Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1–1v | Short/Dorian Service: Venite | Mr. Tallis | |
Appears on:
1–1v
Genres:
Anglican Service Music, Canticle, Venite exultemus [Anglican, Morning Service]
Source Attribution:
Mr. Tallis
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr. Tallis 4 parts Venite exultemus. / Come let us sing vnto
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; Notes: EECM 13 etc.; |
|||
2–3v | Short/Dorian Service: Te Deum | Mr Tallis | |
Appears on:
2–3v
Genres:
Liturgical work, Te Deum
Source Attribution:
Mr Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 parts Te Deum. / Wee knowledg thee
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
4–4v | Short/Dorian Service: Benedictus (Canticle) | Mr. Tallis | |
Appears on:
4–4v
Genres:
Anglican Service Music, Benedictus [Anglican = 2nd canticle at Morning Prayer], Canticle
Source Attribution:
Mr. Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 parts. Benedictus. / Blessed be the Lord God
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
5–5v | Short/Dorian Service: Kyrie | Mr Tallis | |
Appears on:
5–5v
Genres:
Anglican Service Music, Kyrie eleison, Response
Source Attribution:
Mr Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 part Kyrie eleys. / Lord haue mercy vpon vs
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; |
|||
5v–6v | Short/Dorian Service: Creed | Mr Tallis | |
Appears on:
5v–6v
Genres:
Anglican Service Music, Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Mr Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 parts Credo. / The Father Almighty
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; |
|||
7–8v | Short/Dorian Service: Magnificat | Mr Tallis | |
Appears on:
7–8v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 parts Magnificat. / My soule doth magnify the Lord
General NoteAnnotations/Corrections: 4 parts' under the name of the composer. Corrections on f. 7 fourth line.; |
|||
8v–9 | Short/Dorian Service: Nunc dimittis | Mr Tallis | |
Appears on:
8v–9
Genres:
Anglican Service Music, Canticle, Nunc Dimittis
Source Attribution:
Mr Tallis
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tallis 4 parts. Nunc dimittis. / Lord now lettest thou thy servant
|
|||
9v–11 | Dorian Service: Magnificat | Mr Moules | |
Appears on:
9v–11
Source Attribution:
Mr Moules
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Moules 4 parts. Magnificat. / My soule doth magnify the Lord
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; Notes: i.e. Henry Molle.; |
|||
11–11v | Dorian Service: Nunc dimittis | Mr Mouls | |
Appears on:
11–11v
Source Attribution:
Mr Mouls
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Mouls 4 parts Nunc dimittis. / Lord now lettest thou thy servant
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; |
|||
12–13v | Short Service: Te Deum | Mr Birds | |
Appears on:
12–13v
Genres:
Anglican Service Music, Liturgical work, Te Deum
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Birds service for sides 4 parts. The Deum / Wee praise thee
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; Notes: BE 10a; note the description ‘for sides’ (indicating antiphony).; |
|||
13v–15 | Short Service: Benedictus (Canticle) | Mr Birds | |
Appears on:
13v–15
Genres:
Anglican Service Music, Benedictus [Anglican = 2nd canticle at Morning Prayer], Canticle
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Birds 4 parts Benedictus. / Blessed be the Lord God
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; |
|||
15 | Short Service: Kyrie responses | Mr Birds | |
Appears on:
15
Genres:
Anglican Service Music, Kyrie eleison, Response
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Birds 4 parts Kyrie & Credo. / Lord haue mercy vpon vs
General NoteNotes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
15–17 | Short Service: Creed | Mr Birds | |
Appears on:
15–17
Genres:
Anglican Service Music, Credo (patrem omnipotentem)
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Birds 4 parts Kyrie & Credo. / The father Almighty
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; Notes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
17–18v | Short Service: Magnificat | Mr Birds | |
Appears on:
17–18v
Genres:
Anglican Service Music, BVM, Canticle, Magnificat
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Birds 4 parts. Magnificat. / My soule doth magnifie the Lord
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
18v–19 | Short Service: Nunc dimittis | Mr Bird | |
Appears on:
18v–19
Genres:
Anglican Service Music, Canticle, Nunc Dimittis
