c5 Voice: Contratenor Languages: none Clef: c5 Voice: [no designation] Languages: French Clef: c3 Voice Text: S'en vous por moy pitié ne crins ... Layout parts
13v–14	La douce cere d'un fier animal	-	Anonymous
La douce cere d'un fier animal Anonymous Appears on: 13v–14 Genres: Italian secular Voice: Tenor Languages: none Clef: f1c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: La douce cere d'un fier animal ... Voice: Contratenor Languages: none Clef: c3 Layout parts
14	La sacrosancta carità d'amore	-	Padua, Bartolinus de (fl. 1365-1405)
La sacrosancta carità d'amore Padua, Bartolinus de (fl. 1365-1405) Appears on: 14 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: La sacrosanta caritå d'amore ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La sacrosanta caritå d'amore ... Layout parts
14v–15	Alba colomba con sua verde rama	-	Anonymous
Alba colomba con sua verde rama Anonymous Appears on: 14v–15 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Alba colunba con soa verde rama ... Layout parts
15	Sempre se trova in alta dona amore	-	Anonymous
Sempre se trova in alta dona amore Anonymous Appears on: 15 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Sempre se trova in alta dona amore ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Sempre se trova in alta dona amore ... Layout parts
15v	Senpre dona t'amay de pura voglia	-	Anonymous
Senpre dona t'amay de pura voglia Anonymous Appears on: 15v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Senpre dona t'amay de pura voglia ... Voice: [no designation] Languages: Italian Clef: f4 Voice Text: Senpre dona t'amay de pura voglia ... Voice: Contratenor Languages: Italian Clef: f3 Voice Text: [Senpre dona t'amay] Layout parts
16	Chi tempo a et per vilta tempo aspecta	-	Anonymous
Chi tempo a et per vilta tempo aspecta Anonymous Appears on: 16 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Chi tempo a et per vilta tempo aspecta ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Chi tempo a et per vilta tempo aspecta ... Layout parts
16v	Per figura del cielo	-	Padua, Bartolinus de (fl. 1365-1405)
Per figura del cielo Padua, Bartolinus de (fl. 1365-1405) Appears on: 16v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f4 Voice Text: Per figura del celo ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Per figura del celo ... Layout parts
17	Perche cançato [cangiato] è 'l mondo dall' anticho	-	Padua, Bartolinus de (fl. 1365-1405)
Perche cançato [cangiato] è 'l mondo dall' anticho Padua, Bartolinus de (fl. 1365-1405) Appears on: 17 Genres: Ballata Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Perché cançato è 'l mondo d'ab anticho ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Perché cançato è 'l mondo d'ab anticho ... Layout parts
18	untexted	-	-
untexted Appears on: 18 Voice: [no designation] Languages: none Clef: c2 Layout parts
18	Amor che nel pensier mie vive et regna	-	Padua, Bartolinus de (fl. 1365-1405)
Amor che nel pensier mie vive et regna Padua, Bartolinus de (fl. 1365-1405) Appears on: 18 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f4 Voice Text: Amor che nel pensier mio viv' e regna ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Amor che nel pensier mio viv' e regna ... Layout parts
18v	Donna legiadra di çafir vestita	-	Padua, Bartolinus de (fl. 1365-1405)
Donna legiadra di çafir vestita Padua, Bartolinus de (fl. 1365-1405) Appears on: 18v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Donna liçadra de çafir vestita ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Donna liçadra de çafir vestita ... Layout parts
19	Ama chi t'ama et sempre å buona fe'	-	Padua, Bartolinus de (fl. 1365-1405)
Ama chi t'ama et sempre å buona fe' Padua, Bartolinus de (fl. 1365-1405) Appears on: 19 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Ama chi t'ama e sempre å bona fe ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Ama chi t'ama e sempre å bona fe ... Layout parts
19v	La bianca silva amor che si verdeça	-	Anonymous
La bianca silva amor che si verdeça Anonymous Appears on: 19v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La biancha selva amor che si verdeça ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: La biancha selva amor che si verdeça ... Layout parts
20	Quando la terra partorisce 'n verde	-	Padua, Bartolinus de (fl. 1365-1405)
Quando la terra partorisce 'n verde Padua, Bartolinus de (fl. 1365-1405) Appears on: 20 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Quando la terra parturisse in verde ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Quando la terra parturisse in verde ...
20v	Le aurate chiome nodose et avolte	-	Anonymous
Le aurate chiome nodose et avolte Anonymous Appears on: 20v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Le aurate chiome nodose et avolte ... Voice: Tenor Languages: Italian Clef: c4 Voice Text: Le aurate chiome nodose et avolte ...
21	Madonna bech' i' miri in altra parte	-	Padua, Bartolinus de (fl. 1365-1405)
Madonna bech' i' miri in altra parte Padua, Bartolinus de (fl. 1365-1405) Appears on: 21 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Madona bench'io miri in altra parte ...
21v–22	Qual legge move la volubil rota	-	Anonymous
Qual legge move la volubil rota Anonymous Appears on: 21v–22 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Qual lege move la volubel rota ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Qual lege move la volubel rota ...
22	Non corer troppo e tien la mano al freno	-	Padua, Bartolinus de (fl. 1365-1405)
Non corer troppo e tien la mano al freno Padua, Bartolinus de (fl. 1365-1405) Appears on: 22 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Non corer troppo e tien la mano al freno ... Voice: [no designation] Languages: Italian Clef: c5 Voice Text: Non corer troppo e tien la mano al freno ...
22v–23	Imperiale sedendo fra piu stelle	-	Padua, Bartolinus de (fl. 1365-1405)
Imperiale sedendo fra piu stelle Padua, Bartolinus de (fl. 1365-1405) Appears on: 22v–23 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Inperialle sedendo fra più stelle ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Inperialle sedendo fra più stelle ... Layout parts
23v	Per un per un verde boschetto	-	Padua, Bartolinus de (fl. 1365-1405)
Per un per un verde boschetto Padua, Bartolinus de (fl. 1365-1405) Appears on: 23v Genres: Italian secular Voice: [no designation] Languages: Italian Mensuration: imperfecta .i. Clef: c2 Voice Text: Per un per boscheto ... Voice: Tenor Languages: Italian Mensuration: imperfecta .i. Clef: c4 Voice Text: Per un per boscheto ... Voice: [no designation] Languages: Italian Mensuration: imperfecta .i. Clef: c1 Voice Text: Per un per boscheto ... Layout parts
24	Zoia di novi odori	-	Anonymous
Zoia di novi odori Anonymous Appears on: 24 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Zoia di novi odorj ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Zoia di novi odorj ...
24v	Per subito comando. Tu d'ogn' altro piacer	-	Anonymous
Per subito comando. Tu d'ogn' altro piacer Anonymous Appears on: 24v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Per subito comando Tu d'ogn' altro piacer ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Per subito comando Tu d'ogn' altro piacer ...
25	Perch'i' non sepi passar	-	Firenze, Paolo da (ca. 1355–ca. 1436)
Perch'i' non sepi passar Firenze, Paolo da (ca. 1355–ca. 1436) Appears on: 25 Genres: Ballata, Italian secular Voice: [no designation] Languages: none Clef: f3 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Perch'i' non sepi passar ... Voice: [no designation] Languages: none Clef: c3
25v	Il capo biondo li capilli d'oro	-	Anonymous
Il capo biondo li capilli d'oro Anonymous Appears on: 25v Genres: Italian secular Voice: [no designation] Languages: Latin Mensuration: octonaria .o. Clef: c3 Voice Text: Il capo biondo li capilli d'oro ... Voice: [no designation] Languages: Italian Clef: f4 Voice Text: Il capo biondo li capilli d'oro ...
25v–26	Chi ama ne la lengua e chi nel petto	-	Anonymous
Chi ama ne la lengua e chi nel petto Anonymous Appears on: 25v–26 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Chi ama ne la lengua e chi nel petto ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Chi ama ne la lengua e chi nel petto ...
26	Fenir mia vita me conviene con guay	-	Anonymous
Fenir mia vita me conviene con guay Anonymous Appears on: 26 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Fenir mia vita me conviene con guay ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Fenir mia vita me conviene con guay ...
26v	L'ochi mie piange sença algun rispetto chiamo	-	Anonymous
L'ochi mie piange sença algun rispetto chiamo Anonymous Appears on: 26v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: L'ochi mie piange sença algun rispetto chiamo ... Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: L'ochi mie piange sença algun rispetto chiamo ...
26v–27	Ama ama donna chi t'ama in pura fede	-	Landini, Francesco (ca. 1325–1397)
Ama ama donna chi t'ama in pura fede Landini, Francesco (ca. 1325–1397) Appears on: 26v–27 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Ama ama dona chi t' ama pura fede ... Voice: Tenor Languages: Italian Clef: c3 Voice Text: Ama ama dona chi t' ama pura fede ...
27	Non per mio fallo mancho ni difetto	-	Anonymous
Non per mio fallo mancho ni difetto Anonymous Appears on: 27 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Non per mio fallo mancho ni difetto ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Non per mio fallo mancho ni difetto ...
27v	Con lagrime sospiro per grave dolia	-	Anonymous
Con lagrime sospiro per grave dolia Anonymous Appears on: 27v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Con lagreme con lagreme sospiro per grave dolya ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Con lagreme con lagreme sospiro per grave dolya ...
28	Sia maledetta l'ora 'l di che veni	-	Anonymous
Sia maledetta l'ora 'l di che veni Anonymous Appears on: 28 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Sia maledetta l'ora 'l di che veni ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Sia maledetta l'ora 'l di che veni ...
27v–28	Io son' un pellegrin che vo cercando	-	Anonymous
Io son' un pellegrin che vo cercando Anonymous Appears on: 27v–28 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: I' son' un pelegrin che vo cercando ... Voice: Tenor Languages: Italian Clef: f3 Voice Text: I' son' un pelegrin che vo cercando ...
28v	Lasso per ben servire me trovo offeso	-	Anonymous
Lasso per ben servire me trovo offeso Anonymous Appears on: 28v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Lasso per ben servire me trovo offeso ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Lasso per ben servire me trovo offeso ...
29	Donna se 'l cor m'aperçi che l'anima	-	Anonymous
Donna se 'l cor m'aperçi che l'anima Anonymous Appears on: 29 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Donna se 'l cor m'aperçi che l'anima ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Donna se 'l cor m'aperçi che l'anima ...
28v–29	Troveråçò mercè, oh mercè non vego	-	Anonymous
Troveråçò mercè, oh mercè non vego Anonymous Appears on: 28v–29 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Troverå çò mercè o[h] mercè non vego ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Troverå çò mercè o[h] mercè non vego ...
29v	Dolce lo mio drudo e vai	-	Anonymous
Dolce lo mio drudo e vai Anonymous Appears on: 29v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Dolce dolce lo mio dru- drudo e vay ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Dolce dolce lo mio dru- drudo e vay ...
30	Avendo me falcon tanto seguito	-	Anonymous
Avendo me falcon tanto seguito Anonymous Appears on: 30 Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Avendo me falchon tanto seguito ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Avendo me falchon tanto seguito ...
30v–31	O tu cara scienza mia musica	-	Anonymous
O tu cara scienza mia musica Anonymous Appears on: 30v–31 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: O[h] tu chara sciencia mia musicha ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: O[h] tu chara sciencia mia musicha ...
30v–31	Vestisse la cornachia de l'altury pene	-	Anonymous
Vestisse la cornachia de l'altury pene Anonymous Appears on: 30v–31 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Vestisse la cornachia de l'altury pene ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Vestisse la cornachia de l'altury pene ...
31v	Che pensi di me far donna che vidi mio cor	-	Anonymous
Che pensi di me far donna che vidi mio cor Anonymous Appears on: 31v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: Che pensi di me far donna che vidi mio cor ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Che pensi di me far donna che vidi mio cor ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Che pensi di me far donna che vidi mio cor ...
32	Donna nascosa dentr' al cor me stai	-	Anonymous
Donna nascosa dentr' al cor me stai Anonymous Appears on: 32 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Donna nascosa dentr' al cor me stay ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Donna nascosa dentr' al cor me stay ...
32v	Nel meço a sei pagon ne vidi un bianco	-	Cascia, Giovanni da (fl. 1340–50)
Nel meço a sei pagon ne vidi un bianco Cascia, Giovanni da (fl. 1340–50) Appears on: 32v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Nel meço a sey paun vidi un biancho ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Nel meço a sey paun vidi un biancho ...
33	Se questa dea de vertu de d'onestate	-	Correcarius, Johannes Bacus
Se questa dea de vertu de d'onestate Correcarius, Johannes Bacus Appears on: 33 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Se se questa dea de vertù e d'onestate ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Se se questa dea de vertù e d'onestate ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Se se questa dea de vertù e d'onestate ...
