E-Mn 20486 (Codex de Madrid)

Biblioteca Nacional, Madrid, Spain

manuscript of polyphony: 13th century

Archive	Biblioteca Nacional, Madrid, Spain (E-Mn)
Shelfmark	20486 (Codex de Madrid)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	None
Measurements	166 x 115 mm
Other Identifiers	RISM: Ma
Notations	Notre Dame square
Relationships	Toledo Cathedral (owner) Riaño, Juan Facundo (saw and described MS) Aubry, Pierre (saw and described MS)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database images
Provenance	Toledo Cathedral , Toledo, Spain
Contents	101 pieces from 2 composers

General Description

A 13th century parchment manuscript containing 142 folios, in format Ma is the smallest of the four principal sources containing the music of the Notre Dame school. Anglès distinguishes 3 copyists: A f. 1-3v, B f. 5-24v and C f. 25-142. The two fragments at the bottom of f. 2 and at the top of f. 3v appear to be 14th century additions.

LudwigR placed the ms chronologically after W1 and F and before W2, and divided the ms into six large sections as follows : I, f. 1-4, a binio containing a conductus, a motet and 2 textless voices ; II, f. 5-24, 2 quinios containing 2 four-part motets and 3 four-part organa; III, f. 25-65, 5 quaternios with an added leaf f. 61, containing 22 two-part conductus; IV, f. 66-106, 5 quaternios with an added leaf f. 105, containing 20 two-part conductus and 8 motets; V, f. 107-122, 2 quaternios containing 10 two-part conductus, a motet and a three-part In seculum; VI, f. 123-142, 2 quinios containing 8 two-part conductus and 23 motets, the majority without T, some with Mot only and some with Tr and Mot only.

It is noteworthy that Ma does not place motets and conductus in separate fascicles.

DIAMM, 2020

Physical Description

The last fascicle is scarcely legible in some places due to the effect of humidity.

DIAMM, 2020

Binding

Bound in parchment in the 18th century

DIAMM, 2020

Notation

square Notre Dame

DIAMM, 2017

Ruling

There are generally 8 or 9 five-line but also 10 four and five-line red staves per page. Staves have been ruled throughout, though ff. 4-4v, 22-24v and 140-142 are blank.

DIAMM, 2020

Decoration

Initials are written in blue or black on a red background, though they are not infrequently missing. The large initial F on f. 25 suggests that this may have been the beginning of the manuscript originally.