Source Attribution:
Mr Bird
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Bird 4 parts Nunc dimittis / Lord now lettest thou thy seruant
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; |
|||
19v–21 | Short [First] Service: Te Deum | Mr Gibbons | |
Appears on:
19v–21
Genres:
Anglican Service Music, Liturgical work, Te Deum
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Gibbons short seruice. Te Deum / Wee praise thee
General NoteNotes: TCM IV; |
|||
21–22 | Short [First] Service: Benedictus (Canticle) | Mr Gibbons | |
Appears on:
21–22
Genres:
Anglican Service Music, Benedictus [Anglican = 2nd canticle at Morning Prayer], Canticle
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Gibbons 4 parts. Benedictus. / Blessed be the Lord God
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
22v | Short [First] Service: Kyrie responses | Mr Gibbons | |
Appears on:
22v
Genres:
Anglican Service Music, Kyrie eleison, Response
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Gibbons short seruice 4 parts Kyrie & Credo / Lord haue mercy vpon vs
General NoteAnnotations/Corrections: 4 parts' under the name of the composer.; Notes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
22v–23v | Short [First] Service: Creed | Mr Gibbons | |
Appears on:
22v–23v
Genres:
Anglican Service Music, Credo (patrem omnipotentem)
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Gibbons short seruice 4 parts Kyrie & Credo / The father Almighty
General NoteNotes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
24–25r | Short [First] Service: Magnificat | Mr Gibbons | |
Appears on:
24–25r
Genres:
Anglican Service Music, BVM, Canticle, Magnificat
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Gibbons Magnificat / My soule doth magnify the Lord
|
|||
25v–26 | Short [First] Service: Nunc dimittis | Mr Gibbons | |
Appears on:
25v–26
Genres:
Anglican Service Music, Canticle, Nunc Dimittis
Source Attribution:
Mr Gibbons
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Gibbons 4 parts. Nunc dimittis. / Lord now lettest thou thy servant
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
26v–28v | A Service for Men, 4 parts: Magnificat | H H. | |
Appears on:
26v–28v
Source Attribution:
H H.
Voice:
[no designation]
Languages:
English
Mensuration:
cut-o
Clef:
c3
Voice Text:
A service for men 4 parts. Magnficat. / My soule doth magnify the Lord
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer.; |
|||
28v–29v | A Service for Men, 4 parts: Nunc dimittis | H H. | |
Appears on:
28v–29v
Source Attribution:
H H.
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
A service for men 4 parts. Nunc dimittis / Lord now lettest thou thy seruant
General NoteAnnotations/Corrections: 4 parts.' under the name of the composer. Title originally 'Benedictus' but crossed out. At the end 'finis H H.'; |
|||
29v–31 | Short Service: Magnificat | Mr Morleys | |
Appears on:
29v–31
Genres:
Anglican Service Music, BVM, Canticle, Magnificat
Source Attribution:
Mr Morleys
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Morleys. And my spirit. Magnificat. / And my spirit reioyceth in God
General NoteNotes: ed. C.F. Simkins (London, 1956); EECM ii; EECM 41; The Magnificat has the alternative verse opening otherwise found only in Lbl 29289 and Och 1001.; |
|||
31–32 | Short Service: Nunc dimittis | Mr Morleys | |
Appears on:
31–32
Genres:
Anglican Service Music, Canticle, Nunc Dimittis
Source Attribution:
Mr Morleys
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Morleys Nunc dimittis. / Lord now lettest thou thy servant
|
|||
32–33 | Second Service ('Verse Service'): Magnificat | Mr Birds | |
Appears on:
32–33
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Birds verses. Magnificat. / And my spirit rejoyceth in God
General NoteNotes: BE 10a. Time signature changes on f. 33 second line.; |
|||
33v–34 | Second Service ('Verse Service'): Nunc dimittis | Mr Birds | |
Appears on:
33v–34
Source Attribution:
Mr Birds
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Birds verses Nunc dimittis. / According to thy word
|
|||
34v–37 | Third (First) Service: Te Deum | Mr Amner | |
Appears on:
34v–37
Genres:
Liturgical work, Te Deum
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Amner Te Deum / Wee knowledg thee
General NoteNotes: OCS; |
|||
37v–39v | Third (First) Service: Benedictus (Canticle) | Mr Amner | |
Appears on:
37v–39v
Genres:
Canticle
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Amner Benedictus. / Blessed be the Lord
|
|||
39v–40 | Third (First) Service: Kyrie Responses in the Communion Service | Mr Amner | |