33v	Si com' al canto della bella Iguana	-	Anonymous
Si com' al canto della bella Iguana Anonymous Appears on: 33v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Sì como l' canto de la bella Yguana ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Sì como l' canto de la bella Yguana ... Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Sì como l' canto de la bella Yguana ...
34	Donna s'i' t'ò fallito	-	Landini, Francesco (ca. 1325–1397)
Donna s'i' t'ò fallito Landini, Francesco (ca. 1325–1397) Appears on: 34 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Donna s' i' t' ò fallito ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Donna s' i' t' ò fallito ...
34v	Gran pianto a gli ochi	-	Landini, Francesco (ca. 1325–1397)
Gran pianto a gli ochi Landini, Francesco (ca. 1325–1397) Appears on: 34v Genres: Italian secular Voice: Contratenor Languages: none Clef: c2 Voice: Tenor Languages: Italian Clef: c4 Voice Text: Gran piant' agli ochi e grave dogli' al core ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Gran piant' agli ochi e grave dogli' al core ...
35	Spesse fiate preso un sotil lago	-	Anonymous
Spesse fiate preso un sotil lago Anonymous Appears on: 35 Genres: Italian secular Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Spesse fiat å preso un sotil lago ... Voice: [no designation] Languages: Latin Clef: f3c5 Voice Text: Spesse fiat å preso un sotil lago ...
35v–36	Du' ançoliti del vago thesoro	-	Anonymous
Du' ançoliti del vago thesoro Anonymous Appears on: 35v–36 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c1 Voice Text: [D]u' ançoliti del vago thesoro ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: [D]u' ançoliti del vago thesoro ...
36	In somm' alteça t' å posta natura	-	Anonymous
In somm' alteça t' å posta natura Anonymous Appears on: 36 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: In som' alteça t'å posto natura ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: In som' alteça t'å posto natura ...
36v	Donna che d'amor senta non si mova	-	Landini, Francesco (ca. 1325–1397)
Donna che d'amor senta non si mova Landini, Francesco (ca. 1325–1397) Appears on: 36v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Donna che d'amor senta non si mova ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Donna che d'amor senta non si mova ...
37	Non do la colp' a te del dol c'e' porto	-	Anonymous
Non do la colp' a te del dol c'e' porto Anonymous Appears on: 37 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Non do la colp' a te del dol c'e' porto ... Voice: Tenor Languages: none Clef: f3 Voice: Contratenor Languages: none Clef: c3
37v	Ochi ochi piançete et tu cor tribulato	-	Anonymous
Ochi ochi piançete et tu cor tribulato Anonymous Appears on: 37v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Ochi ochi piançete et tu cor tribulato ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Ochi ochi piançete et tu cor tribulato ...
38	Amore a lo to aspetto	-	Anonymous
Amore a lo to aspetto Anonymous Appears on: 38 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Amore a lo to aspetto ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Amore a lo to aspetto ...
38v	Eh vanten' deh segnor mio	-	Anonymous
Eh vanten' deh segnor mio Anonymous Appears on: 38v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c5 Voice Text: E[h] vanten' de[h] segnor mio ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: E[h] vanten' de[h] segnor mio ...
39	Strençi li labri	-	Anonymous
Strençi li labri Anonymous Appears on: 39 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Strençi strenzi li labri ...
39v	Dona fallante mira mira lo to aspetto	-	Anonymous
Dona fallante mira mira lo to aspetto Anonymous Appears on: 39v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Dona fallante mira mira lo to aspetto ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Dona fallante mira mira lo to aspetto ...
39v–40	Sempre serva chi vol eser servito	-	Anonymous
Sempre serva chi vol eser servito Anonymous Appears on: 39v–40 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Senpre serva chi vol eser servito ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Senpre serva chi vol eser servito ...
40	Fa se 'l bon servo soto al bo signore	-	Anonymous
Fa se 'l bon servo soto al bo signore Anonymous Appears on: 40 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Fa se 'l bon servo soto al bo signore ... Voice: [no designation] Languages: Italian Clef: f2c4 Voice Text: Fa se 'l bon servo soto al bo signore ...
40v–41	La nobil scala che 'l signor lonbardo	-	Anonymous
La nobil scala che 'l signor lonbardo Anonymous Appears on: 40v–41 Genres: Italian secular Voice: [no designation] Languages: none Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La nobil scala che 'l signor lonbardo ...
43v	Quel degno di memoria si puo dire	-	Padua, Bartolinus de (fl. 1365-1405)
Quel degno di memoria si puo dire Padua, Bartolinus de (fl. 1365-1405) Appears on: 43v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Quel digno de memoria se pò dire ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Quel digno de memoria se pò dire ...
43v	Non è virtù che cortesia non passi	-	Anonymous
Non è virtù che cortesia non passi Anonymous Appears on: 43v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Non è vertù che cortesia non passy ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Non è vertù che cortesia non passy ...
44	Se premio di virtut' è	-	Anonymous
Se premio di virtut' è Anonymous Appears on: 44 Genres: Italian secular Voice: [no designation] Languages: none Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Se premio de virtut' è ...
44v	Omay! ciascun se doglia che 'l mondo	-	Anonymous
Omay! ciascun se doglia che 'l mondo Anonymous Appears on: 44v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Omay çascun se doglia che 'l mondo ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Omay zascun se doglia che 'l mondo ...
45	Miracolosa tuo senbiança pare	-	Padua, Bartolinus de (fl. 1365-1405)
Miracolosa tuo senbiança pare Padua, Bartolinus de (fl. 1365-1405) Appears on: 45 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f4 Voice Text: Miracolosa toa sembianç' apare ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: Miracolosa toa sembianza apare ...
45v–46	I bei sembianti con busiardi efetti	-	Anonymous
I bei sembianti con busiardi efetti Anonymous Appears on: 45v–46 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: J bei senbianti con busiardi efet[t]i ... Voice: [no designation] Languages: Italian Clef: c1 Voice Text: J bei senbianti con busiardi efetti ... Voice: [no designation] Languages: Italian Clef: c4 Voice Text: J bei senbianti con busiardi efetti ...
46v	Beauté porfaite bonté souvraine	-	Caserta, Antonello da (fl. c1400)
Beauté porfaite bonté souvraine Caserta, Antonello da (fl. c1400) Appears on: 46v Genres: Ballade Voice: Contratenor Languages: none Clef: c4 Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: Biauté porfaite bonté souvraine ...
47	Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate	-	Caserta, Antonello da (fl. c1400)
Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate Caserta, Antonello da (fl. c1400) Appears on: 47 Genres: Ballade Voice: [no designation] Languages: French Clef: c1 Voice Text: Duciel perileus ou pourpris de genese Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4
47v	La dolce vista che dagli ochi move	-	Landini, Francesco (ca. 1325–1397)
La dolce vista che dagli ochi move Landini, Francesco (ca. 1325–1397) Appears on: 47v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: La dolce vista che dai ochi move ...
48	Per seguir la sperança che m' ancide	-	Landini, Francesco (ca. 1325–1397)
Per seguir la sperança che m' ancide Landini, Francesco (ca. 1325–1397) Appears on: 48 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Per setuir la sperança che m'ancide Voice: Contratenor Languages: Italian Clef: c4 Voice Text: Per setuir la sperança che m'ancide Voice: Tenor Languages: Italian Clef: f3 Voice Text: Per setuir la sperança che m'ancide
48v	Già perch' i' penso nella tuo partita	-	Landini, Francesco (ca. 1325–1397)
Già perch' i' penso nella tuo partita Landini, Francesco (ca. 1325–1397) Appears on: 48v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Già perch'i' penso nella tuo partita Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Già perch'i' penso nella tuo partita
49	Vita non è più misera e più ria	-	Landini, Francesco (ca. 1325–1397)
Vita non è più misera e più ria Landini, Francesco (ca. 1325–1397) Appears on: 49 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Vita non è più miser né più ria Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Vita non è più miser né più ria
48v–49	S' i' ti son stato et vogli' esser fedele	-	Landini, Francesco (ca. 1325–1397)
S' i' ti son stato et vogli' esser fedele Landini, Francesco (ca. 1325–1397) Appears on: 48v–49 Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: S'i'ti son stat'e vogli' eser fedele Voice: Tenor Languages: Italian Clef: f2c4 Voice Text: S'i'ti son stat'e vogli' eser fedele
49v	Come 'nfra l'altre donne tua chiareça risplende	-	Anonymous
Come 'nfra l'altre donne tua chiareça risplende Anonymous Appears on: 49v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Come 'nfra l'altre donne tua chiareça risplende ... Voice: [no designation] Languages: Italian Clef: f3c5 Voice Text: Come 'nfra l'altre donne tua chiareçça risplende ... Layout parts
50	Quanto più caro fai. Donna ghuardam' un pocho	-	Landini, Francesco (ca. 1325–1397)
Quanto più caro fai. Donna ghuardam' un pocho Landini, Francesco (ca. 1325–1397) Appears on: 50 Genres: Italian secular Voice: Tenor Languages: Italian Clef: c6 Voice Text: Quanto più caro faj donna guardarm' un poco Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Quanto più caro faj donna guardarm' un poco Voice: Contratenor Languages: Italian Clef: c3 Voice Text: Quanto più caro faj donna guardarm' un poco
50v	O graciosa petra margarita	-	Anonymous
O graciosa petra margarita Anonymous Appears on: 50v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: O[h] graciossa petra margarita ... Voice: Tenor Languages: none Clef: f3c5 Voice: Contratenor Languages: none Clef: f3c5 Layout parts
51	Chi pregio vuol in virtu pong' amore	-	Landini, Francesco (ca. 1325–1397)
Chi pregio vuol in virtu pong' amore Landini, Francesco (ca. 1325–1397) Appears on: 51 Genres: Italian secular Voice: Tenor Languages: Italian Clef: c3 Voice Text: Chi pregio vuol in virtù pong'amore Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Chi pregio vuol in virtù pong'amore
50v–51	Deh non fuggir da me tuo vaga vista	-	Landini, Francesco (ca. 1325–1397)
Deh non fuggir da me tuo vaga vista Landini, Francesco (ca. 1325–1397) Appears on: 50v–51 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: De[h] non fuggir da me tuo vaga vista Voice: [no designation] Languages: Italian Clef: c3 Voice Text: De[h] non fuggir da me tuo vaga vista
51v	Po' che veder non posso la mie dona	-	Anonymous
Po' che veder non posso la mie dona Anonymous Appears on: 51v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Po' che po' che veder non poso la mie dona ... Voice: [no designation] Languages: Italian Clef: f3 Voice Text: Po' che po' che veder non posso la mie dona ... Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Po' che po' che veder non posso la mie dona ... Layout parts
52	Non avrà ma' pietà questa mia donna	-	Landini, Francesco (ca. 1325–1397)
Non avrà ma' pietà questa mia donna Landini, Francesco (ca. 1325–1397) Appears on: 52 Genres: Italian secular Voice: Contratenor Languages: Italian Clef: c2 Voice Text: Non n'avrà may pietà Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Non n'avrà ma' pietà mie donna Voice: Tenor Languages: Italian Clef: c3 Voice Text: Non n'avrà may pietà
52v	Gentil aspetto in cui la mente mia	-	Landini, Francesco (ca. 1325–1397)
Gentil aspetto in cui la mente mia Landini, Francesco (ca. 1325–1397) Appears on: 52v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: gientil aspetto Voice: Contratenor Languages: Italian Clef: f3 Voice Text: gientil aspetto Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Gentil aspetto in cu'la mente mia
53	Matre dol rosignol goly que dyt / Rosignolin del bosgolin donés / Aluette cryante appres la rysignol	-	Anonymous
Matre dol rosignol goly que dyt / Rosignolin del bosgolin donés / Aluette cryante appres la rysignol Anonymous Appears on: 53 Genres: Italian secular Voice: [no designation] Languages: French Clef: f3 Voice Text: Rosignolin del bosgolin donés Voice: [no designation] Languages: French Mensuration: imperfecta .i. Clef: c3 Voice Text: Matre dol rosignol goly que dyt Voice: [no designation] Languages: French Clef: c3 Voice Text: Aluette cryante appres la rysignol
53v	Dame vailans de prijs et de valoir / Amis de tant que vous aves desijr / Certainement puet bien affirmer	-	Anonymous
Dame vailans de prijs et de valoir / Amis de tant que vous aves desijr / Certainement puet bien affirmer Anonymous Appears on: 53v Genres: Chanson Voice: [no designation] Languages: French Clef: c5 Voice Text: Amis de tant que vous aves desijr ... Voice: [no designation] Languages: French Clef: c5 Voice Text: Certainement puet bien affirmer ... Voice: [no designation] Languages: French Clef: c5 Voice Text: Dame vailans de prijs et de valoir ... Layout parts
54	Courtois et sages et a tous doit plasir	-	Francia, Egidius de
Courtois et sages et a tous doit plasir Francia, Egidius de Appears on: 54 Genres: Ballade Voice: Contratenor Languages: none Clef: f3 Voice: Tenor Languages: none Clef: c5 Voice: [no designation] Languages: French Clef: c4 Voice Text: Cortois et sages et a tous doit plasir ... Layout parts
54v–55	Quant Theseus, Hercules et Jason Ne quier veoir la beauté d’Absalon	-	Machaut, Guillaume de (ca. 1300–1377)
