F-Pnm Latin 11266

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

theory treatise: late 13th century

Archive Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark Latin 11266
Image Availability The images on this record are linked using IIIF.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 149 x 103 mm
Other Identifiers
  • RISM: P 11266
  • olim (Former shelfmark): F-Pn fonds latin 11266
Notations
  • Long-breve
  • semi-Gothic
External Links
Provenance
  • France
Contents 7 pieces from 1 composers
General Description

The contents of the MS are the treatise of Lambertus, f. 1-35, and 7 three-part motets, f. 35v-41v. The codex is written throughout in 2 columns, so that in the motets the Tr is at the left, Mot at the right and the T written across the bottom line of each page.

DIAMM, 2017
Binding

brown leather over pulp boards; 17th century. There is some gilt tooling on the spine with the title Liber de musica et plano cantu on a red and Ms du XIVe siecle on a green background

DIAMM, 2017
Liminary Note

At the top of f. 41 is the name Gobertus de fonte, but it is a later addition.

DIAMM, 2017
Notation

longs and breves clearly differentiated; c.o.p. ligatures are frequent.

DIAMM, 2017
Ruling

a red five-line stave; in the motets there are 7 staves per page (the T having a four-line stave)

DIAMM, 2017
Foliation

fairly modern ink at t.r.r.; the paper flyleaves at each end are unnumbered

DIAMM, 2017
Decoration

The script is semi-Gothic with red and blue initials (the filigree is in the contrasting colour). The script in the motets is a minuscule without Gothic traits; the initials only use red for decoration.

DIAMM, 2017
Surface

ii paper + 41 parchment + ii paper

DIAMM, 2017
RISM Description

RISM B/IV 1: A late 13th century parchment manuscript meas. 149 x 103 mm. and containing 41 folios plus 2 unnumbered paper flyleaves at each end, which belong to the 17th century binding of brown leather over pulp boards. There is some gilt tooling on the spine with the title Liber de musica et plano cantu on a red and Ms du XIVe siecle on a green background. The foliation is in fairly modern ink at t.r.r. An error of two pages after f. 13 has been corrected everywhere. The script is semi-Gothic with red and blue initials (the filigree is in the contrasting colour). The contents of the ms are the treatise of Lambertus, f. 1-35, and 7 three-part motets, f. 35v-41v. The codex is written throughout in 2 columns, so that in the motets the Tr is at the left, Mot at the right and the T written across the bottom line of each page. The script in the motets is a minuscule without Gothic traits; the initials only use red for decoration. The notation is less calligraphic than in the treatise but of the same epoque; longs and breves are clearly differentiated. At the top of f. 41 is the name Gobertus de fonte, but it is a later addition. The music is everywhere on a red five-line stave; in the motets there are 7 staves per page, the T having a four-line stave; c.o.p. ligatures are frequent.

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Répertoire International des Sources Musicales

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
35v–36 Salve, virgo nobilis Maria / Verbum caro factum est / Et veritate Verbum - Anonymous
Appears on: 35v–36
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: (Veritatem) [Verbum]

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Verbum caro factum est

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Salve, virgo nobilis Maria
Layout

parts

36–37 Quant voi la flourete naître en la prée / Je sui joliete, doucete et plaisans / Aptatur - Anonymous
Appears on: 36–37
Genres: Motet
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Quant voi la florete nestre an la prée

Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Je sui joliete, doucete et plaisant

Voice: Tenor
Languages: Latin, French
Clef: f3
Voice Text: Aptatur
Layout

parts

37–37v Amor vincens omnia potentia / Marie preconio devotio / Aptatur - Anonymous
Appears on: 37–37v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Amor vincens omnia potentia

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Marie preconio devotio

Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Aptatur
Layout

parts

38–39 L'autrier m'esbatoie et touz seus pensoie / Demenant grant joie, l'autrie m'en aloie / Manere - Anonymous
Appears on: 38–39
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Manere

Voice: [no designation]
Languages: French
Clef: c1
Voice Text: L'autrier m'esbatoie et touz seus pensoie

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Demenant grant joie, l'autrier m'esbatoie
Layout

parts

39–39v Se j'ai servi longuement Amours / Trop longuement m'a failli ma dame / Pro patribus - Anonymous
Appears on: 39–39v
Genres: Motet
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: Trop longue[me]nt m'a failli ma dame

Voice: [no designation]
Languages: French
Clef: c2
Voice Text: Se j'ai servi longuement Amors

Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Pro patribus
Layout

parts

39v–40v Chorus innocentium sub Herodis / In Bethlehem Herodes iratus - Anonymous
Appears on: 39v–40v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Chorus innocentium sub Herodis

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: In Bethleem

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: In Bethleem Herodes iratus
Layout

parts

40v–41v O Maria, mater pia, spes fidelium / Mellis stilla, maris stella, rosa / Domino - Anonymous
Appears on: 40v–41v
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Domino

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: O Maria, mater pia, spes fidelium

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Mellis stilla, maris stella, rosa
Layout

parts

These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bibliothèque Nationale, Paris

denotes primary source study

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts.  Brooklyn: Institute of Mediaeval Music. Pages: f. 370-370v, 374-374v, 382-382v, 374v-375(facsimile of nos. 4-7 after Cl).

Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 370-370v, 374-374v, 382-382v, 374v-375(facsimile of nos. 4-7 after Cl).

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLII etc.

Gennrich, Friedrich. 1956. Abriß der frankonischen Mensuralnotation.  2nd ed. Pages: pl. XVI (facsimile of P11266, f. 39-39v).

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 55-94, volume 5 (1951), 65-113. Pages: II, 83, 85, 87.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos. 284, 34, 283, 74, 89, 40 (facsimile and transcription of nos. 1-5, 7 after Mo), IV, 75 f, 258 f, 265, 287, 292 f.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 120, 127, 157 (facsimile and transcription of nos. 1, 3, 7 after Hu; Mot and T only of no. 7 in Hu); I, 279, 287, 344.

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 137-258. Pages: II, 178f.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 195, 199, 209ff, 213, 290ff, 301, 305, 307.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation.  Halle: Niemayer. Pages: 25, 70. 83, 103,167, 187, 199, 288, 309, 364, 367, 388, 401, 405, 411, 413, 415, 444f.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 98, 49, 59, 89, 44, 58 (facsimile and transcription of nos. 1-3, 5-7 after Ba); III, pl. 10 (facsimile of P11266,i. 39v-40); III, 90f, 108.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description