DIAMM, 2020

Surface

parchment

DIAMM, 2017

RISM Description

RISM B/IV 1: A 13th century parchment manuscript meas. 166 x 115 mm. and containing 142 folios. The present pencil foliation was added at t.r.r. by Wilhelm Meyer in 1907. 3 extra folios were added to the ms at each end when it was bound in parchment in the 18th century. Anglès distinguishes 3 copyists: A f. 1-3v, B f. 5-24v and C f. 25-142. The two fragments at the bottom of f. 2 and at the top of f. 3v appear to be 14th century additions. Fol. 4-4v, 22-24v and 140-142 are blank, though staves have been ruled throughout. There are generally 8 or 9 five-line but also 10 four and five-line red staves per page. In format Ma is the smallest of the four principal sources containing the music of the Notre Dame school, though the margins were cut down a little during binding. The notation is the typical square type of the Notre Dame school, and initials are written in blue or black on a red background, though they are not infrequently missing. The large initial F on f. 25 suggests that this may have been the beginning of the manuscript originally. Till it was transferred to the Biblioteca Nacional in 1869, Ma was the property of the Chapter of Toledo Cathedral, and it probably originated in Toledo if not in the cathedral itself. Anglès is quite definite about the Spanish origin of the codex. Riaño was the first to mention the ms in his Critical and Bibliographical Notes on Early Spanish Music (1887), 46 and Dreves published most of the texts together with two pieces of music in Analecta hymnica XX-XXI (1895). Aubry gave a complete description of the ms in 1907 and Ludwig was able to make use of Meyer's investigations for LudwigR. He placed the ms chronologically after W1 and F and before W2, which seems correct. He divided the ms into six large sections as follows : I, f. 1-4, a binio containing a conductus, a motet and 2 textless voices ; II, f. 5-24, 2 quinios containing 2 four-part motets and 3 four-part organa; III, f. 25-65, 5 quaternios with an added leaf f. 61, containing 22 two-part conductus; IV, f. 66-106, 5 quaternios with an added leaf f. 105, containing 20 two-part conductus and 8 motets; V, f. 107-122, 2 quaternios containing 10 two-part conductus, a motet and a three-part In seculum; VI, f. 123-142, 2 quinios containing 8 two-part conductus and 23 motets, the majority without T, some with Mot only and some with Tr and Mot only. The last fascicle is scarcely legible in some places due to the effect of humidity. It is noteworthy that Ma does not place motets and conductus in separate fascicles.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1-2	Praeter rerum seriem	-	Anonymous
Praeter rerum seriem Anonymous Appears on: 1-2 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: [P]reter rerum seriem Voice: [no designation] Languages: none Clef: c4 General Note music on f. 1 only Layout score
2	In saeculum	-	Anonymous
In saeculum Anonymous Appears on: 2 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [In seculum] Voice: [no designation] Languages: none Clef: c3 General Note 2 textless voices; the lower is "in seculum": incipit as T of Mo 3 Layout parts
2v–3	De gravi semineo quod patet / In corde	-	Anonymous
De gravi semineo quod patet / In corde Anonymous Appears on: 2v–3 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [D]e gravi semineo quod patet Voice: Tenor Languages: Latin Clef: c3 Voice Text: [In corde] General Note T omitted Layout score
3v	untexted	-	-
untexted Appears on: 3v Voice: [no designation] Languages: none Clef: c2 General Note textless voice Layout parts
5	...nullique cede. Non permittet ... Expl ... omnes defecerunt	-	Anonymous
...nullique cede. Non permittet ... Expl ... omnes defecerunt Anonymous Appears on: 5 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: ...nullique cede. Non permittet ... Expl ... omnes defecerunt Voice: [no designation] Languages: none Clef: c4 General Note ending only of "De Stephani roseo sanguine-- T. Sederunt". The music of T om., but occus in no. 8. For Mot incipt, see W2 153 Layout score
5v–v	Adesse, festina monas michi / Adjuva me, Domine	-	Anonymous
Adesse, festina monas michi / Adjuva me, Domine Anonymous Appears on: 5v–v Genres: Motet Voice: [no designation] Languages: Latin Clef: no clef Voice Text: [A]desse, festina, monas michi Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: Tenor Languages: Latin Clef: c4 Voice Text: [Adiuva me, domine] General Note T omitted, but occurs as V. of no. 8 Layout score
13v–17	Viderunt omnes. V. Notum fecit	-	Pérotin (ca. 1160–ca. 1225)
Viderunt omnes. V. Notum fecit Pérotin (ca. 1160–ca. 1225) Appears on: 13v–17 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [V]iderunt V. [N]otum fecit Layout score
17–v	Sederunt. V. Adjuva me, Domine. Sederunt	-	Pérotin (ca. 1160–ca. 1225)
Sederunt. V. Adjuva me, Domine. Sederunt Pérotin (ca. 1160–ca. 1225) Appears on: 17–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [S]ederunt. V. [A]diuva me, domine Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c4 Layout score
21–v	Mors	-	Anonymous
Mors Anonymous Appears on: 21–v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Mors Layout score
25–v	Fraude ceca	-	Anonymous
Fraude ceca Anonymous Appears on: 25–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Fraude ceca desolato primo nostri generis Voice: [no designation] Languages: none Clef: c3 Layout score
27v–v	Puer nobis est natus dum Deus humanatus	-	Anonymous
Puer nobis est natus dum Deus humanatus Anonymous Appears on: 27v–v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Puer nobis est natus dum deus humanatus Layout score
30v–2v	Relegata vetustate vetus homo renovetur	-	Anonymous
Relegata vetustate vetus homo renovetur Anonymous Appears on: 30v–2v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [R]elegata vetustate vetus homo renovetur Voice: [no designation] Languages: none Clef: c4 Layout score
32v–35	Deus creator omnium fecit quecumque voluit	-	Anonymous
Deus creator omnium fecit quecumque voluit Anonymous Appears on: 32v–35 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Deus creator omnium fecit quecumque voluit Voice: [no designation] Languages: none Clef: c5 Layout score
35–7	Veri vitis germine plantatoris germinat	-	Anonymous
Veri vitis germine plantatoris germinat Anonymous Appears on: 35–7 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [V]eri vitis germine plantatoris germinat Voice: [no designation] Languages: none Clef: c4 Layout score
37–v	Gaude, virgo virginum ex qua lumen luminum	-	Anonymous
Gaude, virgo virginum ex qua lumen luminum Anonymous Appears on: 37–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Gaude, virgo virginum ex qua lumen luminum Voice: [no designation] Languages: none Clef: c4 Layout score
38v–40	Actor vite virgine natus mori voluit	-	Anonymous
Actor vite virgine natus mori voluit Anonymous Appears on: 38v–40 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Actor vite virgine natus mori voluit Layout score
40–2	Haec est dies triumphalis	-	Anonymous
Haec est dies triumphalis Anonymous Appears on: 40–2 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [H]ec est dies triumphalis Voice: [no designation] Languages: none Clef: c3 Layout score
42–5	Pater noster commiserans	-	Anonymous
Pater noster commiserans Anonymous Appears on: 42–5 Genres: Motet Voice: [no designation] Languages: none Clef: c2 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [P]ater noster comiserans Layout score
45–7	Condimentum nostre spei	-	Anonymous
Condimentum nostre spei Anonymous Appears on: 45–7 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [C]ondimentum nostre spei Voice: [no designation] Languages: none Clef: c5 Layout score
47–v	Jam vetus litera jam legis criminum	-	Anonymous
Jam vetus litera jam legis criminum Anonymous Appears on: 47–v Genres: Motet Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [I]am vetus litera iam legis criminum Layout score
48v–9v	Resurgente Domino ei cumresurgamus	-	Anonymous
Resurgente Domino ei cumresurgamus Anonymous Appears on: 48v–9v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [R]esurgente domino ei cumresurgamus Layout score
49v–51	Lene spirat spiritus missus et divinitus	-	Anonymous
Lene spirat spiritus missus et divinitus Anonymous Appears on: 49v–51 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [L]ene spirat spiritus missus et divinitus Voice: [no designation] Languages: none Clef: c3 Layout score
51–v	Fulget in propatulo pax aeterne gloriae	-	Anonymous
Fulget in propatulo pax aeterne gloriae Anonymous Appears on: 51–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [F]ulget in propatulo pax eterne glorie Voice: [no designation] Languages: none Clef: c3 Layout score
52v–4v	In rosa vernat lilium	-	Anonymous
In rosa vernat lilium Anonymous Appears on: 52v–4v Genres: Motet Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [I]n rosa vernat lilium Layout score
54v–56	Beatae virginis fecundat viscera	-	Anonymous
Beatae virginis fecundat viscera Anonymous Appears on: 54v–56 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [B]eate virginis fecundat viscera Voice: [no designation] Languages: none Clef: c3 Layout score
56–v	Ista dies celebrari promeretur et amari festa	-	Anonymous
Ista dies celebrari promeretur et amari festa Anonymous Appears on: 56–v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [I]sta dies celebrari promeretur et amari festa Layout score
58–9	Rex aeterne gloriae mundo natus hodie	-	Anonymous
Rex aeterne gloriae mundo natus hodie Anonymous Appears on: 58–9 Genres: Motet Voice: [no designation] Languages: Latin Clef: f4 Voice Text: [R]ex eterne glorie mundo natus hodie Voice: [no designation] Languages: none Clef: c5 Layout score
59v–60	Ave Maria gratia plena Dominus tecum	-	Anonymous
Ave Maria gratia plena Dominus tecum Anonymous Appears on: 59v–60 Genres: Ave Maria, Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Ave, Maria gratia plena, dominus tecum Voice: [no designation] Languages: none Clef: c4 Layout score
