V-CVbav MS Capp. Sist. 46

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1508-27

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 46
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	553 x 423 mm
Other Identifiers	RISM: I-Rvat 46 CCM: VatS 46 olim (Former shelfmark): I-Rvat MS Capp. Sist. 46
Notations	black void mensural
Copyists	scribal concordance [11] Music Gellandi, Claudius Music Orceau, Johannes Music Bouchet, Claudius Music Claudius Gellandi's assistant Text and Music
Relationships	Parvus, Johannes (contemporary editor) Bouchet, Claudius (compiler) Sistine Chapel (Cappella Sistina) (copied at)
External Links	images
External Authorities	RISM Online (sources/857000031)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	85 pieces from 21 composers

General Description

Composite of originally separate gatherings and fascicles assembled by Claudius Bouchet c. 1527 (DeanS). Copied mostly by Claudius Bouchet and Claudius Gellandi (DeanS). Gellandi's assistant wrote ff. 48'-51 and added text on f. 48 and ff. 90-92 (DeanS); ff. 61-63' and ff. 94-107 copied by Johannes Orceau (SherrPM); ff. 116'-122 copied by anonymous scribe, who also wrote most of FlorL 666 and ff. 186'-202, 203'-206, 225'-239', and 241-242 of VatG XII.2 (PerkR, DeanS); later text corrections by Johannes Parvus on f. 72' and ff. 131'-132 (DeanS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017

Watermark

on ff. 61-63 and ff. 94-107 generally resembles Briquet #478 (SherrPC).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25

DIAMM, 2017

Foliation

Original ink foliation, i-clix, on upper right rectos; modern pencil foliation (cited here), 1-160, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017

Decoration

Inked calligraphic initials decorated with tracery.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe. s. 159ff. + 1 f. limin. Papier, 555 x 425 nun. Foliotation ancienne en ch. romains. Le f. limin, les ff. 1, 121v, 122, 128v, 129, 133v, 134, 137v, 138, 142v, 143, 147v, 148, 150v, 151, 153v, 154, 156v, 157, 159v sont blancs. Notation mesurée blanche. 10-12 portées par p. Initiales ornées à la plume. Reliure XVIIIe s.

Ms. formé de nombreux fascicules indépendants dont la copie couvre une période qui va de Jules II (mort en 1513) jusque vers 1535 lorsque le recueil a été constitué dans son état présent par le scribe papal Johannes Parvus. On y reconnaît à de nombreux ff. l'écriture des 2 scribes responsables du Codex Medici (I-F1666) copié en 1518 (Rifkin).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

46 motets

Basiron-1, Brumel-1, Brunet-1, Carpentras-S, Carpentras/(Josquin)-1, Compère-1, Escribano-1, Eustachius de Monte Regali-1, C. Festa-3, A. Févin-1, Isaac-1, Josquin-7 + 1?, (Lebrun/Moulu) -1, Michot-1, Mouton-6, Mouton/(Josquin)-1, Ockeghem-1, Richafort-2, Silva-3, Willaert [Adria.]-1, anon-7

ii + 159 + i paper folios, 553 x 423. Composite of originally separate gatherings and fascicles assembled by Claudius Bouchet ca. 1527 (DeanS). Original ink foliation, i-clix, on upper right rectos; modern pencil foliation (cited here), 1-160, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index.

Copied mostly by Claudius Bouchet and Claudius Gellandi (DeanS). Gellandi's assistant wrote ff. 48'-51 and added text on f. 48 and ff. 90-92 (DeanS); ff. 61-63' and ff. 94-107 copied by Johannes Orceau (SherrPM); ff. 116'-122 copied by anonymous scribe, who also wrote most of FlorL 666 and ff. 186'-202, 203'-206, 225'-239', and 241-242 of VatG XII.2 (PerkR, DeanS); later text corrections by Johannes Parvus on f. 72' and ff. 131'-132 (DeanS). See general index for other manuscripts copied by Bouchet, Gellandi, Orceau, and Parvus. Staff height 25. Inked calligraphic initials decorated with tracery. Watermark on ff. 61-63 and ff. 94-107 generally resembles Briquet #478 (SherrPC).

