GB-Ob MS. Lat. liturg. d. 20 (Worcester fragments)

Bodleian Library, Oxford, England

fragments and flyleaves now bound together: 14th century: c.1300

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Lat. liturg. d. 20 (Worcester fragments)
Surface Parchment
Numbering System Foliation
Format portrait
Measurements vol. 1 (280 x 200 mm) = f 1-22; vol. 2 (330 x 220) = f. 25-33,;vol. 3 (280 x 200) = f. 23-24,;vol. 4 (280 x 200) = f. 36-39; vol. 5 (320 x 220) = f. 34v-35
Other Identifiers
  • RISM: Worc
Notations
  • English mensural
External Links
External Authorities
Provenance
  • England
Contents 34 pieces from 1 composers
General Description

An attempt to piece together the extant flyleaves forming the Worcester fragments; the reconstructions in DIAMM (below) update this attempt. In Lat. liturg. d. 20, original leaves from volumes in Oxford are combined with photographs of those which are preserved in Worcester Cathedral Library, Additional MS 68 (this source also bears the siglum Worc) and British Library Add. MS 25031. The majority of leaves in the Oxford source are photographs.

The factitious manuscript was assembled between 1925 and 1952 as follows: Worcester, fragment x (2 leaves), London, British Museum, Additional 25031 (4 leaves),Worcester xxxi (1 leaf), Worcester xxviii (4 leaves), Oxford, Bodleian Library, Auct.F.inf.i. 3 (8 leaves), Worcester xi (2 leaves), Oxford, Bodleian Library, Hatton 30 (1 leaf), Oxford, Bodley 862 (6 leaves), Worcester ix (1 leaf), Worcester xxxv (6 leaves, formerly in Oxford, Magdalen College, MS 100), Worcester xiii (4 leaves).

Dittmer thought these leaves came from at least 2 volumes and perhaps 5, as follows: vol.1 (280 x 200 mm.) = f. 1-22, vol. 2 (330 x 220 mm.) = f. 25-33, vol. 3 (280 x 200 mm). =f. 23-24, vol. 4 (280 x 200mm.) =f. 36 to 39, vol. 5 (320 x 220mm.) = f. 34v-35. EECM57's reconstruction (followed by DIAMM) places the original leaves in Lat. liturg. d. 20 in two groups: ff. 12-19 & 22 are part of 'Worcester 1;' (the 'motet book'), and ff. 23-25, 28 & 34-35 are part of 'Worcester 2' (the 'large-format volume') - qq.v.

The contents consist of 77 compositions, namely Kyrie Tro, Tondelli, organum-motets and conductus. Generally in three parts, but also for two or four. Concordances are rare, thought there are some.

Images here are for the original leaves in Lat. liturg. d. 20 only.

JCM, 2011 & DIAMM 2020
Liminary Note

there is the beginning of a letter from Stephan, archbishop of Arles, to the inhabitants of the city and see of Worcester on f. 9

JCM, 2011
Notation

longs and breves, and the lozenge-shaped notes of the so-called English mensural notation

JCM, 2011
Ruling

9-12 red or brown five-line staves per page

JCM, 2011
Foliation

Only vol. 1 has a medieval foliation at t.m.r. in Roman numerals.

JCM, 2011
Foliation

12-19v, 22-25v, 28 r+v, 34-35v (34 is a part leaf pasted to the remaining stub of the bifolium completed by 35: they are pulling apart (or may have been pulled) and music is visible on the stub as well as the partially obscured verso of 34)