Appears on:
39v–40
Genres:
Anglican Service Music, Kyrie eleison, Response
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Amner. Kyrie / Lord have mercy vpon vs
|
|||
40–42 | Third (First) Service: Creed | Mr Amner | |
Appears on:
40–42
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Amner: Kyrie & Credo. / The father Almightie
General NoteAnnotations/Corrections: Correction on f. 40v fourth line.; Notes: The title on f. 40 mentions the 'Kyrie' because its last section is on the top of the folio; |
|||
42v–44 | Third (First) Service: Magnificat | Mr Amner | |
Appears on:
42v–44
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Amner Magnificat. / My soule doth magnify the Lord
|
|||
44–45 | Third (First) Service: Nunc dimittis | Mr Amner | |
Appears on:
44–45
Genres:
Canticle
Source Attribution:
Mr Amner
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Amner Nunc dimittis / Lord now lettest thou thy seruant
|
|||
45v–47 | First [‘Short’] Service: Te Deum | Mr Tomkins | |
Appears on:
45v–47
Genres:
Liturgical work, Te Deum
Source Attribution:
Mr Tomkins
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Mr Tomkins Te Deum. / Wee knowledg thee
|
|||
47–48v | First [‘Short’] Service: Benedictus (Canticle) | Mr Tomkins | |
Appears on:
47–48v
Genres:
Canticle
Source Attribution:
Mr Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tomkins Benedictus / Blessed be the Lord
|
|||
49 | First [‘Short’] Service: Kyrie Responses in the Communion Service | Mr Tomkins | |
Appears on:
49
Genres:
Anglican Service Music, Kyrie eleison, Response
Source Attribution:
Mr Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tomkins Kyrie & Credo. / Lord haue mercy vpon vs
General NoteAnnotations/Corrections: note/stem corr. in third line, followed by another note/stave corr.; |
|||
49–51 | First [‘Short’] Service: Creed | [Mr Tomkins] | |
Appears on:
49–51
Genres:
Anglican Service Music, Credo (patrem omnipotentem)
Source Attribution:
[Mr Tomkins]
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
[Mr Tomkins Kyrie & Credo.] / The father Almighty
General NoteAnnotations/Corrections: note erased in second line of f. 50?; |
|||
51–52 | First [‘Short’] Service: Magnificat | Mr Tomkins | |
Appears on:
51–52
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Mr Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tomkins Magnificat. / My soule doth magnify the Lord
|
|||
52–53 | First [‘Short’] Service: Nunc dimittis | Mr Tomkins | |
Appears on:
52–53
Genres:
Canticle
Source Attribution:
Mr Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Tomkins Nunc dimittis / Lord now lettest thou thy seruant
|
|||
53–55v | Full Service (4 parts): Te Deum | Mr Ramsey | |
Appears on:
53–55v
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Mr Ramsey's 4 parts altogether. full Te Deum / Wee knowledg thee
General NoteAnnotations/Corrections: Corrections on f. 53v fourth line.; Notes: EECM 7; |
|||
56–57 | Full Service (4 parts): Jubilate | Mr Ramsey | |
Appears on:
56–57
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
4 parts. Mr Ramsey's full/ Jubilate. / O be Joyfull in the Lord
|
|||
57–58v | Full Service (4 parts): Magnificat | Mr Ramsey | |
Appears on:
57–58v
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
4 pa[r]ts. Mr Ramseys full Magnificat. / My soule doth magnify the Lord
|
|||
58v–59v | Full Service (4 parts): Nunc dimittis | Mr Ramsey | |
Appears on:
58v–59v
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
4 parts. Mr Ramseys full Nunc dimittis / Lord now lettest thou thy servant
|
|||
59v–60v | Full Service (4 parts): Litany | Mr Ramsey | |
Appears on:
59v–60v
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
4 parts. altogether. Mr Ramsey's Letany / O god the father of heav'n
|
|||
60v | Full Service (4 parts): Kyrie Responses in the Communion Service | Mr Ramsey | |
Appears on:
60v
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
4 parts altogether. Mr Ramsey's Kyrie & Credo. / Lord haue mercy vpon vs
General NoteNotes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
60v–63 | Full Service (4 parts): Creed | Mr Ramsey | |
Appears on:
60v–63
Source Attribution:
Mr Ramsey
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
4 parts altogether. Mr Ramsey's Kyrie & Credo. / The father Almighty
General NoteNotes: The title mentions both Kyrie and Credo, as they are both on this folio; |
|||
63 | Gospel Acclamation | Mr. Rob: Ramsey:- | |
Appears on:
63
Source Attribution:
Mr. Rob: Ramsey:-
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Before the Gospell. / Glory be to thee O Lord.