Ca. 1508-27 (DeanS), with a few corrections ca. 1579-80. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3r	Cantate Domino - 1a pars (of 3): Cantate Domino canticum novum cantate	-	Anonymous
Cantate Domino - 1a pars (of 3): Cantate Domino canticum novum cantate Anonymous Appears on: 1v–3r Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum cantate
3v–4r	Cantate Domino - 2a pars (of 3): Confessio et pulchritudo	-	Anonymous
Cantate Domino - 2a pars (of 3): Confessio et pulchritudo Anonymous Appears on: 3v–4r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum cantate
4v–7r	Cantate Domino - 3a pars (of 3): Commoveatur a facie	-	Anonymous
Cantate Domino - 3a pars (of 3): Commoveatur a facie Anonymous Appears on: 4v–7r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum cantate
7v–9r	Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 7v–9r Genres: Psalm Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum quia mirabilia General Note Publ. cf. Ma 519 n° 1
9v–11r	Cantate Domino - 2a pars (of 2): Flumina plaudent manu	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Cantate Domino - 2a pars (of 2): Flumina plaudent manu Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 9v–11r Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum quia mirabilia General Note Publ. cf. Ma 519 n° 1
11v–13r	Benedixisti domine - 1a pars (of 3): Benedixisti domine terram tuam avertisti	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Benedixisti domine - 1a pars (of 3): Benedixisti domine terram tuam avertisti Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 11v–13r Genres: Psalm Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Benedixisti domine terram tuam avertisti Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
13v–14r	Benedixisti domine - 2a pars (of 3): Audiam quid sequatur	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Benedixisti domine - 2a pars (of 3): Audiam quid sequatur Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 13v–14r Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Benedixisti domine terram tuam avertisti Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
14v–15r	Benedixisti domine - 3a pars (of 3): Misericordia et veritas	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Benedixisti domine - 3a pars (of 3): Misericordia et veritas Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 14v–15r Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Benedixisti domine terram tuam avertisti Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
15v–17r	Conserva me domine - 1a pars (of 2): Conserva me domine quoniam speravi in te	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Conserva me domine - 1a pars (of 2): Conserva me domine quoniam speravi in te Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 15v–17r Genres: Psalm Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Conserva me domine quoniam speravi in te Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
17v–19r	Conserva me domine - 2a pars (of 2): Benedicam Dominum	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Conserva me domine - 2a pars (of 2): Benedicam Dominum Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 17v–19r Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Conserva me domine quoniam speravi in te Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V.
19v–21r	Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum me fac	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum me fac Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 19v–21r Genres: Psalm motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Deus in nomine tuo salvum me fac Concordances 1553' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
21v–23r	Deus in nomine tuo - 2a pars (of 2): Voluntarie sacrificato tibi	Carpentras	Carpentras, Elzear Genet (ca. 1470–1548)
Deus in nomine tuo - 2a pars (of 2): Voluntarie sacrificato tibi Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 21v–23r Genres: Motet Source Attribution: Carpentras Voice: [no designation] Languages: Latin Voice Text: Deus in nomine tuo salvum me fac Concordances 1553' Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58, V. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
23v–26r	Puer natus est - 1a pars (of 2): Puer natus est nobis	-	Silva, Andreas de (ca. 1475–ca. 1522)
Puer natus est - 1a pars (of 2): Puer natus est nobis Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 23v–26r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note Publ. cf. Fl 666 tf 47
26v–28r	Puer natus est - 2a pars (of 2): Parvulus fìlius hodie natus est nobis	-	Silva, Andreas de (ca. 1475–ca. 1522)
Puer natus est - 2a pars (of 2): Parvulus fìlius hodie natus est nobis Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 26v–28r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note Publ. cf. Fl 666 tf 47T lus des 2 p.: Verbum caro factum est
28v–30r	Noe noe psallite noe Jerusalem	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Noe noe psallite noe Jerusalem Mouton, Jean (ca. 1459–1522) Appears on: 28v–30r Genres: Cantio Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Noe noe noe psallite noe Ierusalem General Note Publ. cf. CMacNÍH) n° 1
30v–32r	Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Mouton, Jean (ca. 1459–1522) Appears on: 30v–32r Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note Publ. cf. Bc 19 n° 46
32v–34r	Puer natus est - 2a pars (of 2): Angelus ad pastores ait	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Puer natus est - 2a pars (of 2): Angelus ad pastores ait Mouton, Jean (ca. 1459–1522) Appears on: 32v–34r Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis General Note Publ. cf. Bc 19 n° 46
34v–35r	Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum Mouton, Jean (ca. 1459–1522) Appears on: 34v–35r Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Quaeramus cum pastoribus General Note Publ. cf. Bsp XXXVIII n° 10
35v–36r	Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas	Jo. Mouton	Mouton, Jean (ca. 1459–1522)
Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas Mouton, Jean (ca. 1459–1522) Appears on: 35v–36r Genres: Motet Source Attribution: Jo. Mouton Voice: [no designation] Languages: Latin Voice Text: Quaeramus cum pastoribus General Note Publ. cf. Bsp XXXVIII n° 10
36v–39r	Nato canunt omnia - 1a pars (of 2): Nato canunt omnia Domino pie agmina	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Nato canunt omnia - 1a pars (of 2): Nato canunt omnia Domino pie agmina Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 36v–39r Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Nato canunt omnia domino pie agmina General Note T: Joseph fili David Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
39v–42r	Nato canunt omnia - 2a pars (of 2): Puer natus est nobis	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Nato canunt omnia - 2a pars (of 2): Puer natus est nobis Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 39v–42r Genres: Motet Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Nato canunt omnia domino pie agmina General Note T: Joseph fili David
42v–44r	Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat	Adrian	Willaert, Adrian (ca. 1490–1562)
Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat Willaert, Adrian (ca. 1490–1562) Appears on: 42v–44r Genres: Motet Source Attribution: Adrian Voice: [no designation] Languages: Latin Voice Text: Enixa est puerpera General Note [A solis ortus cardine]
44v–46r	Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies	Adrian	Willaert, Adrian (ca. 1490–1562)
Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies Willaert, Adrian (ca. 1490–1562) Appears on: 44v–46r Genres: Motet Source Attribution: Adrian Voice: [no designation] Languages: Latin Voice Text: Enixa est puerpera
46v–48r	O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum Despres, Josquin (ca. 1450–1521) Appears on: 46v–48r Genres: Contrafactum Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O virgo virginum General Note Publ. cf. Bc 142 n° 44
48v–50r	O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini Despres, Josquin (ca. 1450–1521) Appears on: 48v–50r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O virgo virginum General Note Publ. cf. Bc 142 n° 44
50v–51r	O admirabile commercium creator generis 21.7a	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
O admirabile commercium creator generis 21.7a Despres, Josquin (ca. 1450–1521) Appears on: 50v–51r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: O admirabile commercium creator generis General Note Publ. cf. FI 666 n° 4
51v–52r	Quando natus est ineffabiliter 21.7b	[JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Quando natus est ineffabiliter 21.7b Despres, Josquin (ca. 1450–1521) Appears on: 51v–52r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Illuminare Ierusalem General Note Publ. cf. FI 666 n° 4[2a p. de 0 admirabile commercium] [no 13]
52v–53r	Rubum quem viderat Moises incombustum	[JOSQUIN DES PRÉS]	Senfl, Ludwig (ca. 1486–ca. 1543)
Rubum quem viderat Moises incombustum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 52v–53r Genres: Motet Source Attribution: [JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam General Note [3a p. de O admirabile commercium] no 13Publ. cf. Fl 666 n° 4
53v–54r	Germinavit radix Jesse orta est stella	JOSQUIN DES PRÉS]	Anonymous
Germinavit radix Jesse orta est stella Anonymous Appears on: 53v–54r Genres: Motet Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: In illo tempore postquam impleti sunt
54v–55r	Ecce Maria genuit nobis salvatorem 21.7e	JOSQUIN DES PRÉS]	Despres, Josquin (ca. 1450–1521)
Ecce Maria genuit nobis salvatorem 21.7e Despres, Josquin (ca. 1450–1521) Appears on: 54v–55r Genres: Motet Source Attribution: JOSQUIN DES PRÉS] Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignoranter General Note [5a p. de 0 admirabile commercium]Publ. cf. FI 666 n° 4
55v–57r	Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua	[JO. MOUTON]	Mouton, Jean (ca. 1459–1522)
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua Mouton, Jean (ca. 1459–1522) Appears on: 55v–57r Genres: Motet Source Attribution: [JO. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Illuminare Ierusalem General Note Publ. cf. Bsp XXXVIII n° 15
57v–59r	Illuminare Jerusalem - 2a pars (of 2): Interrogabat magos Herodes quod signum	[JO. MOUTON]	Mouton, Jean (ca. 1459–1522)
Illuminare Jerusalem - 2a pars (of 2): Interrogabat magos Herodes quod signum Mouton, Jean (ca. 1459–1522) Appears on: 57v–59r Genres: Motet Source Attribution: [JO. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Illuminare Ierusalem General Note Publ. cf. Bsp XXXVIII n° 15
59v–63r	Lumen ad revelationem gentium et gloriam	-	Anonymous
Lumen ad revelationem gentium et gloriam Anonymous Appears on: 59v–63r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Lumen ad revelationem gentium et gloriam
63v–66r	In illo tempore postquam impleti sunt (5vv)	CONSTANTIUS FESTA	Festa, Costanzo (ca. 1485–1545)
In illo tempore postquam impleti sunt (5vv) Festa, Costanzo (ca. 1485–1545) Appears on: 63v–66r Genres: Motet Source Attribution: CONSTANTIUS FESTA Voice: [no designation] Languages: Latin Voice Text: In illo tempore postquam impleti sunt General Note T lus: Ave maris stella
66v–69r	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	RICHAFORT	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Richafort, Jean (ca. 1480–ca. 1550) Appears on: 66v–69r Genres: Motet Source Attribution: RICHAFORT Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius quae ignoranter General Note Publ. cf. Bc 19 n- 14
68v–69r	Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	-	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris Richafort, Jean (ca. 1480–ca. 1550) Appears on: 68v–69r Genres: Motet
69v–71r	Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt	A. DE SILVA	Silva, Andreas de (ca. 1475–ca. 1522)
Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 69v–71r Genres: Psalm motet Source Attribution: A. DE SILVA Voice: [no designation] Languages: Latin Voice Text: Laetatus sum General Note Publ. cf. Ma 519 n° 2
70v–72r	Laetatus sum - 2a pars (of 2): Fiat pax in virtute	A. DE SILVA	Silva, Andreas de (ca. 1475–ca. 1522)
Laetatus sum - 2a pars (of 2): Fiat pax in virtute Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 70v–72r Genres: Psalm Source Attribution: A. DE SILVA Voice: [no designation] Languages: Latin Voice Text: Laetatus sum General Note Publ. cf. Ma 519 n° 2
72v–74r	Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus	BRUNET	Brunet, Johannes
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus Brunet, Johannes Appears on: 72v–74r Genres: Motet, Veni sancte spiritus Source Attribution: BRUNET Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte
74v–76r	Veni sancte spiritus - 2a pars (of 2): Sine tuo numine nichil est in lumine	BRUNET	Brunet, Johannes
Veni sancte spiritus - 2a pars (of 2): Sine tuo numine nichil est in lumine Brunet, Johannes Appears on: 74v–76r Genres: Motet, Veni sancte spiritus Source Attribution: BRUNET Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte
76v–77r	Ascendo ad patrem meum - 1a pars (of 2): Ascendo ad patrem meum	-	Anonymous
Ascendo ad patrem meum - 1a pars (of 2): Ascendo ad patrem meum Anonymous Appears on: 76v–77r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum
77v–78r	Ascendo ad patrem meum - 2a pars (of 2): Viri Galilei	-	Anonymous
Ascendo ad patrem meum - 2a pars (of 2): Viri Galilei Anonymous Appears on: 77v–78r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum General Note Canon aux 2 p.: Tu me sequere
78v–81r	Lauda Sion - 1a pars (of 2): Lauda Sion salvatorem	FEVIN	Fevin, Antoine de (ca. 1470–ca. 1512)
Lauda Sion - 1a pars (of 2): Lauda Sion salvatorem Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 78v–81r Genres: Motet Source Attribution: FEVIN Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.
81v–85r	Lauda Sion - 2a pars (of 2): Sub diversis speciebus	FEVIN	Fevin, Antoine de (ca. 1470–ca. 1512)
Lauda Sion - 2a pars (of 2): Sub diversis speciebus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 81v–85r Genres: Motet Source Attribution: FEVIN Voice: [no designation] Languages: Latin Voice Text: Lauda Sion salvatorem Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation.