Quant Theseus, Hercules et Jason Ne quier veoir la beauté d’Absalon Machaut, Guillaume de (ca. 1300–1377) Appears on: 54v–55 Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant Theseus Hercules et Jasson cercherent ... Voice: [no designation] Languages: none Clef: c5
55	Bonté de corps en armes esprouvee	-	Anonymous
Bonté de corps en armes esprouvee Anonymous Appears on: 55 Genres: Chanson Voice: [no designation] Languages: none Clef: f3c5 Voice: [no designation] Languages: French Clef: c3 Voice Text: Bonté de corps en armes esprouvee Voice: Tenor Languages: none Clef: c5
55v	Tres douche plasant bergiere / Reconforte toi Robin de ta dolour	-	Anonymous
Tres douche plasant bergiere / Reconforte toi Robin de ta dolour Anonymous Appears on: 55v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Reconforte toi Robin de ta dolour ... Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: Tres douche plasant bergiere ... Layout parts
56	Phiton, Phiton, beste tres venimeuse nés et creés de gent tres aïneuse	-	Magister Franciscus (ca. 1320–ca. 1415)
Phiton, Phiton, beste tres venimeuse nés et creés de gent tres aïneuse Magister Franciscus (ca. 1320–ca. 1415) Appears on: 56 Genres: Motet Voice: Tenor Languages: none Clef: c5 Voice: [no designation] Languages: French Clef: c4 Voice Text: Phiton phiton beste tres veneneuse ... Voice: Contratenor Languages: none Clef: f3c5
56v	Dame qui fust si tres bien assenee	-	Anonymous
Dame qui fust si tres bien assenee Anonymous Appears on: 56v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Dame qui fust si tres bien assenee ... Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: f3 Layout parts
56v–57	En wiiflijc beildt ghestadt van sinne / mach vinden diex nilit prisen	-	Anonymous
En wiiflijc beildt ghestadt van sinne / mach vinden diex nilit prisen Anonymous Appears on: 56v–57 Genres: Song Voice: [no designation] Languages: Dutch Clef: c3 Voice Text: En wiiflijc beildt ghestadt van sinne ... Voice: Tenor Languages: Dutch Clef: f3 Voice Text: (mach vinden diex nilit prisen ...) Layout parts
57	Contra le temps et la sason jelye / He marj mari vous soyez onni	-	Anonymous
Contra le temps et la sason jelye / He marj mari vous soyez onni Anonymous Appears on: 57 Genres: Chanson, Motet Voice: [no designation] Languages: French Clef: c2 Voice Text: Contra le temps et la sason jelye ... Voice: [no designation] Languages: French Clef: c4 Voice Text: He marj mari vous soiies onni ... Voice: Contratenor Languages: none Clef: c3 Layout parts
57v	Amour me fait desirer loyalement	-	Argentorato, Henricus Hessman de (fl. late 14th century) (?)
Amour me fait desirer loyalement Argentorato, Henricus Hessman de (fl. late 14th century) (?) Appears on: 57v Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Amor me fait desirer loyalment Voice: [no designation] Languages: none Clef: f3c5 Voice: Contratenor Languages: none Clef: f3c5
58	Restoes restoes horrible feu d'ardant desir que mon coeur	-	Anonymous
Restoes restoes horrible feu d'ardant desir que mon coeur Anonymous Appears on: 58 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Restoes restoes horrible feu d'ardant desir que mon cuer ...
58v	En ce gracieux temps	-	Senleches, Jacob
En ce gracieux temps Senleches, Jacob Appears on: 58v Genres: Virelai Voice: [no designation] Languages: French Clef: c3 Voice Text: En ce gracieux tamps joly en un destour la ray oy ... Voice: Triplum Languages: French Clef: c3 Voice Text: cocu cocu ... Voice: Tenor Languages: none Clef: f3
58v–59	La grande beauté la douchour que diex	-	Anonymous
La grande beauté la douchour que diex Anonymous Appears on: 58v–59 Genres: Chanson Voice: Tenor Languages: French Clef: f3 Voice Text: La grant biauté Voice: Contratenor Languages: French Clef: f3 Voice Text: La grant biauté Voice: [no designation] Languages: French Clef: c3 Voice Text: La grant biauté la douchour que diex
59	Amour doit servir regracier et honorer	-	Anonymous
Amour doit servir regracier et honorer Anonymous Appears on: 59 Genres: Chanson Voice: Triplum Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c3 Voice Text: Amour doye servir regracijer et honorer ... Voice: Tenor Languages: none Clef: f3 Layout parts
59v	A vous sans plus de ma dolour chiere dame	-	Anonymous
A vous sans plus de ma dolour chiere dame Anonymous Appears on: 59v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: A vous sans plus de ma dolour chiere dame ... Voice: [no designation] Languages: none Clef: f3 Voice: Tenor Languages: none Clef: f3
59v–60	Martucius que fu de Rome neis	-	Anonymous
Martucius que fu de Rome neis Anonymous Appears on: 59v–60 Genres: Chanson Voice: [no designation] Languages: French Clef: c4 Voice Text: Martucius que fu de Rome neis ... Voice: Tenor Languages: French Clef: f3 Voice Text: Martucius Voice: Contratenor Languages: none Clef: f3
60	Pour l'amour du tamps gracieux d'este	-	Anonymous
Pour l'amour du tamps gracieux d'este Anonymous Appears on: 60 Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Pour l'amour du tamps gracieux d'este ... Voice: Triplum Languages: none Clef: c1 Voice: Tenor Languages: French Clef: c3 Voice Text: Pour l'amour.
60v	S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port	-	Anonymous
S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port Anonymous Appears on: 60v Genres: Motet Voice: [no designation] Languages: French Clef: c3 Voice Text: S'espoir n'estoit qui me donne confort Voice: Contratenor Languages: none Clef: c5 Voice: Tenor Languages: French Clef: c5 Voice Text: S'espoir n'estoit
60v–61	Los prijs honeur et avis en ses fais	-	Anonymous
Los prijs honeur et avis en ses fais Anonymous Appears on: 60v–61 Genres: Chanson Voice: Tenor Languages: French Clef: c5 Voice Text: Los prijs honeur. Voice: [no designation] Languages: French Clef: c3 Voice Text: Los prijs honeur et avis en ses fais ...
61	D'anguiseus coeur doy gemir	-	Anonymous
D'anguiseus coeur doy gemir Anonymous Appears on: 61 Genres: Chanson Voice: Tenor Languages: none Clef: c4 Voice: Contratenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c2 Voice Text: D'anguiseus cuer doy gemir ...
61v	Fuyons de chi fuions povre conpagne	-	Anonymous
Fuyons de chi fuions povre conpagne Anonymous Appears on: 61v Genres: Chanson Voice: Tenor Languages: none Clef: f4 Voice: Contratenor Languages: none Clef: f3 Voice: [no designation] Languages: French Clef: c4 Voice Text: Fuyons de chi fuions povre conpagne ...
62	Agre d'amors dame ouinriy	-	Anonymous
Agre d'amors dame ouinriy Anonymous Appears on: 62 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Agre d'amors dame ouinriy ...
62v	Playsance: Or tost avez vous assemblés / Or tost aeuls avez vous assemblés	-	Pykini, Nicholas
Playsance: Or tost avez vous assemblés / Or tost aeuls avez vous assemblés Pykini, Nicholas Appears on: 62v Genres: Virelai Voice: [no designation] Languages: French Clef: c3 Voice Text: Or tost acux vous assanbles ... Voice: Tenor Languages: French Clef: f2 Voice Text: (I cent de salus en obeisanche ...) Voice: Contratenor Languages: none Clef: f3c5 Voice: [no designation] Languages: French Clef: c3 Voice Text: Plasanche or tost acux vous assanbles ...
63	En amer an douce vie / De En amer	-	Anonymous
En amer an douce vie / De En amer Anonymous Appears on: 63 Genres: Chanson Voice: [no designation] Languages: French Clef: c4 Voice Text: En amer a(n) d[ou]ce vie ... Voice: Triplum Languages: French Clef: c2 Voice Text: De En amer. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: De En amer. Voice: Tenor Languages: French Clef: f3 Voice Text: De En amer.
63	En amer a douce vie / car tant plaist la maladie	-	Machaut, Guillaume de (ca. 1300–1377)
En amer a douce vie / car tant plaist la maladie Machaut, Guillaume de (ca. 1300–1377) Appears on: 63 Genres: Ballade Voice: [no designation] Languages: French Voice Text: [En] amer ha douce vie / car tant plaist la maladie
63v	Soit tart tempre, main ou soir	-	Anonymous
Soit tart tempre, main ou soir Anonymous Appears on: 63v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Sort a tenpre paint soir ma tres chier dame Voice: Tenor Languages: French Clef: f3 Voice Text: De sort a tenpre Voice: Contratenor Languages: French Clef: f3c5 Voice Text: De sort a tenpre Voice: Triplum Languages: French Clef: c2 Voice Text: De sort a tenpre
63v	Il vient bien sans appeller / Coment qu'il soit retragrade	-	Anonymous
Il vient bien sans appeller / Coment qu'il soit retragrade Anonymous Appears on: 63v Genres: Chanson Voice: Contratenor Languages: French Clef: c4 Voice Text: Il vient bien sans apeller. Voice: [no designation] Languages: French Clef: c3 Voice Text: Coment qu'il soit retragrade ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Il vient bien sans appeller ...
64	C'estoit ma douce nouriture c'estoit ma tres douce figure	-	Firenze, Paolo da (ca. 1355–ca. 1436)
C'estoit ma douce nouriture c'estoit ma tres douce figure Firenze, Paolo da (ca. 1355–ca. 1436) Appears on: 64 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: C'estoit ma douce nourtuire c'estoit ma tres douce figure ...
64v	De Fortune me doy pleindre et loer car quand premiers en commensay l’amer	-	Machaut, Guillaume de (ca. 1300–1377)
De Fortune me doy pleindre et loer car quand premiers en commensay l’amer Machaut, Guillaume de (ca. 1300–1377) Appears on: 64v Genres: Ballade Voice: Tenor Languages: French Clef: f3c5 Voice Text: Fortune me doy. Voice: Triplum Languages: French Clef: c3 Voice Text: Fortune me doy. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Fortune me doy. Voice: [no designation] Languages: French Clef: c3 Voice Text: De Fortune me doy plaindre et loer ce m'est avis ...
65	Gais et jolis, lies, chantans / pleins de desir et en coeur	-	Machaut, Guillaume de (ca. 1300–1377)
Gais et jolis, lies, chantans / pleins de desir et en coeur Machaut, Guillaume de (ca. 1300–1377) Appears on: 65 Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Gais et iolis lies chantant et ioieus ... Voice: Tenor Languages: none Clef: f3
65v	J'ai grand desespoir de ma vie	-	Anonymous
J'ai grand desespoir de ma vie Anonymous Appears on: 65v Genres: Ballade Voice: Tenor Languages: French Clef: c5 Voice Text: J'ay grant Voice: Contratenor Languages: French Clef: f3 Voice Text: J'ay grant Voice: [no designation] Languages: French Clef: c2 Voice Text: J'ay grant désespoir de ma vie
66	Christus rex pacificus = Jour à jour la vie	-	Machaut, Guillaume de (ca. 1300–1377)
Christus rex pacificus = Jour à jour la vie Machaut, Guillaume de (ca. 1300–1377) Appears on: 66 Genres: Contrafactum Voice: Triplum Languages: French Voice Text: Jour a jour Voice: Tenor Languages: French Clef: c5 Voice Text: Jour a jour Voice: Contratenor Languages: French Clef: c5 Voice Text: Jour a jour Voice: [no designation] Languages: French Clef: c3 Voice Text: Jour a jour la vie jamais
65v–66	Passerose de beauté	-	Anonymous
Passerose de beauté Anonymous Appears on: 65v–66 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Passerose de biauté Voice: Tenor Languages: French Clef: c4 Voice Text: Passerose
66v	Gente et devis noble et sage	-	Anonymous
Gente et devis noble et sage Anonymous Appears on: 66v Genres: Chanson Voice: Contratenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c2 Voice Text: Gente et devis noble et sage ... Voice: Tenor Languages: none Clef: c3
67	Je vois le bon temps venir et les albres reverdie	-	Anonymous
Je vois le bon temps venir et les albres reverdie Anonymous Appears on: 67 Genres: Chanson Voice: Contratenor Languages: French Clef: c3 Voice Text: Je voy le bon tens. Voice: [no designation] Languages: French Clef: c2 Voice Text: Je voy le bon tens venir et les albres reverdie ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Je voy le bon tens venir et les albres ... Layout parts
67v–68	Onques ne fu si dur pertie de Deus amans	-	Anonymous
Onques ne fu si dur pertie de Deus amans Anonymous Appears on: 67v–68 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Onques ne fu si dur pertie de deus amans ... Voice: Tenor Languages: none Clef: c3 Layout parts
68	Dame sans per qui piesa conparay	-	Anonymous
Dame sans per qui piesa conparay Anonymous Appears on: 68 Genres: Ballade Voice: Contratenor Languages: none Voice: Tenor Languages: French Clef: f4 Voice Text: Dame sans per qui. Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame sans per qui piesa conparay ... Layout parts
68v	Dame de qui toute ma joie / n’assés loer si comme il appartient	-	Machaut, Guillaume de (ca. 1300–1377)
Dame de qui toute ma joie / n’assés loer si comme il appartient Machaut, Guillaume de (ca. 1300–1377) Appears on: 68v Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame de qui toute ma ioie vient ... Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Dame de qui toute. Voice: Tenor Languages: French Clef: f3c5 Voice Text: Dame de qui toute. Voice: Triplum Languages: French Clef: c2 Voice Text: Dame de qui toute. Layout parts
69v	A l'arme l'arme sens demour et sens seiour	-	Anonymous
A l'arme l'arme sens demour et sens seiour Anonymous Appears on: 69v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: A l'arme l'arme sens demour et sens seiour ...
69v	Il m'est avis qu'il n'est don / se la clarté tenebreuse	-	Machaut, Guillaume de (ca. 1300–1377)
Il m'est avis qu'il n'est don / se la clarté tenebreuse Machaut, Guillaume de (ca. 1300–1377) Appears on: 69v Genres: Ballade Voice: [no designation] Languages: French Clef: c4 Voice Text: Jl m'est avis qu'il n'est don ... Voice: [no designation] Languages: French Clef: c2 Voice Text: Jl m'est avis. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Jl m'est avis. Voice: Tenor Languages: French Clef: f3c5 Voice Text: Jl m'est avis. Layout parts
69v	Il m'est avis qu'il n'est don / se la clarté tenebreuse	-	Machaut, Guillaume de (ca. 1300–1377)
Il m'est avis qu'il n'est don / se la clarté tenebreuse Machaut, Guillaume de (ca. 1300–1377) Appears on: 69v Genres: Ballade Voice: [no designation] Languages: French Voice Text: Il m'est avis qu'il n'est don/ se la clarté tenebreuse
