E-G frag. 33/II

Arxiu Capitular de la Catedral de Girona, Girona (Gerona), Spain

fragment: 15th century

Archive Arxiu Capitular de la Catedral de Girona, Girona (Gerona), Spain (E-G)
Shelfmark frag. 33/II
Numbering System Foliation
Other Identifiers
  • RISM: Ger
  • RISM: E-G
Notations
  • mensural
External Links
Provenance
  • Girona (Gerona), Spain
Contents 5 pieces from 4 composers
General Description

Bifolio with a single leaf in between. Contains mainly mass pieces, but also a Provencal motet. Belongs together the bifolio E-G frag. 33/II and with the bifolio E-Bbc MS 971 bis (which bears the original foliations xii and xiii). From Girona/Gerona in Spain.

A factitious representation of the manuscript to which these leaves originally belonged can be found here.

wikipedia
Binding

none

wikipedia
Notation

notes in dark ink, but some notes in red

DIAMM, 2020
Foliation

No original ink foliation (as there is in the other fragments). Earlier pencil pagination 3 to 7, crossed out and pencil foliation 1 to 3 entered instead.

DIAMM, 2020
Decoration

mainly red initials; some more decorated initials on f. 2v-3

DIAMM, 2020
DIAMM Note

Concordances & Cognates:

  • APT - Apt, Cathédrale Sainte-Anne, Bibliothèque du Chapitre, 16bis

  • BA1 - Barcelona, Biblioteca de Catalunya, BM 853b

  • BA2 - Barcelona, Biblioteca de Catalunya, BM 853c/d

  • IVR - Ivrea, Biblioteca Capitolare 115

  • KER - Kernaskléden, frescoes in the church of Notre Dame

  • TOU - Toulouse, Bibliothèque Municipale 94

wikipedia
RISM Description

RISM B/IV 2: The two early 15th century bifolios from Gerona contain mainly mass pieces, but also an interesting Provencal motet. They belong with f. 13-14 of Bcen 971, which bear the original foliations xii and xiii. Of the Gerona pages, only the second bifolio has the original folio numbers xvii and xxiiii. The description is as for the corresponding bifolio in Bcen 971, though the Gerona pieces seem mainly to have red or blue initials, and occasionally use red notes and semi-minims. There is no binding.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
RISM Description

Description of the related E-Bbc MS 971:

RISM B/IV 2: A 14th century parchment manuscript meas. 293 x 217 mm. and consisting of 14 folios. In fact, f. 1-12 is an independent senio, while f. 13-14 belong with the Gerona fragments. This bifolio is loose within the 15th century parchment document which serves as a binding for f. 1-12. In addition, the ms contains 2 halves of a page from a 12th century Visigothic Gradual. The main part of the ms has initials in red, green or both throughout, while the Gerona fragment makes use of red, green or yellow colours (the latter adorning black initials). There is no old foliation except xii and xiii on the Gerona fragment at t.r.r. Fol. 1-12 however have a modern pencil foliation at t.r.r. Mensuration signs, red notes, semiminims and even accidentals are missing in the Ars Nova notation of f. 1-12, and this is generally true of the Gerona fragment, which however already belongs in the 15th century. There are generally 8 red five-line staves per page, though f. 1, 6v, 7 and 11 have 9. Of the 11 pieces in Bcen 971, it will be noticed that the first 5 comprise a complete mass ordinary, though no. 4 is in the shape of a motet. The manuscript was discovered in 1925 by Monsignor Angles, who sent photos to Ludwig in the same year for the description in MachM II.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

3v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1r Kyrie Chipre (Kyrie eleison) -
Appears on: 1r
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Greek
Clef: c2
Voice Text: Kyrie leyson

Voice: Quinta
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson

Voice: Tenor
Languages: Greek
Clef: c4
Voice Text: Kyrie leyson
Layout

parts

1v Ave, regina caelorum, ave, domina / Ave, regina caelorum, ave, domina - Anonymous
Appears on: 1v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: Ave, regina celorum, ave, domina

Voice: Tenor
Languages: none
Clef: f2

Voice: Triplum
Languages: Latin
Clef: c1
Voice Text: Ave, regina celorum, ave, domina
Layout

parts

2r Principium effectivum, Deus pater … micocrosmi refectivum, Dominus - Anonymous
Appears on: 2r
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Principium effectivum, deus pater / microcosmi refectivum, dominus

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Principium effectivum, deus pater / microcosmi refectivum, dominus

Voice: [no designation]
Languages: Latin
Clef: f2
Voice Text: Principium effectivum, deus pater / microcosmi refectivum, dominus
General Note

last section of F-APT 16 bis 4; first Kyrie and Christe here missing; apparently this originally independent composition is used to replace Kyrie 2 in F-APT 16 bis

Layout

parts

2v–3r Sanctus & benedictus -
Mediolano (?)
Appears on: 2v–3r
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Sanctus

Voice: Contratenor
Languages: Latin
Clef: c2
Voice Text: Sanctus

Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Sanctus
Layout

parts

3v Agnus Dei [Tro] Rex immense pietatis -
Appears on: 3v
Genres: Mass Ordinary, Troped Agnus
Voice: Tenor
Languages: none
Clef: c5

Voice: Contratenor
Languages: none
Clef: c4

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Agnus dei [Tro] rex inmence pietatis
Layout

parts

General Note

incomplete Contra-T

Images © Arxiu Capitular de la Catedral de Girona, Girona

denotes primary source study

Gómez Muntané, Maria del Carmen. 1984. Musique et musiciens dans les chapelles de la maison royale d'Aragon (1336-1413). Musica Disciplina, 67-86. Pages: 78ff.

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians.  London. Pages: 285, 640.

Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, nos. 18, 11, 65, 67, 49, 51 (transcription of G 1, 3-6 and 8) II, 34f, 29f, 73f, 76f, 6Iff.

Schmidt, Günther. 1958. Zur Frage des Cantus firmus im 14. und beginnenden 15. Jahrhundert. Archiv für Musikwissenschaft, 230ff. Pages: 245.

Stäblein-Harder, Hanna, Bruno Stäblein, and Hanna Harder. 1957. Neue Fragmente mehrstimmiger Musik aus spanischen Bibliotheken. Festschrift für Joseph Schmidt-Görg zum 60 Geburtstag, 131–41. Bonn: Beethovenhaus. Pages: pi. I-VI, XI-XIV (complete facsimile of G), 131.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 136f (transcription of G 5 after F-Tlm 94).

Stäblein-Harder, Hanna. 1953. Die Messe von Toulouse. Musica Disciplina, 105ff. Pages: 122f (transcription of G 5 after F-Tim 94).

Gastoué, Amédée (editor). 1936. Le manuscrit de musique polyphonique du trésor d'Apt. 10 vols. Paris: La société française de musicologie. Pages: nos. 5, 4, 37 (transcriptions of G 1, 3 and 8 after F-APT 16 bis).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description