D-Mbs Mus. MS 31

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 31
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	480 x 315 mm
Other Identifiers	CCM: MunBS 31 olim (Former shelfmark): H.C. 30; MaiM 71
Notations	black void mensural
Copyists	Wagenrieder, Lucas Music Senfl, Ludwig (ca. 1486–ca. 1543) Music
Relationships	Hofkapelle (owner) Schinnagl , Kaspar (binder) Maximilian I (1459–1519) (patron) Senfl, Ludwig (ca. 1486–ca. 1543) (compiler)
External Links	images
External Authorities	RISM Online (sources/456050256)
Provenance	court chapel of Emperor Maximilian I (1459-1519) , Wien (Vienna), Austria
Contents	34 pieces from 1 composers

General Description

Probably copied by Ludwig Senfl, with later restorations by Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribes. Some pieces in main corpus in a different script (perhaps the work of a second, unidentified scribe, or perhaps a variant form of Senfl's hand). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl c. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, fascicles assembled in present order, several lost folios replaced with newly copied leaves, and volume bound in present covers.

DIAMM, 2017

Binding

Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW).

DIAMM, 2017

Watermark

Main watermark: triangle surmounted by six-petalled flower; watermark on ff. 1-12, 19, 72a, 103-104, 141, 210b-211, and 249-250 is coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1510, with restorations ca. 1530-40 (BenteNW)

DIAMM, 2017

Foliation

Modern pencil foliation, 1-272, by J. J. Maier ('72' applied to two consecutive folios; '210' applied to three consecutive folios).

DIAMM, 2017

Decoration

No initials; some texts in red ink

DIAMM, 2017

Index

Incomplete original index pasted inside front cover.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

inventory provided by Christoph Burmester

DIAMM, 2020

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 14 Mass Proper sections, 1 motet, 1 German sacred piece = 20

Isaac-20

275 paper folios, 480 x 315. Modern pencil foliation, 1-272, by J. J. Maier ("72" applied to two consecutive folios; "210" applied to three consecutive folios). Blank folios: 1-2, 71'-72, 103'-104, 141'-142, 210', 210a-210a', 210b-210b', 211, 250'-251, 272'. Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW). Incomplete original index pasted inside front cover.

Probably copied by Ludwig Senfl, with later restorations by Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribes. Some pieces in main corpus in a different script (perhaps the work of a second, unidentified scribe, or perhaps a variant form of Senfl's hand). No initials; some texts in red ink. Main watermark: triangle surmounted by six-petalled flower; watermark on ff. 1-12, 19, 72a, 103-104, 141, 210b-211, and 249-250 is coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