70	A discort son desir et esperance	-	Anonymous
A discort son desir et esperance Anonymous Appears on: 70 Genres: Chanson Voice: [no designation] Languages: none Mensuration: o Clef: f3 Voice: [no designation] Languages: French Clef: c3 Voice Text: A discort son desir et esperance Voice: [no designation] Languages: none Clef: f3
70v	Je languis d'aimer mort	-	Anonymous
Je languis d'aimer mort Anonymous Appears on: 70v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Je languis Quem fecit Petrus de Virgilijs. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Je languis. Voice: Tenor Languages: French Clef: f3c5 Voice Text: Je languis. Voice: [no designation] Languages: French Clef: c3 Voice Text: Je languis d'amere mort ... General Note 3rd voice labelled "Je languis Quem fecit Petrus de Virgilijs."
71	Conviensi a fede fe' conviensi amore	-	Landini, Francesco (ca. 1325–1397)
Conviensi a fede fe' conviensi amore Landini, Francesco (ca. 1325–1397) Appears on: 71 Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Conviensi Voice: Contratenor Languages: Italian Clef: c3 Voice Text: convien s'a fede Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Convien s'a fede fe' convien s'amore
71v	De ce que fol pense	-	Molins, Pierre des (fl. mid-14th century)
De ce que fol pense Molins, Pierre des (fl. mid-14th century) Appears on: 71v Genres: Ballade Voice: Triplum Languages: French Clef: c1 Voice Text: De ce que bol pense Voice: [no designation] Languages: French Clef: c2 Voice Text: De ce que bol pense Voice: Contratenor Languages: French Clef: c3 Voice Text: De ce que bol Voice: Tenor Languages: French Clef: c4 Voice Text: De ce que bol
72	De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	-	Machaut, Guillaume de (ca. 1300–1377)
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis Machaut, Guillaume de (ca. 1300–1377) Appears on: 72 Genres: Ballade Voice: Triplum Languages: French Clef: c3 Voice Text: De toutes flours. Voice: [no designation] Languages: French Clef: c4 Voice Text: De toute flours. Voice: Tenor Languages: French Clef: f3c5 Voice Text: De toute flours. Voice: Contratenor Languages: French Clef: f3c5 Voice Text: De toute flours. Layout parts
72v	Comme le cerf la fontennie desire	-	Anonymous
Comme le cerf la fontennie desire Anonymous Appears on: 72v Genres: Chanson Voice: Contratenor Languages: French Clef: c3 Voice Text: Comme le cerf. Voice: [no designation] Languages: French Clef: c2 Voice Text: Comme le cerf la fontennie desire ... Voice: Tenor Languages: French Clef: c3 Voice Text: Comme le cerf.
73	Combien qu'il soit que ne vous voy...	-	Anonymous
Combien qu'il soit que ne vous voy... Anonymous Appears on: 73 Genres: Chanson Voice: Contratenor Languages: none Clef: f3c5 Voice: Tenor Languages: none Clef: f3c5 Voice: [no designation] Languages: French Clef: c3 Voice Text: Combiem qu'il soyt que ne vous voy ...
72v–73	En ties en latim en romans vois a ma dame	-	Anonymous
En ties en latim en romans vois a ma dame Anonymous Appears on: 72v–73 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: En ties en latim en romans vois a ma dame ... Voice: Tenor Languages: French Clef: f3 Voice Text: En ties en latim. Voice: Contratenor Languages: none Clef: c5 Layout parts
73v	Je vois mon cuer = Du ausserweltes schöns mein Herz	-	Anonymous
Je vois mon cuer = Du ausserweltes schöns mein Herz Anonymous Appears on: 73v Genres: Chanson Voice: Tenor Languages: French Clef: c4 Voice Text: Je voy mon cuer Voice: [no designation] Languages: French Clef: c2 Voice Text: Je voy mon cuer en in bactel nager Voice: Triplum Languages: French Clef: c1 Voice Text: Je voy mon cuer General Note Tr, C, T
74	Combien que j'aie ensoie long de vous	-	Anonymous
Combien que j'aie ensoie long de vous Anonymous Appears on: 74 Genres: Chanson Voice: Tenor Languages: French Clef: f3c5 Voice Text: Combien que. Voice: [no designation] Languages: French Clef: c3 Voice Text: Combien que i'aie ensoie long de vous ... Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Combien que. Layout parts
74v	Trem dolz et loyaulus amis	-	Anonymous
Trem dolz et loyaulus amis Anonymous Appears on: 74v Genres: Chanson Voice: Tenor Languages: French Clef: f3c5 Voice Text: Trem dolz et loy. Voice: [no designation] Languages: French Clef: c3 Voice Text: Trem dolz et loyaulus amis ...
74v–75	Dame per le douce plaisir d'amour	-	Anonymous
Dame per le douce plaisir d'amour Anonymous Appears on: 74v–75 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Dame per le dolz plaisir d'amore Voice: Tenor Languages: French Clef: f3c5 Voice Text: Dame per le dolz Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Dame per le dolz
75	Puisq'autrement ne puis avor	-	Anonymous
Puisq'autrement ne puis avor Anonymous Appears on: 75 Genres: Chanson Voice: Tenor Languages: French Clef: f3c5 Voice Text: Puis Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Puis Voice: [no designation] Languages: French Clef: c3 Voice Text: Puisq'autrement ne puis avor ...
73v	S'en may est fayie	-	Anonymous
S'en may est fayie Anonymous Appears on: 73v Genres: Chanson Voice: Tenor Languages: French Clef: f3c5 Voice Text: Se may est. Voice: [no designation] Languages: French Clef: c2 Voice Text: S'en may est fayie ... Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Se may est.
75v–76	Le souvenir de vous dame excellente	-	Anonymous
Le souvenir de vous dame excellente Anonymous Appears on: 75v–76 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Le souvenir de vous dame excellente Voice: Tenor Languages: French Clef: f3c5 Voice Text: Le souvenir de vous
76	Par ton refuis vif ie defoit	-	Anonymous
Par ton refuis vif ie defoit Anonymous Appears on: 76 Genres: Chanson Voice: Contratenor Languages: French Clef: f3c5 Voice Text: Par ton refuis Voice: Tenor Languages: French Clef: f3c5 Voice Text: Par ton refuis Voice: [no designation] Languages: French Clef: c3 Voice Text: Par ton refuis vif ie defoit ...
76v	L'escu d'amors dont le champ est d'argent	-	Anonymous
L'escu d'amors dont le champ est d'argent Anonymous Appears on: 76v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: L'escu d'amors dont le champ est d'argent ... Voice: Contratenor Languages: French Clef: f3c5 Voice Text: L'escu d'amors. Voice: Tenor Languages: French Clef: f3c5 Voice Text: L'escu d'amors.
77	Mais qu'il vous legne est plaisante dame	-	Anonymous
Mais qu'il vous legne est plaisante dame Anonymous Appears on: 77 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Mais qu'il vous legne est plaisante dame ... Voice: Tenor Languages: French Clef: f3c5 Voice Text: Mays que'l vous.
77v	Au tornai d'amors cogne ay un amant	-	Anonymous
Au tornai d'amors cogne ay un amant Anonymous Appears on: 77v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Au tornai d'amors cogne ay un amant ... Voice: Tenor Languages: French Clef: f3c5 Voice Text: Au tornay d'amors.
77v	Jonesce de haut corage	-	Anonymous
Jonesce de haut corage Anonymous Appears on: 77v Genres: Chanson Voice: Triplum Languages: French Clef: c3 Voice Text: Jonesce de haut. Voice: Tenor Languages: French Clef: f2c4 Voice Text: Jonesce de haut. Voice: [no designation] Languages: French Clef: c2 Voice Text: Ionesce de haut corage ...
77	En tes doulz flans plains de virginité	-	Anonymous
En tes doulz flans plains de virginité Anonymous Appears on: 77 Genres: Chanson Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: French Clef: c1 Voice Text: En tes doulz flans plains de virginité Voice: Contratenor Languages: none Clef: c3
78	Le gay plasir e la doce sperance	-	Anonymous
Le gay plasir e la doce sperance Anonymous Appears on: 78 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: [L]e gay plasir e la doce sperance ...
78v	Jet fort? qu'en amour se lie coeur	-	Anonymous
Jet fort? qu'en amour se lie coeur Anonymous Appears on: 78v Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Je(t) fort(?) qu'en amour se lie cuer. Voice: Tenor Languages: French Clef: f3c5 Voice Text: Jet fort.
78v–79	Or sus, vous dormez trop, ma dame	-	Anonymous
Or sus, vous dormez trop, ma dame Anonymous Appears on: 78v–79 Genres: Motet Voice: Tenor Languages: French Clef: c3 Voice Text: Orsus Voice: Contratenor Languages: French Clef: c4 Voice Text: Orsus Voice: [no designation] Languages: French Clef: c2 Voice Text: Orsus vous dormés trop ma dame yolie
79v	En nul estat n’a si grant car soyt que jonesse, force	-	Goscalch (fl. ?1385-95)
En nul estat n’a si grant car soyt que jonesse, force Goscalch (fl. ?1385-95) Appears on: 79v Genres: Motet Voice: Tenor Languages: French Mensuration: 3 / 2 Clef: c5 Voice Text: Car nul est Voice: [no designation] Languages: French Mensuration: 2 / 3 Clef: c3 Voice Text: Car nul estat n'a si grant fermeté Voice: Contratenor Languages: none Mensuration: 2 / 3 Clef: c5
80	Je la remire sans mesure	-	Anonymous
Je la remire sans mesure Anonymous Appears on: 80 Genres: Virelai Voice: Contratenor Languages: none Mensuration: c Clef: c3 Voice: [no designation] Languages: French Mensuration: o Clef: c2 Voice Text: Je ade ray sans mesure Voice: Tenor Languages: none Clef: c4
80v	En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure		Caserta, Philippot de (fl. c1370)
En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure Caserta, Philippot de (fl. c1370) Appears on: 80v Genres: Ballade Voice: [no designation] Languages: French Clef: c2 Voice Text: En remirant vo douce pourtrayture ...
81	De Narcisus, home tres orguilleux / Si que depuis au mirour perilleus	-	Magister Franciscus (ca. 1320–ca. 1415)
De Narcisus, home tres orguilleux / Si que depuis au mirour perilleus Magister Franciscus (ca. 1320–ca. 1415) Appears on: 81 Genres: Ballade Voice: Tenor Languages: none Mensuration: o Clef: f3 Voice: [no designation] Languages: French Mensuration: o Clef: c3 Voice Text: De Narcisus Voice: Contratenor Languages: none Mensuration: o Clef: f3
81v	La Cornailhe qu'il hat / La Cornailhe le cucu	-	Anonymous
La Cornailhe qu'il hat / La Cornailhe le cucu Anonymous Appears on: 81v Genres: Chanson Voice: Contratenor Languages: French Clef: f3c5 Voice Text: [La Cornailhe] le cucu. Voice: [no designation] Languages: French Clef: c3 Voice Text: La Cornailhe qu'il hat ... Voice: Tenor Languages: French Clef: f3c5 Voice Text: La Cornailhe le cucu.
81v	Adieu mon coeur car departir	-	Anonymous
Adieu mon coeur car departir Anonymous Appears on: 81v Genres: Chanson Voice: [no designation] Languages: French Clef: no clef Voice Text: Adeu mon cuer car departir ... Voice: Tenor Languages: French Clef: no clef Voice Text: Adeu mon cuer.
82	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	-	Alain
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will Alain Appears on: 82 Genres: Chanson Voice: Contratenor Languages: French Clef: c5 Voice Text: Fuiies Voice: [no designation] Languages: French Clef: c3 Voice Text: Fuiies de moy amie ... Voice: Tenor Languages: French Clef: c5 Voice Text: Fuiies Layout parts
82v	Va t'en mon coeur je t'emprie à la noble compagnie	-	Anonymous
Va t'en mon coeur je t'emprie à la noble compagnie Anonymous Appears on: 82v Genres: Chanson Voice: Contratenor Languages: French Clef: c4 Voice Text: Va t'en mon cuer. Voice: Tenor Languages: French Clef: f3 Voice Text: Va t'en mon cuer. Voice: [no designation] Languages: French Clef: c3 Voice Text: Va t'en mon cuer Je t'emprie alla noble compagnie ...
82v	Dolour me tient par may foy a bon droit	-	Anonymous
Dolour me tient par may foy a bon droit Anonymous Appears on: 82v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: [D]olour me tient par (may) foy a bon droit ... Voice: Tenor Languages: French Clef: f3 Voice Text: Dolour. Layout parts
83	Se je ne suy si gay comme je soloie	-	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)
Se je ne suy si gay comme je soloie Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?) Appears on: 83 Genres: Rondeau Voice: Tenor Languages: French Clef: f3 Voice Text: Se ne suy. Voice: [no designation] Languages: French Clef: c3 Voice Text: Se ie ne suy si gay com ie soloie ... Voice: Contratenor Languages: French Clef: c5 Voice Text: Se ie ne suy. Layout parts
83v	Plus que l'aloe ne fine de canter des qu'il est jour	-	Anonymous
Plus que l'aloe ne fine de canter des qu'il est jour Anonymous Appears on: 83v Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Plus que l'aloe ne fine de canter des qu'il est iour ... Voice: Tenor Languages: French Clef: f3 Voice Text: Plus que l'aloe. Voice: Contratenor Languages: French Clef: c5 Voice Text: Plus que l'aloe. Layout parts
83v	Eh dieus commant j'ai grand desir	-	Anonymous
Eh dieus commant j'ai grand desir Anonymous Appears on: 83v Genres: Chanson Voice: [no designation] Languages: French Clef: f3 Voice Text: E[h] dieus commant y'ay grant desir ... Voice: [no designation] Languages: French Clef: c1 Voice Text: E[h] dieus commant y'ay grant desir ... Layout parts
84	Merci ou mort / Merci oit mort at longtemps desiré	-	Anonymous
Merci ou mort / Merci oit mort at longtemps desiré Anonymous Appears on: 84 Genres: Motet Voice: Triplum Languages: French Clef: no clef Voice Text: Mersi oit mort. Voice: [no designation] Languages: French Clef: c2 Voice Text: Mersi oit mort ay longtemps desire ... Voice: Tenor Languages: French Clef: no clef Voice Text: Mersi oit mort. Voice: Contratenor Languages: French Clef: c3 Voice Text: Mersi oit mort. Layout parts
84v	En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne	-	Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?)
En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?) Appears on: 84v Genres: Ballade Voice: [no designation] Languages: French Clef: c3 Voice Text: En atendant soufrir m'estuet grief paine ... Layout parts
85v	Questa fanciull' amor fallami pia	-	Landini, Francesco (ca. 1325–1397)
Questa fanciull' amor fallami pia Landini, Francesco (ca. 1325–1397) Appears on: 85v Genres: Italian secular Voice: Tenor Languages: Italian Clef: f3 Voice Text: Questa fanciulla Voice: Contratenor Languages: none Clef: f2 Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Questa fanciull' amor fallami pia