General NoteNotes: This setting of the Gospel acclamation would appear to be unique to this source.; |
|||
63v–65 | Verse Service: Magnificat | H. H. (at end) | |
Appears on:
63v–65
Source Attribution:
H. H. (at end)
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
My soule doth magnify the Lord
General NoteAnnotations/Corrections: Indications for verses and choruses entered throughout (one on top of f. 64 specifically indicating 'vers. 3 p[ar]ts' and on f. 64v 'ver 4 p[ar]ts'); on f. 63v, in fourth line major erasure of notes; |
|||
65v–66 | Verse Service: Nunc dimittis | - | |
Appears on:
65v–66
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
For mine eyes haue seene
General NoteAnnotations/Corrections: Alternation between 'Cho:' and verses indicated throughout ('ver. 3 p[ar]ts]' on f. 65v); |
|||
66v–93v | [blank staves] | - | - |
[blank staves]
Appears on:
66v–93v
|
|||
94 | [untexted] | - | - |
[untexted]
Appears on:
94
Voice:
[no designation]
Languages:
none
Clef:
c4
General NoteNotes: Music noted upside down on page: all notes are plain breves (round note heads); |
|||
94v–142 | [blank staves] | - | - |
[blank staves]
Appears on:
94v–142
|
|||
143–142v | O clap your hands together all ye people | - | Anonymous |
O clap your hands together all ye peopleAnonymous
Appears on:
143–142v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
O Clap yo[u]r hands together
General NoteNotes: From here on, all the music noted upside down on the page (beginning from the other end of the book); |
|||
143v | If ye be risen again with Christ | - | Anonymous |
If ye be risen again with ChristAnonymous
Appears on:
143v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
If ye be risen againe w[i]th christ
|
|||
144v–144 | Let my complaint | - | |
Appears on:
144v–144
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Let my Complaints &tc: / Give me vnderstanding
General NoteAnnotations/Corrections: Cho: in bottom line of f. 144v; in top line of f. 144, 'rest' written under long rests; at beginning of penultimate line of f. 144 'Cho:'; |
|||
145–144v | I will love thee O Lord | - | |
Appears on:
145–144v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
I will loue thee O Lord my strength: / I will loue thee O Lord my strength
General NoteAnnotations/Corrections: ver:' and 'cho:' at beginning and in third line; |
|||
145v–145 | Thou art my king, O God | Mr Tho: Tomkins | |
Appears on:
145v–145
Genres:
Anthem
Source Attribution:
Mr Tho: Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Thou art my King O God. / Send help vnto Jacob
General NoteAnnotations/Corrections: Cho:' written over several sections on f. 145v - but not 'ver'; at end of bottom line of f. 145v, music and text corr.; Notes: EECM 9; |
|||
147v–146 | The Lord, even the most mighty God | - | |
Appears on:
147v–146
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
The Lord euen the most mighty God, &c, / Out of Sion hath god appeared
General NoteAnnotations/Corrections: ver:' in second line of f. 147v; 'cho:' and 'ver:' on f. 147; Notes: EECM 3; |
|||
148v–148 | O pray for the peace of Jerusalem (I - 6vv) | Mr. Tomkins | |
Appears on:
148v–148
Genres:
Anthem
Source Attribution:
Mr. Tomkins
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
O pray for the peace. &c. / O pray for the peace of Jerusalem
General NoteAnnotations/Corrections: cho:' several times and once 'ver:'; Notes: EECM 14; |
|||
150–148v | Christ rising again - 2a pars (of 2): Christ is risen again | - | |
Appears on:
150–148v
Genres:
Anthem
|
|||
150–148v | Christ rising again - 1a pars (of 2): Christ rising again | - | |
Appears on:
150–148v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Christ riseing &c: / Death from henceforth
General NoteNotes: Christ is risen againe' section begins on f. 149v; |
|||
150v–150 | Out of the deep (II) [verse anthem] | - | |
Appears on:
150v–150
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Out of the deepe / O Let thine eares consider well
General NoteNotes: EECM 38; |
|||
152–151 | If ye then be risen with Christ / If ye be risen again with Christ (Anthem for Easter Day) | - | |
Appears on:
152–151
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
If yee be risen &c. / If yee be risen againe w[i]th Christ
General NoteAnnotations/Corrections: cho:' and 'ver:' throughout; Notes: EECM 3; |
|||
152v–152 | Behold, how good and joyful a thing it is | R G:- | |
Appears on:
152v–152
Source Attribution:
R G:-
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Behold how good. / Brethren do dwell together
General NoteAnnotations/Corrections: Cho:' at beginning over music; Notes: –; |
|||
153v–153 | Teach me thy way, O Lord | - | |
Appears on:
153v–153
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Teach me thy way O Lord. &c. / Teach mee thy way O Lord
General NoteNotes: CMSR 21a; |
|||