Ca. 1510, with restorations ca. 1530-40 (BenteNW). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl ca. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). At Munich, fascicles assembled in present order, several lost folios replaced with newly copied leaves, and volume bound in present covers. Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–12	Missa Virgo prudentissima (6vv): Kyrie	Heinricus Izac	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 2v–12 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Heinricus Izac
12v–27	Missa Virgo prudentissima (6vv): Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 12v–27 Genres: Gloria (et in terra pax), Mass Ordinary
27v–51	Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	-	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] Isaac, Heinrich (ca. 1450–1517) Appears on: 27v–51 Genres: Credo (patrem omnipotentem), Mass Ordinary
51v–67	Missa Virgo prudentissima (6vv): Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 51v–67 Genres: Mass Ordinary, Sanctus [& Benedictus]
67v–71	Missa Virgo prudentissima (6vv): Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 67v–71 Genres: Agnus Dei, Mass Ordinary
72v–81	Missa Solemnis a6: Kyrie	Yzac	Isaac, Heinrich (ca. 1450–1517)
Missa Solemnis a6: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 72v–81 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Yzac
81v–92	Missa Solemnis a6: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Solemnis a6: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 81v–92 Genres: Gloria (et in terra pax), Mass Ordinary Copying Style text ends at 'tu solus altissimus Jesu Christe' - omitting 'cum Sancto Spiritu: in gloria Dei Patris. Amen'
92v–100	Missa Solemnis a6: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Solemnis a6: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 92v–100 Genres: Mass Ordinary, Sanctus [& Benedictus]
100v–103	Missa Solemnis a6: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Solemnis a6: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 100v–103 Genres: Agnus Dei, Mass Ordinary
104v–116	Missa de Apostolis a6: Kyrie	Yzac	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a6: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 104v–116 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Yzac
116v–128	Missa de Apostolis a6: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a6: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 116v–128 Genres: Gloria (et in terra pax), Mass Ordinary General Note text ends at 'tu solus altissimus Jesu Christe' - omitting 'cum Sancto Spiritu: in gloria Dei Patris. Amen'
128v–136	Missa de Apostolis a6: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a6: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 128v–136 Genres: Mass Ordinary, Sanctus [& Benedictus]
136v–141	Missa de Apostolis a6: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a6: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 136v–141 Genres: Agnus Dei, Mass Ordinary
142v–148	Puer natus est nobis (6vv) Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Yzac	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis (6vv) Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Isaac, Heinrich (ca. 1450–1517) Appears on: 142v–148 Genres: Introit Source Attribution: Yzac General Note (De nativiitate Christi)
148v–155	Vultum tuum (6vv) Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea	-	Isaac, Heinrich (ca. 1450–1517)
Vultum tuum (6vv) Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea Isaac, Heinrich (ca. 1450–1517) Appears on: 148v–155 Genres: Introit General Note (In octava nativitatis Domini)
155v–160	Ecce advenit dominator (6vv) Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis	-	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator (6vv) Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis Isaac, Heinrich (ca. 1450–1517) Appears on: 155v–160 Genres: Introit General Note (In festo Epiphaniae)
160v–167	Suscepimus (6vv) Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	-	Isaac, Heinrich (ca. 1450–1517)
Suscepimus (6vv) Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Isaac, Heinrich (ca. 1450–1517) Appears on: 160v–167 Genres: Introit General Note (Purificationis Mariae)
167v–171	Rorate (6vv) Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius	-	Isaac, Heinrich (ca. 1450–1517)
Rorate (6vv) Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius Isaac, Heinrich (ca. 1450–1517) Appears on: 167v–171 Genres: Introit General Note (In adventu Domini)
171v–180	Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti	-	Isaac, Heinrich (ca. 1450–1517)
Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti Isaac, Heinrich (ca. 1450–1517) Appears on: 171v–180 Genres: Introit General Note (De resurrect: Christi)
180v–189	Victimae paschali (6vv) (Sequence)	-	Isaac, Heinrich (ca. 1450–1517)
Victimae paschali (6vv) (Sequence) Isaac, Heinrich (ca. 1450–1517) Appears on: 180v–189 Genres: Sequence
189v–192	Christ ist erstanden (6vv)	-	Isaac, Heinrich (ca. 1450–1517)
Christ ist erstanden (6vv) Isaac, Heinrich (ca. 1450–1517) Appears on: 189v–192 Genres: Motet
192v–196	Regina caeli laetare (5vv) - 1a pars (of 3): Regina caeli laetare	-	Isaac, Heinrich (ca. 1450–1517)
Regina caeli laetare (5vv) - 1a pars (of 3): Regina caeli laetare Isaac, Heinrich (ca. 1450–1517) Appears on: 192v–196 Genres: BVM, Marian antiphon, Regina caeli laetare
196v–198	Regina caeli laetare (5vv) - 2a pars (of 3): Resurrexit sicut dixit	-	Isaac, Heinrich (ca. 1450–1517)
Regina caeli laetare (5vv) - 2a pars (of 3): Resurrexit sicut dixit Isaac, Heinrich (ca. 1450–1517) Appears on: 196v–198 Genres: BVM, Marian antiphon, Regina caeli laetare
198v–201	Regina caeli laetare (5vv) - 3a pars (of 3): Ora pro nobis	-	Isaac, Heinrich (ca. 1450–1517)
Regina caeli laetare (5vv) - 3a pars (of 3): Ora pro nobis Isaac, Heinrich (ca. 1450–1517) Appears on: 198v–201 Genres: BVM, Marian antiphon, Regina caeli laetare
210v–210	Viri Galilaei (6vv) Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	-	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei (6vv) Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Isaac, Heinrich (ca. 1450–1517) Appears on: 210v–210 Genres: Introit General Note (In festo ascenscionis Domini)
211v–217	Spiritus Domini (6vv) Replevit orbem terrarum Vs: Confirma hoc Deus	-	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini (6vv) Replevit orbem terrarum Vs: Confirma hoc Deus Isaac, Heinrich (ca. 1450–1517) Appears on: 211v–217 Genres: Introit General Note (In festo Penthecostes)
217v–222	Benedicta sit (6vv) Sancta trinitas atque Vs: Benedicamus patrem Laudemus atque	-	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit (6vv) Sancta trinitas atque Vs: Benedicamus patrem Laudemus atque Isaac, Heinrich (ca. 1450–1517) Appears on: 217v–222 Genres: Introit General Note (In festo Trinitatis)
222v–240	Pater filius cum sancto spiritu tria sunt (6vv)	-	Isaac, Heinrich (ca. 1450–1517)
Pater filius cum sancto spiritu tria sunt (6vv) Isaac, Heinrich (ca. 1450–1517) Appears on: 222v–240 Genres: Sequence
240v–245	Cibavit eos (6vv) Ex adipe frumenti	-	Isaac, Heinrich (ca. 1450–1517)
Cibavit eos (6vv) Ex adipe frumenti Isaac, Heinrich (ca. 1450–1517) Appears on: 240v–245 Genres: Introit General Note (Corpus Christi)
245v–250	Salve sancta parens (6vv) Vs: Sentiant omnes Quicunque celebrant	-	Isaac, Heinrich (ca. 1450–1517)
Salve sancta parens (6vv) Vs: Sentiant omnes Quicunque celebrant Isaac, Heinrich (ca. 1450–1517) Appears on: 245v–250 Genres: Introit General Note (De veneratione S. Mariae.)
251v–254	Missa de Beata Virgine a6: Kyrie	H. Yzac	Isaac, Heinrich (ca. 1450–1517)
Missa de Beata Virgine a6: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 251v–254 Genres: Kyrie eleison, Mass Ordinary Source Attribution: H. Yzac
254v–264	Missa de Beata Virgine a6: Gloria [tro: Spiritus et alme]	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Beata Virgine a6: Gloria [tro: Spiritus et alme] Isaac, Heinrich (ca. 1450–1517) Appears on: 254v–264 Genres: Mass Ordinary, Troped Gloria
264v–269	Missa de Beata Virgine a6: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Beata Virgine a6: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 264v–269 Genres: Mass Ordinary, Sanctus [& Benedictus]
269v–272	Missa de Beata Virgine a6: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa de Beata Virgine a6: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 269v–272 Genres: Agnus Dei, Mass Ordinary