JCM, 2011
Decoration

red-blue initials

JCM, 2011
Surface

Parchment

JCM, 2011
RISM Description

RISM B/IV 1: This factitious manuscript is an attempt to piece together the extant flyleaves forming the Worcester fragments of polyphonic music dating from c. 1300. Since more than half of these leaves are preserved in Worcester, Cathedral Library, Additional ms 68, for which reason this source also bears the siglum Worc, the majority of leaves in the Oxford source are represented by photographs. The ms was put together between 1925 and 1952. The complete arrangement of leaves is as follows : Worcester, fragment x (2 leaves), London, British Museum, Additional 25031 (41eaves),Worcester xxxi (1 leaf), Worcester xxviii (4 leaves), Oxford, Bodleian Library, Auct.F.inf.i. 3 (8leaves), Worcester xi (2 leaves), Oxford, Bodleian Library, Hatton 30 (1 leaf), Oxford, Bodley 862 (6 leaves), Worcester ix (1 leaf), Worcester xxxv (6 leaves, formerly in Oxford, Magdalen College, ms 100), Worcester xiii (4 leaves). According to Dittmer, these leaves actually come from at least 2 volumes and perhaps 5, as follows: vol.1 (280 x 200 mm.) = f. 1-22, vol. 2 (330 x 220 mm.) = f. 25-33, vol. 3 (280 x 200 mm). =f. 23-24, vol. 4 (280 x 200mm.) =f. 36 to 39, vol. 5 (320 x 220mm.) = f. 34v-35. Only vol. 1 has a medieval foliation at t.m.r. in Roman numerals. For better orientation the incipits are listed with the numbers of the edition in DittmerWF in square brackets before the number of the fragments in question. Then follows the present foliation of the source, together with any old foliation in brackets. It will be noticed that Worcester xxxv and ix belong with Bodley 862, but, in order to keep the fragments independent of one another, Worcester xxxv and ix follow the Bodleian leaves instead of forming a unit with it. The notation is on 9-12 red or brown five-line staves per page and may be in English mensural notation or the continental long-breve type. Initials are red, blue or both. Full details of the present measurements of each leaf are given in DittmerWF, 14f. The contents consist of 77 compositions, namely Kyrie Tro, Tondelli, organum-motets and conductus. Generally in three parts, they may be for two or four. Concordances are rare, but there are some. The British Museum leaves have not been removed from the parent ms, which was acquired in 1863. Interestingly enough, there is the beginning of a letter from Stephan, archbishop of Arles, to the inhabitants of the city and see of Worcester on f. 9. Other fragments which do not belong with the present series may be found in the Worcester ms Additional 68, and these are discussed under that heading.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

14

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
12 Amor patris praesentatur - Anonymous
Appears on: 12
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c4

Voice: Motetus
Languages: Latin
Clef: c4
Voice Text: Amor patris presentatur

Voice: [no designation]
Languages: none
Clef: c5
Layout

score

General Note

beginning in GB-WOc Add. 68, fr. xli, f. 1v

General Note

beginning in GB-WOc Add. 68, fr. xli, f. 1v

12–12v Munda, Maria, mater militie - Anonymous
Appears on: 12–12v
Genres: Rondellus
Voice: [no designation]
Languages: Latin
Clef: [c3]
Voice Text: Mun-, Munda, Maria, mater militie
Layout

parts

12v O regina caelestis curie, flos virginum / O regina caelestis curie, consolare - Anonymous
Appears on: 12v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: O regina celestis curie, flos virginum

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: O regina celestis curie, consolare
General Note

Tr and opening of Mot only

Layout

parts

13 Sanctorum omnium virgo - Anonymous
Appears on: 13
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c5

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Sa-, sanctorum omnium virgo
General Note

Slightly mutilated Mot and 28 internal measures of T only; sections of the Tr may be reconstructed by voice exchange.

Layout

parts

13 void notation scribble - Anonymous
Appears on: 13
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: [void notation scribble]
13v ... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia - Anonymous
Appears on: 13v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: [c3]
Voice Text: ... omnipotentia ... magnifice virgini
Layout

parts

General Note

Some 19 internal measures of an isolated Tr or Mot; remainder in GB-WOc Add. 68, fr. xli, 2r

13v Ave, virgo, mater Dei - Anonymous
Appears on: 13v
Genres: Rondellus
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: ... Ave, virgo, mater dei

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: ... Ave, virgo mater dei
General Note

Parts of upper two voices of a three-part rondellus; opening lost.

Layout

parts

14 Beata supernorum preceptrix / Benedicta. Virgo Dei genitrix - Anonymous
Appears on: 14
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Beata supernorum preceptrix

Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: [Benedicta. Virgo] dei genitrix
General Note

Mot and T only of a three-part work; first 42 measures of T lost with f.91v.