155–153v | Wipe away my sins [=Absterge Domine] | - | |
Appears on:
155–153v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Wipe away my sinnes. &c. / Wipe away my sinnes
General NoteNotes: EECM 12; Contrafactum of the motet Absterge Domine.; |
|||
156v–155v | Almighty God, the fountain of all wisdom | Mr Tho. Tomkins | |
Appears on:
156v–155v
Source Attribution:
Mr Tho. Tomkins
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Almighty God &c / Almighty God the fountaine of all wisdome
General NoteAnnotations/Corrections: 5 p[ar]ts.' at top; throughout the piece sharps entered over or beneath notes; possibly some corr and end of bottom line of first page; Notes: EECM 37; |
|||
157v–157 | O how glorious art thou | Mr White |
Hooper, Edmund
(?)
|
Appears on:
157v–157
Genres:
Anthem
Source Attribution:
Mr White
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O how glorious &c. / O how glorious art thou O God
General NoteAnnotations/Corrections: stave lines 'improved' at very beginning; Notes: TCM V (also published by OUP, ed. Anthony Magness (1964)); Attributed in some sources to Edmund Hooper.; |
|||
158–157v | Do well, O Lord, unto those that be good | - | Anonymous |
Do well, O Lord, unto those that be goodAnonymous
Appears on:
158–157v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Do well O Lord. &c. / Doe well O Lord unto those yt be good
General NoteNotes: possibly unicum; |
|||
159v–158 | O Lord, rebuke me not in thine indignation | - | Anonymous |
Appears on:
159v–158
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O Lord rebuke me not &c: / O Lord rebuke mee not [...] in thine Indignation
General NoteAnnotations/Corrections: on f. 159, in outer margin, next to third line, an 'i' (of 'j'); |
|||
160v–159v | I will magnify thee, O God my King | - | Anonymous |
I will magnify thee, O God my KingAnonymous
Appears on:
160v–159v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
I will magnify thee &c: / I will magnify thee O Lord
General NoteAnnotations/Corrections: several reminding accidentals entered throughout; |
|||
161 | Holy, Holy, Holy, Lord God of hosts [= Sanctus (1552-1662 Prayer Book versions)] | - | Anonymous |
Appears on:
161
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Holy Holy: &c. / Holy holy holy Lord god of hosts
|
|||
161v–161 | Lord, for thy tender mercy's sake | - | Anonymous |
Lord, for thy tender mercy's sakeAnonymous
Appears on:
161v–161
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Lord for thy tender mercy sake: &c: / Lord for thy tender mercy sake
General NoteAnnotations/Corrections: 4 voc:' at top; |
|||
162v–162 | Hear us, O heavenly God | - | Anonymous |
Hear us, O heavenly GodAnonymous
Appears on:
162v–162
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Heare vs &: / Heare vs O heavenly God
General NoteAnnotations/Corrections: text crossed out and replaced with 'A=men' in final section, on f. 162; Notes: possibly unicum; |
|||
163v–162 | Blessed art thou that fearest God and walkest in his ways | - | |
Appears on:
163v–162
Genres:
Motet
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Blessed art thou. / Blessed art thou yt fearest God
General NoteNotes: AECM; |
|||
166–163v | O Lord, I bow the knees of my heart | - | |
Appears on:
166–163v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O Lord I bow the knees of my heart
General NoteAnnotations/Corrections: ffinis' at end (the other pieces here do not normally have that); Notes: Fols 164v and 165 have just blank ruled staves; |
|||
167–166 | Holy Holy Holy, Lord God Almighty | - | |
Appears on:
167–166
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Holy, Holy, Holy: &c: / Holy holy holy Holy Lord God Almightie
General NoteNotes: NB The text does not correspond with any of the Prayer Book versions of the Sanctus.; |
|||
168v–167v | O give thanks unto the Lord | - | |
Appears on:
168v–167v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O giue thanks vnto the Lord for he is gracious
General NoteAnnotations/Corrections: 5.voc:' at top; |
|||
169v–168v | O Lord our God, why art thou absent | - | Anonymous |
O Lord our God, why art thou absentAnonymous
Appears on:
169v–168v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
O Lord our God: &c. / O Lord our god why art thou absent
General NoteAnnotations/Corrections: several text corr. in top line of f. 168v; note/stem corr. in second line of f. 169; text corr. in bottom line of f. 169v; |
|||
171–169v | Out of the deep (II) | - | |
Appears on:
171–169v
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Out of the deepe. &c. / Out of the deep have I called vnto thee
General NoteAnnotations/Corrections: 6. voc.' at top; Notes: EECM 21 / BE 11; Variously attributed to William Byrd and Orlando Gibbons.; |
|||
172–171v | O Lord, grant the King a long life | Mr Weelks. | |
Appears on:
172–171v
Source Attribution:
Mr Weelks.