85v–87r	Sancte Paule apostole - 2a pars (of 2): Saule Saule quid me persequeris	J. LEBRUN*	Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?)
Sancte Paule apostole - 2a pars (of 2): Saule Saule quid me persequeris Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?) Appears on: 85v–87r Genres: Motet Source Attribution: J. LEBRUN* Voice: [no designation] Languages: Latin Voice Text: Saule Saule quid me persequeris General Note Publ. cf. CMacDCF) n° 22 Concordances *15265
87v–88r	Sancte Paule apostole - 1a pars (of 2): Sancte Paule apostole predicator veritatis	J. LEBRUN*	Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?)
Sancte Paule apostole - 1a pars (of 2): Sancte Paule apostole predicator veritatis Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?) Appears on: 87v–88r Genres: Motet Source Attribution: J. LEBRUN* Voice: [no designation] Languages: Latin Voice Text: Saule Saule quid me persequeris General Note Publ. cf. CMacDCF) n° 22T des 2 p.: Sancte Paule ora pro nobis. Concordances *15265
88v–90r	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	[J. RICHAFORT*]	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 88v–90r Genres: Motet Source Attribution: [J. RICHAFORT] Voice:* [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis General Note Publ. cf. CMacDÍF) n' 41 Concordances *CH-SGs 463
90v–92r	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	[J. RICHAFORT*]	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 90v–92r Genres: Motet Source Attribution: [J. RICHAFORT] Voice:* [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis General Note Publ. cf. CMacDÍF) n' 41 Concordances *CH-SGs 463
92v–94r	Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	MOUTON	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus Mouton, Jean (ca. 1459–1522) Appears on: 92v–94r Genres: Motet Source Attribution: MOUTON Voice: [no designation] Languages: Latin Voice Text: Regem confessorum dominum venite adoremus General Note Publ. cf. Fn 164 n° 74
94v–96r	Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	MOUTON	Mouton, Jean (ca. 1459–1522)
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie Mouton, Jean (ca. 1459–1522) Appears on: 94v–96r Genres: Motet Source Attribution: MOUTON Voice: [no designation] Languages: Latin Voice Text: Regem confessorum dominum venite adoremus General Note Publ. cf. Fn 164 n° 74
96v–97r	Obsecro te virgo - 1a pars (of 2): Obsecro te virgo dulcissima	-	Anonymous
Obsecro te virgo - 1a pars (of 2): Obsecro te virgo dulcissima Anonymous Appears on: 96v–97r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Obsecro te virgo dulcissima
97v–98r	Obsecro te virgo - 2a pars (of 2): Gaudeat plebs huius civitatis	-	Anonymous
Obsecro te virgo - 2a pars (of 2): Gaudeat plebs huius civitatis Anonymous Appears on: 97v–98r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Obsecro te virgo dulcissima
98v–99r	O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa	L. COMPÈRE [ou J. RICHAFORT*]	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)
O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 98v–99r Genres: Motet Source Attribution: L. COMPÈRE [ou J. RICHAFORT] Voice:* [no designation] Languages: Latin Voice Text: O genitrix gloriosa mater dei speciosa General Note Publ. cf. Fr 2794 n° 8. Concordances DK-Kk 1848 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, IVFacs. f. 98v-99:.
99v–100r	O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa	L. COMPÈRE [ou J. RICHAFORT*]	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)
O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 99v–100r Genres: Motet Source Attribution: L. COMPÈRE [ou J. RICHAFORT] Voice:* [no designation] Languages: Latin Voice Text: O genitrix gloriosa mater dei speciosa General Note Publ. cf. Fr 2794 n° 8. Concordances *DK-Kk 1848
100v–101r	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret Mouton, Jean (ca. 1459–1522) Appears on: 100v–101r Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Factum est silentium in caelo dum committeret General Note Publ. cf. CT 95-96 n" 52
101v–103r	Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes Mouton, Jean (ca. 1459–1522) Appears on: 101v–103r Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Factum est silentium in caelo dum committeret General Note Publ. cf. CT 95-96 n" 52
103v–105r	O claviger - 1a pars (of 2): O claviger regni caelorum et princeps	-	Anonymous
O claviger - 1a pars (of 2): O claviger regni caelorum et princeps Anonymous Appears on: 103v–105r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O claviger regni caelorum et princeps
104v–106r	O claviger - 2a pars (of 2): Qui regni claves et curam tradidit	-	Anonymous
O claviger - 2a pars (of 2): Qui regni claves et curam tradidit Anonymous Appears on: 104v–106r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O claviger regni caelorum et princeps
106v–107r	Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit Mouton, Jean (ca. 1459–1522) Appears on: 106v–107r Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum General Note Publ. cf. Bc 20 n° 6
107v–109r	Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est	[J. MOUTON]	Mouton, Jean (ca. 1459–1522)
Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est Mouton, Jean (ca. 1459–1522) Appears on: 107v–109r Genres: Motet Source Attribution: [J. MOUTON] Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum General Note Publ. cf. Bc 20 n° 6
109v–112r	Christo inclita candida - 1a pars (of 2): Christo inclita candida nostra canunt	-	Anonymous
Christo inclita candida - 1a pars (of 2): Christo inclita candida nostra canunt Anonymous Appears on: 109v–112r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christo inclita candida nostra canunt
112v–115r	Christo inclita candida - 2a pars (of 2): Stephane gloriose	-	Anonymous
Christo inclita candida - 2a pars (of 2): Stephane gloriose Anonymous Appears on: 112v–115r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Christo inclita candida nostra canunt
115v–117r	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Ockeghem, Jean de (ca. 1410–1497) Appears on: 115v–117r Genres: Alma redemptoris mater, BVM, Sequence Source Attribution: [J. OCKEGHEM] Voice: [no designation] Languages: Latin Voice Text: Alma Redemptoris mater General Note … Publ. cf. Fr 2794 n° 9
117v–118r	Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante Ockeghem, Jean de (ca. 1410–1497) Appears on: 117v–118r Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [J. OCKEGHEM] Voice: [no designation] Languages: Latin Voice Text: Alma Redemptoris mater General Note … Publ. cf. Fr 2794 n° 9
118v–119r	Salve regina - 1a pars (of 2): Salve regina mater misericordiae	-	Basiron, Philippe (ca. 1449–1491)
Salve regina - 1a pars (of 2): Salve regina mater misericordiae Basiron, Philippe (ca. 1449–1491) Appears on: 118v–119r Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve Regina Concordances RISM 1520-1
119v–120r	Salve regina - 2a pars (of 2): Eya ergo advocata nostra	-	Basiron, Philippe (ca. 1449–1491)
Salve regina - 2a pars (of 2): Eya ergo advocata nostra Basiron, Philippe (ca. 1449–1491) Appears on: 119v–120r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salve Regina