60v–63	O qui fontem gratie captivus regeneras	-	Anonymous
O qui fontem gratie captivus regeneras Anonymous Appears on: 60v–63 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: O qui fontem gratie capt[i]vus regeneras Voice: [no designation] Languages: none Clef: c4 Layout score
63–5	Nulli beneficium juste penitudinis	-	Anonymous
Nulli beneficium juste penitudinis Anonymous Appears on: 63–5 Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [N]ulli beneficium iuste penitudinis Voice: [no designation] Languages: none Clef: c4 Layout score
65–v	Age penitentiam memor unde cecideris	-	Anonymous
Age penitentiam memor unde cecideris Anonymous Appears on: 65–v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [A]ge penitentiam memor unde cecideris Layout score
66–v	Frater, jam prospicias ut habicias has	-	Anonymous
Frater, jam prospicias ut habicias has Anonymous Appears on: 66–v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Frater, iam prospicias ut habicias has Voice: [no designation] Languages: none Clef: c3 Layout score
67v–69	Adest annus jubileus, annus	-	Anonymous
Adest annus jubileus, annus Anonymous Appears on: 67v–69 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [A]dest annus iubileus, annus Voice: [no designation] Languages: none Clef: c3 Layout score
69–1	Austro terris influente	-	Anonymous
Austro terris influente Anonymous Appears on: 69–1 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Austro terris influente Layout score
71–v	Magnificat anima mea Dominum qui judicat	-	Anonymous
Magnificat anima mea Dominum qui judicat Anonymous Appears on: 71–v Genres: Magnificat Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [M]agnificat anima mea dominum qui iudicat Voice: [no designation] Languages: none Clef: c5 Layout score
74v–6v	Flos de spina procreatur et flos flore fecundatur	-	Anonymous
Flos de spina procreatur et flos flore fecundatur Anonymous Appears on: 74v–6v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [F]los de spina procreatur et flos flore fecundatur Layout score
76v–78	Quod promisit ab eterno, die	-	Anonymous
Quod promisit ab eterno, die Anonymous Appears on: 76v–78 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Quod promisit ab eterno, die Voice: [no designation] Languages: none Clef: c3 Layout score
78–79	Hac in die Gedeonis ros mundi novit	-	Anonymous
Hac in die Gedeonis ros mundi novit Anonymous Appears on: 78–79 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [H]ac in die Gedeonis ros mundi novit Voice: [no designation] Languages: none Clef: c3 Layout score
79v–80v	Lux illuxit gratiosa novum ferens gaudium	-	Anonymous
Lux illuxit gratiosa novum ferens gaudium Anonymous Appears on: 79v–80v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Lux illuxit gratiosa novum ferens gaudium Voice: [no designation] Languages: none Clef: c4 Layout score
81–83	Ortu regis evanescit	-	Anonymous
Ortu regis evanescit Anonymous Appears on: 81–83 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [O]rtu regis evanescit Voice: [no designation] Languages: none Clef: c3 Layout score
83–85v	Deduc, Sion, uberrimas velut torrentem	-	Anonymous
Deduc, Sion, uberrimas velut torrentem Anonymous Appears on: 83–85v Genres: Motet Voice: [no designation] Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [D]educ, Syon, uberrimas velut torrente Layout score
85v–87	Ex oliva Remensium fons sacra manat olei	-	Anonymous
Ex oliva Remensium fons sacra manat olei Anonymous Appears on: 85v–87 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [E]x oliva Remensium fons sacra manat oley Voice: [no designation] Languages: none Clef: c4 Layout score
87–89	Ergo reus confiteor deo	-	Anonymous
Ergo reus confiteor deo Anonymous Appears on: 87–89 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [E](r)go reus confiteor deo Layout score
89–90	Scrutator alme cordium, lumen verum de lumine	-	Anonymous
Scrutator alme cordium, lumen verum de lumine Anonymous Appears on: 89–90 Genres: Respond Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [Sc]rutator alme cordium, lumen verum de lumine Voice: [no designation] Languages: none Clef: c3 Layout score
90v–92	Gaude, praesul, in Domino multipliciter	-	Anonymous
Gaude, praesul, in Domino multipliciter Anonymous Appears on: 90v–92 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [G]aude, presul, in domino multipliciter Voice: [no designation] Languages: none Clef: c3 Layout score
92–94	Gloria in excelsis deo redemptori meo	-	Anonymous
Gloria in excelsis deo redemptori meo Anonymous Appears on: 92–94 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [G]loria in excelsis deo redemptori meo Voice: [no designation] Languages: none Clef: c3 Layout score
94–96v	Sursum corda elevate dulci corda resonante	-	Anonymous
Sursum corda elevate dulci corda resonante Anonymous Appears on: 94–96v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [S]ursum corda elevate dulci corda resonante Layout score
97–99	O crux, ave, spes unica	-	Anonymous
O crux, ave, spes unica Anonymous Appears on: 97–99 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [O] crux, ave, spes unica Voice: [no designation] Languages: none Clef: c3 Layout score
99–100	Alma redemptoris mater II: Tu que genuisti natura mirante	-	Anonymous
Alma redemptoris mater II: Tu que genuisti natura mirante Anonymous Appears on: 99–100 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [A]lma redemptoris mater que previa Layout score
100v–101	Salve, sancta parens, enixa	-	Anonymous
Salve, sancta parens, enixa Anonymous Appears on: 100v–101 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [S]alve, sancta parens, enixa Voice: [no designation] Languages: none Clef: c3 Layout score
101–1002	Consequens antecedente destructo destruitur	-	Anonymous
Consequens antecedente destructo destruitur Anonymous Appears on: 101–1002 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [C]onsequens antecedente destructo destruitur Layout score
102–102v	Ad veniam perveniam si veniam	-	Anonymous
Ad veniam perveniam si veniam Anonymous Appears on: 102–102v Genres: Motet Voice: [no designation] Languages: none Clef: no clef Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [A]d veniam perveniam si veniam General Note T Tamquam om. Layout score parts
103–103v	Hodie Maria concurrunt laudi	-	Anonymous
Hodie Maria concurrunt laudi Anonymous Appears on: 103–103v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [H]odie Maria concurrunt laudi Voice: [no designation] Languages: none Clef: c3 General Note T. Reg. omitted Layout score parts
104–104v	Ecclesiae vox hodie sollemnia	-	Anonymous
Ecclesiae vox hodie sollemnia Anonymous Appears on: 104–104v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [E]cclesie vox hodie sollempnia General Note T. Et florebit omitted Layout score
104v–105	Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu	-	Anonymous
Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu Anonymous Appears on: 104v–105 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: Mors Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [M]ors morsu nato venato Layout parts
105–105v	Ave, Maria, fons laetitiae / Immo	-	Anonymous
Ave, Maria, fons laetitiae / Immo Anonymous Appears on: 105–105v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [A]ve,Maria, fons leticie Voice: Tenor Languages: Latin Clef: c4 Voice Text: Immo General Note T. Latus omitted Layout parts
105v–106	Ad caeli sublimia et promissa	-	Anonymous
Ad caeli sublimia et promissa Anonymous Appears on: 105v–106 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [A]d celi sublimia et promissa Voice: Tenor Languages: none Clef: c4 General Note T. Ta omitted Layout parts
106–106v	Deo confitemini qui sua	-	Anonymous
Deo confitemini qui sua Anonymous Appears on: 106–106v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [D]eo confitemini qui sua Layout score
106v	Laudes referat puri cordis	-	Anonymous
Laudes referat puri cordis Anonymous Appears on: 106v Genres: Motet Voice: [no designation] Languages: Latin Clef: [c3] Voice Text: [L]audes referas puri cordis Voice: [no designation] Languages: none Clef: [c3] General Note incomplete; breaks off at "quem hostis" Layout score
107–109v	Naturas Deus regulis certis	-	Anonymous
Naturas Deus regulis certis Anonymous Appears on: 107–109v Genres: Motet Voice: [no designation] Languages: Latin Clef: c5 Voice Text: Naturas deus regulis certis Voice: [no designation] Languages: none Clef: c5 Layout score
109v–110v	Relegentur ab area	-	Anonymous
Relegentur ab area Anonymous Appears on: 109v–110v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [R]elegentur ab area Voice: [no designation] Languages: none Clef: c4 Layout score
110v–11v	Transgressus legem Domini	-	Anonymous
Transgressus legem Domini Anonymous Appears on: 110v–11v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [T]ransgressus legem domini Layout score
111v–113	Salvatoris hodie sanguis pregustatur	-	Pérotin (ca. 1160–ca. 1225)
Salvatoris hodie sanguis pregustatur Pérotin (ca. 1160–ca. 1225) Appears on: 111v–113 Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [S]alvatoris hodie sanguis pregustatur Layout score
113–114	Ave maris stella virgo	-	Anonymous
Ave maris stella virgo Anonymous Appears on: 113–114 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [A]ve, maris stella, virgo Layout score
114–115	Dic Christi veritas	-	Anonymous
Dic Christi veritas Anonymous Appears on: 114–115 Genres: Conductus Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [D]ye Christi veritas Layout score
115–116	Presul nostri temporis	-	Anonymous
Presul nostri temporis Anonymous Appears on: 115–116 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [P]resul nostri temporis Voice: [no designation] Languages: none Clef: c4 Layout score
116–117v	Pater noster qui es in caelis	-	Anonymous
Pater noster qui es in caelis Anonymous Appears on: 116–117v Genres: Motet Voice: [no designation] Languages: none Clef: c6 Voice: [no designation] Languages: Latin Clef: f3 Voice Text: [P]ater noster qui es in celis Layout score