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
O Lord grant the King &c: / O Lord grant the King a long life
General NoteAnnotations/Corrections: at very beginning possibly some erasure after the clef; in second line four dots before the first note; Notes: MB 23; |
|||
173–172v | Deliver me from mine enemies | - | |
Appears on:
173–172v
Genres:
Quodlibet
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Deliuer me from mine enemyes. &c. / Deliuer me from mine enemies
General NoteAnnotations/Corrections: seemingly some erasure around clef at very beginning; Notes: NOA ; |
|||
174–173v | Sing joyfully unto God our strength (2p. Blow the trumpet) | - | |
Appears on:
174–173v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Sing joyfullye unto God our strength
General NoteAnnotations/Corrections: 6 voc.' at top; Notes: BE 11; on f. 173v music n brown ink and text in black ink; on f. 174 first line of music and all the text on this page in black ink, but second to fifth line of music in brown ink; from here on both music and words of the pieces in black ink; |
|||
175–174v | Lord, I am not high-minded | Mr John Amner. | |
Appears on:
175–174v
Genres:
Anthem
Source Attribution:
Mr John Amner.
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Lord I am not high minded
General NoteAnnotations/Corrections: corr. in final line of piece (two notes blacked out); ' 5 voc.' on top of f. 175; note corr.? near end of second line of f. 175 - there also text corr.; ; Notes: NECM 4; |
|||
176–175v | O praise God in his holiness (I) | - | |
Appears on:
176–175v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O prayse God in his holyness
General NoteAnnotations/Corrections: 8 voc.' at top; on f. 176, in secon line stave made clear in ink and in fourth line slur entered to clarify relation to text-syllable; Notes: TCM 5; |
|||
177–176v | Among the gods | Mr Henry Hellwis. | |
Appears on:
177–176v
Source Attribution:
Mr Henry Hellwis.
Voice:
[no designation]
Languages:
English
Mensuration:
cut-c
Clef:
c3
Voice Text:
Among the Gods
General NoteAnnotations/Corrections: in penultimate line of piece 'Cho:' erased, then note wrotten over it and 'Cho:' on top; generally 'verse' and 'Cho:' alternating throughout; Notes: Text from Ps.86, v.; |
|||
179–177v | O Lord, turn thy wrath (2p. Bow thine ear) (=Ne irascaris) | Mr Will: Byrd: | |
Appears on:
179–177v
Genres:
Anthem, Contrafactum
Source Attribution:
Mr Will: Byrd:
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Oh Lord turne thy wrath
General NoteAnnotations/Corrections: on top of f. 178 and of f. 179 each time '5 voc.'; on top of f. 178 'The Second Part' written in first stave before music (in slightly paler ink); 'Mr Will: Byrd:' after each part (on f. 178v and 177v); Notes: Contrafactum of Ne irascaris Domine/Civitas sancti tui (Cantiones sacrae, 1589).; |
|||
180–179v | I lift my heart to thee (= Amavit eum Dominus) | - | |
Appears on:
180–179v
Genres:
Anthem, Contrafactum
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
I lift my heart to thee
General NoteAnnotations/Corrections: at top '5 voc.'; text corr. in first line; several slurs entered to clarify note-syllable relation; at end stave drawn out into the outer margin for the final two notes; Notes: EECM 19; |
|||
181–180v | I call and cry to Thee (= O sacrum convivium) | - | |
Appears on:
181–180v
Genres:
Contrafactum, Motet
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
I call and cry to thee, O Lord
General NoteAnnotations/Corrections: text corr. in top line of f. 180v and at end of bottom line on f. 181; '5 voc.' at top; Notes: EECM 12; Contrafactum of O sacrum convivium (Cantiones sacrae, 1575).; |
|||
182–181v | Behold, it is Christ | Mr Hooper. | |
Appears on:
182–181v
Genres:
Anthem
Source Attribution:
Mr Hooper.