120v–121r	Paradisi porta per Evam	JO. SCRIBANO	Escribano, Juan
Paradisi porta per Evam Escribano, Juan Appears on: 120v–121r Genres: Motet Source Attribution: JO. SCRIBANO Voice: [no designation] Languages: Latin Voice Text: Paradisi porta per Evam cunctis clausa Item Bibliography Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: III, pi. 45 facs.
121v–125r	Angeli archangeli - 1a pars (of 2): Angeli archangeli	YSAAC	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli - 1a pars (of 2): Angeli archangeli Isaac, Heinrich (ca. 1450–1517) Appears on: 121v–125r Genres: Motet Source Attribution: YSAAC Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli General Note [=0 regina nobilissima]T: Angeli virtutes Publ. cf. Fn 232 n° 3 Concordances D-ddr-LEu
125v–128r	Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus	YSAAC	Isaac, Heinrich (ca. 1450–1517)
Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus Isaac, Heinrich (ca. 1450–1517) Appears on: 125v–128r Genres: Motet Source Attribution: YSAAC Voice: [no designation] Languages: Latin Voice Text: Angeli archangeli General Note Publ. cf. Fn 232 n° 3 Concordances *D-ddr-LEu
129v–131r	Mittit ad virginem 24.6 - 1a pars (of 2): Mittit ad virginem	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Mittit ad virginem 24.6 - 1a pars (of 2): Mittit ad virginem Despres, Josquin (ca. 1450–1521) Appears on: 129v–131r Genres: Sequence Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
131v–133r	Mittit ad virginem 24.6 - 2a pars (of 2): Accede nuncia	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Mittit ad virginem 24.6 - 2a pars (of 2): Accede nuncia Despres, Josquin (ca. 1450–1521) Appears on: 131v–133r Genres: Motet Source Attribution: JOSQUIN Voice: [no designation] Languages: Latin Voice Text: Mittit ad virginem Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
134v–135r	Inviolata integra et casta es - 1a pars (of 3): Inviolata integra et casta es Maria	Constantius Festa (Name partly obliterated by later trimming)	Festa, Costanzo (ca. 1485–1545)
Inviolata integra et casta es - 1a pars (of 3): Inviolata integra et casta es Maria Festa, Costanzo (ca. 1485–1545) Appears on: 134v–135r Genres: Motet Source Attribution: Constantius Festa (Name partly obliterated by later trimming) Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria
135v–136r	Inviolata integra et casta es - 2a pars (of 3): Nostra ut pura pectora	Constantius Festa (Name partly obliterated by later trimming)	Festa, Costanzo (ca. 1485–1545)
Inviolata integra et casta es - 2a pars (of 3): Nostra ut pura pectora Festa, Costanzo (ca. 1485–1545) Appears on: 135v–136r Genres: Italian secular Source Attribution: Constantius Festa (Name partly obliterated by later trimming) Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria
136v–137r	Inviolata integra et casta es - 3a pars (of 3): O benigna o regina	Constantius Festa (Name partly obliterated by later trimming)	Festa, Costanzo (ca. 1485–1545)
Inviolata integra et casta es - 3a pars (of 3): O benigna o regina Festa, Costanzo (ca. 1485–1545) Appears on: 136v–137r Genres: Motet Source Attribution: Constantius Festa (Name partly obliterated by later trimming) Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria
138v–140r	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum	-	Anonymous
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum Anonymous Appears on: 138v–140r Genres: BVM, Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum
140v–142r	Ave regina caelorum - 2a pars (of 2): Gaude gloriosa	-	Anonymous
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa Anonymous Appears on: 140v–142r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum Item Bibliography Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: (2), 245-246 (Detail).
143v–145r	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina	A. DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 143v–145r Genres: BVM, Motet Source Attribution: A. DE SYLVA Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum ave domina General Note Publ. cf. Bc 27' n° 27
145v–147r	Ave regina caelorum - 2a pars (of 2): Gaude gloriosa	A. DE SYLVA	Silva, Andreas de (ca. 1475–ca. 1522)
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 145v–147r Genres: Ave regina caelorum, BVM, Motet Source Attribution: A. DE SYLVA Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum ave domina General Note Publ. cf. Bc 27' n° 27
148v–149r	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	EUSTACHIUS DE MONTE REGALI	Monte Regali, Eustachius de (–1527)
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Monte Regali, Eustachius de (–1527) Appears on: 148v–149r Genres: Motet, Regina caeli laetare Source Attribution: EUSTACHIUS DE MONTE REGALI Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Canon. Le premier va devant.
149v–150r	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	EUSTACHIUS DE MONTE REGALI	Monte Regali, Eustachius de (–1527)
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Monte Regali, Eustachius de (–1527) Appears on: 149v–150r Genres: Motet, Regina caeli laetare Source Attribution: EUSTACHIUS DE MONTE REGALI Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Canon. Le devant va deriere.
151v–153r	Regina caeli laetare (5vv - canonic)	CONSTANTIUS FESTA	Festa, Costanzo (ca. 1485–1545)
Regina caeli laetare (5vv - canonic) Festa, Costanzo (ca. 1485–1545) Appears on: 151v–153r Genres: Motet, Regina caeli laetare Source Attribution: CONSTANTIUS FESTA Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia General Note Publ. cf. FI 666 n° 51
154v–155r	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	-	Anonymous
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Anonymous Appears on: 154v–155r Genres: Motet, Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography Noble, Jeremy. 1971. A New Motet by Josquin? The Musical Times, 749-53andmusicalsupplementfollowing772. Pages: Facs. f. 155v:.
155v–156r	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	-	Anonymous
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Anonymous Appears on: 155v–156r Genres: Regina caeli laetare Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: (2), 245-246 (Detail). Noble, Jeremy. 1971. A New Motet by Josquin? The Musical Times, 749-53andmusicalsupplementfollowing772. Pages: Facs. f. 155v:.
157v–158r	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	A. MICHOT [nom du compositeur rogné]	Michot, Andreas
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia Michot, Andreas Appears on: 157v–158r Genres: Motet, Regina caeli laetare Source Attribution: A. MICHOT [nom du compositeur rogné] Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia Item Bibliography Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: S, Facs. f. 157v-158.
158v–159r	Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	A. MICHOT [nom du compositeur rogné]	Michot, Andreas
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit Michot, Andreas Appears on: 158v–159r Genres: Motet, Regina caeli laetare Source Attribution: A. MICHOT [nom du compositeur rogné] Voice: [no designation] Languages: Latin Voice Text: Regina caeli laetare alleluia