85v	untexted	-	-
untexted Appears on: 85v Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c2 Layout score
89v–90	Helas et quand vous veray car bien scay	-	Du Fay, Guillaume (1397–1474)
Helas et quand vous veray car bien scay Du Fay, Guillaume (1397–1474) Appears on: 89v–90 Genres: Chanson, Rondeau Voice: [no designation] Languages: French Clef: c3 Voice Text: Helas et quant vous veray car bien scay ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Helas. Voice: [no designation] Languages: French Clef: c1 Voice Text: Helas et quant vous veray car bien scay ... Layout parts
90v–91	Or sus amans veuillez vous reveillier	-	Anonymous
Or sus amans veuillez vous reveillier Anonymous Appears on: 90v–91 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Or sus amans veuilles vous resveillier ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Or sus amans veuilles vous resveillier ... Voice: [no designation] Languages: French Clef: c1 Voice Text: Or sus amans veuilles vous resveillier ... Layout parts
91v–92	La plus jolie et la plus belle	-	Anonymous
La plus jolie et la plus belle Anonymous Appears on: 91v–92 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: La plus iolie et la plus belle ... Voice: [no designation] Languages: French Clef: c3 Voice Text: La plus iolie et la plus belle ... Voice: [no designation] Languages: French Clef: c1 Voice Text: La plus iolie et la plus belle ...
92v–93	Se je vous ai bien loyaulment aimee	Grenon	Grenon, Nicolas (?)
Se je vous ai bien loyaulment aimee Grenon, Nicolas (?) Appears on: 92v–93 Genres: Chanson, Rondeau Source Attribution: Grenon Voice: [no designation] Languages: French Clef: c3 Voice Text: Se ie vous ay bien loyaulment amee ... Voice: [no designation] Languages: French Clef: c2 Voice Text: Se ie vous ay bien loyaulment amee ... Layout parts
93v–94	Il a loingtamps que j'ai une choisie	-	Anonymous
Il a loingtamps que j'ai une choisie Anonymous Appears on: 93v–94 Genres: Chanson Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Il a loingtamps que i'ay une choysie Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Il a loingtamps que i'ay une choysie Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Il a loingtamps que i'ay une choysie Layout parts
94v	M'amour, ma joie, ma doule maîtresse	-	Anonymous
M'amour, ma joie, ma doule maîtresse Anonymous Appears on: 94v Genres: Chanson Voice: Contratenor Languages: French Clef: c5 Voice Text: M'amour. Voice: Tenor Languages: French Clef: c5 Voice Text: M'amour. Voice: [no designation] Languages: French Clef: c2 Voice Text: M'amour ma ioye ma doule mastresse ... Layout parts
95	Quand je opray bien dire ma pensee	-	Anonymous
Quand je opray bien dire ma pensee Anonymous Appears on: 95 Genres: Chanson Voice: Contratenor Languages: French Clef: c4 Voice Text: Quant. Voice: [no designation] Languages: French Clef: c1 Voice Text: Quant ie opray bien dire ma pensee ... Voice: Tenor Languages: French Clef: c4 Voice Text: Quant. Layout parts
95v–96	Les mesdisans ont fait raport	-	Anonymous
Les mesdisans ont fait raport Anonymous Appears on: 95v–96 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Les mesdisans ont fait raport ... Voice: Contratenor Languages: French Clef: c4 Voice Text: Les mesdisans. Voice: Tenor Languages: French Clef: c3 Voice Text: Les mesdisans. Layout parts
96v	Jamais tant que je vous revoye	-	Binchois, Gilles (ca. 1400–1460)
Jamais tant que je vous revoye Binchois, Gilles (ca. 1400–1460) Appears on: 96v Genres: Chanson Voice: Contratenor Languages: French Clef: c3 Voice Text: Jamays. Voice: [no designation] Languages: French Clef: c1 Voice Text: Iamais tant que ie vous revoye ma tres doulce dame ... Voice: Tenor Languages: French Clef: c3 Voice Text: Jamays.
97	Je ne suis plus telx que soloye	-	Anonymous
Je ne suis plus telx que soloye Anonymous Appears on: 97 Genres: Chanson Voice: Contratenor Languages: French Clef: c3 Voice Text: Je ne suis. Voice: Tenor Languages: French Clef: c3 Voice Text: Je ne suis. Voice: [no designation] Languages: French Clef: c1 Voice Text: Ie ne suis plus telx que soloye ... Layout parts
97v	Pourray je avoir vostre mercy	-	Du Fay, Guillaume (1397–1474)
Pourray je avoir vostre mercy Du Fay, Guillaume (1397–1474) Appears on: 97v Genres: Rondeau Voice: [no designation] Languages: French Clef: c2 Voice Text: Porrayje avoir vostre mercy ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Porrayje avoir . Voice: Tenor Languages: French Clef: c3 Voice Text: Porrayie avoir vostre mercy ... Layout parts
98–99	Navre je suis d'un dart penetratif	-	Anonymous
Navre je suis d'un dart penetratif Anonymous Appears on: 98–99 Genres: Chanson Voice: Contratenor Languages: French Clef: c3 Voice Text: Navre ie suy. Voice: Tenor Languages: French Clef: c3 Voice Text: Navre ie suy. Voice: [no designation] Languages: French Clef: c1 Voice Text: Navre ie suy d'un dart penetratif ... Layout parts
98v–99	Soufice toi, povre coeur doloreux	-	Anonymous
Soufice toi, povre coeur doloreux Anonymous Appears on: 98v–99 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Soufice toy povre cuoer dolereux ... Voice: [no designation] Languages: French Clef: c4 Voice Text: Soufice toy povre cuoer dolereux ... Layout parts
99v–100	Se j'amais jour ne vours veoye ne nouvelle de vous	-	Anonymous
Se j'amais jour ne vours veoye ne nouvelle de vous Anonymous Appears on: 99v–100 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Se iamais jour ne vours veoye ne nouvelle de vous ,,, Voice: [no designation] Languages: French Clef: c2 Voice Text: Se iamais jour ne vours veoye ne nouvelle de vous ,,, Voice: Tenor Languages: French Clef: c4 Voice Text: Se jamais. Voice: Contratenor Languages: French Clef: f3 Voice Text: Se jamais. Layout parts
100v–101	La plus plaisant et la plus gracieuse	-	Anonymous
La plus plaisant et la plus gracieuse Anonymous Appears on: 100v–101 Genres: Chanson Voice: Tenor Languages: French Clef: f4 Voice Text: La plus. Voice: [no designation] Languages: French Clef: c2 Voice Text: La plus plaisant et la plus gracieuse ... Voice: [no designation] Languages: French Clef: c2 Voice Text: La plus plaisant et la plus gracieuse ... Voice: Contratenor Languages: French Clef: f4 Voice Text: La plus. Layout parts
101v–102	Qui veut mesdire si mesdie	Binchois	Binchois, Gilles (ca. 1400–1460)
Qui veut mesdire si mesdie Binchois, Gilles (ca. 1400–1460) Appears on: 101v–102 Genres: Chanson Source Attribution: Binchois Voice: [no designation] Languages: French Clef: c2 Voice Text: Qui veut mesdire si mesdie ... Voice: Contratenor Languages: French Clef: c4 Voice Text: Qui veut. Voice: Tenor Languages: French Clef: c4 Voice Text: Qui veut.
102v–103	Je vueil chanter de coeur de joyeux en ce mois de may	-	Anonymous
Je vueil chanter de coeur de joyeux en ce mois de may Anonymous Appears on: 102v–103 Genres: Chanson Voice: Contratenor Languages: none Clef: c4 Voice: [no designation] Languages: French Clef: c4 Voice Text: Ie vueil chanter de coer de ioyeux en ce moys de may ... Voice: [no designation] Languages: French Clef: c2 Voice Text: Ie vueil chanter de coer de ioyeux en ce moys de may ...
103	Amis vous n'estes pas use de dames	-	Anonymous
Amis vous n'estes pas use de dames Anonymous Appears on: 103 Genres: Chanson Voice: [no designation] Languages: French Clef: c5 Voice Text: Amis vous n'estes pas use de dames ... Voice: [no designation] Languages: French Clef: c2 Voice Text: Amis vous n'estes pas use de dames ... Voice: [no designation] Languages: French Clef: c4 Voice Text: Amis vous n'estes pas use de dames ...
103v–104	Ce mois de may soions lies et joyeux	-	Anonymous
Ce mois de may soions lies et joyeux Anonymous Appears on: 103v–104 Genres: Chanson Voice: [no designation] Languages: French Clef: c2 Voice Text: Ce moys de may soions lyes et ioyeux ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Ce moys de may soions lyes et ioyeux ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Ce moys.
104v–105	Certes amours je ne puis bien avoir	-	Anonymous
Certes amours je ne puis bien avoir Anonymous Appears on: 104v–105 Genres: Motet Voice: Tenor Languages: French Clef: c3 Voice Text: Certes. Voice: [no designation] Languages: French Clef: c2 Voice Text: Certes amours ie ne puis bien avoir ... Voice: [no designation] Languages: French Clef: c1 Voice Text: Certes amours ie ne puis bien avoir ...
105v–106	Merci Merci chiamando adiuto	-	Anonymous
Merci Merci chiamando adiuto Anonymous Appears on: 105v–106 Genres: Chanson Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Mersi Mersi chiamando adiuto ... Voice: [no designation] Languages: Italian Clef: c3 Voice Text: Mersi chiamando adiuto ...
106v–107	Que ferrai-je pour mes mots oubliers	-	Anonymous
Que ferrai-je pour mes mots oubliers Anonymous Appears on: 106v–107 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Que ferayie pour mes maulx oblier ... Voice: [no designation] Languages: French Clef: c3 Voice Text: Que ferayie pour mes maulx oblier ... Voice: Tenor Languages: French Clef: c5 Voice Text: Que ferayie etc. Layout parts
107v–108	Se je souspire plains et pleure	Binchoys	Binchois, Gilles (ca. 1400–1460)
Se je souspire plains et pleure Binchois, Gilles (ca. 1400–1460) Appears on: 107v–108 Genres: Chanson Source Attribution: Binchoys Voice: [no designation] Languages: French Clef: c1 Voice Text: Se ie souspire plains et pleure ... Voice: Tenor Languages: French Clef: c4 Voice Text: Se ie souspire. Voice: Contratenor Languages: French Clef: c5 Voice Text: Se ie.
108v–109	La belle se siet au piet de la tour	-	Anonymous
La belle se siet au piet de la tour Anonymous Appears on: 108v–109 Genres: Italian secular Voice: [no designation] Languages: French Clef: c2 Voice Text: La belle se siet au piet de la tour ...
109v–110	Je prends congie de vous amours	-	Du Fay, Guillaume (1397–1474)
Je prends congie de vous amours Du Fay, Guillaume (1397–1474) Appears on: 109v–110 Genres: Chanson, Rondeau Voice: Tenor Languages: French Clef: c3 Voice Text: je prens. Voice: [no designation] Languages: French Clef: c1 Voice Text: Ie prens congie de vous amours ... Voice: Contratenor Languages: French Clef: c3 Voice Text: je prens etc. Layout parts
110v–111	M'amour mon bien tout mon desir	-	Anonymous
M'amour mon bien tout mon desir Anonymous Appears on: 110v–111 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: M'amour mon bien tout mon desir ... Voice: Contratenor Languages: French Clef: c3 Voice Text: M'amour. Voice: [no designation] Languages: French Clef: c1 Voice Text: M'amour mon bien tout mon desir ...
111v–112	Riant regart tout plain de joye belle plaisant	-	Anonymous
Riant regart tout plain de joye belle plaisant Anonymous Appears on: 111v–112 Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: Riant regart tout plain de joye belle plaisant ... Voice: [no designation] Languages: none
112v	Se ma dame je puis veir le premier jour	-	Anonymous
Se ma dame je puis veir le premier jour Anonymous Appears on: 112v Genres: Chanson Voice: Tenor Languages: French Clef: c3 Voice Text: Se ma dame. Voice: Contratenor Languages: French, insufficient Clef: c3 Voice Text: Se. Voice: [no designation] Languages: French Clef: c1 Voice Text: Se ma dame je puis veir le premier jour ...
113	Coeurs du coeur en un par grant fruguise	-	Anonymous
Coeurs du coeur en un par grant fruguise Anonymous Appears on: 113 Genres: Chanson Voice: Contratenor Languages: French Clef: c4 Voice Text: Cuers en un. Voice: Tenor Languages: French Clef: c4 Voice Text: Cuers en un. Voice: [no designation] Languages: French Clef: c2 Voice Text: Cuers du cuer en un par grant fruguise ...
113v–114	Quand si loing suy de ma ioyeuse ioye	-	Anonymous
Quand si loing suy de ma ioyeuse ioye Anonymous Appears on: 113v–114 Genres: Chanson Voice: Tenor Languages: French Clef: c4 Voice Text: Quant. Voice: [no designation] Languages: French Clef: c3 Voice Text: Quant si loing suy de ma ioyeuse ioye Voice: Contratenor Languages: French Clef: c4 Voice Text: Quant.
114v–115	La plus belle et doulce figure plus noble	Grenon	Grenon, Nicolas
La plus belle et doulce figure plus noble Grenon, Nicolas Appears on: 114v–115 Genres: Chanson Source Attribution: Grenon Voice: Contratenor Languages: French Clef: c4 Voice Text: La plus. Voice: [no designation] Languages: French Clef: c2 Voice Text: La plus belle et doulce figure plus noble ... Voice: Tenor Languages: French Clef: c4 Voice Text: La plus.
115v–116	Jollis joyeux le coeur aurait	-	Anonymous
Jollis joyeux le coeur aurait Anonymous Appears on: 115v–116 Genres: Chanson Voice: Tenor Languages: French Clef: c3 Voice Text: Jollis. Voice: [no designation] Languages: French Clef: c1 Voice Text: Or tost vrais iolis amoureux ... Voice: [no designation] Languages: French Clef: c1 Voice Text: Jollis ioyeulx le cuer auray ...
116v–117	Mon coeur pleure mais des yeux me fault rire	Fontaine	Fontaine, Pierre
Mon coeur pleure mais des yeux me fault rire Fontaine, Pierre Appears on: 116v–117 Genres: Chanson Source Attribution: Fontaine Voice: Contratenor Languages: French Clef: c5 Voice Text: Mon cuer pleure, Voice: Tenor Languages: French Clef: c5 Voice Text: Mon cuer. Voice: [no designation] Languages: French Clef: c3 Voice Text: Mon cuer pleure mes des yeulx me fault rire ... Layout parts
117v–118	Resioisons et se prenons liesse	-	Anonymous
Resioisons et se prenons liesse Anonymous Appears on: 117v–118 Genres: Chanson Voice: [no designation] Languages: French Clef: c3 Voice Text: Resioisons et se prenons liesse ...
118v–119	Il est venus le temp que desiroye	-	Anonymous
Il est venus le temp que desiroye Anonymous Appears on: 118v–119 Genres: Chanson Voice: [no designation] Languages: French Clef: c1 Voice Text: [I]l est venus le temp que desiroye ... Voice: [no designation] Languages: French Clef: c3 Voice Text: [I]l est venus le temp que desiroye ... Voice: Contratenor Languages: French Clef: c3 Voice Text: Jl est. Layout parts