117v–1118v	Mater patris et filia	-	Anonymous
Mater patris et filia Anonymous Appears on: 117v–1118v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [M]ater patris et filia Layout score
119–119v	De monte lapis scinditur	-	Anonymous
De monte lapis scinditur Anonymous Appears on: 119–119v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [D]e monte lapis scinditur Voice: [no designation] Languages: none Clef: c4 Layout score
119v–122	Serena virginum, lux luminum plena / Manere	-	Anonymous
Serena virginum, lux luminum plena / Manere Anonymous Appears on: 119v–122 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [S]erena virginum lux hominum plena Layout score
122v	In saeculum à 3	-	Anonymous
In saeculum à 3 Anonymous Appears on: 122v Genres: Motet Voice: Triplum Languages: Latin Clef: c3 Voice Text: [In seculum] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [In seculum] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [In seculum] General Note two lower pars in score followed by Tr Layout parts
123–124	Paris preter morem creata creatorem	-	Anonymous
Paris preter morem creata creatorem Anonymous Appears on: 123–124 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [P]aris preter morem creata creatorem Voice: [no designation] Languages: none Clef: c3 Layout score
124–124v	Procurans hodium effectum proprio	-	Anonymous
Procurans hodium effectum proprio Anonymous Appears on: 124–124v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [P]rocurans hodium effectu(m) proprio Layout score
124v–125	Ne sedeas, sortis adaleas / Et tenuerunt	-	Anonymous
Ne sedeas, sortis adaleas / Et tenuerunt Anonymous Appears on: 124v–125 Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [N]e sedeas, sortis adaleas General Note T. Et tenue omitted Layout parts
125–125v	In Bethlehem Herodes iratus	-	Anonymous
In Bethlehem Herodes iratus Anonymous Appears on: 125–125v Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: Triplum Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [I]n Bethleem Herodes iratus Layout score parts General Note Tr, and T. In Bethleem om.)
126–126v	Homo, quo vigeas, vide Dei / Et gaudebit	-	Anonymous
Homo, quo vigeas, vide Dei / Et gaudebit Anonymous Appears on: 126–126v Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [H]omo, quo vigeas, vide dei Voice: Tenor Languages: none Clef: c4 General Note Tr, and T. Et gaudebit om. Layout score parts
126v–127v	Flos de spina rumpitur, spina caret flos	-	Anonymous
Flos de spina rumpitur, spina caret flos Anonymous Appears on: 126v–127v Genres: Motet Voice: Tenor Languages: none Clef: c5 Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [F]los de spina rumpitur, spina caret flos General Note Tr and T. Reg om. Layout score parts
127v	Ad solitum vomitum ne redeas / Regnat	-	Anonymous
Ad solitum vomitum ne redeas / Regnat Anonymous Appears on: 127v Genres: Motet Voice: Tenor Languages: none Clef: c5 Voice: Triplum Languages: none Clef: c5 Voice: [no designation] Languages: Latin Clef: c5 Voice Text: [A]d solitum vomitum ne redeas General Note Tr, and T. Reg om. Layout score parts
127v–128	Si mundus viveret, mundus pecunia	-	Anonymous
Si mundus viveret, mundus pecunia Anonymous Appears on: 127v–128 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [S]i mundus viveret mundus pecunia Voice: [no designation] Languages: none Clef: c3 Layout score
128–128v	Qui servare puberem vagam claudere	-	Anonymous
Qui servare puberem vagam claudere Anonymous Appears on: 128–128v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Q]ui servare puberem vagam claudere Voice: [no designation] Languages: none Clef: c3 Layout score
129–129v	Formam hominis in aula virginis	-	Anonymous
Formam hominis in aula virginis Anonymous Appears on: 129–129v Genres: Motet Voice: Tenor Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [F]ormam hominis in aula virginis Voice: Triplum Languages: none Clef: c2 General Note T. Gloria om. Layout score parts
129v–130	Veri floris sub figura quem produxit	-	Anonymous
Veri floris sub figura quem produxit Anonymous Appears on: 129v–130 Genres: Motet Voice: [no designation] Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [V]eri floris sub figura quem produxit Layout score
130–130v	Isayas cecinit, sinagoga meminit	-	Anonymous
Isayas cecinit, sinagoga meminit Anonymous Appears on: 130–130v Genres: Motet Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [Y]sayas cecinit, sinagoga meminit Layout score
130v–131v	Mens fidem seminat, fides spem germinat / In odorem	-	Anonymous
Mens fidem seminat, fides spem germinat / In odorem Anonymous Appears on: 130v–131v Genres: Motet Voice: Tenor Languages: none Clef: [c5] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [M]ens fidem seminat, fides spem germinat General Note T. In odo om. Layout parts
131v	Alpha [Alta] bovi et leoni aquile / Domino	-	Anonymous
Alpha [Alta] bovi et leoni aquile / Domino Anonymous Appears on: 131v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [A]l[ph]a bovi et leoni aquile Voice: Tenor Languages: none Clef: [c4] General Note T. Domino om. Layout parts
132–132v	Hypocrite pseudopontifices ecclesiae / O quam sancta, quam beningna fulget mater	-	Anonymous
Hypocrite pseudopontifices ecclesiae / O quam sancta, quam beningna fulget mater Anonymous Appears on: 132–132v Genres: Motet Voice: Triplum Languages: Latin Clef: c3 Voice Text: [Y]pocrite pseudopontifices ecclesie (incomplete) Voice: Motetus Languages: Latin Clef: c3 Voice Text: [O] quam sancta, [quam] beningna fulget mater Voice: Tenor Languages: none Clef: [c3] General Note T. Et Gaudebit om. Layout parts
133–133v	Veni, vena venie, vite via / Et super	-	Anonymous
Veni, vena venie, vite via / Et super Anonymous Appears on: 133–133v Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Et super] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [V]eni, vena venie, vite via Layout score parts
133v–134	Honor triumphantis ecclesiae	-	Anonymous
Honor triumphantis ecclesiae Anonymous Appears on: 133v–134 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [H]onor triumphantis ecclesie Voice: Tenor Languages: none Clef: f3 Layout score parts
134	Gaude, chorus omnium fidelium / Angelus Domini	-	Anonymous
Gaude, chorus omnium fidelium / Angelus Domini Anonymous Appears on: 134 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [G]aude, chorus omnium fidelium Voice: Tenor Languages: Latin Clef: f3 Voice Text: [Angelus domini] Layout parts
134v	O felix puerpera domina / In saeculum	-	Anonymous
O felix puerpera domina / In saeculum Anonymous Appears on: 134v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [O] felix puerpera domina Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [In seculum] Layout parts
134v–135	Patrum sub imperio status stat / Pro patribus	-	Anonymous
Patrum sub imperio status stat / Pro patribus Anonymous Appears on: 134v–135 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [P]atrum sub imperio status stat Voice: Tenor Languages: Latin Clef: [c4] Voice Text: [Pro patribus] Layout parts
135	Divinarum scriturarum lactens / Filia	-	Anonymous
Divinarum scriturarum lactens / Filia Anonymous Appears on: 135 Genres: Motet Voice: Tenor Languages: Latin Clef: c3 Voice Text: [Filia] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [D]ivinarum scripturarum latens Layout parts
135v	Mulier misterio sterilis mire / Mulierum	-	Anonymous
Mulier misterio sterilis mire / Mulierum Anonymous Appears on: 135v Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [M]ulier misterio sterilis mire Voice: Tenor Languages: Latin Clef: f3 Voice Text: Mulierum Layout parts
135v–136v	Doceas hac die viam patrie	-	Anonymous
Doceas hac die viam patrie Anonymous Appears on: 135v–136v Genres: Motet Voice: Tenor Languages: Latin Clef: c4 Voice Text: [Doce] Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Doceas hac die viam patrie Layout parts
136v	Dominus gloriae resurgens hodie / Domino quoniam	-	Anonymous
Dominus gloriae resurgens hodie / Domino quoniam Anonymous Appears on: 136v Genres: Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: [Domino quoniam] Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Dominus glorie resurgens hodie Layout parts
136v–137	Omnipotens fecit grandia mirabilia	-	Anonymous
Omnipotens fecit grandia mirabilia Anonymous Appears on: 136v–137 Genres: Motet Voice: Tenor Languages: none Clef: c3 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Omnipotens fecit grandia mirabilia Layout parts
137	Johanne, Elisabeth gravida visitatur	-	Anonymous
Johanne, Elisabeth gravida visitatur Anonymous Appears on: 137 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [I]oanne, Yelisabet gravida visitatur Voice: [no designation] Languages: Latin Clef: f3 Voice Text: [Iohanne] Layout parts
137–137v	Ovibus pastoris mens seduli / Pro ovibus	-	Anonymous
Ovibus pastoris mens seduli / Pro ovibus Anonymous Appears on: 137–137v Genres: Motet Voice: [no designation] Languages: Latin Clef: f3 Voice Text: [Pro ovibus] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [O]vibus pastoris mens seduli Layout parts
137v–138	Ave,gloriosa plena gratie fons	-	Anonymous
Ave,gloriosa plena gratie fons Anonymous Appears on: 137v–138 Genres: Motet Voice: [no designation] Languages: Latin Clef: c4 Voice Text: [A]ve,gloriosa plena gratie fons Voice: [no designation] Languages: none Clef: f3 Layout parts
138–139	Salve, sancta parens patrie	-	Anonymous
Salve, sancta parens patrie Anonymous Appears on: 138–139 Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [S]alve, sancta parens patrie Voice: [no designation] Languages: none Clef: c3 Layout score
139–139v	Novus miles sequitur viam novi regis	-	Anonymous
Novus miles sequitur viam novi regis Anonymous Appears on: 139–139v Genres: Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: [N]ovus mille[s] sequitur viam novi regi Voice: [no designation] Languages: none Clef: c3 Layout score

