David Chappuis
Friday, 8 July, 2022
The ballad "Je ne cuit pas" is in folios 163v-164
Archive | Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm) |
---|---|
Shelfmark | Français 1586 (Machaut C) |
Image Availability | The images on this record are linked using IIIF. |
Surface | Mixed Paper and Parchment |
Numbering System | Foliation |
Measurements | 295 x 215 mm |
Other Identifiers |
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Notations |
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Relationships |
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External Links | |
Provenance |
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Contents | 95 pieces from 1 composers |
The source, though not as comprehensive as other complete Machaut manuscripts like Pn 1584 and Pn 22545-22546, contains one of the oldest arrangements of the contents known. The musical part begins at f. 148v and is divided into two sections, the first of which includes 23 monodic Virelais, 16 polyphonic Ballades and 9 monodic lays. In the second section, Ballades, Rondeaux, Virelais and lays appear together without much semblance of order from f. 186v to f. 206. Finally 19 motets complete the codex from f. 206v-f. 225. The total number of polyphonic compositions in this source is 19 motets, 10 Rondeaux, 26 Ballades (1 polyphonic Ballade is here preserved with Cantus only, but included in the number 26) and 1 Virelai (again only the Cantus).The writing is in 2 columns.
leather over pulp boards with gilt tooling. The spine is red with gilt tooling and several crowns over the letter N (= Napoleon).
Ars Nova: sometimes written in 2 columns and sometimes straight across the page. Many accidentals
18th century foliation in thick ink at t.r.r. The paper flyleaves and the last two parchment leaves are unnumbered
1-226
beautifully illuminated: even the initials use gold frequently as well as red and blue
ii paper + 226 parchment + ii paper
Scribes; A; B (Motets written by Scribe B)
Establishment patron: Bonne of Luxembourg originally; finished for King John II (?)
RISM B/IV 2: A parchment manuscript dating from c. 1400 which meas. 295 x 215 mm. and contains 226 folios (the last unnumbered and blank) + 2 blank, unnumbered paper flyleaves at each end belonging to the 18th century binding. The binding itself is of leather over pulp boards with gilt tooling. The spine is red with gilt tooling and several crowns over the letter N (= Napoleon). The foliation, which dates from the same period as the binding, is in thick ink at t.r.r. This source is beautifully illuminated, and even the initials use gold frequently as well as red and blue colours. The writing is in 2 columns, while the Ars Nova notation is sometimes written in 2 columns and sometimes straight across the page. Accidentals are plentiful. The source is particularly interesting because, although it is not as comprehensive as such other complete Machaut manuscripts as Pn 1584 and Pn 22545-22546, it nevertheless contains one of the oldest arrangements of the contents known. The musical part of the codex, which begins at f. 148v and goes through to the end, is divided into two sections, the first of which includes 23 monodic Virelais, 16 polyphonic Ballades and 9 monodic lays. In the second section, Ballades, Rondeaux, Virelais and lays appear together without much semblance of order from f. 186v to f. 206. Finally 19 motets complete the codex from f. 206v-f. 225. The total number of polyphonic compositions in this source is 19 motets, 10 Rondeaux, 26 Ballades (1 polyphonic Ballade is here preserved with Cantus only, but included in the number 26) and 1 Virelai (again only the Cantus).