Layout

parts

14v–15 Alleluia. Canite, mater ... redemptoris / Alleluia. Pascha nostrum - Anonymous
Appears on: 14v–15
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Alleluya canite, mater ... redemptoris

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alleluya canite, mater ... civitatis

Voice: [no designation]
Languages: Latin
Clef: [c3]
Voice Text: Alleluya [Pascha nostrum]
Layout

parts

15v–16 Alma jam ad gaudia genitricis / Alme matri Dei ad veneranda / Alleluia. Per te, Dei genitrix - Anonymous
Appears on: 15v–16
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Alleluya. Per te, dei genitrix

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alme matri dei ad veneranda

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alma iam ad gaudia genitricis
Layout

parts

16v Kyrie fons pietatis / Kyrie pater venerande - Anonymous
Appears on: 16v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Kyrie pater venerande]

Voice: Tenor
Languages: none

Voice: [no designation]
Languages: Latin, Greek
Clef: c3
Voice Text: Kyrie fons pietatis
General Note

Tr only; fragments of Mot and T in Oxford, Bodleian Library, Mus.c.60, f.82

Layout

parts

17 Fons ortorum, riga morum - Anonymous
Appears on: 17
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Fons ortorum, riga morum

Voice: Pes
Languages: none
Clef: c3
General Note

Fragmentary Mot and T only

Layout

parts

17 void notation scribbles - Anonymous
Appears on: 17
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: [void notation scribbles]
17v–18 Fulget caelestis curia / O Petre, flos apostolorum / Roma gaudet de tali - Anonymous
Appears on: 17v–18
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [F]ulget celestis curia

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: O Petre, flos apostolorum

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Roma gaudet de tali
General Note

Fragmentary owing to loss of left margin.

Layout

parts

18v–19 ...recolat ecclesia Katarine preconia ... nobis sis propitia / Virgo sancta Katherina tam humana - Anonymous
Appears on: 18v–19
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: [...recolat ecclesi]a Katarine preconia ... nobis sis propitia

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Virgo sancta Katerina tam humana

Voice: Pes
Languages: none
Clef: c4
General Note

Fragmentary owing to loss of left margin of f.18v and right margin of f.19.

Layout

parts

19 void notation scribbles - Anonymous
Appears on: 19
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: [void notation scribbles]
19v ... decus virginitatis ...in te, Domine, in aeternum / [Salve, virgo virginum, M]aria virgo, intercede - Anonymous
Appears on: 19v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: [...d]e-cus virginitatis ...in te, domine, in eternum

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Salve, virgo virginum, M]aria virgo, intercede
General Note

Fragmentary Tr and T

Layout

parts

22 ... profero in te rex gloriae non in alteo spem habens msericordie / ... ad te reus Deus meus me loces mundum in prospero - Anonymous
Appears on: 22
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: ... profero in te rex glorie non in alteo spem habens msericordie

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: ... ad te reus deus meus me loces mundum in prospero
General Note

Last part of a motet

Layout

parts

22 Salve, gemma confessorum, Nicholae - Anonymous
Appears on: 22
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Salve, gemma confessorum, Nicholae
General Note

First 66 notes of a Mot

Layout

parts

22v Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus - Anonymous
Appears on: 22v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: O pastor patris summi gregis

Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: [O preclara patrie celestis]

Voice: [no designation]
Languages: none
Clef: f3

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Pro beati Pauli gloria ... premia cumbeatis patribus
General Note

A fragmentary four-part motet of which the following sections are missing; first half of the Quadruplum, most of the second and fourth quarter of the Tr; all the Mot and the second and fourth quarter of the Tr, all the Mot and the second half of the T.

Layout

parts

23 Dulciflua tua memoria / Praecipua michi da gaudia - Anonymous
Appears on: 23
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [P]recipua michi da gaudia

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Dulciflua tua memoria

Voice: Tenor
Languages: none
Clef: c4
General Note

End of T cut away.

Layout

parts

23v–24v Inviolata integra mater / Inviolata integra et casta - Anonymous
Appears on: 23v–24v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Inviolata integra mater

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Inviolata integra et casta

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Inviolata integra mater
General Note

End of Mot and T lost with original f.25

Layout

parts

24v Spiritus procedens a patre - Anonymous
Appears on: 24v
Genres: Motet
Voice: Duplum
Languages: Latin
Clef: c2
Voice Text: Spiritus procedens a patre

Voice: Triplum
Languages: Latin
Clef: c1
Voice Text: Spiritus procedens a patre
General Note

t and opening of Duplum only

Layout

parts

25 Lingua peregrina te laudare / Laqueus - Anonymous
Appears on: 25
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Laqueus

Voice: Triplum
Languages: Latin
Clef: c2
Voice Text: Lingua peregrina te laudare
General Note

Tr and bars 1132-191 of T only

Layout

parts

25v Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David - Anonymous
Appears on: 25v
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Alleluya. V. Gaude, virgo gaude ...] In tuis laudibus ... Expl... gaudere in eternam

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: [Alleluya. V. Gaude virgo, gaude...In tu]is laudibus assidua ... Expl... eternum. Ante dominum.