Composer	Compositions
Anonymous	...nullique cede. Non permittet ... Expl ... omnes defecerunt – 5 Actor vite virgine natus mori voluit – 38v–40 Ad caeli sublimia et promissa – 105v–106 Ad solitum vomitum ne redeas / Regnat – 127v Ad veniam perveniam si veniam – 102–102v Adesse, festina monas michi / Adjuva me, Domine – 5v–v Adest annus jubileus, annus – 67v–69 Age penitentiam memor unde cecideris – 65–v Alma redemptoris mater II: Tu que genuisti natura mirante – 99–100 Alpha [Alta] bovi et leoni aquile / Domino – 131v Austro terris influente – 69–1 Ave Maria gratia plena Dominus tecum – 59v–60 Ave maris stella virgo – 113–114 Ave, Maria, fons laetitiae / Immo – 105–105v Ave,gloriosa plena gratie fons – 137v–138 Beatae virginis fecundat viscera – 54v–56 Condimentum nostre spei – 45–7 Consequens antecedente destructo destruitur – 101–1002 De gravi semineo quod patet / In corde – 2v–3 De monte lapis scinditur – 119–119v Deduc, Sion, uberrimas velut torrentem – 83–85v Deo confitemini qui sua – 106–106v Deus creator omnium fecit quecumque voluit – 32v–35 Dic Christi veritas – 114–115 Divinarum scriturarum lactens / Filia – 135 Doceas hac die viam patrie – 135v–136v Dominus gloriae resurgens hodie / Domino quoniam – 136v Ecclesiae vox hodie sollemnia – 104–104v Ergo reus confiteor deo – 87–89 Ex oliva Remensium fons sacra manat olei – 85v–87 Flos de spina procreatur et flos flore fecundatur – 74v–6v Flos de spina rumpitur, spina caret flos – 126v–127v Formam hominis in aula virginis – 129–129v Frater, jam prospicias ut habicias has – 66–v Fraude ceca – 25–v Fulget in propatulo pax aeterne gloriae – 51–v Gaude, chorus omnium fidelium / Angelus Domini – 134 Gaude, praesul, in Domino multipliciter – 90v–92 Gaude, virgo virginum ex qua lumen luminum – 37–v Gloria in excelsis deo redemptori meo – 92–94 Hac in die Gedeonis ros mundi novit – 78–79 Haec est dies triumphalis – 40–2 Hodie Maria concurrunt laudi – 103–103v Homo, quo vigeas, vide Dei / Et gaudebit – 126–126v Honor triumphantis ecclesiae – 133v–134 Hypocrite pseudopontifices ecclesiae / O quam sancta, quam beningna fulget mater – 132–132v In Bethlehem Herodes iratus – 125–125v In rosa vernat lilium – 52v–4v In saeculum – 2 In saeculum à 3 – 122v Isayas cecinit, sinagoga meminit – 130–130v Ista dies celebrari promeretur et amari festa – 56–v Jam vetus litera jam legis criminum – 47–v Johanne, Elisabeth gravida visitatur – 137 Laudes referat puri cordis – 106v Lene spirat spiritus missus et divinitus – 49v–51 Lux illuxit gratiosa novum ferens gaudium – 79v–80v Magnificat anima mea Dominum qui judicat – 71–v Mater patris et filia – 117v–1118v Mens fidem seminat, fides spem germinat / In odorem – 130v–131v Mors – 21–v Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu – 104v–105 Mulier misterio sterilis mire / Mulierum – 135v Naturas Deus regulis certis – 107–109v Ne sedeas, sortis adaleas / Et tenuerunt – 124v–125 Novus miles sequitur viam novi regis – 139–139v Nulli beneficium juste penitudinis – 63–5 O crux, ave, spes unica – 97–99 O felix puerpera domina / In saeculum – 134v O qui fontem gratie captivus regeneras – 60v–63 Omnipotens fecit grandia mirabilia – 136v–137 Ortu regis evanescit – 81–83 Ovibus pastoris mens seduli / Pro ovibus – 137–137v Paris preter morem creata creatorem – 123–124 Pater noster commiserans – 42–5 Pater noster qui es in caelis – 116–117v Patrum sub imperio status stat / Pro patribus – 134v–135 Praeter rerum seriem – 1-2 Presul nostri temporis – 115–116 Procurans hodium effectum proprio – 124–124v Puer nobis est natus dum Deus humanatus – 27v–v Qui servare puberem vagam claudere – 128–128v Quod promisit ab eterno, die – 76v–78 Relegata vetustate vetus homo renovetur – 30v–2v Relegentur ab area – 109v–110v Resurgente Domino ei cumresurgamus – 48v–9v Rex aeterne gloriae mundo natus hodie – 58–9 Salve, sancta parens patrie – 138–139 Salve, sancta parens, enixa – 100v–101 Scrutator alme cordium, lumen verum de lumine – 89–90 Serena virginum, lux luminum plena / Manere – 119v–122 Si mundus viveret, mundus pecunia – 127v–128 Sursum corda elevate dulci corda resonante – 94–96v Transgressus legem Domini – 110v–11v Veni, vena venie, vite via / Et super – 133–133v Veri floris sub figura quem produxit – 129v–130 Veri vitis germine plantatoris germinat – 35–7 [No description] – 3v
Pérotin (ca. 1160–ca. 1225)	Salvatoris hodie sanguis pregustatur – 111v–113 Sederunt. V. Adjuva me, Domine. Sederunt – 17–v Viderunt omnes. V. Notum fecit – 13v–17