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
25–28 | Qui n'aroit autre deport | - | |
Appears on:
25–28
Genres:
Lai
|
|||
30 | Tels rit au main qui au soir pleure | - | |
Appears on:
30
Genres:
Complainte
|
|||
39 | Joie, plaisence et douce norriture | - | |
Appears on:
39
Genres:
Chanson Royale
|
|||
46 | En amer a douce vie / car tant plaist la maladie | - | |
Appears on:
46
Genres:
Ballade
Voice:
Contratenor
Languages:
none
Clef:
f3
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
En amer a douce vie | car tant plaist la maladie
Voice:
Triplum
Languages:
none
Clef:
c2
Layoutparts |
|||
47v | Dame de qui toute ma joie / n’assés loer si comme il appartient | - | |
Appears on:
47v
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
Cantus
Languages:
French
Clef:
c3
Voice Text:
Dame de qui toute ma joie | n'assés loer si com il apartient
Layoutparts |
|||
51–51v | Dame, a vous sans retollir | - | |
Appears on:
51–51v
Genres:
Virelai
|
|||
57 | Dame, mon coeur en vous remaint | - | |
Appears on:
57
Genres:
Rondeau
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
Triplum
Languages:
none
Clef:
c2
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Dame, mon cuer en vous remaint
Layoutparts |
|||
148v–149 | Hé! dame de vaillance | - | |
Appears on:
148v–149
Genres:
Virelai
|
|||
149 | Loyauté vueil tous jours maintenir | - | |
Appears on:
149
Genres:
Virelai
|
|||
149v | Aymi! dame de valour | - | |
Appears on:
149v
Genres:
Virelai
|
|||
149v–150 | Douce dame jolie | - | |
Appears on:
149v–150
Genres:
Virelai
|
|||
150–150v | Comment qu'a moi lontaine | - | |
Appears on:
150–150v
Genres:
Virelai
|
|||
150v | Se ma dame m'a guerpi | - | |
Appears on:
150v
Genres:
Virelai
|
|||
151 | Puisque ma doulour agree | - | |
Appears on:
151
Genres:
Virelai
|
|||
151v | Dou mal qi m'a longuement V8 | - | |
Appears on:
151v
Genres:
Virelai
|
|||
152 | Dame, je vueil endurer | - | |
Appears on:
152
Genres:
Virelai
|
|||
152–152v | De bonté, de valour | - | |
Appears on:
152–152v
Genres:
Virelai
|
|||
152v–153 | Hé! dame de valour | - | |
Appears on:
152v–153
Genres:
Virelai
|
|||
153 | Dame, a qui | - | |
Appears on:
153
Genres:
Virelai
|
|||
153v | Quant je suis mis au retour | - | |
Appears on:
153v
Genres:
Virelai
|
|||
153v–154 | J'aim sans penser laidure | - | |
Appears on:
153v–154
Genres:
Virelai
|
|||
154–154v | Se mesdisans en acort | - | |
Appears on:
154–154v
Genres:
Virelai
|
|||
154v–155 | Dame, vostre douce viaire | - | |
Appears on:
154v–155
Genres:
Virelai
|
|||
155 | Helas! et comment aroie | - | |
Appears on:
155
Genres:
Virelai
|
|||
155v | Diex, Biauté, Douceur, Nature V19 | - | |
Appears on:
155v
Genres:
Virelai
|
|||
156 | Se d'amer me repentoie | - | |
Appears on:
156
Genres:
Virelai
|
|||
156v | Je vivroie liement | - | |
Appears on:
156v
Genres:
Virelai
|
|||
157v–158 | S'Amours ne fait par sa grace adoucir / je sui certeins qu'il me convient morir | - | |
Appears on:
157v–158
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
S'Amour ne fait par sa grace adoucir | je sui certeins qu'il me convient morir
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
158–158v | Helas, tant ay dolour et peine / sanz joye, que soiés certeine | - | |
Appears on:
158–158v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Helas, tant ay dolour et peine | sanz joye, que soiés certeine
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
158v | On ne porroit pender ne souhaidier / car il n'a riens en li a reprochier | - | |
Appears on:
158v
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
(A)[O]n ne porroit pender ne souhaidier | car il n'a riens en li a reprochier
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
159 | Beauté qui toutes autres pere envers moi / douceur fine a mon goust amere, corps digne | - | |
Appears on:
159