Composer	Compositions
Alain	Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will – 82
Anonymous	A discort son desir et esperance – 70 A l'arme l'arme sens demour et sens seiour – 69v A vous sans plus de ma dolour chiere dame – 59v Adieu mon coeur car departir – 81v Agre d'amors dame ouinriy – 62 Alba colomba con sua verde rama – 14v–15 Amis vous n'estes pas use de dames – 103 Amore a lo to aspetto – 38 Amour doit servir regracier et honorer – 59 Au tornai d'amors cogne ay un amant – 77v Avendo me falcon tanto seguito – 30 Bonté de corps en armes esprouvee – 55 Ce mois de may soions lies et joyeux – 103v–104 Certes amours je ne puis bien avoir – 104v–105 Che pensi di me far donna che vidi mio cor – 31v Chi ama ne la lengua e chi nel petto – 25v–26 Chi tempo a et per vilta tempo aspecta – 16 Coeurs du coeur en un par grant fruguise – 113 Combien qu'il soit que ne vous voy... – 73 Combien que j'aie ensoie long de vous – 74 Come 'nfra l'altre donne tua chiareça risplende – 49v Comme le cerf la fontennie desire – 72v Con lagrime sospiro per grave dolia – 27v Contra le temps et la sason jelye / He marj mari vous soyez onni – 57 D'anguiseus coeur doy gemir – 61 Dame per le douce plaisir d'amour – 74v–75 Dame qui fust si tres bien assenee – 56v Dame sans per qui piesa conparay – 68 Dame vailans de prijs et de valoir / Amis de tant que vous aves desijr / Certainement puet bien affirmer – 53v Deh no me fare languire oh mio segnore amore – 03 Dolce lo mio drudo e vai – 29v Dolour me tient par may foy a bon droit – 82v Dona fallante mira mira lo to aspetto – 39v Donna nascosa dentr' al cor me stai – 32 Donna se 'l cor m'aperçi che l'anima – 29 Du' ançoliti del vago thesoro – 35v–36 Eh dieus commant j'ai grand desir – 83v Eh vanten' deh segnor mio – 38v En amer an douce vie / De En amer – 63 En tes doulz flans plains de virginité – 77 En ties en latim en romans vois a ma dame – 72v–73 En wiiflijc beildt ghestadt van sinne / mach vinden diex nilit prisen – 56v–57 Fa se 'l bon servo soto al bo signore – 40 Fenir mia vita me conviene con guay – 26 Fuyons de chi fuions povre conpagne – 61v Gente et devis noble et sage – 66v Gridavan tuti viva Sachomano – 11 I bei sembianti con busiardi efetti – 45v–46 Il a loingtamps que j'ai une choisie – 93v–94 Il capo biondo li capilli d'oro – 25v Il est venus le temp que desiroye – 118v–119 Il vient bien sans appeller / Coment qu'il soit retragrade – 63v In somm' alteça t' å posta natura – 36 Io son' un pellegrin che vo cercando – 27v–28 J'ai grand desespoir de ma vie – 65v Je la remire sans mesure – 80 Je languis d'aimer mort – 70v Je ne suis plus telx que soloye – 97 Je vois le bon temps venir et les albres reverdie – 67 Je vois mon cuer = Du ausserweltes schöns mein Herz – 73v Je vueil chanter de coeur de joyeux en ce mois de may – 102v–103 Jet fort? qu'en amour se lie coeur – 78v Jollis joyeux le coeur aurait – 115v–116 Jonesce de haut corage – 77v L'escu d'amors dont le champ est d'argent – 76v L'ochi mie piange sença algun rispetto chiamo – 26v La Cornailhe qu'il hat / La Cornailhe le cucu – 81v La belle se siet au piet de la tour – 108v–109 La bianca silva amor che si verdeça – 19v La douce cere d'un fier animal – 13v–14 La grande beauté la douchour que diex – 58v–59 La nobil scala che 'l signor lonbardo – 40v–41 La plus jolie et la plus belle – 91v–92 La plus plaisant et la plus gracieuse – 100v–101 Lasso per ben servire me trovo offeso – 28v Le aurate chiome nodose et avolte – 20v Le gay plasir e la doce sperance – 78 Le souvenir de vous dame excellente – 75v–76 Les mesdisans ont fait raport – 95v–96 Los prijs honeur et avis en ses fais – 60v–61 M'amour mon bien tout mon desir – 110v–111 M'amour, ma joie, ma doule maîtresse – 94v Mais qu'il vous legne est plaisante dame – 77 Martucius que fu de Rome neis – 59v–60 Matre dol rosignol goly que dyt / Rosignolin del bosgolin donés / Aluette cryante appres la rysignol – 53 Merci Merci chiamando adiuto – 105v–106 Merci ou mort / Merci oit mort at longtemps desiré – 84 Navre je suis d'un dart penetratif – 98–99 Nel prato pien'de fiorj de piu collori – 09v–10 Non al suo amante piu Diana piacque – 03v Non do la colp' a te del dol c'e' porto – 37 Non per mio fallo mancho ni difetto – 27 Non è virtù che cortesia non passi – 43v O dolce apresso un bel perlaro fiume – 07v O graciosa petra margarita – 50v O in Italia felice Liguria – 06v O tu cara scienza mia musica – 30v–31 Ochi ochi piançete et tu cor tribulato – 37v Omay! ciascun se doglia che 'l mondo – 44v Onques ne fu si dur pertie de Deus amans – 67v–68 Or sus amans veuillez vous reveillier – 90v–91 Or sus, vous dormez trop, ma dame – 78v–79 Par ton refuis vif ie defoit – 76 Passerose de beauté – 65v–66 Per subito comando. Tu d'ogn' altro piacer – 24v Plus que l'aloe ne fine de canter des qu'il est jour – 83v Po' che veder non posso la mie dona – 51v Posando sopra un'aqua in sonio vidi – 09 Pour l'amour du tamps gracieux d'este – 60 Prima virtute e costringer la lingua – 06 Puisq'autrement ne puis avor – 75 Qual legge move la volubil rota – 21v–22 Quand je opray bien dire ma pensee – 95 Quand si loing suy de ma ioyeuse ioye – 113v–114 Que ferrai-je pour mes mots oubliers – 106v–107 Resioisons et se prenons liesse – 117v–118 Restoes restoes horrible feu d'ardant desir que mon coeur – 58 Riant regart tout plain de joye belle plaisant – 111v–112 S'en may est fayie – 73v S'en vous por moi pitié ne crins – 12v–13 S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port – 60v Se j'amais jour ne vours veoye ne nouvelle de vous – 99v–100 Se ma dame je puis veir le premier jour – 112v Se premio di virtut' è – 44 Sempre se trova in alta dona amore – 15 Sempre serva chi vol eser servito – 39v–40 Senpre dona t'amay de pura voglia – 15v Si com' al canto della bella Iguana – 33v Sia maledetta l'ora 'l di che veni – 28 Soit tart tempre, main ou soir – 63v Sotto l'imperio del posente prince – 01v–02 Soufice toi, povre coeur doloreux – 98v–99 Spesse fiate preso un sotil lago – 35 Strençi li labri – 39 Tanto che siat' aquistati nel giusto – 04v Trem dolz et loyaulus amis – 74v Tres douche plasant bergiere / Reconforte toi Robin de ta dolour – 55v Troveråçò mercè, oh mercè non vego – 28v–29 Un bel sparver gentil di penna bianca – 04 Va t'en mon coeur je t'emprie à la noble compagnie – 82v Vestisse la cornachia de l'altury pene – 30v–31 Zoia di novi odori – 24 [No description] – 18 [No description] – 85v
Argentorato, Henricus Hessman de (fl. late 14th century)	(?) Amour me fait desirer loyalement – 57v
Binchois, Gilles (ca. 1400–1460)	Jamais tant que je vous revoye – 96v Qui veut mesdire si mesdie – 101v–102 Se je souspire plains et pleure – 107v–108
Bologna, Jacopo da	Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno – 02v–03 Di novo è guinto un chavalier errante – 10v Fenice fu et vissi pur' e morbida – 11v I' senti' gia come l'arco d'amore – 11v–12 Io mi son un che per le frasch'andando – 08 Lo lume vostro dolçe mie signore – 01 Nel bel giardino che l'Adice cinge – 05 O cieco mondo di lusinghe pieno – 05v Ogelletto silvagio / Si è piena la terra – 08v–09 Ogelletto silvagio / Si è piena la terra – 07
Cascia, Giovanni da (fl. 1340–50)	Nel meço a sei pagon ne vidi un bianco – 32v
Caserta, Antonello da (fl. c1400)	Beauté porfaite bonté souvraine – 46v Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate – 47
Caserta, Philippot de (fl. c1370)	En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne – 84v En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure – 80v
Correcarius, Johannes Bacus	Se questa dea de vertu de d'onestate – 33
Du Fay, Guillaume (1397–1474)	Helas et quand vous veray car bien scay – 89v–90 Je prends congie de vous amours – 109v–110 Pourray je avoir vostre mercy – 97v
Firenze, Paolo da (ca. 1355–ca. 1436)	C'estoit ma douce nouriture c'estoit ma tres douce figure – 64 Perch'i' non sepi passar – 25
Fontaine, Pierre	Mon coeur pleure mais des yeux me fault rire – 116v–117
Francia, Egidius de	Courtois et sages et a tous doit plasir – 54
Galiot, Johannes (fl. 1380-1395)	(?) En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne – 84v
Goscalch (fl. ?1385-95)	En nul estat n’a si grant car soyt que jonesse, force – 79v
Grenon, Nicolas	La plus belle et doulce figure plus noble – 114v–115 (?) Se je vous ai bien loyaulment aimee – 92v–93
Landini, Francesco (ca. 1325–1397)	Agnel son bianco e vo belando – 12v Ama ama donna chi t'ama in pura fede – 26v–27 Chi pregio vuol in virtu pong' amore – 51 Conviensi a fede fe' conviensi amore – 71 Deh non fuggir da me tuo vaga vista – 50v–51 Donna che d'amor senta non si mova – 36v Donna s'i' t'ò fallito – 34 Gentil aspetto in cui la mente mia – 52v Già perch' i' penso nella tuo partita – 48v Gran pianto a gli ochi – 34v La dolce vista che dagli ochi move – 47v Non avrà ma' pietà questa mia donna – 52 Per seguir la sperança che m' ancide – 48 Poiché da te mi convien partir via – 09v Quanto più caro fai. Donna ghuardam' un pocho – 50 Questa fanciull' amor fallami pia – 85v S' i' ti son stato et vogli' esser fedele – 48v–49 Vita non è più misera e più ria – 49
Machaut, Guillaume de (ca. 1300–1377)	Christus rex pacificus = Jour à jour la vie – 66 Dame de qui toute ma joie / n’assés loer si comme il appartient – 68v De Fortune me doy pleindre et loer car quand premiers en commensay l’amer – 64v De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis – 72 En amer a douce vie / car tant plaist la maladie – 63 Gais et jolis, lies, chantans / pleins de desir et en coeur – 65 Il m'est avis qu'il n'est don / se la clarté tenebreuse – 69v Il m'est avis qu'il n'est don / se la clarté tenebreuse – 69v Quant Theseus, Hercules et Jason Ne quier veoir la beauté d’Absalon – 54v–55
Magister Franciscus (ca. 1320–ca. 1415)	De Narcisus, home tres orguilleux / Si que depuis au mirour perilleus – 81 Phiton, Phiton, beste tres venimeuse nés et creés de gent tres aïneuse – 56
Molins, Pierre des (fl. mid-14th century)	De ce que fol pense – 71v
Padua, Bartolinus de (fl. 1365-1405)	Ama chi t'ama et sempre å buona fe' – 19 Amor che nel pensier mie vive et regna – 18 Donna legiadra di çafir vestita – 18v Imperiale sedendo fra piu stelle – 22v–23 Imperiale sedendo fra piu stelle – 13 La sacrosancta carità d'amore – 14 Madonna bech' i' miri in altra parte – 21 Miracolosa tuo senbiança pare – 45 Non corer troppo e tien la mano al freno – 22 Per figura del cielo – 16v Per un per un verde boschetto – 23v Perche cançato [cangiato] è 'l mondo dall' anticho – 17 Quando la terra partorisce 'n verde – 20 Quel degno di memoria si puo dire – 43v
Pykini, Nicholas	Playsance: Or tost avez vous assemblés / Or tost aeuls avez vous assemblés – 62v
Senleches, Jacob	En ce gracieux temps – 58v
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)	(?) Se je ne suy si gay comme je soloie – 83