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Behold, it is Christ
General NoteAnnotations/Corrections: 5 voc.' at top; text in second line of piece; in several places stave lines enforced in ink; Notes: Schott; ed. Peter le Huray (1961).; |
|||
183–182v | Save me, O God, for thy name's sake | Mr William Byrd. | |
Appears on:
183–182v
Genres:
Motet
Source Attribution:
Mr William Byrd.
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Save me O God for thy names sake
General NoteAnnotations/Corrections: 5 voc.' at top; composer name entered at end in paler ink than music and words (although seemingly in the same hand); in several places stave lines enforced in ink; Notes: BE 11; |
|||
183v | [blank staves] | - | - |
[blank staves]
Appears on:
183v
|
|||
185–184 | O Lord, for our peace came bitterness | Mr Robert Gell: | |
Appears on:
185–184
Source Attribution:
Mr Robert Gell:
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O Lord for our peace came bitterness
General NoteAnnotations/Corrections: 5 voc.' at top; text corrl in bottom line of f. 185; possibly note corr. in penultimate line of f. 185; Notes: possibly unicum; |
|||
186–185v | O Lord, make thy servant, Elizabeth [or James, or King Charles] | - | |
Appears on:
186–185v
Genres:
Anthem
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O Lord, make thy servant King Charles
General NoteAnnotations/Corrections: 5 voc.' at top; in top line, one note particularly shaky with some ink smear; Notes: BE 11; |
|||
187–186v | To Jesus Christ thē faithful witness [full setting, 5vv] | Mr Henry Loosemore. | |
Appears on:
187–186v
Genres:
Anthem
Source Attribution:
Mr Henry Loosemore.
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
To Jesus Christ the faythfull witnesse
General NoteNotes: Only an organ part survives (US-Nyp 5469); ConcordancesThe verse anthem with the same text in the Peterhouse partbooks is NOT concordant with this, but a different setting. |
|||
187v | [blank staves] | - | - |
[blank staves]
Appears on:
187v
|
|||
188 | Fear not, for behold I bring you glad tidings | - | |
Appears on:
188
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
Fear not for behold, behold I bring you glad tidings
General NoteAnnotations/Corrections: 4 voc.' at top; text corr. at beginning of second line; |
|||
188v | O praise the Lord, all ye heathen | - | Anonymous |
O praise the Lord, all ye heathenAnonymous
Appears on:
188v
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O praise the Lord all ye Heathen
General NoteAnnotations/Corrections: ‘4 voc.’ at top; some note corrections in fop line; Notes: text from Ps.117, vv.1-2; |
|||
189 | O Lord, we beseech thee, mercifully hear our prayers (‘4 voc.’) | - | |
Appears on:
189
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
O Lord, we beseech thee mercifully hear our prayers
General NoteAnnotations/Corrections: ‘4 voc.’ at top; text corr. in second line; Notes: A Collect from the Commination Service (Ash Wednesday). In the edition in OA, the contratenor part supplied in the new partbook was reconstructed.; |
|||
189v | This is the day which the Lord hath made | Mr Henry Molle | |
Appears on:
189v
Source Attribution:
Mr Henry Molle
Voice:
[no designation]
Languages:
English
Clef:
c3
Voice Text:
This is the day which the Lord hath made
General NoteAnnotations/Corrections: 4 voc.' at top; composer name seemingly entered in paler ink; Notes: This is found also in the Peterhouse ‘Latter’ set of Caroline partbooks (see Dom Anselm Hughes…), in NYPL Drexel 5469, p.161 (the ‘Henry Loosemore Organ Book’, see Thurston Dart...), in both of which sources it is anonymous. It is found also in Ob Mus. f. 16-19 (the ‘Hamond MSS’, see Margaret Crum…), where it is attributed to ‘Osborne’ [i.e. Osbert] Parsley]. The attribution to Molle in the newly-discovered partbook is surprising, since the anthem’s musical style is formal and primitive, and is certainly more in keeping with the early Elizabethan period.; |