Composer	Compositions
Anonymous	Ascendo ad patrem meum - 1a pars (of 2): Ascendo ad patrem meum – 76v–77r Ascendo ad patrem meum - 2a pars (of 2): Viri Galilei – 77v–78r Ave regina caelorum - 1a pars (of 2): Ave regina caelorum – 138v–140r Ave regina caelorum - 2a pars (of 2): Gaude gloriosa – 140v–142r Cantate Domino - 1a pars (of 3): Cantate Domino canticum novum cantate – 1v–3r Cantate Domino - 2a pars (of 3): Confessio et pulchritudo – 3v–4r Cantate Domino - 3a pars (of 3): Commoveatur a facie – 4v–7r Christo inclita candida - 1a pars (of 2): Christo inclita candida nostra canunt – 109v–112r Christo inclita candida - 2a pars (of 2): Stephane gloriose – 112v–115r Germinavit radix Jesse orta est stella – 53v–54r Lumen ad revelationem gentium et gloriam – 59v–63r O claviger - 1a pars (of 2): O claviger regni caelorum et princeps – 103v–105r O claviger - 2a pars (of 2): Qui regni claves et curam tradidit – 104v–106r Obsecro te virgo - 1a pars (of 2): Obsecro te virgo dulcissima – 96v–97r Obsecro te virgo - 2a pars (of 2): Gaudeat plebs huius civitatis – 97v–98r Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 154v–155r Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 155v–156r
Basiron, Philippe (ca. 1449–1491)	Salve regina - 1a pars (of 2): Salve regina mater misericordiae – 118v–119r Salve regina - 2a pars (of 2): Eya ergo advocata nostra – 119v–120r
Brumel, Antoine (ca. 1460–ca. 1513)	Nato canunt omnia - 1a pars (of 2): Nato canunt omnia Domino pie agmina – 36v–39r Nato canunt omnia - 2a pars (of 2): Puer natus est nobis – 39v–42r
Brunet, Johannes	Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus – 72v–74r Veni sancte spiritus - 2a pars (of 2): Sine tuo numine nichil est in lumine – 74v–76r
Carpentras, Elzear Genet (ca. 1470–1548)	Benedixisti domine - 1a pars (of 3): Benedixisti domine terram tuam avertisti – 11v–13r Benedixisti domine - 2a pars (of 3): Audiam quid sequatur – 13v–14r Benedixisti domine - 3a pars (of 3): Misericordia et veritas – 14v–15r Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia – 7v–9r Cantate Domino - 2a pars (of 2): Flumina plaudent manu – 9v–11r Conserva me domine - 1a pars (of 2): Conserva me domine quoniam speravi in te – 15v–17r Conserva me domine - 2a pars (of 2): Benedicam Dominum – 17v–19r Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum me fac – 19v–21r Deus in nomine tuo - 2a pars (of 2): Voluntarie sacrificato tibi – 21v–23r
Compère, Loyset (ca. 1445–1518)	O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa – 98v–99r O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa – 99v–100r
Despres, Josquin (ca. 1450–1521)	Ecce Maria genuit nobis salvatorem 21.7e – 54v–55r Mittit ad virginem 24.6 - 1a pars (of 2): Mittit ad virginem – 129v–131r Mittit ad virginem 24.6 - 2a pars (of 2): Accede nuncia – 131v–133r O admirabile commercium creator generis 21.7a – 50v–51r O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum – 46v–48r O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini – 48v–50r Quando natus est ineffabiliter 21.7b – 51v–52r
Escribano, Juan	Paradisi porta per Evam – 120v–121r
Festa, Costanzo (ca. 1485–1545)	In illo tempore postquam impleti sunt (5vv) – 63v–66r Inviolata integra et casta es - 1a pars (of 3): Inviolata integra et casta es Maria – 134v–135r Inviolata integra et casta es - 2a pars (of 3): Nostra ut pura pectora – 135v–136r Inviolata integra et casta es - 3a pars (of 3): O benigna o regina – 136v–137r Regina caeli laetare (5vv - canonic) – 151v–153r
Fevin, Antoine de (ca. 1470–ca. 1512)	Lauda Sion - 1a pars (of 2): Lauda Sion salvatorem – 78v–81r Lauda Sion - 2a pars (of 2): Sub diversis speciebus – 81v–85r
Isaac, Heinrich (ca. 1450–1517)	Angeli archangeli - 1a pars (of 2): Angeli archangeli – 121v–125r Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus – 125v–128r
Michot, Andreas	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 157v–158r Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 158v–159r
Monte Regali, Eustachius de (–1527)	Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia – 148v–149r Regina caeli - 2a pars (of 2): Resurrexit sicut dixit – 149v–150r
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Sancte Paule apostole - 1a pars (of 2): Sancte Paule apostole predicator veritatis – 87v–88r (?) Sancte Paule apostole - 2a pars (of 2): Saule Saule quid me persequeris – 85v–87r
Mouton, Jean (ca. 1459–1522)	Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret – 100v–101r Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes – 101v–103r Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua – 55v–57r Illuminare Jerusalem - 2a pars (of 2): Interrogabat magos Herodes quod signum – 57v–59r Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit – 106v–107r Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est – 107v–109r Noe noe psallite noe Jerusalem – 28v–30r Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est – 30v–32r Puer natus est - 2a pars (of 2): Angelus ad pastores ait – 32v–34r Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum – 34v–35r Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas – 35v–36r Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus – 92v–94r Regem confessorum - 2a pars (of 2): Beatus vir qui hodie – 94v–96r
Ockeghem, Jean de (ca. 1410–1497)	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 115v–117r Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante – 117v–118r
Richafort, Jean (ca. 1480–ca. 1550)	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter – 66v–69r Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris – 68v–69r (?) O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa – 98v–99r (?) O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa – 99v–100r Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 88v–90r Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 90v–92r
Senfl, Ludwig (ca. 1486–ca. 1543)	Rubum quem viderat Moises incombustum – 52v–53r
Silva, Andreas de (ca. 1475–ca. 1522)	Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina – 143v–145r Ave regina caelorum - 2a pars (of 2): Gaude gloriosa – 145v–147r Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt – 69v–71r Laetatus sum - 2a pars (of 2): Fiat pax in virtute – 70v–72r Puer natus est - 1a pars (of 2): Puer natus est nobis – 23v–26r Puer natus est - 2a pars (of 2): Parvulus fìlius hodie natus est nobis – 26v–28r
Willaert, Adrian (ca. 1490–1562)	Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat – 42v–44r Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies – 44v–46r
le Brun, Jean (fl. early 16th century)	(?) Sancte Paule apostole - 1a pars (of 2): Sancte Paule apostole predicator veritatis – 87v–88r (?) Sancte Paule apostole - 2a pars (of 2): Saule Saule quid me persequeris – 85v–87r