Voice: Motetus
Languages: Latin
Clef: c4
Voice Text: [Alleluya. V. Gaude, virgo, gaude...] Gaude per quam cornu David... Expl... in terra viventium
General Note

opening of all voices lost, but latter part of Mot and last new notes of T preserved in Worc. xxxv, f. 26, while the present source contains the latter part of Tr and T, except for the last few notes of T

Layout

parts

25v Alleluia. Psallat haec familia / Alleluia. Concinat haec familia - Anonymous
Appears on: 25v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alleluya psallat hec familia

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Alleluya psallat hec familia

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Alleluya concinat hec familia
General Note

again links up with Worc xxxv, f. 26, so that only a few notes of the T are lost at the bottom of the present page, and these can be reconstructed owing to their repetition; this three-part voice-exchange motet has the same text in both upper parts

Layout

parts

28 ...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam - Anonymous
Appears on: 28
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [...-nis et gloria in celestis. Alleluia. V. Fulgebunt iusti.] et tamquam

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: ...nis et gloria in celestis. Alleluia. V. Fulgebunt iust

Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: [...nis et gloria in celestia Alleluia V. Fulgebunt iusti.] et tamquam
Layout

parts

General Note

latter part of all 3 voices practically complete, but opening fragmentary and mainly lost; beginning is in Worc Add. 68, fr. ix f. 1 & 2

28 Alme veneremur diei preconia Alleluia. V. Justi epulentur - Anonymous
Appears on: 28
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Alme veneremur diei preco[nia] ... All. V. Justi epulentur

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Al-, alme veneremur diei] ... V. Justi epulentur

Voice: Tenor
Languages: Latin
Clef: d3
Voice Text: Al[leluia. V. Just epulentur]
General Note

Beginning is in Worc Add. 68, fr. ix f. 1 & 2 (Tr and beg of T only); as a whole, Tr and Mot are slightly mutilated, while T is largely missing

Layout

parts

28v Candens crescit lilium, virginale / Candens lilium columbina - Anonymous
Appears on: 28v
Genres: Motet
Voice: Quartus Cantus
Languages: none
Clef: d3

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Candens crescit lilium, virginale

Voice: Tenor Primus
Languages: none
Clef: c5

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Candens lilium columbine
General Note

Only the T is missing, but this turns up in Cambridge, Pembroke Coll., 228, f. IIv; the Quartus cantus is cut away a little at the bottom margin, but can be reconstructed

Layout

parts

34v small frags. of one or more pieces, probably palimpsest - Anonymous
Appears on: 34v
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: [small frags. of one or more pieces, probably palimpsest ]
General Note

f. 34 is back-to-front; so 34v precedes 34r (and a piece continues from 34r to 35r)

34 & 35 Thomas gemma Cantuarie / Thomas cesus in Doveria - Anonymous
Appears on: 34 & 35
Genres: Motet
Voice: Triplum
Languages: Latin
Clef: c2
Voice Text: Thomas gemma cantuarie | Thomas cesus in Doveria

Voice: Tenor secundus
Languages: none
Clef: c4
Layout

parts

General Note

f. 34 is back-to-front; so 34v precedes 34r (and this piece continues from 34r to 35r) f.34 is just a narrow vertical strip containing a few notes of the Mot and merely the opening initial of the Primus T; f. 34 should really follow f. 35, which contains the Tr and Secundus T, the latter complete but for the ending; the present version of this popular motet employs breve-semibreve notation rather than the long-breve notation f other sources.

35–35v … dans quod vocis premuit - Anonymous
Appears on: 35–35v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: ...dans quod vocis premuit
General Note

the latter part of a three-part composition, of which only the opening measures of f. 35v have not been erased

Layout

score

35v 15th-century void notation - Anonymous
Appears on: 35v
Genres: Motet
Voice: [no designation]
Languages: none
Voice Text: [15th-century void notation]
35v Quem trina polluit - Anonymous

Quem trina polluit

Anonymous
Appears on: 35v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: d2
Voice Text: Quem, qem trina polluit

Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c5
General Note

considerably mutilated

Layout

score

Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
... decus virginitatis ...in te, Domine, in aeternum / [Salve, virgo virginum, M]aria virgo, intercede Anonymous 19v
... omnipotentia / ... magnificem ... virgini cum excellencia / laus honor reverencia Anonymous 13v
... profero in te rex gloriae non in alteo spem habens msericordie / ... ad te reus Deus meus me loces mundum in prospero Anonymous 22
...-nis et gloria in caelestis. Alleluia. V. Fulgebunt justi. et tamquam / ...nis et gloria in caelestis. Alleluia. V. Fulgebunt iust / ...nis et gloria in caelestia Alleluia V. Fulgebunt justi. et tamquam Anonymous 28
...recolat ecclesia Katarine preconia ... nobis sis propitia / Virgo sancta Katherina tam humana Anonymous 18v–19
15th-century void notation Anonymous 35v
Alleluia. Canite, mater ... redemptoris / Alleluia. Pascha nostrum Anonymous 14v–15
Alleluia. Gaude, virgo, gaude In tuis laudibus / Gaude per quam cornu David Anonymous 25v
Alleluia. Psallat haec familia / Alleluia. Concinat haec familia Anonymous 25v
Alma jam ad gaudia genitricis / Alme matri Dei ad veneranda / Alleluia. Per te, Dei genitrix Anonymous 15v–16
Alme veneremur diei preconia Alleluia. V. Justi epulentur Anonymous 28
Amor patris praesentatur Anonymous 12
Ave, virgo, mater Dei Anonymous 13v
Beata supernorum preceptrix / Benedicta. Virgo Dei genitrix Anonymous 14
Candens crescit lilium, virginale / Candens lilium columbina Anonymous 28v
Dulciflua tua memoria / Praecipua michi da gaudia Anonymous 23
Fons ortorum, riga morum Anonymous 17
Fulget caelestis curia / O Petre, flos apostolorum / Roma gaudet de tali Anonymous 17v–18
Inviolata integra mater / Inviolata integra et casta Anonymous 23v–24v
Kyrie fons pietatis / Kyrie pater venerande Anonymous 16v
Lingua peregrina te laudare / Laqueus Anonymous 25
Munda, Maria, mater militie Anonymous 12–12v
O regina caelestis curie, flos virginum / O regina caelestis curie, consolare Anonymous 12v
Pro beati Pauli gloria dat preconia / O pastor patris summi regis gregi / O preclara patrie caelestis bina / Pro patribus Anonymous 22v
Quem trina polluit Anonymous 35v
Salve, gemma confessorum, Nicholae Anonymous 22
Sanctorum omnium virgo Anonymous 13
small frags. of one or more pieces, probably palimpsest Anonymous 34v
Spiritus procedens a patre Anonymous 24v
Thomas gemma Cantuarie / Thomas cesus in Doveria Anonymous 34 & 35
void notation scribble Anonymous 13
void notation scribbles Anonymous 17
void notation scribbles Anonymous 19
… dans quod vocis premuit Anonymous 35–35v

Images © Bodleian Library, Oxford

denotes primary source study

Summers, William John, and Peter M Lefferts (editors). 2016. English 13th-Century Polyphony (EECM 57). Pages: pp. 32-39 & plates 179-309. Notes: physical description, contents, bibliography.

Sanders, Ernest H. 2001. Worcester Polyphony. New Grove Dictionary of Music and Musicians, 560-563.

Sanders, Ernest H, and Peter M Lefferts. 2001. English Polyphony, 1270-1400, The Worcester Fragments. New Grove Dictionary of Music and Musicians, 878-879.

Thomson, Rodney. 2001. A Descriptive Catalogue of the Medieval Manuscripts in Worcester Cathedral Library.  Woodbridge, Suffolk, & Rochester, NY: D.S. Brewer, for the Dean and Chapter of Worcester Cathedral. Pages: xlvi, 167-8.

Thomson, Rodney. 2000. Newly Discovered Fragments of Music at Worcester Cathedral: A Preliminary Account. Interpreting and Collecting Fragments of Medieval Books: Proceedings of The Seminar in the History of the Book to 1500, Oxford 1998, 89-95. London: Red Gull Press.

Wibberley, Roger. 2000. Ave virgo mater dei: towards a Reconstruction. Plainsong and Medieval Music, 41-49.

Malyshko, Olga E. 1998. Three Newly-Discovered Fragments at Worcester Cathedral: Another “Magnus Liber Organi” Flyleaf. Scriptorium, 66-88.

Caldwell, John. 1994. Worcester-Fragmente. Musik in Geschichte und Gegenwart,  Bärenreiter.

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Monday, 23 January, 2017

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