Composition	Composers (? Uncertain)	Folios / Pages
A discort son desir et esperance	Anonymous	70
A l'arme l'arme sens demour et sens seiour	Anonymous	69v
A vous sans plus de ma dolour chiere dame	Anonymous	59v
Adieu mon coeur car departir	Anonymous	81v
Agnel son bianco e vo belando	Landini, Francesco (ca. 1325–1397)	12v
Agre d'amors dame ouinriy	Anonymous	62
Alba colomba con sua verde rama	Anonymous	14v–15
Ama ama donna chi t'ama in pura fede	Landini, Francesco (ca. 1325–1397)	26v–27
Ama chi t'ama et sempre å buona fe'	Padua, Bartolinus de (fl. 1365-1405)	19
Amis vous n'estes pas use de dames	Anonymous	103
Amor che nel pensier mie vive et regna	Padua, Bartolinus de (fl. 1365-1405)	18
Amore a lo to aspetto	Anonymous	38
Amour doit servir regracier et honorer	Anonymous	59
Amour me fait desirer loyalement	Argentorato, Henricus Hessman de (fl. late 14th century) (?)	57v
Aquila altera ferma in su la vetta / Uccel di dio insegna di giustitia / Creatura gentil animal degno	Bologna, Jacopo da	02v–03
Au tornai d'amors cogne ay un amant	Anonymous	77v
Avendo me falcon tanto seguito	Anonymous	30
Beauté porfaite bonté souvraine	Caserta, Antonello da (fl. c1400)	46v
Bonté de corps en armes esprouvee	Anonymous	55
C'estoit ma douce nouriture c'estoit ma tres douce figure	Firenze, Paolo da (ca. 1355–ca. 1436)	64
Ce mois de may soions lies et joyeux	Anonymous	103v–104
Certes amours je ne puis bien avoir	Anonymous	104v–105
Che pensi di me far donna che vidi mio cor	Anonymous	31v
Chi ama ne la lengua e chi nel petto	Anonymous	25v–26
Chi pregio vuol in virtu pong' amore	Landini, Francesco (ca. 1325–1397)	51
Chi tempo a et per vilta tempo aspecta	Anonymous	16
Christus rex pacificus = Jour à jour la vie	Machaut, Guillaume de (ca. 1300–1377)	66
Coeurs du coeur en un par grant fruguise	Anonymous	113
Combien qu'il soit que ne vous voy...	Anonymous	73
Combien que j'aie ensoie long de vous	Anonymous	74
Come 'nfra l'altre donne tua chiareça risplende	Anonymous	49v
Comme le cerf la fontennie desire	Anonymous	72v
Con lagrime sospiro per grave dolia	Anonymous	27v
Contra le temps et la sason jelye / He marj mari vous soyez onni	Anonymous	57
Conviensi a fede fe' conviensi amore	Landini, Francesco (ca. 1325–1397)	71
Courtois et sages et a tous doit plasir	Francia, Egidius de	54
D'anguiseus coeur doy gemir	Anonymous	61
Dame de qui toute ma joie / n’assés loer si comme il appartient	Machaut, Guillaume de (ca. 1300–1377)	68v
Dame per le douce plaisir d'amour	Anonymous	74v–75
Dame qui fust si tres bien assenee	Anonymous	56v
Dame sans per qui piesa conparay	Anonymous	68
Dame vailans de prijs et de valoir / Amis de tant que vous aves desijr / Certainement puet bien affirmer	Anonymous	53v
De ce que fol pense	Molins, Pierre des (fl. mid-14th century)	71v
De Fortune me doy pleindre et loer car quand premiers en commensay l’amer	Machaut, Guillaume de (ca. 1300–1377)	64v
De Narcisus, home tres orguilleux / Si que depuis au mirour perilleus	Magister Franciscus (ca. 1320–ca. 1415)	81
De toutes flours n'avoit et de tous fruits / gastés estoit li seurplus et destruis	Machaut, Guillaume de (ca. 1300–1377)	72
Deh no me fare languire oh mio segnore amore	Anonymous	03
Deh non fuggir da me tuo vaga vista	Landini, Francesco (ca. 1325–1397)	50v–51
Di novo è guinto un chavalier errante	Bologna, Jacopo da	10v
Dolce lo mio drudo e vai	Anonymous	29v
Dolour me tient par may foy a bon droit	Anonymous	82v
Dona fallante mira mira lo to aspetto	Anonymous	39v
Donna che d'amor senta non si mova	Landini, Francesco (ca. 1325–1397)	36v
Donna legiadra di çafir vestita	Padua, Bartolinus de (fl. 1365-1405)	18v
Donna nascosa dentr' al cor me stai	Anonymous	32
Donna s'i' t'ò fallito	Landini, Francesco (ca. 1325–1397)	34
Donna se 'l cor m'aperçi che l'anima	Anonymous	29
Du ciel (val) perileus ou pourpris de genese / Sti ? cantus / superstite balate	Caserta, Antonello da (fl. c1400)	47
Du' ançoliti del vago thesoro	Anonymous	35v–36
Eh dieus commant j'ai grand desir	Anonymous	83v
Eh vanten' deh segnor mio	Anonymous	38v
En amer a douce vie / car tant plaist la maladie	Machaut, Guillaume de (ca. 1300–1377)	63
En amer an douce vie / De En amer	Anonymous	63
En atendant souffrir m’estuet grief payne Puis qu’avenir ne puis a la fonytayne	Caserta, Philippot de (fl. c1370) Galiot, Johannes (fl. 1380-1395) (?)	84v
En ce gracieux temps	Senleches, Jacob	58v
En nul estat n’a si grant car soyt que jonesse, force	Goscalch (fl. ?1385-95)	79v
En remirant vo douce pourtraiture m’a point au coeur d’une tele pointure	Caserta, Philippot de (fl. c1370)	80v
En tes doulz flans plains de virginité	Anonymous	77
En ties en latim en romans vois a ma dame	Anonymous	72v–73
En wiiflijc beildt ghestadt van sinne / mach vinden diex nilit prisen	Anonymous	56v–57
Fa se 'l bon servo soto al bo signore	Anonymous	40
Fenice fu et vissi pur' e morbida	Bologna, Jacopo da	11v
Fenir mia vita me conviene con guay	Anonymous	26
Fuyons de chi fuions povre conpagne	Anonymous	61v
Fuyés de moy. C, Ct, T = Wohlauf, Gesell, wer jagen will	Alain	82
Gais et jolis, lies, chantans / pleins de desir et en coeur	Machaut, Guillaume de (ca. 1300–1377)	65
Gente et devis noble et sage	Anonymous	66v
Gentil aspetto in cui la mente mia	Landini, Francesco (ca. 1325–1397)	52v
Già perch' i' penso nella tuo partita	Landini, Francesco (ca. 1325–1397)	48v
Gran pianto a gli ochi	Landini, Francesco (ca. 1325–1397)	34v
Gridavan tuti viva Sachomano	Anonymous	11
Helas et quand vous veray car bien scay	Du Fay, Guillaume (1397–1474)	89v–90
I bei sembianti con busiardi efetti	Anonymous	45v–46
I' senti' gia come l'arco d'amore	Bologna, Jacopo da	11v–12
Il a loingtamps que j'ai une choisie	Anonymous	93v–94
Il capo biondo li capilli d'oro	Anonymous	25v
Il est venus le temp que desiroye	Anonymous	118v–119
Il m'est avis qu'il n'est don / se la clarté tenebreuse	Machaut, Guillaume de (ca. 1300–1377)	69v
Il m'est avis qu'il n'est don / se la clarté tenebreuse	Machaut, Guillaume de (ca. 1300–1377)	69v
Il vient bien sans appeller / Coment qu'il soit retragrade	Anonymous	63v
Imperiale sedendo fra piu stelle	Padua, Bartolinus de (fl. 1365-1405)	13
Imperiale sedendo fra piu stelle	Padua, Bartolinus de (fl. 1365-1405)	22v–23
In somm' alteça t' å posta natura	Anonymous	36
Io mi son un che per le frasch'andando	Bologna, Jacopo da	08
Io son' un pellegrin che vo cercando	Anonymous	27v–28
J'ai grand desespoir de ma vie	Anonymous	65v
Jamais tant que je vous revoye	Binchois, Gilles (ca. 1400–1460)	96v
Je la remire sans mesure	Anonymous	80
Je languis d'aimer mort	Anonymous	70v
Je ne suis plus telx que soloye	Anonymous	97
Je prends congie de vous amours	Du Fay, Guillaume (1397–1474)	109v–110
Je vois le bon temps venir et les albres reverdie	Anonymous	67
Je vois mon cuer = Du ausserweltes schöns mein Herz	Anonymous	73v
Je vueil chanter de coeur de joyeux en ce mois de may	Anonymous	102v–103
Jet fort? qu'en amour se lie coeur	Anonymous	78v
Jollis joyeux le coeur aurait	Anonymous	115v–116
Jonesce de haut corage	Anonymous	77v
L'escu d'amors dont le champ est d'argent	Anonymous	76v
L'ochi mie piange sença algun rispetto chiamo	Anonymous	26v
La belle se siet au piet de la tour	Anonymous	108v–109
La bianca silva amor che si verdeça	Anonymous	19v
La Cornailhe qu'il hat / La Cornailhe le cucu	Anonymous	81v
La dolce vista che dagli ochi move	Landini, Francesco (ca. 1325–1397)	47v
La douce cere d'un fier animal	Anonymous	13v–14
La grande beauté la douchour que diex	Anonymous	58v–59
La nobil scala che 'l signor lonbardo	Anonymous	40v–41
La plus belle et doulce figure plus noble	Grenon, Nicolas	114v–115
La plus jolie et la plus belle	Anonymous	91v–92
La plus plaisant et la plus gracieuse	Anonymous	100v–101
La sacrosancta carità d'amore	Padua, Bartolinus de (fl. 1365-1405)	14
Lasso per ben servire me trovo offeso	Anonymous	28v
Le aurate chiome nodose et avolte	Anonymous	20v
Le gay plasir e la doce sperance	Anonymous	78
Le souvenir de vous dame excellente	Anonymous	75v–76
Les mesdisans ont fait raport	Anonymous	95v–96
Lo lume vostro dolçe mie signore	Bologna, Jacopo da	01
Los prijs honeur et avis en ses fais	Anonymous	60v–61
M'amour mon bien tout mon desir	Anonymous	110v–111
M'amour, ma joie, ma doule maîtresse	Anonymous	94v
Madonna bech' i' miri in altra parte	Padua, Bartolinus de (fl. 1365-1405)	21
Mais qu'il vous legne est plaisante dame	Anonymous	77
Martucius que fu de Rome neis	Anonymous	59v–60
Matre dol rosignol goly que dyt / Rosignolin del bosgolin donés / Aluette cryante appres la rysignol	Anonymous	53
Merci Merci chiamando adiuto	Anonymous	105v–106
Merci ou mort / Merci oit mort at longtemps desiré	Anonymous	84
Miracolosa tuo senbiança pare	Padua, Bartolinus de (fl. 1365-1405)	45
Mon coeur pleure mais des yeux me fault rire	Fontaine, Pierre	116v–117
Navre je suis d'un dart penetratif	Anonymous	98–99
Nel bel giardino che l'Adice cinge	Bologna, Jacopo da	05
Nel meço a sei pagon ne vidi un bianco	Cascia, Giovanni da (fl. 1340–50)	32v
Nel prato pien'de fiorj de piu collori	Anonymous	09v–10
Non al suo amante piu Diana piacque	Anonymous	03v
Non avrà ma' pietà questa mia donna	Landini, Francesco (ca. 1325–1397)	52
Non corer troppo e tien la mano al freno	Padua, Bartolinus de (fl. 1365-1405)	22
Non do la colp' a te del dol c'e' porto	Anonymous	37
Non per mio fallo mancho ni difetto	Anonymous	27
Non è virtù che cortesia non passi	Anonymous	43v
O cieco mondo di lusinghe pieno	Bologna, Jacopo da	05v
O dolce apresso un bel perlaro fiume	Anonymous	07v
O graciosa petra margarita	Anonymous	50v
O in Italia felice Liguria	Anonymous	06v
O tu cara scienza mia musica	Anonymous	30v–31
Ochi ochi piançete et tu cor tribulato	Anonymous	37v
Ogelletto silvagio / Si è piena la terra	Bologna, Jacopo da	07
Ogelletto silvagio / Si è piena la terra	Bologna, Jacopo da	08v–09
Omay! ciascun se doglia che 'l mondo	Anonymous	44v
Onques ne fu si dur pertie de Deus amans	Anonymous	67v–68
Or sus amans veuillez vous reveillier	Anonymous	90v–91
Or sus, vous dormez trop, ma dame	Anonymous	78v–79
Par ton refuis vif ie defoit	Anonymous	76
Passerose de beauté	Anonymous	65v–66
Per figura del cielo	Padua, Bartolinus de (fl. 1365-1405)	16v
Per seguir la sperança che m' ancide	Landini, Francesco (ca. 1325–1397)	48
Per subito comando. Tu d'ogn' altro piacer	Anonymous	24v
Per un per un verde boschetto	Padua, Bartolinus de (fl. 1365-1405)	23v
Perch'i' non sepi passar	Firenze, Paolo da (ca. 1355–ca. 1436)	25
Perche cançato [cangiato] è 'l mondo dall' anticho	Padua, Bartolinus de (fl. 1365-1405)	17
Phiton, Phiton, beste tres venimeuse nés et creés de gent tres aïneuse	Magister Franciscus (ca. 1320–ca. 1415)	56
Playsance: Or tost avez vous assemblés / Or tost aeuls avez vous assemblés	Pykini, Nicholas	62v
Plus que l'aloe ne fine de canter des qu'il est jour	Anonymous	83v
Po' che veder non posso la mie dona	Anonymous	51v
Poiché da te mi convien partir via	Landini, Francesco (ca. 1325–1397)	09v
Posando sopra un'aqua in sonio vidi	Anonymous	09
Pour l'amour du tamps gracieux d'este	Anonymous	60
Pourray je avoir vostre mercy	Du Fay, Guillaume (1397–1474)	97v
Prima virtute e costringer la lingua	Anonymous	06
Puisq'autrement ne puis avor	Anonymous	75
Qual legge move la volubil rota	Anonymous	21v–22
Quand je opray bien dire ma pensee	Anonymous	95
Quand si loing suy de ma ioyeuse ioye	Anonymous	113v–114
Quando la terra partorisce 'n verde	Padua, Bartolinus de (fl. 1365-1405)	20
Quant Theseus, Hercules et Jason Ne quier veoir la beauté d’Absalon	Machaut, Guillaume de (ca. 1300–1377)	54v–55
Quanto più caro fai. Donna ghuardam' un pocho	Landini, Francesco (ca. 1325–1397)	50
Que ferrai-je pour mes mots oubliers	Anonymous	106v–107
Quel degno di memoria si puo dire	Padua, Bartolinus de (fl. 1365-1405)	43v
Questa fanciull' amor fallami pia	Landini, Francesco (ca. 1325–1397)	85v
Qui veut mesdire si mesdie	Binchois, Gilles (ca. 1400–1460)	101v–102
Resioisons et se prenons liesse	Anonymous	117v–118
Restoes restoes horrible feu d'ardant desir que mon coeur	Anonymous	58
Riant regart tout plain de joye belle plaisant	Anonymous	111v–112
S' i' ti son stato et vogli' esser fedele	Landini, Francesco (ca. 1325–1397)	48v–49
S'en may est fayie	Anonymous	73v
S'en vous por moi pitié ne crins	Anonymous	12v–13
S'espoir n'estoit qui me donne confort… riant / car arivés suy a trop cruel port	Anonymous	60v
Se j'amais jour ne vours veoye ne nouvelle de vous	Anonymous	99v–100
Se je ne suy si gay comme je soloie	Zacara da Teramo, Antonio (ca. 1350–ca. 1413) (?)	83
Se je souspire plains et pleure	Binchois, Gilles (ca. 1400–1460)	107v–108
Se je vous ai bien loyaulment aimee	Grenon, Nicolas (?)	92v–93
Se ma dame je puis veir le premier jour	Anonymous	112v
Se premio di virtut' è	Anonymous	44
Se questa dea de vertu de d'onestate	Correcarius, Johannes Bacus	33
Sempre se trova in alta dona amore	Anonymous	15
Sempre serva chi vol eser servito	Anonymous	39v–40
Senpre dona t'amay de pura voglia	Anonymous	15v
Si com' al canto della bella Iguana	Anonymous	33v
Sia maledetta l'ora 'l di che veni	Anonymous	28
Soit tart tempre, main ou soir	Anonymous	63v
Sotto l'imperio del posente prince	Anonymous	01v–02
Soufice toi, povre coeur doloreux	Anonymous	98v–99
Spesse fiate preso un sotil lago	Anonymous	35
Strençi li labri	Anonymous	39
Tanto che siat' aquistati nel giusto	Anonymous	04v
Trem dolz et loyaulus amis	Anonymous	74v
Tres douche plasant bergiere / Reconforte toi Robin de ta dolour	Anonymous	55v
Troveråçò mercè, oh mercè non vego	Anonymous	28v–29
Un bel sparver gentil di penna bianca	Anonymous	04
Va t'en mon coeur je t'emprie à la noble compagnie	Anonymous	82v
Vestisse la cornachia de l'altury pene	Anonymous	30v–31
Vita non è più misera e più ria	Landini, Francesco (ca. 1325–1397)	49
Zoia di novi odori	Anonymous	24