Composition	Composers (? Uncertain)	Folios / Pages
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Ockeghem, Jean de (ca. 1410–1497)	115v–117r
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	Ockeghem, Jean de (ca. 1410–1497)	117v–118r
Angeli archangeli - 1a pars (of 2): Angeli archangeli	Isaac, Heinrich (ca. 1450–1517)	121v–125r
Angeli archangeli - 2a pars (of 2): Te gloriosus apostolorum chorus	Isaac, Heinrich (ca. 1450–1517)	125v–128r
Ascendo ad patrem meum - 1a pars (of 2): Ascendo ad patrem meum	Anonymous	76v–77r
Ascendo ad patrem meum - 2a pars (of 2): Viri Galilei	Anonymous	77v–78r
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum	Anonymous	138v–140r
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina	Silva, Andreas de (ca. 1475–ca. 1522)	143v–145r
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa	Anonymous	140v–142r
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa	Silva, Andreas de (ca. 1475–ca. 1522)	145v–147r
Benedixisti domine - 1a pars (of 3): Benedixisti domine terram tuam avertisti	Carpentras, Elzear Genet (ca. 1470–1548)	11v–13r
Benedixisti domine - 2a pars (of 3): Audiam quid sequatur	Carpentras, Elzear Genet (ca. 1470–1548)	13v–14r
Benedixisti domine - 3a pars (of 3): Misericordia et veritas	Carpentras, Elzear Genet (ca. 1470–1548)	14v–15r
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum quia mirabilia	Carpentras, Elzear Genet (ca. 1470–1548)	7v–9r
Cantate Domino - 1a pars (of 3): Cantate Domino canticum novum cantate	Anonymous	1v–3r
Cantate Domino - 2a pars (of 2): Flumina plaudent manu	Carpentras, Elzear Genet (ca. 1470–1548)	9v–11r
Cantate Domino - 2a pars (of 3): Confessio et pulchritudo	Anonymous	3v–4r
Cantate Domino - 3a pars (of 3): Commoveatur a facie	Anonymous	4v–7r
Christo inclita candida - 1a pars (of 2): Christo inclita candida nostra canunt	Anonymous	109v–112r
Christo inclita candida - 2a pars (of 2): Stephane gloriose	Anonymous	112v–115r
Conserva me domine - 1a pars (of 2): Conserva me domine quoniam speravi in te	Carpentras, Elzear Genet (ca. 1470–1548)	15v–17r
Conserva me domine - 2a pars (of 2): Benedicam Dominum	Carpentras, Elzear Genet (ca. 1470–1548)	17v–19r
Deus in nomine tuo - 1a pars (of 2): Deus in nomine tuo salvum me fac	Carpentras, Elzear Genet (ca. 1470–1548)	19v–21r
Deus in nomine tuo - 2a pars (of 2): Voluntarie sacrificato tibi	Carpentras, Elzear Genet (ca. 1470–1548)	21v–23r
Ecce Maria genuit nobis salvatorem 21.7e	Despres, Josquin (ca. 1450–1521)	54v–55r
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Richafort, Jean (ca. 1480–ca. 1550)	66v–69r
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	Richafort, Jean (ca. 1480–ca. 1550)	68v–69r
Enixa est puerpera - 1a pars (of 2): Enixa est puerpera fulget dies quem predixerat	Willaert, Adrian (ca. 1490–1562)	42v–44r
Enixa est puerpera - 2a pars (of 2): Parvoque lacte pastus est fulget dies	Willaert, Adrian (ca. 1490–1562)	44v–46r
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum committeret	Mouton, Jean (ca. 1459–1522)	100v–101r
Factum est silentium - 2a pars (of 2): Dum sacrum misterium cernere Johannes	Mouton, Jean (ca. 1459–1522)	101v–103r
Germinavit radix Jesse orta est stella	Anonymous	53v–54r
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua	Mouton, Jean (ca. 1459–1522)	55v–57r
Illuminare Jerusalem - 2a pars (of 2): Interrogabat magos Herodes quod signum	Mouton, Jean (ca. 1459–1522)	57v–59r
In illo tempore postquam impleti sunt (5vv)	Festa, Costanzo (ca. 1485–1545)	63v–66r
Inter natos mulierum - 1a pars (of 2): Inter natos mulierum non surrexit	Mouton, Jean (ca. 1459–1522)	106v–107r
Inter natos mulierum - 2a pars (of 2): Elizabeth impletum est	Mouton, Jean (ca. 1459–1522)	107v–109r
Inviolata integra et casta es - 1a pars (of 3): Inviolata integra et casta es Maria	Festa, Costanzo (ca. 1485–1545)	134v–135r
Inviolata integra et casta es - 2a pars (of 3): Nostra ut pura pectora	Festa, Costanzo (ca. 1485–1545)	135v–136r
Inviolata integra et casta es - 3a pars (of 3): O benigna o regina	Festa, Costanzo (ca. 1485–1545)	136v–137r
Laetatus sum - 1a pars (of 2): Laetatus sum in his que dicta sunt	Silva, Andreas de (ca. 1475–ca. 1522)	69v–71r
Laetatus sum - 2a pars (of 2): Fiat pax in virtute	Silva, Andreas de (ca. 1475–ca. 1522)	70v–72r
Lauda Sion - 1a pars (of 2): Lauda Sion salvatorem	Fevin, Antoine de (ca. 1470–ca. 1512)	78v–81r
Lauda Sion - 2a pars (of 2): Sub diversis speciebus	Fevin, Antoine de (ca. 1470–ca. 1512)	81v–85r
Lumen ad revelationem gentium et gloriam	Anonymous	59v–63r
Mittit ad virginem 24.6 - 1a pars (of 2): Mittit ad virginem	Despres, Josquin (ca. 1450–1521)	129v–131r
Mittit ad virginem 24.6 - 2a pars (of 2): Accede nuncia	Despres, Josquin (ca. 1450–1521)	131v–133r
Nato canunt omnia - 1a pars (of 2): Nato canunt omnia Domino pie agmina	Brumel, Antoine (ca. 1460–ca. 1513)	36v–39r
Nato canunt omnia - 2a pars (of 2): Puer natus est nobis	Brumel, Antoine (ca. 1460–ca. 1513)	39v–42r
Noe noe psallite noe Jerusalem	Mouton, Jean (ca. 1459–1522)	28v–30r
O admirabile commercium creator generis 21.7a	Despres, Josquin (ca. 1450–1521)	50v–51r
O claviger - 1a pars (of 2): O claviger regni caelorum et princeps	Anonymous	103v–105r
O claviger - 2a pars (of 2): Qui regni claves et curam tradidit	Anonymous	104v–106r
O genitrix gloriosa - 1a pars (of 2): O genitrix gloriosa mater Dei speciosa	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)	98v–99r
O genitrix gloriosa - 2a pars (of 2): Ave virgo gloriosa	Compère, Loyset (ca. 1445–1518) Richafort, Jean (ca. 1480–ca. 1550) (?)	99v–100r
O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum	Despres, Josquin (ca. 1450–1521)	46v–48r
O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini	Despres, Josquin (ca. 1450–1521)	48v–50r
Obsecro te virgo - 1a pars (of 2): Obsecro te virgo dulcissima	Anonymous	96v–97r
Obsecro te virgo - 2a pars (of 2): Gaudeat plebs huius civitatis	Anonymous	97v–98r
Paradisi porta per Evam	Escribano, Juan	120v–121r
Puer natus est - 1a pars (of 2): Puer natus est nobis	Silva, Andreas de (ca. 1475–ca. 1522)	23v–26r
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est	Mouton, Jean (ca. 1459–1522)	30v–32r
Puer natus est - 2a pars (of 2): Angelus ad pastores ait	Mouton, Jean (ca. 1459–1522)	32v–34r
Puer natus est - 2a pars (of 2): Parvulus fìlius hodie natus est nobis	Silva, Andreas de (ca. 1475–ca. 1522)	26v–28r
Quando natus est ineffabiliter 21.7b	Despres, Josquin (ca. 1450–1521)	51v–52r
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	88v–90r
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	90v–92r
Queramus cum pastoribus - 1a pars (of 2): Queramus cum pastoribus verbum incarnatum	Mouton, Jean (ca. 1459–1522)	34v–35r
Queramus cum pastoribus - 2a pars (of 2): Ubi pascas ubi cubas	Mouton, Jean (ca. 1459–1522)	35v–36r
Regem confessorum - 1a pars (of 2): Regem confessorum Dominum venite adoremus	Mouton, Jean (ca. 1459–1522)	92v–94r
Regem confessorum - 2a pars (of 2): Beatus vir qui hodie	Mouton, Jean (ca. 1459–1522)	94v–96r
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Monte Regali, Eustachius de (–1527)	148v–149r
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Anonymous	154v–155r
Regina caeli - 1a pars (of 2): Regina caeli laetare alleluia	Michot, Andreas	157v–158r
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Monte Regali, Eustachius de (–1527)	149v–150r
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Anonymous	155v–156r
Regina caeli - 2a pars (of 2): Resurrexit sicut dixit	Michot, Andreas	158v–159r
Regina caeli laetare (5vv - canonic)	Festa, Costanzo (ca. 1485–1545)	151v–153r
Rubum quem viderat Moises incombustum	Senfl, Ludwig (ca. 1486–ca. 1543)	52v–53r
Salve regina - 1a pars (of 2): Salve regina mater misericordiae	Basiron, Philippe (ca. 1449–1491)	118v–119r
Salve regina - 2a pars (of 2): Eya ergo advocata nostra	Basiron, Philippe (ca. 1449–1491)	119v–120r
Sancte Paule apostole - 1a pars (of 2): Sancte Paule apostole predicator veritatis	Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?)	87v–88r
Sancte Paule apostole - 2a pars (of 2): Saule Saule quid me persequeris	Moulu, Pierre (ca. 1484–ca. 1550) (?) le Brun, Jean (fl. early 16th century) (?)	85v–87r
Veni sancte spiritus - 1a pars (of 2): Veni sancte spiritus et emitte caelitus	Brunet, Johannes	72v–74r
Veni sancte spiritus - 2a pars (of 2): Sine tuo numine nichil est in lumine	Brunet, Johannes	74v–76r

