Wright, Peter. 2017. A Deleted Sanctus in the Aosta Codex. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 67: 11-29.

Wright, Peter, and Susana Zapke. 2015. The Weitra fragment: a central European source of late medieval polyphony. Music & Letters, 96 No. 3: 323-343.

Wright, Peter. 2014. The Transmission of English Liturgical Music to Central Europe c. 1430–1445. Musikalische Repertoires in Zentraleuropa (1420–1450): Prozesse und Praktiken der Aneignung musikalischer Repertoires in Zentraleuropa, ca. 1420, edited by Alexander Rausch and Björn R Tammen, 83–112. Vienna.

Wright, Peter (ed.) 2013. Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Early English Church Music.  London: Stainer and Bell for the British Academy.

Wright, Peter. 2011. A Gloria Newly Attributed to Byttering. Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois, et bonne estrenne, edited by Fabrice Fitch and Jacobijn Kiel, 170-7. Woodbridge.

Wright, Peter. 2010. Englishness in a Kyrie (Mis)attributed to Du Fay. Essays on the History of English Music: sources, style, performance, historiography, edited by Emma Hornby and David Maw,  Woodbridge: Boydell.

Wright, Peter. 2009. (unpublished paper).

Wright, Peter. 2009. Polyphony for Corpus Christi in an Unknown Fragmentary Source from Mid-Fifteenth-Century Central Europe: An Interim Report. Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo,  and Leofranc Holford-Strevens, 271-82. Turnhout.

Rumbold, Ian, and Peter Wright. 2006. Der Mensuralcodex St. Emmeram. Faksimile der Handschrift Clm 14274 der Bayerischen Staatsbibliothek München. edited by Lorenz Welker, 2 vols. Wiesbaden.

Wright, Peter (ed.) 2006. Fifteenth-Century Liturgical Music, V: Settings of the Sanctus and Agnus dei. Early English Church Music.  London.

Wright, Peter (ed.) 2006. Fifteenth-Century Liturgical Music, V: Settings of the Sanctus and Agnus dei. Early English Church Music.  London: Stainer and Bell for the British Academy.

Wright, Peter. 2003. The Ownership of the Aosta Codex. Manoscritti di polifonia nel Quattrocento europeo: atti del convegno internazionale di studi, Trento, Castello del Buonconsiglio, 18-19 ottobre 2002, edited by Marco Gozzi, 57-64. Trent: Provincia autonoma di Trento, Soprintendenza per i beni librari e archivstici.

Wright, Peter. 2000. Binchois and England: Some Questions of Style, Influence, and Attribution in his Sacred Works. Binchois Studies, edited by Andrew Kirkman and Dennis Slavin,  Oxford.

Gerber, Rebecca L. 1996. Dufay's Style and the Question of Cyclic Unity in the Trent 88 Mass Proper Cycles. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', edited by Peter Wright, 107-120. Trent.

Gozzi, Marco. 1996. I codici più recenti nel loro contesto storico-liturgico: i contrafacta. I Codici Musicali Trentini: nuove scoperte e nuovi orientamenti della ricerca, edited by Peter Wright, 55-80. Trent.

Strohm, Reinhard, and Peter Wright. 1996. European cathedral music and the Trent codices. I codici musicali trentini. Nuove scoperte e nuovi orientamenti della ricerca. Atti del Convegno internazionale, Trento, Castello del Buonconsiglio,24 settembre 1994, 15-29. Trento, Provincia autonoma : Servizio per i beni librari e archivistici.

Wright, Peter (ed.) 1996. I codici musicali trentini 2. Nuove scoperte e nuovi orientamenti della ricerca. Atti del Convegno Internazionale.  Trent.

Wright, Peter. 1995. 'Paper Evidence and the Dating of Trent 91. Music & Letters, 76: 487-508.

Wright, Peter. 1994. A New Attribution to Brassart? Plainsong and Medieval Music, 3: 23-43.

Wright, Peter. 1992. Johannes Brassart and Johannes de Sarto. Plainsong and Medieval Music, 1: 41-61.

Wright, Peter. 1989. The Related Parts of Trent, Museo Provinciale d'Arte, MSS 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study.  New York: Garland.

Wright, Peter. 1989. The Related Parts of Trent, Museo Provinciale d’Arte, MSS 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study.  New York.

Wright, Peter. 1986. On the Origins of Trent 87¹ and 92². Early Music History, 6: 245-70.

Wright, Peter. 1986. The Aosta-Trent Relationship Reconsidered. I codici musicali trentini a cento anni dalla loro riscoperta: Atti del convegno 'Laurence Feininger, la musicologia come missione', 138-57. Trent.

Wright, Peter. 1986. The Related Parts of Trent, Museo Provinciale d'Arte, Mss. 87 (1374) and 92 (1379): A Paleographical and Text-Critical Study. Ph.D. dissertation, University of Nottingham.

Wright, Peter. 1982. The Compilation of Trent 87¹ and 92². Early Music History, 2: 237-71.