Composer

Compositions

Anonymous

...nullique cede. Non permittet ... Expl ... omnes defecerunt – 5
Actor vite virgine natus mori voluit – 38v–40
Ad caeli sublimia et promissa – 105v–106
Ad solitum vomitum ne redeas / Regnat – 127v
Ad veniam perveniam si veniam – 102–102v
Adesse, festina monas michi / Adjuva me, Domine – 5v–v
Adest annus jubileus, annus – 67v–69
Age penitentiam memor unde cecideris – 65–v
Alma redemptoris mater II: Tu que genuisti natura mirante – 99–100
Alpha [Alta] bovi et leoni aquile / Domino – 131v
Austro terris influente – 69–1
Ave Maria gratia plena Dominus tecum – 59v–60
Ave maris stella virgo – 113–114
Ave, Maria, fons laetitiae / Immo – 105–105v
Ave,gloriosa plena gratie fons – 137v–138
Beatae virginis fecundat viscera – 54v–56
Condimentum nostre spei – 45–7
Consequens antecedente destructo destruitur – 101–1002
De gravi semineo quod patet / In corde – 2v–3
De monte lapis scinditur – 119–119v
Deduc, Sion, uberrimas velut torrentem – 83–85v
Deo confitemini qui sua – 106–106v
Deus creator omnium fecit quecumque voluit – 32v–35
Dic Christi veritas – 114–115
Divinarum scriturarum lactens / Filia – 135
Doceas hac die viam patrie – 135v–136v
Dominus gloriae resurgens hodie / Domino quoniam – 136v
Ecclesiae vox hodie sollemnia – 104–104v
Ergo reus confiteor deo – 87–89
Ex oliva Remensium fons sacra manat olei – 85v–87
Flos de spina procreatur et flos flore fecundatur – 74v–6v
Flos de spina rumpitur, spina caret flos – 126v–127v
Formam hominis in aula virginis – 129–129v
Frater, jam prospicias ut habicias has – 66–v
Fraude ceca – 25–v
Fulget in propatulo pax aeterne gloriae – 51–v
Gaude, chorus omnium fidelium / Angelus Domini – 134
Gaude, praesul, in Domino multipliciter – 90v–92
Gaude, virgo virginum ex qua lumen luminum – 37–v
Gloria in excelsis deo redemptori meo – 92–94
Hac in die Gedeonis ros mundi novit – 78–79
Haec est dies triumphalis – 40–2
Hodie Maria concurrunt laudi – 103–103v
Homo, quo vigeas, vide Dei / Et gaudebit – 126–126v
Honor triumphantis ecclesiae – 133v–134
Hypocrite pseudopontifices ecclesiae / O quam sancta, quam beningna fulget mater – 132–132v
In Bethlehem Herodes iratus – 125–125v
In rosa vernat lilium – 52v–4v
In saeculum – 2
In saeculum à 3 – 122v
Isayas cecinit, sinagoga meminit – 130–130v
Ista dies celebrari promeretur et amari festa – 56–v
Jam vetus litera jam legis criminum – 47–v
Johanne, Elisabeth gravida visitatur – 137
Laudes referat puri cordis – 106v
Lene spirat spiritus missus et divinitus – 49v–51
Lux illuxit gratiosa novum ferens gaudium – 79v–80v
Magnificat anima mea Dominum qui judicat – 71–v
Mater patris et filia – 117v–1118v
Mens fidem seminat, fides spem germinat / In odorem – 130v–131v
Mors – 21–v
Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu – 104v–105
Mulier misterio sterilis mire / Mulierum – 135v
Naturas Deus regulis certis – 107–109v
Ne sedeas, sortis adaleas / Et tenuerunt – 124v–125
Novus miles sequitur viam novi regis – 139–139v
Nulli beneficium juste penitudinis – 63–5
O crux, ave, spes unica – 97–99
O felix puerpera domina / In saeculum – 134v
O qui fontem gratie captivus regeneras – 60v–63
Omnipotens fecit grandia mirabilia – 136v–137
Ortu regis evanescit – 81–83
Ovibus pastoris mens seduli / Pro ovibus – 137–137v
Paris preter morem creata creatorem – 123–124
Pater noster commiserans – 42–5
Pater noster qui es in caelis – 116–117v
Patrum sub imperio status stat / Pro patribus – 134v–135
Praeter rerum seriem – 1-2
Presul nostri temporis – 115–116
Procurans hodium effectum proprio – 124–124v
Puer nobis est natus dum Deus humanatus – 27v–v
Qui servare puberem vagam claudere – 128–128v
Quod promisit ab eterno, die – 76v–78
Relegata vetustate vetus homo renovetur – 30v–2v
Relegentur ab area – 109v–110v
Resurgente Domino ei cumresurgamus – 48v–9v
Rex aeterne gloriae mundo natus hodie – 58–9
Salve, sancta parens patrie – 138–139
Salve, sancta parens, enixa – 100v–101
Scrutator alme cordium, lumen verum de lumine – 89–90
Serena virginum, lux luminum plena / Manere – 119v–122
Si mundus viveret, mundus pecunia – 127v–128
Sursum corda elevate dulci corda resonante – 94–96v
Transgressus legem Domini – 110v–11v
Veni, vena venie, vite via / Et super – 133–133v
Veri floris sub figura quem produxit – 129v–130
Veri vitis germine plantatoris germinat – 35–7
[No description] – 3v