Composer	Compositions
Isaac, Heinrich (ca. 1450–1517)	Benedicta sit (6vv) Sancta trinitas atque Vs: Benedicamus patrem Laudemus atque – 217v–222 Christ ist erstanden (6vv) – 189v–192 Cibavit eos (6vv) Ex adipe frumenti – 240v–245 Ecce advenit dominator (6vv) Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis – 155v–160 Missa Solemnis a6: Agnus Dei – 100v–103 Missa Solemnis a6: Gloria – 81v–92 Missa Solemnis a6: Kyrie – 72v–81 Missa Solemnis a6: Sanctus – 92v–100 Missa Virgo prudentissima (6vv): Agnus Dei – 67v–71 Missa Virgo prudentissima (6vv): Gloria – 12v–27 Missa Virgo prudentissima (6vv): Kyrie – 2v–12 Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] – 27v–51 Missa Virgo prudentissima (6vv): Sanctus – 51v–67 Missa de Apostolis a6: Agnus Dei – 136v–141 Missa de Apostolis a6: Gloria – 116v–128 Missa de Apostolis a6: Kyrie – 104v–116 Missa de Apostolis a6: Sanctus – 128v–136 Missa de Beata Virgine a6: Agnus Dei – 269v–272 Missa de Beata Virgine a6: Gloria [tro: Spiritus et alme] – 254v–264 Missa de Beata Virgine a6: Kyrie – 251v–254 Missa de Beata Virgine a6: Sanctus – 264v–269 Pater filius cum sancto spiritu tria sunt (6vv) – 222v–240 Puer natus est nobis (6vv) Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 142v–148 Regina caeli laetare (5vv) - 1a pars (of 3): Regina caeli laetare – 192v–196 Regina caeli laetare (5vv) - 2a pars (of 3): Resurrexit sicut dixit – 196v–198 Regina caeli laetare (5vv) - 3a pars (of 3): Ora pro nobis – 198v–201 Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti – 171v–180 Rorate (6vv) Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius – 167v–171 Salve sancta parens (6vv) Vs: Sentiant omnes Quicunque celebrant – 245v–250 Spiritus Domini (6vv) Replevit orbem terrarum Vs: Confirma hoc Deus – 211v–217 Suscepimus (6vv) Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 160v–167 Victimae paschali (6vv) (Sequence) – 180v–189 Viri Galilaei (6vv) Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 210v–210 Vultum tuum (6vv) Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea – 148v–155