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Biauté qui toutes autres pere envers moy | douceur fine a mon goust amere, corps digne
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
159v–160 | Riches d'amour et mandians d'amie / pleins de dolour et diseteus d'aie | - | |
Appears on:
159v–160
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Riches d'amour et mendians d'amie | pleins de dolour et diseteus d'aÿe
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
160–160v | Douces amis, oy mon compleint, a toy / mes coeurs qu'amours si contreint que tiens | - | |
Appears on:
160–160v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Doulz amis, oy mon compleint, a toy | mes cuers qu'amours si contreint que tiens
Voice:
Tenor
Languages:
none
Clef:
f3
Layoutparts |
|||
160v–161 | J'aim mieux languir en ma dure doulour / qu'avoir merci se ce n'est a l'onnour | - | |
Appears on:
160v–161
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
J'aim miex languir en ma dure dolour | qu'avoir merci se ce n'est a l'onnour
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
161–161v | Le desconfort, de martyre amoureus / de pleins, de plours, d'un mal tres dolereus | - | |
Appears on:
161–161v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
De desconfort, de martyre amoureus | de pleins, de plours, d'un mal tres dolereus
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
161v | Dame, ne regardez pas / ne a moi, se je sui bas | - | |
Appears on:
161v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Dame, ne regardés pas | ne a moy, se je sui bas
Voice:
Tenor
Languages:
none
Clef:
c3
Layoutparts |
|||
162 | Ne pensez pas, dame, que je recroie / car nullement faire ne le porroie | - | |
Appears on:
162
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Ne pensés pas, dame, que je recroie | car nullement faire ne le porroie
Layoutparts |
|||
162v | N'en fait, n'en dit, n'en pensée / vers ma dame desirée | - | |
Appears on:
162v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
N'en fait, n'en dit, n'en pensée | vers ma dame desirée
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
162v–163v | Pour ce que tous mes chans faiz / et pour ce que ne chant mais | - | |
Appears on:
162v–163v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c5
Voice Text:
Pour ce que tous mes chans fais | et pour ce que ne chant mais
Voice:
Tenor
Languages:
none
Clef:
f2
Layoutparts |
|||
163v | Esperance qui m'asseure joie sans per / dous penser, sade norriture, tres bon eur | - | |
Appears on:
163v
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Esperance qui m'asseüre joie sans per | dous penser, sade norriture, tres bon eur
Layoutparts |
|||
164 | Je ne cuit pas qu'onques a creature / comme a moi seule et de sa grace | - | |
Appears on:
164
Genres:
Motet
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
(S)[J]e ne cuit pas qu'onques a creature | comme a moy seule et de sa grace
Layoutparts |
|||
164–164v | Se je me pleing, je n'en puis mais / ne fu ne ne sera jamais | - | |
Appears on:
164–164v
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Se je me pleing, je n'en puis mais | ne fu ne ne sera jamais
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
164v–165 | Dame, comment qu'amez de vous / moi ne mon coeur com ce que je | - | |
Appears on:
164v–165
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Dame, comment qua'mez de vous | moy ne mon cuer com ce que je
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
165–165v | Loyauté, que point ne delay | - | |
Appears on:
165–165v
Genres:
Lai
General Notemusic mostly missing |
|||
168v–170 | J'aim la flour | - | |
Appears on:
168v–170
Genres:
Lai
|
|||
170v–173 | Pour ce qu'on puist miex retraire | - | |
Appears on:
170v–173
Genres:
Lai
|
|||
173–174 | Aus amans pour exemplaire | - | |
Appears on:
173–174
Genres:
Lai
|
|||
174–176v | Nuls ne doit avoir merveille | - | |
Appears on:
174–176v
Genres:
Lai
|
|||
176v–179 | Par trois raisons me vueil deffendre | - | |
Appears on:
176v–179
Genres:
Lai
|
|||
179–181v | Amour doucement me tente | - | |
Appears on:
179–181v
Genres:
Lai
|
|||
181v–184 | Amis, t'amour me contreint (Le Lay de Dames) | - | |
Appears on:
181v–184
Genres:
Lai
|
|||
184–186v | Un mortel lay weil commencier (Le Lay Mortel) | - | |
Appears on:
184–186v
Genres:
Lai
|
|||
186v | Amours me fait desirer et amer / que je ne puis esperer ne penser | - | |
Appears on:
186v
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Amours me fait desirer et amer | que je ne puis esperer ne penser
Voice:
Triplum
Languages:
none
Clef:
c2
Layoutparts |
|||
187–189 | Qui bien aimme a tart oublie | - | |
Appears on:
187–189
Genres:
Lai
|
|||
189–191 | Ne say comment commencier | - | |
Appears on:
189–191
Genres:
Lai
|
|||
191–192v | Se quanque Diex en monde a fait | - | |
Appears on:
191–192v
Genres:
Lai
|
|||
192v–194 | Maintes fois oy recorder | - | |
Appears on:
192v–194
Genres:
Chanson
|
|||
194v–196 | On parle de richesses et de grant signorie | - | |
Appears on:
194v–196
Genres:
Lai
|
|||
196–197v | Amours, se plus demandoie | - | |
Appears on:
196–197v
Genres:
Lai
|
|||
198–199 | Sans coeur m'en vois, dolens et esplourés - d'ardant desir espris et embrassés / Amis, dolens, mas et desconfortés / Dame, par vous, me sens reconfortés | - | |
Appears on:
198–199
Genres:
Canon
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Dame, par vous, me sens reconfortés
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Sans cuer m'en vois, dolens et esplourés - d'ardant desir espris et embrassés
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Amis, dolens, mas et desconfortés
General Notecanon a 3 Layoutparts |
|||
199–199v | De petit peu, de nient volenté | - | |
Appears on:
199–199v
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
c5
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
De petit peu, de nient volenté | chascuns amans de s'amie en bon gré
Voice:
Triplum
Languages:
none
Clef:
c2
Layoutparts |
|||
199v–200 | Je sui aussi com cilz qui est ravis / car je ne sui a nulle riens pensis | - | |
Appears on:
199v–200
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Je sui aussi com cilz qui est ravis | car je ne sui a nulle riens pensis
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
200–200v | De Fortune me doy pleindre et loer car quand premiers en commensay l’amer | - | |
Appears on:
200–200v
Genres:
Ballade
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
Triplum
Languages:
none
Clef:
c2
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
De Fortune me doy plaindre et loer | car quant premiers en commensay l'amer
Layoutparts |
|||
200v–201 | Se quanque Amours puet donner / et quanque dame y porroit | - | |
Appears on:
200v–201
Genres:
Ballade
Voice:
Triplum
Languages:
none
Clef:
c2
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Se quanque Amours puet donner | et quanque dame y porroit
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
Contratenor
Languages:
none
Clef:
c4
Layoutparts |
|||
201v | Helas, pour quoy se demente | - | |
Appears on:
201v
Genres:
Rondeau
Voice:
Tenor
Languages:
none
Clef:
f3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Helas, pour quoy se demente
Layoutparts |
|||
201v–202 | Tres douce dame que j'aour, en vous / sans departir ne nuit ne jour, et vous | - | |
Appears on:
201v–202
Genres:
Ballade
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Tres douce dame que j'aour, en vous | sans departir ne nuit ne jour, et vous
Voice:
Tenor
Languages:
none
Clef:
c3
Layoutparts |
|||
202 | Se vous n’estes pour mon guerredon | - | |
Appears on:
202
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Se vous n'estes pour mon guerredon