‡ denotes primary source study

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies. Neuhausen nr. Stuttgart. Notes: physical description (partial); contents list (partial); concordances (partial).

Dean, Jeffrey J (editor). 1986. Vatican, Biblioteca Apostolica Vaticana, Cappella Sistina MS 46. Renaissance Music in Facsimile. New York. Notes: physical description; contents list; facsimile; discussion.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 44-5, 80, 119, 123-7, 158-61, 165-6, 168-71, 205-6, 243-6, 283, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 275, 280-2, 307, 309-12, 326-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Picker, Martin. 1983. A 'Salve Regina' of Uncertain Authorship. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 177-9. Wiesbaden. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, ix, xix, 367-71; II, xiv, 244-6. Notes: contents list (partial); transcription (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft. Tutzing. Pages: 24, 55-8, 60-1, 72-8, 440, 445, 448. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Sparks, Edgar H. 1976. Problems of Authenticity in Josquin's Motets. Josquin des Prez: Proceedings of the International J osquin Festival-Conference ... 21-25June 1971, 345-59. London, New York, and Toronto. Pages: 347-8. Notes: contents list (partial); mention of MS; discussion.

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 137, 283-6. Notes: physical description (partial); contents list (partial).

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 307-9, 311. Notes: facsimile (partial); mention of MS; discussion.

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, x, xii, l-42. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Noble, Jeremy. 1971. A New Motet by Josquin? The Musical Times, 749-53andmusicalsupplementfollowing772. Pages: 750-3 and musical supplement. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xi; II, xi-xii. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxxv-xxxvii, 71-83. Notes: contents list (partial); transcription (partial); texts (partial).

Perkins, Leeman L. 1969. Review of CR Lowinsky. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici. The Musical Quarterly, 255-69. Pages: 261. Notes: mention of MS.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music. Chicago. Pages: III, 129-34, 150-2, 217-9, 231-2. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Pages: I, 226; II, 359-67. Notes: contents list (partial); transcription (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 28-9, 46. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xi, xiv, l-14. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I, 96-7; II, 24, 31-2. Notes: contents list (partial); concordances (partial); incipits (partial); texts (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 94-8, 486-7. Notes: physical description; contents list; incipits (partial).

Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 53-4, 60, 277-303. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, x. Notes: facsimile (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: III, Tafel 45; XI, 752. Notes: physical description (partial); facsimile (partial).

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 95.

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LVII, iii; XCIV, vi, 1-7. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I, xi, xiv-xvi; XXIII, xxix-xxx. Notes: physical description; contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 20.

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Julia Craig-McFeely

Friday, 16 April, 2021

'4vv' Regina caeli by Festa corrected to 5vv noting the canon! Concordances in CG XII,4 etc also updated.

Edward Tambling

Thursday, 15 October, 2020

Salve Regina at 118v-120r is by Philippe Basiron. There is a printed concordance at RISM 1520/1, and the index in the Bassus partbook gives ascription.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description