Composer

Compositions

Isaac, Heinrich (ca. 1450–1517)

Benedicta sit (6vv) Sancta trinitas atque Vs: Benedicamus patrem Laudemus atque – 217v–222
Christ ist erstanden (6vv) – 189v–192
Cibavit eos (6vv) Ex adipe frumenti – 240v–245
Ecce advenit dominator (6vv) Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis – 155v–160
Missa Solemnis a6: Agnus Dei – 100v–103
Missa Solemnis a6: Gloria – 81v–92
Missa Solemnis a6: Kyrie – 72v–81
Missa Solemnis a6: Sanctus – 92v–100
Missa Virgo prudentissima (6vv): Agnus Dei – 67v–71
Missa Virgo prudentissima (6vv): Gloria – 12v–27
Missa Virgo prudentissima (6vv): Kyrie – 2v–12
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] – 27v–51
Missa Virgo prudentissima (6vv): Sanctus – 51v–67
Missa de Apostolis a6: Agnus Dei – 136v–141
Missa de Apostolis a6: Gloria – 116v–128
Missa de Apostolis a6: Kyrie – 104v–116
Missa de Apostolis a6: Sanctus – 128v–136
Missa de Beata Virgine a6: Agnus Dei – 269v–272
Missa de Beata Virgine a6: Gloria [tro: Spiritus et alme] – 254v–264
Missa de Beata Virgine a6: Kyrie – 251v–254
Missa de Beata Virgine a6: Sanctus – 264v–269
Pater filius cum sancto spiritu tria sunt (6vv) – 222v–240
Puer natus est nobis (6vv) Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 142v–148
Regina caeli laetare (5vv) - 1a pars (of 3): Regina caeli laetare – 192v–196
Regina caeli laetare (5vv) - 2a pars (of 3): Resurrexit sicut dixit – 196v–198
Regina caeli laetare (5vv) - 3a pars (of 3): Ora pro nobis – 198v–201
Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti – 171v–180
Rorate (6vv) Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius – 167v–171
Salve sancta parens (6vv) Vs: Sentiant omnes Quicunque celebrant – 245v–250
Spiritus Domini (6vv) Replevit orbem terrarum Vs: Confirma hoc Deus – 211v–217
Suscepimus (6vv) Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 160v–167
Victimae paschali (6vv) (Sequence) – 180v–189
Viri Galilaei (6vv) Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo – 210v–210
Vultum tuum (6vv) Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea – 148v–155