These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bibliothèque Nationale, Paris

‡ denotes primary source study

Marrocco, W. Thomas. None. Marrocco ? Pages: Ue. der Stücke von Giovanni und Jacopo.

Raugel, F. None. 46 Pieces Pour Orgue Ou Harmonium D'anciens Auteurs Francais Et Etrangers . Paris. Pages: 5 (Ue. von Nr. 184).

Nadas, John. 1981. The Structure of MS Panciatichi 26 and the Transmission of Trecento Polyphony. Journal of the American Musicological Society, 393-427. Pages: 416, 418-9, 421, 423. Notes: contents list (partial); concordances (partial); discussion.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XVII,60,667. Notes: physical description; facsimile (partial).

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: Vol. 4; ParisBNN 6771.

Fischer, Kurt von. 1979. The Mass Cycle of the Trecento Manuscript F-Pn568(Pit). Essays on Music for Charles Warren Fox, 1-13. Rochester, N.Y. Pages: 184.

Pirrotta, Nino. 1972. New Glimpses of an Unwritten Tradition. Words and Music: The Scholar's View ... Compiled in Honor of A. Tillman Merritt, edited by Nino Pirrotta, 271-91. Cambridge, Massachusetts: Department of Music, Harvard University. Notes: physical description (partial); contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.

Timm, Erika. 1972. Die Überlieferung der Lieder Oswalds von Wolkenstein. Germanische Studien. Lübeck and Hamburg. Pages: 160-3. Notes: physical description; contents list (partial); concordances (partial).

Apel, Willi (editor). 1970-72. French Secular Compositions of the Fourteenth Century. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I-III, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Günther, Ursula. 1970. Das Manuskript Modena, Biblioteca Estense, a.M.5,24 (olimlat. 568 = Mod). Musica Disciplina, 17-67. Pages: , Nr. 2, 3, 5 (Ue. von Nr. 151, 136, 182).

Petrobelli, Pierluigi. 1968. Some Dates for Bartolino da Padova. Studies in Music History: Essays for Oliver Strunk, edited by Pierluigi Petrobelli, 85-112. Princeton: Princeton University Press. Pages: 85,94-109. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Pirrotta, Nino. 1968. Musica polifonica per un testo attribuito a Frederico II. L'Ars Nova Italiana del Trecento, 109ff. Certaldo. Pages: Ue. von Nr. 61. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Günther, Ursula. 1967. Bemerkungen zum älteren französischen Repertoire des Codex Reina (PR). Archiv für Musikwissenschaft, 237-52. Notes: contents list (partial); texts (partial); mention of MS; discussion.

Wilkins, Nigel E (editor). 1966. A Fifteenth-Century Repertory from the Cod. Reina. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Wilkins, Nigel E (editor). 1966. A Fourteenth-Century Repertory from the Cod. Reina. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: 52 Ue. aus Teil II und III; Ue. aller Stücke von Teil IV - Nr. 186-220. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Wilkins, Nigel E. 1965. A Madrigal in Praise of the Della Scala Family. Revue Belge de Musicologie, 82ff. Pages: Ue. von Nr. 84.

Cattin, Giulio. 1964-77. II Copista Rolando da Casale. Nuovi Frammenti Musicali nell'Archivio di Stato. Annales Musicologiques, 17-41. Pages: 33,36,40. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Gallo, Franco Alberto. 1964-77. Due 'Siciliane' del Trecento. Annales Musicologiques, 43-50. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Reaney, Gilbert. 1964-77. Music in the Late Medieval Entremets. Annales Musicologiques, 51-65. Pages: 62-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Wilkins, Nigel E. 1964. A critical edition of the French and Italien texts and music contained in the Codex Reina. University of Nottingham, Ph.D. dissertation.

Fischer, Kurt von. 1963. Reply to N. E. Wilkins' Artide on the Codex Reina. Musica Disciplina, 75-7. Notes: Discussion of the MS.

Wilkins, Nigel E. 1963. The Codex Reina: A Revised Description. Musica Disciplina, 67-73. Pages: Faksimile von Nr. 55-57, 84, 88, 89, 107, 108, 130-133, 202 und Originalindex). - Für alle weiteren Ausgaben und Faksimiles, die vor 1956 erschienen sind, vergleiche K. v. Fischer, The Manuscript Paris, Bibl. Nat. Nouv. Acq. Frç. 6771, in MD XI (1957), 53-77 (Inventar der Handschrift mit Angabe der Editionen und Faksimiles der einzelnen Stücke); dort auch Faksimile von Nr. 81-83, 129, 130, 198. Notes: facsimile (partial); mention of MS; discussion.

Fischer, Kurt von. 1958-1961. Drei unbekannte Werke von Jacopo da Bologna und Bartolino da Padua? Miscelánea Homenaje a Mons. H. Anglès, vol. 1, pp. 265–81. Barcelona: Consejo Superior de Investigaciones Cientificas. Pages: 265ff.

Fischer, Kurt von. 1958. Trecentomusik-Trecentoprobleme: Ein kritischer Forschungsbericht. Acta Musicologica, 179-99. Pages: 184,193. Notes: physical description; mention of MS; discussion.

Schrade, Leo. 1958. Übertragungen der Werke Landinis. Pages: Ue. der Werke Landinis.

Fischer, Kurt von. 1957. The Manuscript Paris, Bibl. Nat., Nouv. Acq. Frç. 6771 (Codex Reina = PR). Musica Disciplina, 38-78. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.

Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation.

Parrish, Carl. 1957. The Notation of Medieval Music. New York. Pages: 173-7,181, Plates LV, LX. Notes: facsimile (partial); transcriptiion (partial); discussion.

Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. Pages: Commentary to Vols. II-III, 48, passim; Commentary to Vol. IV, 33ff, passim; VI,173ff, passim; VIII,203ff, passim; IX,195ff, passim; X,150ff, passim; XI,169ff, passim; XVIII,149-51,159; XIX,183,191-3; XX,247ff, passim. Notes: Dcontents list (partial); concordances (partial); transcriptions (partial).

Fischer, Kurt von. 1956. Studien zur italienischen Musik des Trecento und frühen Quattrocento. Publikationen der Schweizerischen Musikforschenden Gesellschaft. Bern: Paul Haupt. Pages: 14,18ff, 95-6, passim. Notes: contents list (partial); concordances (parial); discussion.

Reaney, Gilbert (editor). 1955-83. Early Fifteenth-Century Music. Corpus mensurabilis musicae. Rome: American Institute of Musicology. Pages: II, xxxvii, lxviii, 70-1; V, xix, 46-7; VII,xiv-xv,xxii, 1-3,6-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,iv,viii; II,iv,x-xi,46-60,62-3; III,vii; IV,iv-x, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: Ue. der Werke von Machaut.

Marrocco, W. Thomas. 1954. The Music of Jacopo da Bologna. University of California Publications in Music. Berkeley and Los Angeles: University of California Press. Pages: 6,9,53-5,76-7,114-5,145,159. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Pirrotta, Nino. 1952. Paolo Tenorista, fiorentino 'extra moenia'. Estudios Dedicados a Menéndez Pidal III, edited by Nino Pirrotta, 577-606. Madrid: Consejo superior de investigaciones scientificas. Pages: 59f.

Apel, Willi (editor). 1950. French Secular Music of the Late Fourteenth Century. Cambridge, Massachusetts: The Medieval Academy of America. Pages: 3-5,27-8,83',92-3*,120-1*,126*, Plate VI. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 705; VI 634-6; XI, 179-81. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Fischer, Kurt von. 1949-79. Codex Reina. Die Musik in Geschichte und Gegenwart, 1st Edition, col.179ff.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).

Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 376-8,380-1,418,420-2; Appendix, Nos. 49, 60. Notes: facsimile (partial); transcriptiion (partial); discussion.

Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: XIXff.

Ellinwood, Leonard (editor). 1939. The Works of Francesco Landini. Cambridge, Massachusetts: The Mediaeval Academy of America. Pages: xix-xx, Plate VII, 311-6, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Marix, Jeanne (editor). 1937. Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467) : Messes, motets, chansons. Paris. Pages: Nr. 4, 6, 7, 10 ,71, 76 (Ue. von Nr. 188, 189, 201, 208, 216, 218).

Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I,23ff; II,24-5*, passim. Notes: Dcontents list (partial); concordances (partial); discussion.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 167-252. Pages: I, 207, 233.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 417ff. Pages: II, 24*f. und öfter.

Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle. Paris.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 283, 284, 285 (je Anm.).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 292, 352, 354, 428 und II, 253/254.

Ludwig, Friedrich. 1905. Studien über die Geschichte der mehrstimmigen Musik im Mittelalter. II. Ein mehrstimmiges St. Jakobs-Offiziumdes 12. Jahrhunderts. Kirchenmusikalisches Jahrbuch, . Pages: 616.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: Um 166, 160-7, passim; II, 101-3 260 ff. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Ludwig, Friedrich. 1902-3. Die mehrstimmige Musik des 14. Jahrhunderts. Sammelbande der Internationalen Musikgesellschaft, 16-69. Pages: 53ff.

Omont, Henri (editor). 1868-1902. Bibliothèque Nationale: Catalogue Général des Manuscrits Français. Paris. Pages: XVII,38. Notes: physical description.

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Maria Christina Cleary

Monday, 16 December, 2024

"Aqil' altera" confirmed as the setting by Jacopo da Bologna, and concordances with other copies added

Philippa Ovenden

Thursday, 7 March, 2024

Chi tempo a et per vilta tempo is on fol. 16 (not 15v)

Scott Metcalfe

Thursday, 6 August, 2020

Qui veut mesdire (ff. 101v-102) is not anonymous, but by Binchois -- in fact, there is an ascription at the top of f. 101v.. Attribution therefore recorded & Binchois added as composer.

Karen Cook

Friday, 16 March, 2018

Changed work of the Gosalch piece on f. 79 to "En nul estat". Voice text gives a slightly different text "Car nul estat."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description