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
202–202v | Quant j'ai l'espart de vo regart | - | |
Appears on:
202–202v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Quant j'ay l'espart de vo regart
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
202v–203 | Tant doucement me sens emprisonnés | - | |
Appears on:
202v–203
Genres:
Rondeau
Voice:
Contratenor
Languages:
none
Clef:
c5
Voice:
Triplum
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Tant doucement me sens emprisonnez
Voice:
Tenor
Languages:
none
Clef:
c5
Layoutparts |
|||
203 | Dous viaire gracieus, de fin coeur | - | |
Appears on:
203
Genres:
Rondeau
Voice:
Tenor
Languages:
none
Clef:
c3
Voice:
Triplum
Languages:
none
Clef:
c3
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Doulz viaire gracieus, de fin cuer
Layoutparts |
|||
203–203v | Cinc, un, trese, huit, nuef d'amour | - | |
Appears on:
203–203v
Genres:
Rondeau
Voice:
Tenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Cinc, un, trese, vuit, nuef d'amour
Layoutparts |
|||
204–204v | Il m'est avis qu'il n'est don / se la clarté tenebreuse | - | |
Appears on:
204–204v
Genres:
Ballade
Voice:
Cantus
Languages:
French
Clef:
c4
Voice Text:
Il m'est avis qu'il n'est don| se la clarté tenebreuse
Layoutparts |
|||
204v | Merci vous pri, ma douce dame | - | |
Appears on:
204v
Genres:
Motet
Voice:
Tenor
Languages:
none
Clef:
c5
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
Mercy vous pri, ma douce dame
Layoutparts |
|||
204v | Sans coeur, dolens, de vous departiray | - | |
Appears on:
204v
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Sans cuer, dolent, de vous departiray
Voice:
Tenor
Languages:
none
Clef:
c4
Layoutparts |
|||
205v | Mors suis se je ne vous vois | - | |
Appears on:
205v
Genres:
Rondeau
Voice:
Cantus
Languages:
French
Clef:
c3
Voice Text:
Mors sui se je ne vous voy
Voice:
[no designation]
Languages:
none
Clef:
c4
Layoutparts |
|||
205v–206 | Rose, lis, printemps, verdure, fleur | - | |
Appears on:
205v–206
Genres:
Rondeau
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Rose, lis, printemps, verdure, fleur
Voice:
Tenor
Languages:
none
Clef:
c5
Voice:
Contratenor
Languages:
none
Clef:
c4
Layoutparts |
|||
206v–207 | Quant en moi vint premierement Amours / Amour et beauté parfaite / Amara valde | - | |
Appears on:
206v–207
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Qvant en moy vint premierement
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Amour et biaute parfaite
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Tenor amara ualde
Layoutparts |
|||
207v–208 | Tous corps qui de bien aimer veut / De souspirant coeur dolent / Suspiro | - | |
Appears on:
207v–208
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Tous corps qui de bien amer
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
DE soupirant cuer dolent
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Suspiro
Layoutparts |
|||
208v–209 | Hé, mors, com tu yes haÿe de moi / Fine amour qui me vint navrer / Quare non sum mortuus | - | |
Appears on:
208v–209
Genres:
Motet
Voice:
[no designation]
Languages:
Latin, French
Clef:
c2
Voice Text:
HE mors com tu es haie
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Quare non sumus mortuus
Voice:
[no designation]
Languages:
Latin, French
Clef:
c3
Voice Text:
Fine amour qui me vint naurer
Layoutparts |
|||
209v–210 | Aucune gent m'ont demandé que j'ai / Qui plus aimme plus endure / Fiat voluntas tua | - | |
Appears on:
209v–210
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Qui plus aimme plus endure
Voice:
Contratenor
Languages:
none
Clef:
c4
Voice:
[no designation]
Languages:
Latin, French
Clef:
c2
Voice Text:
Aucune gent mont demande que iai
Voice:
Tenor
Languages:
Latin, French
Clef:
c4
Voice Text:
Fiat uoluntas tua.