Composition	Composers (? Uncertain)	Folios / Pages
Benedicta sit (6vv) Sancta trinitas atque Vs: Benedicamus patrem Laudemus atque	Isaac, Heinrich (ca. 1450–1517)	217v–222
Christ ist erstanden (6vv)	Isaac, Heinrich (ca. 1450–1517)	189v–192
Cibavit eos (6vv) Ex adipe frumenti	Isaac, Heinrich (ca. 1450–1517)	240v–245
Ecce advenit dominator (6vv) Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis	Isaac, Heinrich (ca. 1450–1517)	155v–160
Missa de Apostolis a6: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	136v–141
Missa de Apostolis a6: Gloria	Isaac, Heinrich (ca. 1450–1517)	116v–128
Missa de Apostolis a6: Kyrie	Isaac, Heinrich (ca. 1450–1517)	104v–116
Missa de Apostolis a6: Sanctus	Isaac, Heinrich (ca. 1450–1517)	128v–136
Missa de Beata Virgine a6: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	269v–272
Missa de Beata Virgine a6: Gloria [tro: Spiritus et alme]	Isaac, Heinrich (ca. 1450–1517)	254v–264
Missa de Beata Virgine a6: Kyrie	Isaac, Heinrich (ca. 1450–1517)	251v–254
Missa de Beata Virgine a6: Sanctus	Isaac, Heinrich (ca. 1450–1517)	264v–269
Missa Solemnis a6: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	100v–103
Missa Solemnis a6: Gloria	Isaac, Heinrich (ca. 1450–1517)	81v–92
Missa Solemnis a6: Kyrie	Isaac, Heinrich (ca. 1450–1517)	72v–81
Missa Solemnis a6: Sanctus	Isaac, Heinrich (ca. 1450–1517)	92v–100
Missa Virgo prudentissima (6vv): Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	67v–71
Missa Virgo prudentissima (6vv): Gloria	Isaac, Heinrich (ca. 1450–1517)	12v–27
Missa Virgo prudentissima (6vv): Kyrie	Isaac, Heinrich (ca. 1450–1517)	2v–12
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	Isaac, Heinrich (ca. 1450–1517)	27v–51
Missa Virgo prudentissima (6vv): Sanctus	Isaac, Heinrich (ca. 1450–1517)	51v–67
Pater filius cum sancto spiritu tria sunt (6vv)	Isaac, Heinrich (ca. 1450–1517)	222v–240
Puer natus est nobis (6vv) Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Isaac, Heinrich (ca. 1450–1517)	142v–148
Regina caeli laetare (5vv) - 1a pars (of 3): Regina caeli laetare	Isaac, Heinrich (ca. 1450–1517)	192v–196
Regina caeli laetare (5vv) - 2a pars (of 3): Resurrexit sicut dixit	Isaac, Heinrich (ca. 1450–1517)	196v–198
Regina caeli laetare (5vv) - 3a pars (of 3): Ora pro nobis	Isaac, Heinrich (ca. 1450–1517)	198v–201
Resurrexi (6vv) Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti	Isaac, Heinrich (ca. 1450–1517)	171v–180
Rorate (6vv) Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius	Isaac, Heinrich (ca. 1450–1517)	167v–171
Salve sancta parens (6vv) Vs: Sentiant omnes Quicunque celebrant	Isaac, Heinrich (ca. 1450–1517)	245v–250
Spiritus Domini (6vv) Replevit orbem terrarum Vs: Confirma hoc Deus	Isaac, Heinrich (ca. 1450–1517)	211v–217
Suscepimus (6vv) Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Isaac, Heinrich (ca. 1450–1517)	160v–167
Victimae paschali (6vv) (Sequence)	Isaac, Heinrich (ca. 1450–1517)	180v–189
Viri Galilaei (6vv) Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo	Isaac, Heinrich (ca. 1450–1517)	210v–210
Vultum tuum (6vv) Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea	Isaac, Heinrich (ca. 1450–1517)	148v–155

‡ denotes primary source study

Hell, Helmut. 1983. Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerischen Staatsbibliothek aus der Dufay-Zeit. Musik in Bayern, 43-9. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft. Tutzing. Pages: 124. Notes: contents list (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I, xxxi-xxxii, 27, 42, 75, 83, 7*-8*, 44*-47*; III, 114-5. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii-xv, 27-95; IV, xvii-xviii. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970. Mainz. Pages: 32. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 49-56, 214ff, 227, passim. Notes: physical description; contents list; discussion.

Bente, Martin. 1966. Senfls Musik im Heidelberger Kapellkatalog. Ein Beitrag zur Repertoire-Überlieferung im 16. Jahrhundert. GMKB, 186-90. Leipzig. Pages: 188. Notes: mention of MS.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 165ff. Notes: contents list (partial); incipits (partial).

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII, 60-79, 91, 95; VIII, 75-115, 144, 160ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 33-4, 461-2, 679, 682, 938-45. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXXXI, passim; C, vii, 28-36; CXIX, passim. Notes: contents list (partial); transcription (partial).

Wagner, Peter. 1913. Geschichte der Messe. Pages: 306-9. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 48-9. Notes: physical description; contents list; concordances (partial).

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Christoph Burmester

Sunday, 26 April, 2020

Inventory added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Mbs Mus. MS 31

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: c. 1510

General Description

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Watermark

Notation

Date

Foliation

Decoration

Index

Surface

DIAMM Note

Census Catalogue of Music Description

Copying Style

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

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General Note

Christoph Burmester

Sunday, 26 April, 2020

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017