Pérotin (ca. 1160–ca. 1225)

Salvatoris hodie sanguis pregustatur – 111v–113
Sederunt. V. Adjuva me, Domine. Sederunt – 17–v
Viderunt omnes. V. Notum fecit – 13v–17

Composition	Composers (? Uncertain)	Folios / Pages
...nullique cede. Non permittet ... Expl ... omnes defecerunt	Anonymous	5
Actor vite virgine natus mori voluit	Anonymous	38v–40
Ad caeli sublimia et promissa	Anonymous	105v–106
Ad solitum vomitum ne redeas / Regnat	Anonymous	127v
Ad veniam perveniam si veniam	Anonymous	102–102v
Adesse, festina monas michi / Adjuva me, Domine	Anonymous	5v–v
Adest annus jubileus, annus	Anonymous	67v–69
Age penitentiam memor unde cecideris	Anonymous	65–v
Alma redemptoris mater II: Tu que genuisti natura mirante	Anonymous	99–100
Alpha [Alta] bovi et leoni aquile / Domino	Anonymous	131v
Austro terris influente	Anonymous	69–1
Ave Maria gratia plena Dominus tecum	Anonymous	59v–60
Ave maris stella virgo	Anonymous	113–114
Ave, Maria, fons laetitiae / Immo	Anonymous	105–105v
Ave,gloriosa plena gratie fons	Anonymous	137v–138
Beatae virginis fecundat viscera	Anonymous	54v–56
Condimentum nostre spei	Anonymous	45–7
Consequens antecedente destructo destruitur	Anonymous	101–1002
De gravi semineo quod patet / In corde	Anonymous	2v–3
De monte lapis scinditur	Anonymous	119–119v
Deduc, Sion, uberrimas velut torrentem	Anonymous	83–85v
Deo confitemini qui sua	Anonymous	106–106v
Deus creator omnium fecit quecumque voluit	Anonymous	32v–35
Dic Christi veritas	Anonymous	114–115
Divinarum scriturarum lactens / Filia	Anonymous	135
Doceas hac die viam patrie	Anonymous	135v–136v
Dominus gloriae resurgens hodie / Domino quoniam	Anonymous	136v
Ecclesiae vox hodie sollemnia	Anonymous	104–104v
Ergo reus confiteor deo	Anonymous	87–89
Ex oliva Remensium fons sacra manat olei	Anonymous	85v–87
Flos de spina procreatur et flos flore fecundatur	Anonymous	74v–6v
Flos de spina rumpitur, spina caret flos	Anonymous	126v–127v
Formam hominis in aula virginis	Anonymous	129–129v
Frater, jam prospicias ut habicias has	Anonymous	66–v
Fraude ceca	Anonymous	25–v
Fulget in propatulo pax aeterne gloriae	Anonymous	51–v
Gaude, chorus omnium fidelium / Angelus Domini	Anonymous	134
Gaude, praesul, in Domino multipliciter	Anonymous	90v–92
Gaude, virgo virginum ex qua lumen luminum	Anonymous	37–v
Gloria in excelsis deo redemptori meo	Anonymous	92–94
Hac in die Gedeonis ros mundi novit	Anonymous	78–79
Haec est dies triumphalis	Anonymous	40–2
Hodie Maria concurrunt laudi	Anonymous	103–103v
Homo, quo vigeas, vide Dei / Et gaudebit	Anonymous	126–126v
Honor triumphantis ecclesiae	Anonymous	133v–134
Hypocrite pseudopontifices ecclesiae / O quam sancta, quam beningna fulget mater	Anonymous	132–132v
In Bethlehem Herodes iratus	Anonymous	125–125v
In rosa vernat lilium	Anonymous	52v–4v
In saeculum	Anonymous	2
In saeculum à 3	Anonymous	122v
Isayas cecinit, sinagoga meminit	Anonymous	130–130v
Ista dies celebrari promeretur et amari festa	Anonymous	56–v
Jam vetus litera jam legis criminum	Anonymous	47–v
Johanne, Elisabeth gravida visitatur	Anonymous	137
Laudes referat puri cordis	Anonymous	106v
Lene spirat spiritus missus et divinitus	Anonymous	49v–51
Lux illuxit gratiosa novum ferens gaudium	Anonymous	79v–80v
Magnificat anima mea Dominum qui judicat	Anonymous	71–v
Mater patris et filia	Anonymous	117v–1118v
Mens fidem seminat, fides spem germinat / In odorem	Anonymous	130v–131v
Mors	Anonymous	21–v
Mors, que stimulo nos urges emulo / Mors morsu nata venenato, mors / Mors morsu	Anonymous	104v–105
Mulier misterio sterilis mire / Mulierum	Anonymous	135v
Naturas Deus regulis certis	Anonymous	107–109v
Ne sedeas, sortis adaleas / Et tenuerunt	Anonymous	124v–125
Novus miles sequitur viam novi regis	Anonymous	139–139v
Nulli beneficium juste penitudinis	Anonymous	63–5
O crux, ave, spes unica	Anonymous	97–99
O felix puerpera domina / In saeculum	Anonymous	134v
O qui fontem gratie captivus regeneras	Anonymous	60v–63
Omnipotens fecit grandia mirabilia	Anonymous	136v–137
Ortu regis evanescit	Anonymous	81–83
Ovibus pastoris mens seduli / Pro ovibus	Anonymous	137–137v
Paris preter morem creata creatorem	Anonymous	123–124
Pater noster commiserans	Anonymous	42–5
Pater noster qui es in caelis	Anonymous	116–117v
Patrum sub imperio status stat / Pro patribus	Anonymous	134v–135
Praeter rerum seriem	Anonymous	1-2
Presul nostri temporis	Anonymous	115–116
Procurans hodium effectum proprio	Anonymous	124–124v
Puer nobis est natus dum Deus humanatus	Anonymous	27v–v
Qui servare puberem vagam claudere	Anonymous	128–128v
Quod promisit ab eterno, die	Anonymous	76v–78
Relegata vetustate vetus homo renovetur	Anonymous	30v–2v
Relegentur ab area	Anonymous	109v–110v
Resurgente Domino ei cumresurgamus	Anonymous	48v–9v
Rex aeterne gloriae mundo natus hodie	Anonymous	58–9
Salvatoris hodie sanguis pregustatur	Pérotin (ca. 1160–ca. 1225)	111v–113
Salve, sancta parens patrie	Anonymous	138–139
Salve, sancta parens, enixa	Anonymous	100v–101
Scrutator alme cordium, lumen verum de lumine	Anonymous	89–90
Sederunt. V. Adjuva me, Domine. Sederunt	Pérotin (ca. 1160–ca. 1225)	17–v
Serena virginum, lux luminum plena / Manere	Anonymous	119v–122
Si mundus viveret, mundus pecunia	Anonymous	127v–128
Sursum corda elevate dulci corda resonante	Anonymous	94–96v
Transgressus legem Domini	Anonymous	110v–11v
Veni, vena venie, vite via / Et super	Anonymous	133–133v
Veri floris sub figura quem produxit	Anonymous	129v–130
Veri vitis germine plantatoris germinat	Anonymous	35–7
Viderunt omnes. V. Notum fecit	Pérotin (ca. 1160–ca. 1225)	13v–17