Layoutparts |
|||
210v–211 | S'il estoit nulz qui pleindre se deüst / S'amours tous amans jouir / Et gaudebit cor vestrum | - | |
Appears on:
210v–211
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Sil estoit nuls qui pleindre se deust
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Et gaudebit cor vestrum
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Samours tous amans ioir
Layoutparts Item BibliographyDavison, Archibald Thompson, and Willi Apel (editors). 1966. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music. Cambridge, Massachusetts. Pages: [facs.] no. 44. |
|||
211v–212 | J'ai tant mon coeur et mon orgueil creü / Lasse, je suis en aventure / Ego moriar pro te | - | |
Appears on:
211v–212
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Iay tant mon cuer & mon orgueil creu
Voice:
Tenor
Languages:
Latin, French
Clef:
c4
Voice Text:
Ego moriar pro te
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Lasse ie sui en auenture
Layoutparts |
|||
212v–213 | Qui es promesses de Fortune se fie / Ha, Fortune, trop suis mis loing de port / Et non est qui adjuvat | - | |
Appears on:
212v–213
Genres:
Motet
Voice:
Tenor
Languages:
Latin
Clef:
f3
Voice Text:
Et non est qui adiuvet
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Qui es promesses de Fortune se fie
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Ha, Fortune. trop sui mis loing de port
Layoutparts |
|||
213v–214 | Fons totius superbie, Lucifer / O livoris feritas, que superna rogitas / Fera pessima | - | |
Appears on:
213v–214
Genres:
Motet
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Fera pessima
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
O liuoris feritas
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Fons totius superbie
Layoutparts |
|||
214v–215 | Hareu, hareu, le feu, leu, le feu d'ardant desir / Helas, ou sera pris confors pour moi / Obedians usque ad mortem | - | |
Appears on:
214v–215
Genres:
Motet
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Obediens usque ad mortem
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Hareu hareu le feu le feu
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
HElas ou sera pris confors
Layoutparts |
|||
215v–216 | Dame, je suis cilz qui vueil endurer vostre vouloir / Fins coeurs douces, on me deffent / Fins coeurs douces | - | |
Appears on:
215v–216
Genres:
Motet
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Fins cuers doulz
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Dame, je sui cilz weil endurer vostre voloir
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Fins cuers doulz, on me deffent
Layoutparts |
|||
216v–217 | Helas, pour quoy virent onques my oueil / Credo Corde mesto cantando conqueror / Libera me | - | |
Appears on:
216v–217
Genres:
Motet
Voice:
[no designation]
Languages:
Latin, French
Clef:
c3
Voice Text:
HElas pour quoy uirent onques mi oeil
Voice:
Tenor
Languages:
Latin
Clef:
f3
Voice Text:
Libera me
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Corde mesto
Layoutparts |
|||
217v–218 | Tant doucement m'ont attrait Bel Accueil / Ains que ma dame d'onnour que je serf / Ruina | - | |
Appears on:
217v–218
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Ains que ma dame donnour
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Tant doucement mont attrait
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Ruina
Layoutparts |
|||
218v–219 | Maugré mon coeur, contre mon sentement / De ma doulour confortés doulcement / Quia amore langueo | - | |
Appears on:
218v–219
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
De ma dolour confortés doucement
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Maugré mon cuer, contre mon sentement
Voice:
Tenor
Languages:
Italian
Clef:
c4
Voice Text:
Quia amore langueo
Layoutparts |
|||
219v–220 | Amours qui a le povoir de moi faire recevoir / Fauls Semblant m'a deceü / Vidi Dominum | - | |
Appears on:
219v–220
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Amours qui a le pooir
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Vidi dominum
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Faus semblant ma deceu
Layoutparts |
|||
220v–221 | Lasse, comment oublieray le bel, le bon / Se j'aim mon loyal amy et il my / Pour quoy me bat mes mauris? Lassete! | - | |
Appears on:
220v–221
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c4
Voice Text:
SE iaim mon loyal ami
Voice:
[no designation]
Languages:
French
Clef:
f3
Voice Text:
TEnor Pour quoy me bat mes maris
Voice:
[no designation]
Languages:
French
Clef:
c2
Voice Text:
Lasse comment oublierai
Layoutparts |
|||
221v–222 | Quant vraie amour enflamée d'ardant desir / O series, summa rata, regendo / Super omnes speciosa | - | |
Appears on:
221v–222
Genres:
Motet
Voice:
Tenor
Languages:
Latin, French
Clef:
c3
Voice Text:
[Super omnes speciosa]
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
O Series summe rata
Voice:
[no designation]
Languages:
French
Clef:
c1
Voice Text:
Quant vraie amour enflamee
Layoutparts |
|||
222v–223 | Bone pastor Guillerme, pectus quidem / Bone pastor, qui pastores ceteros vincis | - | |
Appears on:
222v–223
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Bone pastor guillerme
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
Bone pastor
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Bone pastor qui pastores
Layoutparts |
|||
223v–224 | Martyrum gemma latria, tyranni / Diligenter inquiramus Quintini preconia / A Christo honoratus | - | |
Appears on:
223v–224
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Martyrum gemma latria, tyranni
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Diligenter inquiramus Quintini preconia
Voice:
Tenor
Languages:
Latin
Clef:
c4
Voice Text:
A Christo honoratus
Layoutparts |
|||
224v–225 | Trop plus est belle que beauté / Beauté parée de valour, Desirs qui onques / Je ne sui mie certains d'avoir amie | - | |
Appears on:
224v–225
Genres:
Motet
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Biaute paree de ualour
Voice:
[no designation]
Languages:
French
Clef:
c3
Voice Text:
Trop plus est belle que biaute
Voice:
Tenor
Languages:
French
Clef:
c4
Voice Text:
Je ne sui mie certeins dauoir amie
Layoutparts Item BibliographyWolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: [facs.] 360. |
Images © Bibliothèque Nationale, Paris
‡ denotes primary source study
Van, Guillaume de. None. Guglielmi de Mascaudio: Messe Notre Dame. Pages: transcription of the mass.
Maxwell, Sheila Kate. 2009. Guillaume de Machaut and the mise en page of medieval French sung verse. University of Glasgow, PhD.
Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research. New York and London: Garland.
Reaney, Gilbert. 1959. Musica Ficta in the Music of Guillaume de Machaut. Les Colloques de Wegimont II-1955, L'Ars nova: Recueil d'études sur la musiquedu XIVe siècle , 196ff. Paris: Les Belles Lettres.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 27-58. Pages: 27ff.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation.
Parrish, Carl. 1957. The Notation of Medieval Music. Pages: pl. XLIV (facsimile of Pn 1586 f. 47v).
Reaney, Gilbert. 1956. Voices and Instruments in the Music of Guillaume de Machaut. Revue belge de musicologie, 3-17and93-104.
Reaney, Gilbert. 1955-56. The Lais of Guillaume de Machaut and Their Background. Proceedings of the Royal Musical Association, 15-31,discussion31-32.
Machabey, Armand. 1955. Guillaume de Machault. 2 vols.
Reaney, Gilbert. 1955. The Ballades, Rondeaux and Virelais of Guillaume de Machaut: Melody, Rhythm and Form. Acta Musicologica, 40ff.
Hughes, Dom Anselm, and Gerald Abraham (editors). 1954, 1957-. New Oxford History of Music II, III & IV. 3 vols. London/New York/Toronto. Pages: Reaney, 1-15.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: II-III.
Reaney, Gilbert. 1953. Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut. Musica Disciplina, 129ff.
Reaney, Gilbert. 1952. A Chronology of the Ballades, Rondeaux and Virelais Set to Music by Guillaume de Machaut. Musica Disciplina, 33ff.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 204ff.
Machabey, Armand (editor). 1948. Guillaume de Machault: Messe Notre-Dame. Pages: transcription of the mass.
Perle, G. 1948. Integrative Devices in the Music of Machaut. Musical Quarterly, 169ff.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 343 ff.
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: Ch. 12.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, Pages: 267ff.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I, III and IV.
Ludwig, Friedrich. 1910), 101ff; Die mehrstimmige Musik des 14. Jahrhunderts in <em>SIMG</em> IV (1902. Die mehrstimmige Musik des 11. und 12. Jahrhunderts. Bericht über den III. Kongreß der IMG, 16ff. Pages: 21, 27ff, 33f, 36ff.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. Pages: II, appendix (Ludwig's critical transcription of the music from the Remede de Fortune = Pn 22545 1-3).
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: II (no facsimiles from Pn 1586.
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. Pages: complete edition of Machaut's lyric poems with and without music.
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The ballad "Je ne cuit pas" is in folios 163v-164
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Comment qu'a moy lointeine added to inventory
Douce dame jolie added to inventory
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description