Set: Notre Dame polyphonic sources

Type: Linked by Origin or Contents

No images available

D-W Cod. Guelf. 628 Helmst. (Magnus Liber Organi; W1)

No images available

D-W Cod. Guelf. 1099 Helmst. (W2)

No images available

E-Mn 20486 (Codex de Madrid)

No images available

I-Fl MS Pluteus 29.1 (Medici Antiphoner, ('F'))

‡ denotes primary source study

Asensio Palacios, Juan Carlos (editor). 1997. El Códice de Madrid - Biblioteca Nacional, mss. 20486 : polifonías del siglo XII. Madrid.

Dittmer, Luther A. 1960. Publications of Mediaeval Musical Manuscripts Il: Wolfenbüttel 1099. Publications of Mediaeval Music Manuscripts. Brooklyn: Institute of Mediaeval Music. Pages: facsimile of Ma pieces in JF2.

Machabey, Armand. 1958. A propos des quadruples Pérotiniens. Musica Disciplina, 3ff. Pages: 10, 16f (transcription of parts of no. 6), 21 f (transcription of no. 55).

Hughes, Dom Anselm. 1954-60. New Oxford History of Music. Pages: 330ff (transcription of no. 82).

Handschin, Jacques. 1952. Conductus-Spicilegien. Archiv für Musikwissenschaft, 101ff. Pages: 117f.

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 55-94, volume 5 (1951), 65-113. Pages: II, 95ff.

Anglès, Higinio, and José Subirá. 1946. Catálogo Musical de 1a Biblioteca Nacional de Madrid. I: Manuscritos. Catálogos de 1a Música antigua conservada en Espana. Barcelona. Pages: I:149-151. Notes: description.

Ellinwood, Leonard. 1941. The Conductus. Musical Quarterly, 165ff. Pages: 197ff, 200ff (transcription of nos. 61 and 67 after W1.

Husmann, Heinrich. 1940. Die drei- und vierstimmigen Notre-Dame-Organa. Pages: 10ff, 29ff, 139f, 137f (transcrip-tions of nos. 7-9 and 71).

Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: 297, 302ff, 312, 314, 325.

Gröninger, E. 1939. Repertoire-Untersuchungen zum mehrstim migen Notre-Dame-Conductus. Pages: 139ff and passim.

Husmann, Heinrich. 1937. Die Motetten der Madrider Handschrift und deren geschichtliche Stellung. Archiv für Musikforschung, 173ff. Pages: 181ff (transcriptions of nos. 90, 94, 95, and 97-99).

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-II, nos. 35, 63, 73, 44, 95, 36, 124, 39 (facsimile and transcription of nos. 55, 56, 71, 77, 84, 86, 87 and 89 after Mo; IV, 168, 170, 258 ff, 263, 268, 272.

Schmidt, Hans. 1933. Die drei- und vierstimmigen Organa.

Handschin, Jacques. 1932. Zur Geschichte von Notre Dame. Acta Musicologica, 5ffand49ff. Pages: 6f.

Schneider, Màrius. 1932. Zur Satztechnik der Notre-Dame-Schule. Zeitschrift für Musikwissenschaft, 398ff.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 147, 146, 155, 98, 131, 153, 154, 105, 83, 93, 86, 94, 95, 115, 116, 102 (facsimile and transcription of nos. 36, 37, second part of 47, 57, 58, 64, 68, 72, 85-88, 91, 92, 96 and 101 after Hu); I, 71 ff and passim.

Ludwig, Friedrich (editor). 1930. Über den Entstehungsort der großen „Notre-Dame-Handschriften". Festschrift für Guido Adler zum 65 Geburtstag, 45ff. Pages: 46f.

Ficker, Rudolf von. 1930. Musik der Gotik: Perotinus, Sederunt principes. Pages: transcription of no. 8.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 187, 189f, 193, 199, 209, 211, 279, 290f, 293, 305, 309.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 125ff and passim.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 104, 44, 7, 62, 74 (facsimile and transcription of nos. 71, 75, 78, 84 and 86 after Ba); III, 16, 20, 63, 79, 92, 97.

Aubry, Pierre. 1907. Iter Hispanicum. Sammelbände der internationalen Musikgesellschaft, 337. Pages: 349, 351, 353 (transcription of nos. 54, end of 75, and 78); 339ff.

Wooldridge, Harry Ellis. 1901. Oxford History of Music I. Oxford: Clarendon. Pages: I, 365f (facsimile and transcription of no. 59 after F), 360 (transcription of no. 75 after F), 358 (transcription of no. 80 after F), 373 (transcription of no. 89.

Riaño, Juan F. 1887. Critical and Bibliographical Notes on Early Spanish Music. London: Quaritch. Pages: 46. Notes: mention of ms.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Anna Grau Schmidt

Thursday, 12 August, 2021

bibliography updated

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description